Project SAGE names Van Ginhoven director

Kristen van Ginhoven is the new executive director of Project SAGE.
Michael Nancollas

Kristen van Ginhoven is the new executive director of Project SAGE.
LAKEVILLE — In June 2024, Kristen van Ginhoven stepped into the role of executive director of Project SAGE, a community-focused organization dedicated to supporting, advocating, guiding and educating victims of relationship violence through a range of services and outreach programs in Lakeville, Connecticut.
A dual citizen of Canada and the U.S. with a background in theater, van Ginhoven stands at the crossroads of arts and activism with her feet firmly planted in both worlds.
“It’s all very new,” she mused, “but just this morning, going through my notes, I realized how much I’ve already learned, how much I’ve already done. I’m settling in, slowly but surely.”
The shift for van Ginhoven might seem fast, but her path to activism is etched in her lineage. “I am the granddaughter of social justice warriors,” she reflected, recounting stories of her grandparents who resisted during World War II.
This legacy, coupled with a personal awakening sparked by reading “Half the Sky: Turning Oppression into Opportunity for Women Worldwide” by Nicholas D. Kristof and Sheryl WuDunn, fueled her commitment to social justice. Of the book, van Ginhoven said, “That was, I would say, the beginning of my awakening of really owning my identity as an activist. And then that’s just grown over the last 15, 16 years.”
Van Ginhoven began her career as an actor and then became a teacher. “And when I was a teacher, well, you do everything,” she said. “So, I started directing and realized how much I loved it…and when I read the book, I was inspired to become a founder which led me to being a producing artistic director. I wear a lot of different hats in the art world.”
Van Ginhoven co-founded the WAM Theatre in 2010, a company dedicated to gender equity. Under her guidance, WAM blossomed, donating $100,000 to 25 organizations fighting for girls’ education, teen pregnancy prevention, and awareness of sexual trafficking, among others. The theater is having its 15th anniversary celebration on Aug. 18, a milestone van Ginhoven is very proud of. “I have so much faith in this new artistic team. They’re energetic and really excited about the next chapter of WAM, so they’re bringing the fresh energy there that I’m bringing to Project SAGE.”
With the support of the staff and board, van Ginhoven’s vision for Project SAGE is both ambitious and grounded. The next phase of growth will add a community space to the group’s Lakeville building: a sanctuary for those in need complete with a kitchen, a living room, and a play area for children.
“The building is just so beautiful,” said van Ginhoven. “And I’ve seen the plans for phase two. It’s going to have more offices because we’re kind of busting out of the seams here.”
There will be a room dedicated to organizing Trade Secrets, the annual fundraiser for Project SAGE. There will also be several new positions for hire beginning in the fall, a shift that van Ginhoven is committed to, ensuring that no one burns out and everyone is equitably compensated.
“So, it’s a few years away,” she said of the phase two completion, adding that one of the reasons she was selected for the role was to provide a vision for the path ahead. “I do think that my theater skills will come in handy with that. I used to tell women’s stories and now I’m a part of women’s stories. It feels different in a deeply meaningful way.”
Speaking to van Ginhoven from her sun-filled office, she paused to reflect on the importance of one’s environment. “I respond a lot to nature, and beauty, and light,” she said. Her new commute from Lenox, Massachusetts, is not a burden but a journey through the landscape she cherishes. “It’s such a beautiful drive,” she said. “I’m just really glad I didn’t have to move from this area that I love so much to have a job that is really meaningful and utilizes the skills that I have, and that will also challenge me in all the best ways.”
Kristen van Ginhoven is not just leading Project SAGE; she is weaving her story into its fabric, bringing light, joy, and a fresh perspective. “I’m a spiritual person,” she shared. “I think there’s something looking out for me.”
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.