Resiliency grant helps fund the future of farming

Ethan Arsenault, operator of Canaan View Dairy in East Canaan, oversees hundreds of dairy cows.
Simon Markow


Ethan Arsenault, operator of Canaan View Dairy in East Canaan, oversees hundreds of dairy cows.
NORTH CANAAN — The Northwest Connecticut Land Conservancy marked the second round of its “Building Resiliency Through Innovation” grants by bringing leaders in agriculture and land protection to Canaan Valley for demonstrations by two of the Northwest Corner’s most forward-thinking agricultural projects.
Under a low sky on the morning of June 18, attendants turned off Route 44, slid behind the homey storefront of Freund’s Farm Market & Bakery and pulled up to an elegant canopy tent setup where they dug into coffee, frittatas, and eventually strawberry shortcakes, all provided by Freund’s.
On either side of the tent were the facilities of the day’s featured businesses: Canaan View Dairy, which was a recipient of the land trust’s funding, and CowPots, the Freund-family founded and operated biodegradable planting pot enterprise, which was recently featured on the reality television show “Shark Tank.”
Amanda Branson, the NCLC’s director of operations and finance, emphasized the importance of thinking creatively to find ways to make agriculture more sustainable, more resilient against climate change, and more profitable for farmers. “Through the grant program, lots of really exciting projects are happening at farms across the region,” she said – including at Canaan View Dairy.
Farmer Ethan Arsenault, who took over the large dairy barn from the Freund family in 2022 along with Lloyd and Amy Vail, told the crowd that the money was being put to good use. It entirely funded the purchase of a manure-spreading system known as a dribble bar, which is an efficient way to “maintain no-till philosophies,” said Arsenault.
The bar, which is also known as a “drag line” system, drops manure at low pressure over a large area, decreasing soil compaction, crop disturbance and runoff. Arsenault maintained that it helps improve soil health, save fuel and reduce emissions from the farm.
When Bryan Hulburt, commissioner of Connecticut’s Department of Agriculture, offered his own remarks, he gestured to the tractor sporting the bar just outside the tent, framed dramatically by Canaan Mountain rising into the mist in the background. “When you’re reviewing grant applications, you don’t see that,” he said, noting the gratification of seeing the grants turn into real impact.
Hulburt said teaming up with the NCLC, which was awarded state money that it then dispersed through the resiliency program, was essential in getting the funds into the right hands. NCLC is the largest land trust in the state and has granted $517,000 through the program to 47 farms covering over 6,000 acres.
“These are one-time investments that will live on well beyond the Climate Smart Agriculture and Forestry Program,” Hulburt said, referring to the title of DOAG’s funding initiative.
Arsenault emphasized that the dribble bar is not the only forward-thinking aspect of the farm. “This farm exemplifies resilience on a multitude of levels,” he said, which was illustrated by a detailed tour of the “robotic facility” of the cow barn.
Arsenault showed the wowed audience an entirely automated robotic arm that milks the cows while they feed. The group erupted into astonished laughter when the device, after a series of sci-fi-esque whirrs, clicks and lasers, latched on to the udder of a cow enjoying its grain and immediately began pulling milk through a clear tube.
“That computer,” he said while gesturing into a control room, “is the heart of this.”
Arsenault explained that with much of the labor taken care of by robots, he and the other staff have much more time to focus on the wellbeing of the cows.
“Happy, comfortable cows make the most milk; milk is what I make my money on,” he said.
CowPots, while not a direct recipient of this grant, sources manure from Canaan View Dairy and shares many operational aspects. Father-daughter team Matthew and Amanda Freund led a tour of their self-designed “type-two pulp molding facility” where they turn cow manure into planting pots.
“There’s no shortage of manure,” the elder Freund said, explaining that the idea developed when they saw how much more manure their herd produced than was used for fertilization.
The duo envisioned more opportunities for this highly versatile and plentiful byproduct of dairy farming and are hoping to expand the business into other fibrous container-like products, such as packaging.
They demonstrated a prototype of a manure-based wine shipper as an example.
The facility is zero-waste, they explained. “The only things that leave are the finished product and water vapor,” said Mr. Freund. Even the defective products aren’t thrown away – they become cow bedding.
The Freunds said that manure could hold a much bigger role in modern industrialism. Peat, an organic compound used as a fuel source that also happens to be a major well for carbon that would otherwise pollute the atmosphere, is being phased out in many countries. Manure, the duo explained, is a viable, more sustainable alternative.
