Thank you!
Your support is sustaining the future of local news in our communities.

Hoarding With Style: Sarah Blodgett’s art of collecting

Hoarding 
With Style: Sarah Blodgett’s art of collecting

Sarah Blodgett has turned her passion for collecting into “something larger.”

Photo by Sarah Blodgett

There is something wonderfully disarming about walking into a space where nothing feels overly polished, overly planned or pulled from a catalog — a place where history lingers in the corners, where color is fearless, where the objects on the shelves have stories to tell and where, if you are lucky, a cat named Cinnamon may be supervising the entire operation.

That is the world of Sarah Blodgett.

Now part of the creative orbit inside Liz Macaire’s sprawling gallery in West Cornwall, Blodgett’s “Hoarding With Style,” tucked into the upstairs space, feels less like a shop and more like an unfolding conversation about aesthetics, storytelling and the art of living with things that matter.

Born in Manhattan, Blodgett spent weekends and much of her childhood in Gallatin, New York where her family owned a late-1700s farmhouse on a property that once housed an antique store, leaving the barns packed with treasures and forgotten finds.

“I was dusting off antiques instead of playing with toys as a child,” she said, laughing.

In sixth grade, she recruited friends to venture into an abandoned house, move things around, style found objects and create little vignettes while her mother supervised from a nearby chair. Looking back, it seems inevitable that Blodgett would eventually build a business rooted in collecting, storytelling and visual imagination.

Photography came first. Her father was a professional photographer in New York, and Blodgett followed him into the field, eventually building a career photographing wildlife, sports and portraits while simultaneously collecting antiques and pieces that fed her layered aesthetic.

For years, she joked about turning her passion into something larger. She trademarked the name “Hoarding With Style,” a process that took nearly two years. Once it finally came through, she laughed.

“Well, I guess I should use it.”

As photography rapidly changed in the age of cellphones and artificial intelligence, Blodgett began rethinking what creativity could look like moving forward.

“We also realized we had too much stuff,” she said. “So we started selling pieces on Facebook Marketplace.”

Only Blodgett could not help elevating even that process. Inside her Greek Revival home in West Cornwall, she created styled moments around the things she was selling. People responded not just to the objects, but to the feeling behind them.

Her philosophy is approachable, with affordability in mind. She believes homes should evolve slowly over time, layered with meaningful objects, history and personality rather than stripped down into sterile perfection.

“That’s what gives a home a soul,” she said.

Creativity runs throughout the family. Her husband, a German comedian and juggler, performs internationally, while their 22-year-old child, Badger, is heading to the Maryland Institute College of Art this fall. One of the couple’s four children in their blended family, Badger has even sold some of their own pieces through Sarah’s shop.

“My mom has been such a rock star at supporting me,” Badger said.

Working with clients, Blodgett describes herself as less decorator and more “creativity facilitator,” helping people uncover their own instincts through objects that already reflect who they are.

That is exactly what Sarah Blodgett does: She invites visitors not only to explore her journey, but perhaps to begin uncovering their own.

Hoarding With Style is located at 406 Goshen Turnpike, West Cornwall and is open Friday-Sunday 12 to 4 p.m. or by appointment.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.