Thank you!
Your support is sustaining the future of local news in our communities.

Reenactor portrays Loyalist viewpoint at Scoville Memorial

Reenactor portrays Loyalist viewpoint at Scoville Memorial

Tom Key depicts Ezra Carruthers Sunday, Feb. 1.

Patrick L. Sullivan

SALISBURY — Ezra Carruthers, a Loyalist from North Carolina, explained why he chose to fight for the English against the American colonists during the Revolutionary War at the Scoville Memorial Library Sunday, Feb. 1.

Tom Key of Salisbury stood in for Carruthers.

The talk was part of the ongoing Salisbury READS series of events, presented in partnership with the Salisbury Association Historical Society in connection with the community reading of “Revolution Song” by Russell Shorto.

Speaking in 1830 from a coastal English village where he had a career as a schoolteacher, Carruthers said he grew up in North Carolina and still misses it.

His father fought with the British army in the French and Indian War, and subsequently sold his officer’s commission, a common practice at the time, and bought land in the North Carolina mountains.

Unlike the “lowlanders,” the senior Carruthers had a modest amount of land suitable for raising pigs and corn, not the more lucrative rice and indigo produced at lower altitudes. Carruthers had two, not hundreds, of slaves, and “we worked in the fields with them.”

Ezra attended William & Mary and studied classics, and also picked up double-entry bookkeeping.

He found work in Richmond, Virginia when Thomas Jefferson was governor. Ezra met Jefferson and formed an unfavorable opinion of the governor, one that persisted.

When the Revolution started and it was necessary to pick a side, Carruthers assessed the situation.

First, he did not approve of mob action, such as the tarring and feathering (if not worse) of Loyalists in cities like Philadelphia. “Mobs were doing what individuals would never do on their own.”

Second, the French influence on the revolutionaries. “I don’t think that needs any explanation.”

Third: Jefferson. Carruthers did not like or trust the man.

He also decided that the Loyalists valued peace, order and government, while the “rebels” (as he insisted on calling the colonists) were enamored of the somewhat amorphous “life, liberty and the pursuit of happiness.”

An American at the time was a Loyalist by default, Carruthers reasoned. Being a rebel required disavowing the King of England and the Church of England.

As a member of the Church of England, Carruthers knew or suspected that many of the rebels were either Deists, Freemasons or Presbyterians, none of which sat well.

And there was Jefferson, who wrote that all men were created equal, yet owned 400 slaves.

Politically, Carruthers considered the colonists pre-revolution to be the freest people in the world at the time.

He also noted that most of the laws that infuriated the rebels were in effect for short periods of time, and subsequently repealed or heavily amended after public outcry.

So he joined a Loyalist regiment headed by Patrick Ferguson, who had some success in recruiting men to fight for the Crown, but wasn’t much of a military tactician. Ferguson and his regiment were soundly defeated at the Battle of King’s Mountain, and Ferguson was killed.

Carruthers survived and found his way to Benedict Arnold’s force, where he participated in the burning of Richmond.

When the war was over, Loyalists were sent packing to wherever they’d be accepted — Africa, the Caribbean, India, Canada and the British Isles.

Carruthers wound up in England, where he kept up with his native land by subscribing to newspapers and periodicals.

He eventually came to wish the United States well but had some observations from afar.

He noticed the periodic unrest of Shay’s Rebellion and the Whiskey Rebellion. He followed the continual fighting between Alexander Hamilton and Jefferson, with George Washington stuck in the middle.

And he noted with disapproval “Jefferson’s love affair with France.”

From the vantage point of an exile in 1830, Carruthers said that republics formed after revolutions are rare, and republics that last rarer still.

He attributed that to the influence of Washington, two large oceans on either side of the country, and being “harder than hell” on the Native Americans.

Most importantly, the American Revolution produced the American Constitution, “which has held up very well.”

Unlike soldiers from other countries, fighting for their homeland or monarch, “if you’re an American, you’re fighting for the Constitution.”

Latest News

Brass band concert draws audience to Hunt Library lawn

The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24.

Patrick L. Sullivan

FALLS VILLAGE — The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24, drawing about 30 people at the start of the outdoor concert and more as the evening progressed.