For now, though, CowPots is staying equally focused on streamlining internal production strategies. Mr. Freund has a succinct vision for the future of their manufacturing process: “The cow backs up to the machine and out comes a flowerpot.”
Jennifer Almquist
Infinity Hall, built in 1883.
Nearly 200 people packed the wooden seats of Norfolk’s historic Infinity Hall on Thursday, May 14, as David Rosenfeld, owner and founder of Goodworks Entertainment Group, a live entertainment and venue management company, unveiled ambitious plans to restore the restaurant and bar, expand programming and reestablish the venue as a central gathering place for the community.
Since the Norfolk Pub closed on Jan. 31, 2026, the need for a restaurant and evening gathering place has become paramount, and for years residents have wanted Infinity Hall to be more engaged with the community.
“We have a real opportunity to bring the residents of Norfolk closer together and add to a community already steeped in a rich history of the arts,” Rosenfeld said. “Thursday’s turnout and the positive energy we experienced are the very reason Goodworks exists. We are thrilled to help support and build upon the vibrant community spirit here.”
Built in 1883, Norfolk Village Hall — the former opera house, barber shop and saloon in the center of Norfolk —was designed by Palliser & Co. In 2007, the building was restored as the 300-seat performing arts theater Infinity Hall.
Goodworks Entertainment Group took over Infinity Hall in April 2019. Rosenfeld said he plans to realign the organization with his original dream of doing good works — hence the name.
He also spoke of a large-scale arts and music festival for Norfolk and of conversations with Melvin Chen, director of the Norfolk Chamber Music Festival–Yale Summer School of Music, about a possible winter classical concert series featuring Yale musicians.
After a question-and-answer session, attendees stayed to enjoy live music, food and drinks organized by Lisa Ludwig, general manager of Infinity Hall.

Norfolk resident Tony Kiser praised Rosenfeld’s vision.
“If there is anything to be done, he’s the guy to do it,” Kiser said. “He’s got the experience, some capital to invest, and he has a vision.”
Henry Tirrell, Norfolk first selectman, welcomed the prospect of renewed activity at the venue.
“I am excited to see an option for dinner and drinks in town, as well as increased activity at Infinity Hall,” Tirrell said.
Cheryl Heller, chair of the Norfolk Economic Development Commission, said the announcement represents an important moment for the town.
“Infinity is a key part of Norfolk’s identity, and for the last few years that it’s been quiet, the community has felt the loss,” Heller said. “This announcement is tremendously exciting, not only because of the new restaurant and programming, but because David’s plans include contributing to the culture and life of the town.”
“I am completely delighted with the new direction,” said Norfolk activist and Economic Development Commission member Libby Borden. “I certainly hope Norfolk supports Infinity Hall in every way.”
Richard Feiner And Annette Stover
May Castleberry at home in Lakeville.
Castleberry’s idea of happiness is “looking at a great painting.”
May Castleberry is a ball of sunshine and passion, though she grew up an introverted child, moving with her family from Alberta to Colorado to Texas, finding comfort in mountains, books and wide-open skies. Today, the former art book editor and museum curator has found a new home in Lakeville, where the natural beauty of the Northwest Corner continues to captivate her. Whether walking with friends, painting, reading or visiting beloved local libraries in Salisbury, Norfolk and Cornwall, Castleberry has embraced the region since making her move permanent in 2022, bringing with her a remarkable career shaped by a lifelong love of books and art.
Castleberry grew up in the world of books, and especially art books, and she credits her artist mother, an avid art book collector, with igniting her passions. Castleberry’s high school art teacher in Dallas understood how to teach students to channel their imaginations into books and art.
Castleberry and her husband, Michael FitzGerald, a professor of art history at Trinity College and research director of an art foundation based in Europe, first moved to Lakeville in 2013 when their son attended Hotchkiss.
In college in Texas and graduate school at Columbia and NYU, Castleberry learned every aspect of fine art book production, from paper and design to the quality of printed reproductions and original works.
“I studied printmaking, design, art history and the history of the book,” said Castleberry. “In college, I learned even more when I started work as an art librarian. I haunted antiquarian and art book shops every weekend in New York City and wherever I traveled and was shaped by what I saw. I also took courses in papermaking and printmaking in my spare time.”
Castleberry entered the museum world in 1980 when she joined the Whitney Museum as a librarian.
“At the time, it was an underfunded one-person library, so not an obvious prize, but it turned out to be a great place to grow.”
