
Superintendent Lisa Carter is retiring at the end of this month after 21 years as an educator and administrator with the Region One school district.
Debra A. Aleksinas
Superintendent Lisa Carter is retiring at the end of this month after 21 years as an educator and administrator with the Region One school district.
NORFOLK — When Lisa Carter joined the Region One school district in 2002 as a social studies teacher at Housatonic Valley Regional High School (HVRHS,) following her work with the U.S. State Department where she helped write the curriculum for teaching Foreign Service Officers how to speak Mandarin Chinese, she envisioned retiring in that role.
She never imagined her teaching position would serve as a steppingstone toward a 21-year career in education, capped by her appointment as superintendent, with responsibility for leading and managing seven schools and seven boards of education, as well as one regional school board, during one of the most tumultuous times in the history of American education.
In an interview in late May at The Hub in Norfolk, her hometown, Carter reflected on her tenure with the Region One school district, from which she is stepping down at the end of June.
“I’ve done a lot of things, but this has been the most rewarding career that I’ve had in my life. I never thought I’d have the opportunity to learn from so many people, and for me to have impact on the lives of so many people, and to send our students out into the world with big dreams and aspirations, along with the confidence to achieve those dreams,” said Carter.
Prior to becoming superintendent of the Region One school district — which includes, in addition to the regional high school, six elementary schools: Lee H. Kellogg, Cornwall Consolidated, Kent Center, North Canaan Elementary, Salisbury Central and Sharon Center— she held the position of assistant superintendent from 2017 to 2020.
Carter, who earned a Bachelor of Science degree in Mandarin Chinese and a minor in Business from Georgetown University, a master’s in business administration from the University of Southern California and a second Master’s in Educational Leadership from Central Connecticut State University, served as Salisbury Central School Principal from 2011 to 2017, after teaching social studies at HVRHS for nine years, from 2002 to 2011.
The China Connection
Carter, who has two sons, was born in Georgia in 1956. “I lived there for 10 days. My father was in the service and was sent to France for 18 months. Today, at age 91, he still feels bad for missing the first 18 months of my life,” she explained.
She and two younger brothers grew up Pittsburgh, and she eventually went off to college at Georgetown University, where she majored in Chinese and minored in business. Carter spent her junior year in Taiwan. “This was before you could go to Mainland China. It helped me with the fluency of the language,” she recalled.
After graduation, she landed a job with the U.S. State Department. By that time, she noted, Mainland China opened up and people were being assigned there. Carter worked with a team that created curriculum used to train diplomats looking to relocate to Bejing.
“I had always thought I wanted to be in the diplomatic corps,” she explained. So she attended a diplomatic language learning center in Arlington, Va., in preparation for her service exam. “I really wanted to go to Mainland China, which had been closed off to the rest of the world, and wanted to be one of the first people to see what it was like.”
Carter recalled the disappointment of finding out that it was “highly unlikely” that she would be posted in China as a junior member of the Corps, as it was a “plum assignment” reserved for longer tenured staff.
The then 23-year-old received another disappointment upon learning that a job as an office assistant with Dravo Corporation, where she was to assist with opening their office in Beijing, fell through when they did not get the contract.
For the next five years, Carter worked closely with the engineering teams on Union Oil Company in California. “The development was so rapid,” she recalled. “The Chinese people are so friendly and so loving and it was really great to get to know them and see them come alive and open themselves up to industrialization. And I got one of my dreams.”
After meeting her future husband, she moved to New York City, got married and had two sons, now ages 27 and 30. She was hired by real estate maven Barbara Corcoran, selling co-ops and condos. Referring to her new boss, “she was a pistol,” noted Carter. “I liked the people in the business, but I did not like the business.”
The family relocated from the Big Apple to Norfolk, where they had a “big circle of friends.”
“I always wanted to be a teacher, but I didn’t think the kids would like me. I was pretty serious as a young woman and didn’t have a lot of confidence and belief in myself.”
Prompted by teachers at the high school, she applied to Salisbury Central and HVRHS as a substitute teacher, hoping to get hired as a history teacher. She obtained her teacher certification and a year later was hired full time when a position opened up at the high school.