Led by trumpeter Shamu Sadeh, the band’s lineup shifts from performance to performance. Friday’s group included Charlie Kiel on trombonium, Sam Earnshaw on percussion, Eric Loffswold on baritone saxophone, Dathalinn O’Dea on alto saxophone, David Rogers on tenor saxophone, and Peter Peirce on trombone.

Keep ReadingShow less
Baseball, wine and jazz at Millbrook Winery

Bernie Williams and his Band of Friends at Millbrook Winery in 2025.

Provided

Throughout the history of Major League Baseball, precious few greats have been considered five-tool players. New York Yankee Bernie Williams was one of them.

To be considered a five tool player, one must show exceptional proficiency in five categories: hitting for average, hitting for power, running bases, fielding and arm strength. But there’s another tool Williams possesses that didn’t make it to the back of his baseball card: his mastery of jazz guitar.

Keep ReadingShow less
Lucky Orphans offers sanctuary for horses and healing for people

Deanna Hearn opened Lucky Orphans in 2003.

Provided
If horses could speak, Hearn believes they would offer just one piece of advice: “They’d tell us to slow down.”

From feeding retired racehorses before sunrise to guiding veterans, grieving parents and troubled teenagers through equine-assisted therapy sessions, Deanna Hearn rarely has a quiet day. As founder of Lucky Orphans Horse Rescue in Dover Plains, she oversees the care of more than 40 sanctuary horses while leading a nonprofit whose mission extends far beyond animal rescue.

What began as a childhood love of horses has evolved into a place where healing runs in both directions — for horses and for people. By the time you leave Lucky Orphans, it becomes clear that this place isn’t really about horses. The horses are simply how it begins. For Hearn, every rescued horse represents something much larger: hope, resilience, healing and second chances. The organization’s mission, she says, is simple: “People helping horses heal people.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Weekend in Norfolk returns for four days of art, music and community

A brass quintet at the Yale Music Shed at Weekend in Norfolk 2025.

Jennifer Almquist

Norfolk bursts with activity in midsummer with Weekend in Norfolk (WIN). An all-volunteer committee transforms the town with free public events for all ages. WIN 2026 begins Thursday, July 30, and runs through Sunday, Aug. 2.

Norfolk sculptor Jon Riedeman, the new head of Norfolk Artists and Friends (NAF), organized the group’s 19th annual art exhibition, featuring paintings, sculpture, photography and jewelry by area artists in the Art Barn on the grounds of the Norfolk Chamber Music Festival. Riedeman expanded the show this year by inviting artists from New Marlborough, Massachusetts, to participate. The exhibit opens with a reception Thursday, July 30, from 5 to 7 p.m.

Keep ReadingShow less
Abbey’s open-air theater returns with “Babette’s Feast”
Jen Gleason, director of “Babette’s Feast,” poses before a natural setting on the stage of The Gary-The Olivia Theater in Bethlehem.
Jack Sheedy

Jen Gleason stood on the stage of The Gary-The Olivia Theater and gestured toward the upstage wall—which wasn’t there. Like the so-called fourth wall separating audience from actors, all walls in this theater are invisible.

“That’s just God’s creation,” Gleason said, pointing to woods and rocks and grass and sky where you might expect a brick wall. “You cannot copy that. That’s the best backdrop you could possibly have.”

Keep ReadingShow less
Laurie Anderson brings four days of music, art and conversation to Tanglewood

Multimedia pioneer Laurie Anderson makes Tanglewood debut with a weekend of performances.

Ebru Yildiz

Musician, composer, performing artist and multimedia pioneer Laurie Anderson is one of the most influential and controversial figures in American contemporary and avant-garde arts. Her ambitious multimedia projects, encompassing music, film, visual projections, dance, and the spoken and written word, have enjoyed great public visibility, and Anderson has been recognized with many honors, including a Grammy Lifetime Achievement Award, as well as the Gold Medal for Music from the American Academy of Arts and Letters and this year’s Kyoto Prize for Arts and Philosophy in the field of music.

Anderson will make her Tanglewood debut in a series of special events and performances Aug. 13-16, along with longtime collaborators and special guests, giving audiences an opportunity to experience her groundbreaking and challenging work, which has been received with both acclaim and confusion for its wit, innovation and interdisciplinary scope.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.