When asked to help raise funds for acquisitions, she proposed creating a publishing program and, over the next 17 years, conceived, edited and produced over 20 books as the editor of the Whitney’s Artists and Writers Series. Castleberry also curated exhibitions of books, prints and photographs, culminating in a large-scale show about photography and photobooks titled “Perpetual Mirage: Photographic Narratives of the Desert West” in 1996.
After 20 years at the Whitney, Castleberry moved to the Museum of Modern Art to develop an artist’s book program that would explore the art of the book and help support the museum’s archives and library. This program, the Library Council, continued until Castleberry retired from MoMA late last year. During that time, she also organized an exhibition at New York City’s AXA Gallery on photography of archeological sites in the Americas: “The New World’s Old World.”
Asked about favorite stories from her museum roles, Castleberry recounts “looking for several very different artists to commission to make prints for ‘The Magic Magic Book’ by sleight-of-hand artist, collector and historian of magic Ricky Jay, and approaching artist Tomás Saraceno about making a pop-up book about spiders.”
Shortly after moving to Lakeville permanently, Castleberry heard about a part-time job coordinating events at the Scoville Library. She expected her program at MoMA to be shut down by the pandemic and thought the opportunity would be a great way to get to know the library, its staff and the community.
“I invited the poet Sally Van Doren to start a monthly poetry workshop, and artist and teacher Lily Rand to teach bookbinding and other classes. I was thrilled to bring in the founder of the Brooklyn’s Dieu Donné Papermill — one of the great papermakers in the world — as well as paper marblers and others for a series of outdoor art classes.”
MoMA’s Library Council revived only a few months later, and Castleberry no longer had the time her Scoville work required.
“Happily, I was replaced by the amazing Karen Vrotsos,” said Castleberry of the library’s current head of adult programs. “I am still in close contact with Karen Goodell, the library director, the library staff and some of the trustees.”
Castleberry’s idea of happiness is “looking at a great painting.”
In the region, her favorite art museums are the Clark in Williamstown, Massachusetts — which she recently supported by donating nearly all the books she worked on at the Whitney and MoMA to its art library — as well as Connecticut’s Hill-Stead Museum in Farmington and the Wadsworth Atheneum Museum of Art in Hartford.
Now newly retired from her museum position, Castleberry has returned to her passion for drawing and painting. She’s also in the initial planning stage of a museum book project. Stay tuned for her next chapter.
Kerri-Lee Mayland
Sarah Blodgett has turned her passion for collecting into “something larger.”
There is something wonderfully disarming about walking into a space where nothing feels overly polished, overly planned or pulled from a catalog — a place where history lingers in the corners, where color is fearless, where the objects on the shelves have stories to tell and where, if you are lucky, a cat named Cinnamon may be supervising the entire operation.
That is the world of Sarah Blodgett.
Now part of the creative orbit inside Liz Macaire’s sprawling gallery in West Cornwall, Blodgett’s “Hoarding With Style,” tucked into the upstairs space, feels less like a shop and more like an unfolding conversation about aesthetics, storytelling and the art of living with things that matter.
Born in Manhattan, Blodgett spent weekends and much of her childhood in Gallatin, New York where her family owned a late-1700s farmhouse on a property that once housed an antique store, leaving the barns packed with treasures and forgotten finds.
“I was dusting off antiques instead of playing with toys as a child,” she said, laughing.
In sixth grade, she recruited friends to venture into an abandoned house, move things around, style found objects and create little vignettes while her mother supervised from a nearby chair. Looking back, it seems inevitable that Blodgett would eventually build a business rooted in collecting, storytelling and visual imagination.
Photography came first. Her father was a professional photographer in New York, and Blodgett followed him into the field, eventually building a career photographing wildlife, sports and portraits while simultaneously collecting antiques and pieces that fed her layered aesthetic.
For years, she joked about turning her passion into something larger. She trademarked the name “Hoarding With Style,” a process that took nearly two years. Once it finally came through, she laughed.
“Well, I guess I should use it.”
As photography rapidly changed in the age of cellphones and artificial intelligence, Blodgett began rethinking what creativity could look like moving forward.
“We also realized we had too much stuff,” she said. “So we started selling pieces on Facebook Marketplace.”
Only Blodgett could not help elevating even that process. Inside her Greek Revival home in West Cornwall, she created styled moments around the things she was selling. People responded not just to the objects, but to the feeling behind them.
Her philosophy is approachable, with affordability in mind. She believes homes should evolve slowly over time, layered with meaningful objects, history and personality rather than stripped down into sterile perfection.
“That’s what gives a home a soul,” she said.