‘The ideal leader’ during a volatile period
While at the high school, Carter opened the relationship with the Shandong Experimental School in Jinan, China, and introduced the Civic Life Project, a program that teaches civics through the production of short documentary films.
“I loved teaching there, and I had great colleagues,” she noted. “We were always keeping track of current events and helping kids see the connections between what came before and what’s happening now.”
In many ways, Carter’s background shaped her success as a teacher and administrator.
HVRHS Principal Ian Strever put it this way: “Lisa’s experience prior to becoming a teacher brought a worldly and innovative thinker to Region One. Her creative and flexible problem solving made her the ideal leader during what has been one of the most volatile periods in American education shepherding us through a pandemic, massive societal change, and a wave of legislation that has redefined the purpose of school.”
In 2020, Carter had settled into her role as assistant superintendent, when the superintendent’s job opened up.
“They chose me and believed in me in a very difficult time, supported by every single board member and a 50-person transition team,” Carter recalled. The group met weekly and was tasked with “making decisions on how to open up the schools when very few schools were doing that. As stressful as that was, it was so much better for the students than to be at home and on the computer.”
From nurses to bus drivers, paralegals and teachers, town and state health and education officials, as well as the Litchfield County superintendents’ group, “everyone leaned in and every person touched my life and I touched theirs in a really meaningful collaboration.”
Patricia Mechare, chair of the Region One Board and the Lee H. Kellogg Board of Education, praised Carter’s leadership and flexibility during that tumultuous time. She described Carter as a “wonderful partner to all our schools and a very effective superintendent.”
As for what comes next for Carter, she is looking forward to the next chapter in her career as Assistant Executive Director with EdAdvance in Litchfield, which is a full-time position, “but will not demand as much of my time.”
Paquito D’Rivera performs at the Mahaiwe in Great Barrington on April 5.
Natalia Bernal is the Mahaiwe Performing Arts Center’s education and community engagement manager and is, in her own words, “the one who makes sure that Mahaiwe events are accessible to all.”
The Mahaiwe’s community engagement program is rooted in the belief that the performing arts should be for everyone. “We are committed to establishing and growing partnerships with neighboring community and arts organizations to develop pathways for overcoming social and practical barriers,” Bernal explained. “Immigrants, people of color, communities with low income, those who have traditionally been underserved in the performing arts, should feel welcomed at the Mahaiwe.”
Partnerships with organizations like Volunteers in Medicine Berkshires (VIM), the W.E.B. Du Bois Legacy Committee, and Community Access to the Arts (CATA) have helped bridge that gap. But for the Latinx community, there’s an even more targeted effort: the Spanish-language Community Advisory Network (SCAN).
“Six years ago, we started an advisory group of Spanish speakers in the community,” Bernal said. “They tell us what the community wants to see, how they’d like their culture represented. Today, SCAN has 12 members. We meet four times a year and are in constant communication. It’s because of them that we’ve hosted free Spanish-language film screenings and live performances.”
For Bernal, this work is personal. “When I first moved to the U.S. in 2003, it was because I got a Latin American scholarship to study at Berklee College of Music. That first year, I went home to Uruguay for Christmas and saw Paquito D’Rivera perform at a jazz festival. I was determined to meet him, and I did. Later that year, Paquito came to Berklee and invited me on stage.”
Now, two decades and 16 Grammys later, Paquito D’Rivera is coming to the Mahaiwe on April 5, and there’s a chance history might repeat itself. “He saw a post we made about his concert and commented, ‘Ay, chica, que maravilla, are you gonna sing a song with us?’ I almost died,” Bernal laughed. “I don’t know if it will happen, but it would be a dream.”
About the possibility of a guest appearance by Bernal, D’Rivera said, “Natalia is a very dear, valuable colleague, and jazz is about improvisation, so the surprise factor is always part of the fun here.”
D’Rivera’s concert is just one example of how the Mahaiwe is making world-class performances accessible. “My whole day has been about offering ‘pay what you can’ tickets for this show,” Bernal says. “We also issued a 50% discount to our partners. We work with ESL teachers, public libraries, literacy agencies, anyone who can help us get the word out.”
