Reenactor portrays Loyalist viewpoint at Scoville Memorial

Reenactor portrays Loyalist viewpoint at Scoville Memorial

Tom Key depicts Ezra Carruthers Sunday, Feb. 1.

Patrick L. Sullivan

SALISBURY — Ezra Carruthers, a Loyalist from North Carolina, explained why he chose to fight for the English against the American colonists during the Revolutionary War at the Scoville Memorial Library Sunday, Feb. 1.

Tom Key of Salisbury stood in for Carruthers.

The talk was part of the ongoing Salisbury READS series of events, presented in partnership with the Salisbury Association Historical Society in connection with the community reading of “Revolution Song” by Russell Shorto.

Speaking in 1830 from a coastal English village where he had a career as a schoolteacher, Carruthers said he grew up in North Carolina and still misses it.

His father fought with the British army in the French and Indian War, and subsequently sold his officer’s commission, a common practice at the time, and bought land in the North Carolina mountains.

Unlike the “lowlanders,” the senior Carruthers had a modest amount of land suitable for raising pigs and corn, not the more lucrative rice and indigo produced at lower altitudes. Carruthers had two, not hundreds, of slaves, and “we worked in the fields with them.”

Ezra attended William & Mary and studied classics, and also picked up double-entry bookkeeping.

He found work in Richmond, Virginia when Thomas Jefferson was governor. Ezra met Jefferson and formed an unfavorable opinion of the governor, one that persisted.

When the Revolution started and it was necessary to pick a side, Carruthers assessed the situation.

First, he did not approve of mob action, such as the tarring and feathering (if not worse) of Loyalists in cities like Philadelphia. “Mobs were doing what individuals would never do on their own.”

Second, the French influence on the revolutionaries. “I don’t think that needs any explanation.”

Third: Jefferson. Carruthers did not like or trust the man.

He also decided that the Loyalists valued peace, order and government, while the “rebels” (as he insisted on calling the colonists) were enamored of the somewhat amorphous “life, liberty and the pursuit of happiness.”

An American at the time was a Loyalist by default, Carruthers reasoned. Being a rebel required disavowing the King of England and the Church of England.

As a member of the Church of England, Carruthers knew or suspected that many of the rebels were either Deists, Freemasons or Presbyterians, none of which sat well.

And there was Jefferson, who wrote that all men were created equal, yet owned 400 slaves.

Politically, Carruthers considered the colonists pre-revolution to be the freest people in the world at the time.

He also noted that most of the laws that infuriated the rebels were in effect for short periods of time, and subsequently repealed or heavily amended after public outcry.

So he joined a Loyalist regiment headed by Patrick Ferguson, who had some success in recruiting men to fight for the Crown, but wasn’t much of a military tactician. Ferguson and his regiment were soundly defeated at the Battle of King’s Mountain, and Ferguson was killed.

Carruthers survived and found his way to Benedict Arnold’s force, where he participated in the burning of Richmond.

When the war was over, Loyalists were sent packing to wherever they’d be accepted — Africa, the Caribbean, India, Canada and the British Isles.

Carruthers wound up in England, where he kept up with his native land by subscribing to newspapers and periodicals.

He eventually came to wish the United States well but had some observations from afar.

He noticed the periodic unrest of Shay’s Rebellion and the Whiskey Rebellion. He followed the continual fighting between Alexander Hamilton and Jefferson, with George Washington stuck in the middle.

And he noted with disapproval “Jefferson’s love affair with France.”

From the vantage point of an exile in 1830, Carruthers said that republics formed after revolutions are rare, and republics that last rarer still.

He attributed that to the influence of Washington, two large oceans on either side of the country, and being “harder than hell” on the Native Americans.

Most importantly, the American Revolution produced the American Constitution, “which has held up very well.”

Unlike soldiers from other countries, fighting for their homeland or monarch, “if you’re an American, you’re fighting for the Constitution.”

Latest News

‘Vulnerable Earth’ opens at the Tremaine Gallery

Tremaine Gallery exhibit ‘Vulnerable Earth’ explores climate change in the High Arctic.

Photo by Greg Lock

“Vulnerable Earth,” on view through June 14 at the Tremaine Gallery at Hotchkiss, brings together artists who have traveled to one of the most remote regions on Earth and returned with work shaped by first-hand experience of a fragile, rapidly shifting planet, inviting viewers to sit with the tension between awe and loss, beauty and vulnerability.