Creativity runs throughout the family. Her husband, a German comedian and juggler, performs internationally, while their 22-year-old child, Badger, is heading to the Maryland Institute College of Art this fall. One of the couple’s four children in their blended family, Badger has even sold some of their own pieces through Sarah’s shop.
“My mom has been such a rock star at supporting me,” Badger said.
Working with clients, Blodgett describes herself as less decorator and more “creativity facilitator,” helping people uncover their own instincts through objects that already reflect who they are.
That is exactly what Sarah Blodgett does: She invites visitors not only to explore her journey, but perhaps to begin uncovering their own.
Hoarding With Style is located at 406 Goshen Turnpike, West Cornwall and is open Friday-Sunday 12 to 4 p.m. or by appointment.

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Lakeville Journal
SHARON — Dr. Paul J. Fasano DDS, of Brewster, Massachusetts, passed away peacefully after a long illness on May 10, 2026, in Boston.
Born in Boston to Philip and Laura (Stolarsky) Fasano on Dec. 13, 1946, he grew up in Dorchester with his two brothers Philip and William.Paul attended the Boston Latin School and graduated from Boston College in 1968.He later completed Dental School at New York University in 1972.
He had a successful dental practice in Sharon, Connecticut and enjoyed coaching basketball at Housatonic Valley Regional H.S in Falls Village. After retiring to Brewster, he taught at the Dental Hygiene program at Cape Cod Community College.Paul was a passionate Boston College Eagles fan following all of their teams and his devotion to the Red Sox never faded. He delighted in coaching his three sons in basketball and cheering them on during their football games.
Paul leaves behind the love of his life, Judy, whom he married on Dec. 31, 1973.He is survived by his three sons; Christopher of Alexandria, Virginia, Peter of Orleans, Massachusetts, and Matthew of Kennebunk, Maine, along with his four grandchildren Jack, Lily, Zoey, and Chase whom he loved very much.
Visiting hours will be Wednesday, May 20, 2026, from 4:00-6:00 p.m. at Chapman Funerals & Cremations.678 Main Street Harwich, MA 02645.
A Mass of Christian Burial will be held on Thursday, May 21, 2026, at Our Lady of the Cape Church at 11:00 a.m, 468 Stony Brook Road Brewster, Massachusetts 02631.
In lieu of flowers, the Fasano family requests that a donation may be made to the Peter Frates ALS Foundation on Paul’s behalf, as well as his close friend and late brother-in law, Tom Kane.Peter Frates was a BC Baseball Player and founder of the ALS Ice Bucket Challenge.Donations can be made at www.petefrates.com.
Notes of comfort may be made to his family at www.chapmanfuneral.com.
Lakeville Journal
KENT — David Niles Parker, 88, of Middletown, Connecticut, passed away at home on May 6, 2026.
Born January 20, 1938, in Wellesley, Massachusetts, the first child to Franklin and Katharine Niles Parker, David graduated from Wellesley High School, received his undergraduate degree from Wesleyan University, studied at the University of Chicago Divinity School, and earned his master’s in education from Harvard.
David met his future wife, Borngy Hammer, at a college mixer, and in 1962 they married at her family home in South Kent. Together they raised four children and were married nearly 64 years.
He taught English in the Boston public schools, and at the New Milford, Connecticut High School, and took on extra work as a stringer for the Waterbury Republican, covering Kent and Gaylordsville, thereby launching his lifelong career in journalism. In 1968 he took on the job of running a small-town paper, The Millbrook Round Table in Millbrook, New York, where he worked as a reporter, managing editor, photographer, circulation manager and ad sales representative and everything in between. He went on to work at the Lakeville Journal, the Waterbury Republican, the Litchfield County Times, the Torrington Register-Citizen, and the Kent Good Times Dispatch. He also taught journalism courses at UConn, Torrington and took on diverse freelance writing projects, including articles for the New York Times, and a biography of Revolutionary War figure, Dr. Thomas Young. During the Vietnam War he participated in peaceful protests with his fellow Teachers Against War.
Never one to speak of himself, his family would find out by other means of his many talents, awards, and accomplishments. He did not belong to a religion, and considered himself an agnostic, but was a most fine example of a moral, ethical, honest, humble, kind, and good human being; he truly treated every person he ever met with kindness and respect.
He was a great lover of poetry, including that of Richard Wilbur, William Yeatts, Dylan Thomas and Carl Sandburg. He was especially fond of reading aloud poems by A. E. Housman. Literature was such an integral part of his life, and he would often explain himself by quoting a passage or referencing a literary character.