That kind of grassroots effort has been transformative. “Last year, we screened ‘Florencia en el Amazonas,’ the first opera written in Spanish ever performed at the Met,” Bernal said. “I sat in the Mahaiwe in tears. As someone who loves opera, it was the first time I heard one written in my own language. It was so powerful.”
Natalia Bernal, Mahaiwe’s education and community engagement managerPhoto by Martin Cohen
For Bernal, it all comes back to representation, on stage and in the audience. “My son is eight. I bring him to everything I can. Spanish shouldn’t just be something that happens at the dinner table. It should be in the world, in all these shapes and forms.”
And that’s what SCAN is helping build: a future where Latinx voices aren’t just included, they are central. “Our SCAN advisors are volunteers, cultural ambassadors,” Bernal said. “They help us distribute surveys, talk to the audience, and strengthen the community. Nobody should feel alone. Everybody should feel like they belong here.”
Education and outreach are central to D’Rivera’s work as well. He said, “It is an important part of our mission to plant and nurture the seed of quality music in our communities.” He continued to say, “Using our visibility and influence in favor of justice is always a very effective vehicle in denouncing violations of human rights around the world.”
This shared mission of education and social justice extends beyond the Mahaiwe. “We are one of the few arts organizations in a monthly meeting with BASIC (Berkshire Alliance for Immigrant Services). We have direct ties to the Berkshire Immigrant Center, VIM, and others so that we are well-informed and ready to serve,” said Bernal.
That commitment to community, culture, and access is why Bernal’s dream panel—Women in the Music Business—would feature Paquito’s wife and longtime manager, Brenda Feliciano. “She’s a tower of power. She’s been managing his career for at least 45 years. If I could organize an event one day, she would be the cherry on the cake.”
Until then, Bernal will keep doing what she does best: making sure the Mahaiwe is a place where everyone, regardless of language, income, or background, feels at home. And maybe, just maybe, she’ll find herself back on stage with Paquito D’Rivera, just like that first time, all those years ago.
For more info and tickets to Paquito D’Rivera, visit mahaiwe.org
There is magic in a home filled with the things we love, and Mary Randolph Carter, affectionately known as “Carter,” has spent a lifetime embracing that magic. Her latest book, “Live with the Things You Love … and You’ll Live Happily Ever After,” is about storytelling, joy, and honoring life’s poetry through the objects we keep.
“This is my tenth book,” Carter said. “At the root of each is my love of collecting, the thrill of the hunt, and living surrounded by things that conjure up family, friends, and memories.”
The creative director at Ralph Lauren for almost four decades, Carter began writing this book during the pandemic, a time of rediscovering comfort. “I found more time to appreciate those special things that give our homes warmth and connection.” Working with Ralph Lauren, she learned that the best spaces tell a personal story. “His desk was filled with toy cars, miniature shoes, superheroes, English dandies, cowboys on horseback. The walls? A gallery of his children’s paintings, iconic photos of Frank Sinatra and Gary Cooper. Everything told a story.”
Carter acknowledges how homes can become overwhelmed with stuff but sees a difference between clutter and collection. “To live happily, create environments that inspire and comfort rather than encumber you! Look around and ask, ‘What is truly meaningful? What makes you smile? What recalls the people and places you cherish?’” Then, she added, “weed out the rest with discipline and courage!”
Provided
Each home in Carter’s book reflects its inhabitant’s spirit. “The first time I walked into Bethann Hardison’s apartment, I knew right away how authentic it was to who she is.” Hardison’s walls are lined with artwork from friends Keith Haring, Jean-Michel Basquiat, and Haitian paintings, testaments to a life well lived. “Though her mantra is, ‘the lighter the load, the freer the journey,’ she also admits some things ‘delight your environment’ and can’t be parted with. Amen to that!”
Having survived two childhood fires, Carter deeply understands what truly matters. “It’s not the things, but the people and memories they evoke.” She loves her collections, but they don’t possess her. “They make me happy, but they do not define me.”
She delights in how people showcase treasures. Paula Grief, for instance, lives in a ten-foot-wide house and had to part with many books. “She tucks the ones she can’t live without through the rungs of her staircase. I love that ingenuity!”