Curated by Greg Lock, director of the Photography, Film and Related Media program at The Hotchkiss School, the exhibition centers on participants in The Arctic Circle, an expeditionary residency that sends artists and scientists into the High Arctic aboard a research vessel twice a year. The result is a show documenting their lived experience and what it means to stand in a place where climate change is not theoretical but visible, immediate and accelerating.

Keep ReadingShow less
Beyond Hammertown: Joan Osofsky designs what comes next

Joan Osofsky and Sharon Marston

Provided

Joan Osofsky is closing the doors on Hammertown, one of the region’s most beloved home furnishings and lifestyle destinations, after 40 years, but she is not calling it an ending.

“I put my baby to bed,” she said, describing the decision with clarity and calm. “It felt like the right time.”

Keep ReadingShow less
A celebratory season of American classics and new works at Barrington Stage Company
Playwright Keelay Gipson’s “Estate Sale” will have its world premier this summer at Barrington Stage Company.
Provided

Amid the many cultural attractions in the region, the Barrington Stage Company in Pittsfield, Massachusetts, stands out for its award-winning productions and comprehensive educational and community-based programming. The theater’s 2026 season is one of its most ambitious; it includes two Pulitzer Prize-winning modern classics, one of the greatest theatrical farces ever written, and new works that speak directly to who we are right now as a society.

“Our 2026 season is a celebration of extraordinary storytelling in all its forms — timeless, uproarious and boldly new,” said Artistic Director Alan Paul. “This season features works that have shaped the American theater, as well as world premieres that reflect the company’s deep commitment to developing new voices and new stories. Together, these productions embody what BSC does best: entertain, challenge and connect our audiences through theater that feels both essential and alive.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Hotchkiss Film Festival celebrates 15th year of emerging filmmakers

Student festival directors Trey Ramirez (at the mic) and Leon Li introducing the Hotchkiss Film Festival.

Brian Gersten

The 15th annual Hotchkiss Film Festival took place Saturday, April 25, marking a milestone year for a student-driven event that continues to grow in ambition, reach and artistic scope. The festival was founded in 2012 by Hotchkiss alumnus and Emmy-nominated filmmaker Brian Ryu. Ryu served as a festival juror for this year’s installment, which showcased a selection of emerging filmmakers from around the region. The audience was treated to 17 films spanning drama, horror, comedy, documentary and experimental forms — each reflecting a distinct voice and perspective.

This year’s program was curated by student festival directors Trey Ramirez and Leon Li, working alongside faculty adviser Ann Villano. With more than 52 submissions received, the selection process was both rigorous and rewarding. The final lineup included six films from Hotchkiss students.

Keep ReadingShow less
Artist Maira Kalman curates ‘Shaker Outpost’ in Chatham

The Laundry Room, a painting by Maira Kalman from the exhibition “Shaker Outpost: Design, Commerce, and Culture” at the Shaker Museum’s pop-up space in Chatham.

Photo by Maira Kalman; Courtesy of the artist and Mary Ryan Gallery, New York

With “Shaker Outpost: Design, Commerce, and Culture,” opening May 2, the Shaker Museum in Chatham invites artist and writer Maira Kalman to pair her own new paintings with objects from the museum’s vast holdings, and, in the process, reintroduce the Shakers not as relic, but as a living argument for clarity, usefulness and grace.

Born in Tel Aviv, Maira Kalman is a New York–based artist and writer known for her illustrated books, wide-ranging collaborations and distinctive work spanning publishing, design and fine art.

Keep ReadingShow less

Ticking Tent spring market returns

Ticking Tent spring market returns

The Ticking Tent Spring Market returns to Spring Hill Vineyards in New Preston on May 2.

Jennifer Almquist

The Ticking Tent Spring Market returns to New Preston Saturday, May 2, bringing more than 60 antiques dealers, artisans and design brands to Spring Hill Vineyards for a one-day, brocante-style shopping event from 9 a.m. to 4 p.m.

Co-founders Christina Juarez and Benjamin Reynaert invite visitors to the outdoor market at 292 Bee Brook Road, where curated vendors will offer home goods, fashion, tabletop and collectible design. Guests can browse while enjoying Spring Hill Vineyards’ wines and seasonal fare.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.