Resiliency grant helps fund the future of farming

Ethan Arsenault, operator of Canaan View Dairy in East Canaan, oversees hundreds of dairy cows.
Simon Markow
Ethan Arsenault, operator of Canaan View Dairy in East Canaan, oversees hundreds of dairy cows.
NORTH CANAAN — The Northwest Connecticut Land Conservancy marked the second round of its “Building Resiliency Through Innovation” grants by bringing leaders in agriculture and land protection to Canaan Valley for demonstrations by two of the Northwest Corner’s most forward-thinking agricultural projects.
Under a low sky on the morning of June 18, attendants turned off Route 44, slid behind the homey storefront of Freund’s Farm Market & Bakery and pulled up to an elegant canopy tent setup where they dug into coffee, frittatas, and eventually strawberry shortcakes, all provided by Freund’s.
On either side of the tent were the facilities of the day’s featured businesses: Canaan View Dairy, which was a recipient of the land trust’s funding, and CowPots, the Freund-family founded and operated biodegradable planting pot enterprise, which was recently featured on the reality television show “Shark Tank.”
Amanda Branson, the NCLC’s director of operations and finance, emphasized the importance of thinking creatively to find ways to make agriculture more sustainable, more resilient against climate change, and more profitable for farmers. “Through the grant program, lots of really exciting projects are happening at farms across the region,” she said – including at Canaan View Dairy.
Farmer Ethan Arsenault, who took over the large dairy barn from the Freund family in 2022 along with Lloyd and Amy Vail, told the crowd that the money was being put to good use. It entirely funded the purchase of a manure-spreading system known as a dribble bar, which is an efficient way to “maintain no-till philosophies,” said Arsenault.
The bar, which is also known as a “drag line” system, drops manure at low pressure over a large area, decreasing soil compaction, crop disturbance and runoff. Arsenault maintained that it helps improve soil health, save fuel and reduce emissions from the farm.
When Bryan Hulburt, commissioner of Connecticut’s Department of Agriculture, offered his own remarks, he gestured to the tractor sporting the bar just outside the tent, framed dramatically by Canaan Mountain rising into the mist in the background. “When you’re reviewing grant applications, you don’t see that,” he said, noting the gratification of seeing the grants turn into real impact.
Hulburt said teaming up with the NCLC, which was awarded state money that it then dispersed through the resiliency program, was essential in getting the funds into the right hands. NCLC is the largest land trust in the state and has granted $517,000 through the program to 47 farms covering over 6,000 acres.
“These are one-time investments that will live on well beyond the Climate Smart Agriculture and Forestry Program,” Hulburt said, referring to the title of DOAG’s funding initiative.
Arsenault emphasized that the dribble bar is not the only forward-thinking aspect of the farm. “This farm exemplifies resilience on a multitude of levels,” he said, which was illustrated by a detailed tour of the “robotic facility” of the cow barn.
Arsenault showed the wowed audience an entirely automated robotic arm that milks the cows while they feed. The group erupted into astonished laughter when the device, after a series of sci-fi-esque whirrs, clicks and lasers, latched on to the udder of a cow enjoying its grain and immediately began pulling milk through a clear tube.
“That computer,” he said while gesturing into a control room, “is the heart of this.”
Arsenault explained that with much of the labor taken care of by robots, he and the other staff have much more time to focus on the wellbeing of the cows.
“Happy, comfortable cows make the most milk; milk is what I make my money on,” he said.
CowPots, while not a direct recipient of this grant, sources manure from Canaan View Dairy and shares many operational aspects. Father-daughter team Matthew and Amanda Freund led a tour of their self-designed “type-two pulp molding facility” where they turn cow manure into planting pots.
“There’s no shortage of manure,” the elder Freund said, explaining that the idea developed when they saw how much more manure their herd produced than was used for fertilization.
The duo envisioned more opportunities for this highly versatile and plentiful byproduct of dairy farming and are hoping to expand the business into other fibrous container-like products, such as packaging.
They demonstrated a prototype of a manure-based wine shipper as an example.
The facility is zero-waste, they explained. “The only things that leave are the finished product and water vapor,” said Mr. Freund. Even the defective products aren’t thrown away – they become cow bedding.
The Freunds said that manure could hold a much bigger role in modern industrialism. Peat, an organic compound used as a fuel source that also happens to be a major well for carbon that would otherwise pollute the atmosphere, is being phased out in many countries. Manure, the duo explained, is a viable, more sustainable alternative.
For now, though, CowPots is staying equally focused on streamlining internal production strategies. Mr. Freund has a succinct vision for the future of their manufacturing process: “The cow backs up to the machine and out comes a flowerpot.”
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.