Thank you!
Your support is sustaining the future of local news in our communities.

Hoping that a comet will come our way

Pricked into the border of the 230-foot-long Bayeaux Tapestry, right before the coronation of the English King Harold and above the upturned heads and pointing arms of his retainers, is the Latin inscription “Isti Mirant Stella” (“These men wonder at the star”) and the unmistakable image of a blazing comet.

The appearance of Halley’s Comet in 1066 coincided with the Norman invasion of England, though chronologically it took place a few months after what from William the Conqueror’s perspective was Harold’s “usurpation.”   

As portents go, save only a total solar eclipse,  the appearance of a great comet is about as good a celestial event as one could wish. Now, in this plague year of 2020, we are about to receive a visitation from a comet with the potential to be spectacular.

Comet C/2019 Y4 was first detected in the last days of the old year by the Mauna Loa, Hawaii-based Asteroid Terrestrial-impact Last Alert System (ATLAS), and is now visible with the aid of more modest telescopes.

Sometime in late April, when there is a sliver of new moon in the sky, astronomers predict that what is being called Comet ATLAS will be a naked-eye object, and could be brighter than Venus as it makes its closest approach to the sun in late May 2020.

I have seen four comets in my 52 years on this Earth. When I was a very little boy, in 1973, my parents took me out one winter night to the airport in the hills above Worcester, Mass., to see Comet Kahoutek (C/1973 E1), making its first approach in 150,000 years.  I do not recall being impressed, and indeed Kahoutek failed to deliver, partially breaking up as it swept toward the sun.

When I was in high school, Halley’s Comet made an underwhelming pass after 86 years, but the next two comets were greater by orders of magnitude. Comet Hyakutake (C/1996 B2) came so close to the Earth that observers could easily track its movement — a Moon’s breadth in half an hour’s time.

It blazed with a long tail but only briefly, growing fainter between late March and May, and its memory has been eclipsed by Comet Hale-Bopp (C/1995 01), which arrived later in 1996 and which I saw in both hemispheres.  The clear desert skies of Namibia made a brilliant backdrop for a comet outgassing in a broad V above the Damaraland escarpment.

As author David H. Levy memorably puts it; “Comets are like cats: they have tails, and they do precisely what they want.”

Whether Comet ATLAS is a bang or a bust depends on a number of variables. It has an estimated orbital period of  about 5,000 years.  Its nuclei have started to develop an aqua-blue tail that, because of its orbital trajectory, could achieve an impressive, reflective length at its nearest approach.

The size and composition of the comet itself is still unclear, so it is hard to predict how bright ATLAS will get or whether it will break up under the pull of the Sun’s gravity.

Those inclined to read meaning into coincidence may note that the emergence of the novel coronavirus and its exponentially growing global infection curve are closely aligned with the arrival of Comet ATLAS. Those of us who desperately need something marvelous and wonderful to brighten our lives at this time live in hope that ATLAS will deliver.

 

Tim Abbott is program director of Housatonic Valley Association’s Litchfield Hills Greenprint. His blog is at www.greensleeves.typepad.com.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.