Thank you!
Your support is sustaining the future of local news in our communities.

Why we’re shipping our trash elsewhere

Why we’re shipping our trash elsewhere
Area residents brought their trash and recyclables to the Salisbury-Sharon transfer station on Sunday, Feb. 20. 
Photo by Patrick L. Sullivan

SALISBURY — It’s hard to imagine that it would ever get to this point. Up until recently, what we did with our waste in most of the Northwest Corner was quite simple: we bought a sticker at town hall, separated the trash from the recyclables, and took it all to the transfer station, where they would be taken care of.

Anything that might be reusable went into the Swap Shop, a dusty room full of what most people considered junk, but that others saw as an opportunity for reuse. The recyclables were turned over to a company that hauled them away to a facility that separated them, cleaned them and broke them down. If the towns were lucky, the recycling hauler would pay something for the privilege. The trash was sent to an incinerator in Hartford for a fee. End of story.

Before our towns started sending their garbage — known formally in Connecticut as municipal solid waste (MSW) — to incinerators, they deposited them in their own landfills. But by the 1990s, Connecticut had closed almost all of its dumps.

Most of the towns simply converted their landfills to transfer stations. Since 1975, Salisbury and Sharon  operated a shared transfer station on land leased from The Hotchkiss School. That changed when  the two towns leveraged their partnership to build a new $4.8-million transfer station on Route 44 near the New York state line.

The only landfill of any size remaining in the state is in Putnam, where a massive dump receives nearly 600,000 tons of ash per year from trash-to-energy plants such as the one that burns our waste in Hartford.

Now the situation has become much more complicated and likely much more expensive for our towns. Using two General Electric turbines that date back to the 1950s, the aforementioned trash-to-energy incinerator burns garbage and turns it into electricity — 45 megawatts, to be exact — enough to power 35,000 homes.

Located in the North Meadows section of Hartford and operated by the quasi-public Materials Innovation and Recycling Authority (MIRA), the facility we send our garbage to is on its last legs.

MIRA’s aging trash-to-energy plant, which handles an estimated 35% of the state’s waste, broke down in 2018 and was out of commission for several months, causing MIRA and its member towns, including Salisbury and Sharon, to scramble. Meanwhile, thousands of tons of garbage began to pile up inside and outside the aging facility.

“It was nerve-wracking,” MIRA President and CEO Thomas D. Kirk told the CT Mirror’s Tom Condon. “Thank God we didn’t have a fire.”

After a temporary fix in 2019, MIRA came up with a plan to replace the plant to the tune of $330 million. The administration of Gov. Ned Lamont practically laughed the proposal right out of the Capital City.

So MIRA’s board made the decision to shut down the trash-to-energy plant and use the property as a glorified transfer station from which to ship the garbage out of state for its remaining member towns.

MIRA’s problems, however, did not start with its busted incinerator. MIRA, formerly known as the Connecticut Resources Recovery Authority (CRRA), prompted ridicule, contempt and cries of injustice when, during the administration of then-Gov. John Rowland, it made an ill-fated $220 million loan to Enron, the energy-trading giant that later went belly-up in an accounting scandal.

When Enron defaulted, CRRA raised its tipping fees to cover its losses, resulting in a protracted and costly lawsuit from its then-70 member towns seeking compensation for the overcharging. The authority finally settled the suit for $21 million.

As one might expect, the antipathy between CRRA and its member towns extends well beyond an ill-advised and unsecured loan to a corrupt corporation. To wit, the authority took legal action in 2006 to try to stop the Salisbury-Sharon transfer station from sending its recyclables to a third party that paid the two towns for the raw materials.

Since it was accepting garbage from the two towns, CRRA insisted it was entitled to taking their paper recyclables as well. What was the price CRRA was willing to pay? Nothing. Town officials said the arrogance was staggering.

“They said they would take our junk mail and not charge us for it,” then-First Selectman Val Bernardoni quipped to this reporter. “They have 70 towns under contract; they’ll make a bundle.”

So it’s safe to say that there’s no reservoir of goodwill among MIRA’s member towns, including those in the Northwest Corner, which relies heavily on the authority. That’s probably why the Lamont administration wanted no part of approving MIRA’s pricey proposal to build a new incinerator. And reputation management might very well be the main reason the General Assembly allowed CRRA to change its name. If you Google MIRA, you won’t find much about its past problems as CRRA.

And so we find ourselves in quite a pickle. The costs of operating our transfer stations will rise — perhaps sharply. Thanks to COVID-related money from the federal government, states and municipalities can probably foot the bills in the short term.