When asked about her most cherished possession, Carter tells a story of loss and serendipity. A childhood portrait of her in a blue velvet dress was lost in a fire. “Years later, the artist’s daughter found another version. Now, it hangs in our apartment, surrounded by flea market art and one of my favorite saints, Our Lady of Guadalupe.”
Adding to the cozy feeling of this book, Carter’s son, Carter Berg, took the photographs, and her sister, Cary, contributed the illustrations. “Cary once stayed in our apartment and painted a dozen objects from our cluttered kitchen. I hung them immediately. When I started this book, I knew she had to capture my favorite objects.”
Four of the featured homes are local to the Northwest Corner, including Carter’s in Millerton, Joan Osofsky’s in Lakeville, Robin Bell’s in Salisbury, and Paula Grief’s in Hudson. They all gathered at the White Hart/Oblong Speaker Series on March 27.
After perusing the richly colored pages of this book, you may feel tempted to shop. “You don’t need money to create a meaningful home,” Carter insisted. “Some of my favorite paintings cost no more than $10 or $25. Value is personal. It’s not about provenance but the story an object tells you or the one you make up.”
Carter’s advice? “Fall in love with the wackiest thing. Surround yourself with what matters, and you’ll live happily ever after.”
On Saturday, April 5, at 3 p.m., The Triplex Cinema in Great Barrington and Jacob’s Pillow, the dance festival in Becket, Massachusetts, are presenting a special benefit screening of the cinematic masterpiece, “The Red Shoes,” followed by a discussion and Q&A. Featuring guest speakers Norton Owen, director of preservation at Jacob’s Pillow, and dance historian Lynn Garafola, the event is a fundraiser for The Triplex.
“We’re pitching in, as it were, because we like to help our neighbors,” said Norton. “They (The Triplex) approached us with the idea, wanting some input if they were going to do a dance film. I thought of Lynn as the perfect person also to include in this because of her knowledge of The Ballets Russes and the book that she wrote about Diaghilev. There is so much in this film, even though it’s fictional, that derives from the Ballets Russes.” Garafola, the leading expert on the Ballets Russes under Serge Diaghilev, 1909–1929, the most influential company in twentieth-century theatrical dance, said, “We see glimpses of that Russian émigré tradition, performances we don’t see much of today. The film captures the artifice of ballet, from the behind-the-scenes world of dressers and conductors to the sheer passion of the audience.”
Hailed as one of the greatest films about ballet, “The Red Shoes,” 1948, is a dazzling fusion of dance and cinema, featuring a mesmerizing 17-minute ballet sequence performed by Scottish ballet dancer and actress, Moira Shearer. Directed by Michael Powell and Emeric Pressburger, the film’s breathtaking use of Technicolor and evocative storytelling continues to captivate audiences, including legendary filmmakers like Martin Scorsese, Brian De Palma, and Steven Spielberg all of whom have cited the film as an influence on their work.
Garafola recalled seeing the film as a young dancer. “I remember being more taken with the plot then, but seeing it again recently, it was the color, the fantasy, and the glamour that struck me. Given how gray England was after the war, the film’s vibrant costumes and settings create an almost dreamlike escape.”
Owen echoed Garafola’s sentiment. “It’s magical. Color was their thing, and this latest restoration makes it even more breathtaking.”
The film underwent an extensive digital restoration at the UCLA Film and Television archive between 2006 and 2008 and premiered at the Cannes Film Festival in 2009. This is the version of the film which will be screened at the Triplex.
Owen said, “I love the depiction of young ballet audiences racing to their seats. That kind of enthusiasm is contagious. It’s what draws young dancers in.” Both Owen and Garafola epressed hope that young dancers will attend the event, sharing in the film’s enduring inspiration.
Owen and Garafola’s Q&A is sure to be lively and educational as they delve into the film’s legacy in both dance and cinema. “It’s not just a film for dance lovers. It’s a filmmaker’s film, too,” Owen added.
Join The Triplex and Jacob’s Pillow for this rare opportunity to experience “The Red Shoes” on the big screen, a film that continues to enchant, inspire, and ignite artistic passion.
Tickets are available for $75 at www.thetriplex.org.