
Christian Allyn, right, led an informative tree planting at North Canaan Elementary School on Arbor Day. The students added a northern catalpa to the school’s arboretum.
Photo by Riley Klein
Christian Allyn, right, led an informative tree planting at North Canaan Elementary School on Arbor Day. The students added a northern catalpa to the school’s arboretum.
NORTH CANAAN — The times they are a-changing in North Canaan.
With a fresh selectmen administration, a nod from voters to permit cannabis licenses, and a range of new business development in town, the revitalization of North Canaan was in full swing in 2023.
The municipal election drew considerable interest last year with 58.5% of registered voters turning out to make their voices heard. Brian Ohler, former state representative (R-64), won the open seat of first selectman against Christian Allyn. Jesse Bunce joined the board and Craig Whiting was reelected to a fourth term as selectmen.
“We have our own vision now and it’s going to take a little bit to implement that. But I’m confident with Craig and Jesse we can work together and we can be the team that North Canaan needs,” said Ohler during the first meeting of the new board.
On voting day, North Canaan narrowly approved recreational cannabis sales in town. A 17-vote margin was confirmed by recount and has subsequently opened the door for prospective marijuana entrepreneurs in the Northwest Corner. A rough timeline from the Planning and Zoning Commission aimed for February 2024 as the target to have regulations in place.
The revitalization on Railroad Street continued last year, and neon lights from Colonial Theatre’s marquee once more brighten downtown North Canaan. The historic movie house had been shuttered since 1997 except for an extensive refurbishment and brief revival in the early 2000s.
Now the excitement is returning. In April, Lenore and Marc Mallett and David and Stacey Fiorillo, two Salisbury couples, purchased the old theater, rolled up their sleeves, and plotted a future designed to bring life and activity back to downtown Canaan.
Union Station’s lights are shining a bit brighter, too, since the November 2023 opening of the Art Bar & Cafe by owner Chris Tripler. The wine bar features local artists in its Community Gallery.
Art Bar & Cafe manager Melanie Teardo said the addition to downtown North Canaan brings “something unique to the area. Definitely nice to have a little bit of night life around here.”
She said it creates “a sense of community” among local artists. “You don’t have to be an expert painter to be a part of it.”
Ilse Coffee opened a cafe in the old location of Jim’s Garage on Railroad Street. The light-filled and airy space is a testament to the dedication of its founders, Rebecca Grossman and Lucas Smith. They transformed the old garage into a bright and cozy spot for coffee lovers, an open-concept space that showcases their entire production.
“This is kind of where the journey started,” Grossman said, “so it’s a very cool coming home.”
Eagle Scout candidate Dylan Deane completed the creation and installation of four directional signs across town. The high-quality blue road signs direct motorists to points of interest as they enter North Canaan.
“It went from paper to reality,” Scout Deane said as he thanked numerous sponsors that contributed to the project. “Sometimes I thought it would never happen.”
Despite the change, timeless town traditions persevered throughout the year. Students of North Canaan Elementary School (NCES) added a northern catalpa to their school’s arboretum on Arbor Day. For the 33rd year, NCES celebrated the annual tradition before a crowd of relatives and loved ones.
For the 59th time, Railroad Days rolled into Union Station for 10 days of summertime splendor. The celebration included a full menu of events ranging from train rides to bed racing and just about everything in between.
Led by Grand Marshal Charles Perotti, the Parade of Canaan marched through the center of town on July 15, showcasing 24 fire companies from across the region along with local businesses and organizations. Floats from Great Falls Brewery, William Perotti & Sons, United Ag & Turf, 711 Racing Team, and the Railway Express captivated crowds as they flowed down Main Street.
Some change in 2023 was met with resistance. A proposed 20-lot subdivision along the Housatonic River has sparked outcry from environmentalists seeking to conserve the Wild and Scenic River corridor.
“This proposal perplexes me and saddens me. To commit 20 houses to be built on Honey Hill river frontage would allow the developer to take private financial advantage of a public resource that the Housatonic River Commission worked to protect for 40 years,” said Tom Zetterstrom.
The public hearing on the subdivision application will continue in 2024.
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino