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Matisse at the Met: Hurry, Sunday is the last day

The masterly, ravishing show “Matisse: In Search of True Painting,” winding up at the Metropolitan Museum of Art in New York City is overwhelming in a good way. With only 49 works arranged chronologically and in groupings ­— mostly pairs or trios — we can follow Matisse’s growth from imitator to singular master. In two paintings of the same subject, he can master a style, impressionism for example, in one and then leave that technique behind in the next, both in the same year. Matisse worked continuously during his long life. Witness the seemingly endless paintings and other works he produced. (A few years ago the Museum of Modern Art brought together enough odalisques — those recumbent ladies partially dressed in harem style — to fill several rooms.) But at the Met it is as if his work has been boiled down to its essence, to the decisions he made in each period of his career, and to the explosive results of those decisions. The work featured in the museum’s publicity, the great portrait of a young man with almond eyes and a sailor cap, is a brilliant example of Matisse’s work habits and developing sensibility. First hangs a picture of the youth made of near pointillist dots — vague, rushed, barely organized. Beside it in the other picture the almond-eyed young man seems from another planet, he isn’t anchored but seems to float; and somehow we see him both frontally and in profile, so manipulated is the torque of his body. There are four paintings of Notre Dame that begin with almost documentary realism and end with the abstract blue and black masterpiece of the cathedral loaned by MOMA. And everywhere there is color growing in intensity as Matisse matures. The oranges in a bowl of fruit or the amazing tangerines of goldfish seen through a bowl against the light of a window are intoxicating and hypnotic and finally overwhelming. The colors, even painted flat, vibrate before your eyes. If you have time for a quick day trip, this is the show to see. It is small, beautifully curated and catalogued, and like no Matisse exhibition you have ever seen. Matisse continues at The Metropolitan Museum of Art in New York City through March 17. For information, call 212-535-7710 or go to www.metmuseum.org

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