He had a lifelong love of singing and enjoyed doing so for children when they were young. He was especially fond of folk and classical music. In his later years one of his pleasures was to remember and share songs he had learned many decades earlier. When his children were young—and not so-young, each night he would let his children choose the songs he’d sing them, many songs he learned from his father (which his children went on to sing to their children, and their children to sing to his great-grandchildren.)
He also sang in various choirs, including the Kent Singers of which he was a proud and a beloved member.
For eighty-seven years, he spent every summer at his beloved family’s cottage in West Falmouth, Massachusetts. Many summer mornings were spent reading the paper at West Falmouth Market, followed by swimming at Chapoquoit Beach. There he spent many evenings sitting on the porch, singing and looking out onto West Falmouth Harbor.
He was also known to many as an avid sports fan, closely following the Boston Red Sox and UConn Women’s Basketball, a passion that he closely shared with his daughter, Caitlin.
Family was very important and dear to him, and he is remembered fondly and in high regard by family, both close and extended.
David is survived by his wife Borgny of Middletown, his children Stephen of Brattleboro, Vermont; Rolf also of Brattleboro, Vermont; Abigail of Kent, Connecticut; and Caitlin of Durham, Connecticut; grandchildren Julia Holly of Portland, Oregon; Madeleine Holly of Salem, Connecticut; Lily DiTota of Falmouth, Massachusetts; Emma Bournival of Watertown, Connecticut; Allison Mullins of New Haven, Connecticut; Finn Bournival of Durham, Connecticut; and Morgen Parker-Houghton of Brattleboro, Vermont; and great grandchildren Klaus and Grant Schubel of Salem, Connecticut; siblings Anne Schmalz of Bedford, Massachusetts; Theodore Parker of Wellesley, Massachusetts; John Parker of Yarmouth, Massachusetts; as well as many nieces, nephews and family friends.
Services include a private burial at Bulls Bridge Cemetery, at 1 p.m. on May 31, which will be followed by a Celebration of Life at the Kent Community House at 2 p.m.
L. Tomaino
Artist Janet Andre Block in her studio in Salisbury.
What do Johann Sebastian Bach’s Goldberg Variations, Richard Wagner’s Ring Cycle, Wolfgang Amadeus Mozart’s piano concertos and a quiet room have to do with Janet Andre Block’s work? They are among the many elements that shape how she paints, helping guide her into the layered, luminous worlds she creates on canvas.
Block makes layered oil paintings in rich, deep, misty colors. She developed her technique as an undergraduate at the School of the Museum of Fine Arts at Tufts University and then at New York University, and also time spent in Venice earning a master’s degree in studio art.
Block speaks warmly of her printmaking teacher, the well-known artist Kiki Smith.
“She was incredibly kind and generous,” Block said. “What I learned in art school is what I want to do.”
During the pandemic, she painted in a world of swirling colors that suggest another world just within this one.
Block’s work will be on display at “Catching Light, 75,” at David M. Hunt Library from May 23-June 19. The opening reception will be Saturday, May 23, from 5 to 7 p.m. and she will give an artist talk Thursday, June 4, at 5:30 p.m.
The exhibit features 75 small paintings representing her varied painting modes.
“I’m offering these as a gift to the library,” she said. “Each donor who gives $75 can choose a painting.”
The paintings are 2-inch squares.

Block has worked with nonprofit groups in the Northwest Corner for many years. She has been a volunteer for Project SAGE, the Lakeville-based organization committed to ending relationship violence, for many years. She has also served on Trade Secrets Underwriting Committee — the annual garden event that serves as Project SAGE’s largest fundraiser — for 25 years and remembers the first meeting around her dining room table. She served on the board of the Berkshire Taconic Community Foundation from 1991 to 2000 and was chair of the Fund for the Northwest Corner.
She has stepped back from her work with nonprofits to devote more time to painting, though she still helps where she can.
“I enjoy the early starts of anything. That’s why I like art, where I can start with a blank palette.”
“There is something about picking colors,” she said, describing it as “really a kind of creation — just the pleasure of mixing up a color, finding the next purple,” along with the immediacy of “the feeling of the brush on canvas.”
Block commends Hunt Library’s Art Wall team: Garth Kobal and Sergei and Zoe Fedorjaczenko.
“I think so highly of them,” she said. “I can’t say no to Garth, who is such a sincere, talented and generous person.”
Block is guided by the thought, “You are what you focus on,” and says this, along with the natural world and music, helps her bring herself to “light and beauty” through painting.
For more information about Block and the exhibit, visit huntlibrary.org and janetandreblock.com

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