But the day of financial reckoning will arrive soon enough. Last spring, MIRA put out requests for bids for contractors to haul away the waste from its facility. MIRA President and CEO Thomas Kirk told Condon its current disposal rate for garbage is $105.

If the 49 member towns don’t jump ship, Kirk forecasts a tipping fee of $114-$119 a ton in the first year of a five-year disposal contract, going to $139 in the fifth year. That rate could rise by $15 if more towns bail out on MIRA, or it could rise by even more if, as expected, MIRA must ship waste to landfills as far away as Alabama or Michigan. To give you a sense of perspective, as recently as 2019, the cost was $83 per ton.

With antiquated systems for collecting fees and perverse incentives for recycling still in place in our towns, the current trajectory is clearly unsustainable. What can we do? Stay tuned.

This is the first of a two-part series on Connecticut’s waste crisis and how it affects the Northwest Corner.

Latest News

Jasper Johns-linked nonprofit eyes 22.5-Acre Sharon property

A 22.5-acre property at 60 Millerton Road in Sharon is at the center of a trust dispute over the sale of the land to Jasper Johns-related arts nonprofit Low Road Sharon Inc.

Alec Linden

SHARON – A nonprofit established to transform painter Jasper Johns' 171-acre Sharon property into an artists' retreat upon his death is attempting to purchase a neighboring 22.5-acre farmhouse, but the proposed sale has become entangled in a family probate dispute.

Low Road Sharon Inc., a nonprofit established by the 96-year-old painter, is seeking to purchase 60 Millerton Road, a farm that borders the organization's 171-acre property approved by Sharon's Planning and Zoning Commission for the future retreat. The organization has not publicly disclosed how it intends to use the additional parcel if the purchase is completed.

Keep ReadingShow less
At 95, Elyse Harney celebrated with Honorary Doctorate

Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.

Provided

On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.

The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.

Keep ReadingShow less

The Renaissance spirit of Pilar Proffitt

The Renaissance spirit of Pilar Proffitt
The Renaissance spirit of Pilar Proffitt
The Renaissance spirit of Pilar Proffitt
Think logically and then break the mold with creativity.
— Pilar Proffitt

Pilar Proffitt is forging a remarkable artistic path grounded in her long history in Northwest Connecticut. Proffitt is a true Renaissance woman with a quirky sense of humor — a visual artist, architect, designer of interiors, furniture and products, and curator of home furnishings.

Her latest grand project is still quite literally under wraps. Large windows obscured by construction paper on a bustling avenue in Manhattan prevent passersby from peeking into the 15-story boutique hotel designed and furnished by Proffitt for an international hotel group, which is nearing completion. The hotel’s lobby, restaurant, common areas and rooms stand out for their attention to design — from the furnishings, colors and fabrics to the mosaic floor tiles, hardware, wrought-iron gates and stairs, selection of antique books, and the art on the walls. The collection includes paintings by Proffitt, photographs by Wassaic Project co-Executive Director Jeff Barnett-Winsby, time-lapse photography by Xan Padron and classics from the Warhol Factory.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Take a trip to WWII England with the Sharon Playhouse’s ‘Swingtime Canteen’

The set for “Swingtime Canteen” transports the audience to WWII London.

D.H. Callahan

Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.

That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.

Keep ReadingShow less
A classical summer begins: eight Tanglewood picks

Aerial view of The Shed at Tanglewood.

Aram Boghosian

The Tanglewood classical music schedule is loaded with gems. Here are eight to consider:

Thursday, July 9, 8 p.m., in Ozawa Hall. The dynamic duo of Augustin Hadelich, violin, and Seong-Jin Cho, piano, take on works by Brahms, Janacek, Beach and Prokofiev. Whether you get seats in the hall or sit outside on the lawn, you will not regret getting to this one.

Keep ReadingShow less
Ken Musselman marks new chapter with farewell exhibition

Ken Mussleman with his paintings “Red Apple #2” and “Nine Servings Daily.”His show, “Time Passages,” opens Saturday, June 27, at Hunt Library in Falls Village.

L. Tomaino

Hunt Library in Falls Village will host a farewell show of the work of well-known local artist Ken Musselman, beginning with an opening reception on June 27 from 5 to 7 p.m. The show will run until July 31.

Musselman, a longtime resident of the Northwest Corner, recently moved to Woodbury, Connecticut, where he will begin a new phase of his life.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.