SHARON — There were 16 players for duplicate bridge at Good Neighbors on Low Road on March 7. With four full tables, the Howell Movement was used so that each pair played with more other individual pairs than is possible with the more popular Mitchell Movement. The average score was 42. In first with 50.5 points (60.12 percent) were Sue Lynch and Marguerite McGrath; in second with 48.5 points (57.74 percent) were Tom Burke and Harry Hall, and in third with 45.5 points (54.17 percent) were Doris Reeves and Dianne Montague.There were six full tables on March 14. Playing five boards a round, with a skip after three rounds, all players played 25 boards. The average score was 50, so the percent is the same as the score. For North South pairs, in first with 60 points were Ann Patton and Mary Robertson; in second with 58 points were Lois Lang and Gail Gamble, and in third with 55.5 points were Carol Magowan and Harry Hall. For East West pairs, in first with 59.5 points were Biz Rogers and Ruth Adams; in second with 53.5 points were Sue Lynch and Judy Swanson, and in third with 49.5 points were Anne Bates and Peg Murphy.There were five full tables on March 21. We played five boards a round. With no skips, sit-outs, or bye tables every pair played the same 25 boards. The average score was 50, so the percentage and the number of points are the same. For North South pairs, in first with 58 points were Carol Magowan and Harry Hall; in second with 53 points were Ruth Adams and John Bevan, and in third with 51 points were Doris Reeves and John Neufeld. For East West pairs, in first with 65 points were Kit Kellogg and lawyer Kitty Kiefer; in second with 51.5 points were Marguerite McGrath and Anne Bates, and in third with 46.5 points were Vivian Sullivan and Peg Murphy.
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Historic Festival parade brings vintage cars, racing legends to Northwest Corner
Madi Long , Patrick L. Sullivan , Alec Linden & Christian Murray
Sep 08, 2026
Stilt walkers Cynthia Rauschert and Timothy J. Walsh wave vintage cars into downtown Falls Village during the Historic Festival Parade Thursday, Sept. 3.
Madi Long
FALLS VILLAGE — A 17-mile procession brought more than 130 vintage cars through the Northwest Corner Thursday, Sept. 3, as hundreds of spectators lined the route from Lime Rock Park to downtown Falls Village for the opening of Historic Festival 44.
Students came out to watch as the procession passed The Hotchkiss School. Farther along the route, residents lined the streets in downtown Salisbury and gathered on the lawn of the White Hart Inn, while Noble Horizons, a senior living facility, held a watch party for its residents and visitors. Dozens of spectators set up viewing areas along the way.
The parade included a 1948 Morgan Series One, a 1959 Triumph TR3, a 1970 Fiat Spider, and a 1991 Shelby Cobra, and a Ferrari 348 Challenge.
The cars departed Lime Rock Park at about 5 p.m. for the roughly 40-minute drive, traveling through Lakeville and Salisbury before arriving in Falls Village, where about 750 people filled Main Street to welcome them. The 130-plus vintage vehicles were parked along Main and Railroad streets.
The parade marked the opening of Lime Rock Park’s five-day Historic Festival 44, which continued through Labor Day.
After passing the spectators at the White Hart Inn, the procession turned onto Cobble Road and entered Noble Horizons. Dozens of seniors waited along the driveway and around the cul-de-sac in front of the main buildings. Other seniors set up their own viewing areas along the route.

A group of about 12 seniors held a tailgate near the entrance of Noble Horizons, where the cars could be seen twice.
“You can see them once when they go in and again when they go out,” said Evelyn Franson, a four-year Noble Horizons resident who has lived in Salisbury for more than 30 years.
Her favorite part of the parade, she said, was “seeing the pride of the owners and the people driving the cars.”
Mim Galligan, an 11-year resident whose rollator carried a sticker reading, “I identify as a Ferrari,” noted that some of the vehicles were “really antique.”
“Almost as old as we are,” Franson responded.
When the procession made its way down the drive, residents cheered, waved checkered flags, and called out to the passing drivers.
Danielle Bailey, director of community relations and pastoral care at Noble Horizons, said vintage and sports cars associated with the festival have been visiting the community for at least as long as she has worked there, which is approaching 20 years. Some residents once raced at Lime Rock themselves, she said.
“It’s very special for our community and very special for Lime Rock,” Bailey said. “This is one of our favorite events.”
Buz and Pat Hanley were watching the parade from Noble Horizons for the third year. During their first, they unexpectedly spotted friends among the drivers.
“It was so exciting,” Buz Hanley said. The couple had not known their friends were interested in vintage cars.
Fran Schwartz, who has attended the parade in each of her three years at Noble Horizons, said the display brought back family memories.
“My father would be so proud because he sold used cars,” Schwartz said.
Sylvia Durning has not missed the procession during her 13 years as a Noble Horizons resident.
“It’s just a fun event, and it’s so nice that they include us,” she said.
Back at the entrance tailgate, 21-year resident Nina Mathus watched from a golf cart.
“It’s really so much fun because we’re so close to them,” Mathus said. “You smell the smoke, you see their smiles.”
In Falls Village, spectators began filling Main Street well before the cars arrived. Many brought chairs from home, and the shaded spaces beside Town Hall filled early. The crowd included people from Cornwall, Farmington, and New Marlborough, Massachusetts, as well as visitors from Womelsdorf, Pennsylvania, and Blue Ridge, Georgia.
Most visitors had attended at least one previous parade, with the majority having gone to several.
Motorsport figures were also among those gathered, including Sam Posey, who grew up in Sharon before racing in Formula One, IndyCar, and the 24 Hours of Le Mans. So too was Skip Barber, the former Formula One driver and three-time Sports Car Club of America national champion, who owned the track for nearly four decades before its sale to a group of investors in 2021.
Colin Chambers, a parade organizer recognizable in his trademark colorful madras pants, moved around downtown troubleshooting last-minute details. Chambers said this year’s procession included 39 race cars and 96 sports cars.
He said the parade began in 2010, the same year he purchased the Falls Village Inn.
Other Northwest Corner towns had signature annual events that drew crowds, including Salisbury’s Fall Festival, and they wanted one too.
“We wanted one for Falls Village,” Chambers said.
Barber said the track was looking for a suitable location for a parade gathering that year. Organizers first considered Salisbury but concluded there was not enough parking.
“Then Colin called up and said Falls Village could do it.”
Barber began racing at Lime Rock in the late 1950s and said he fell in love with
the track immediately. He said the festival connects the history of racing with a new generation of enthusiasts.
“This is a real celebration of a lot of things that used to be, but it’s also the introduction to motorsports for a lot of young people,” he said. “It really bridges a gap.”
As the crowd waited in Falls Village Thursday, stilt walkers Cynthia Rauschert and Timothy J. Walsh of Bethel cavorted along Main Street in checkered outfits. The two, who perform as Circus Moves, were also tasked with waving checkered flags as the cars arrived.

“I talked with them, explained this is a racing event, and asked them to see what they could come up with,” Chambers said. “I think it’s fantastic.”
Falls Village resident Marx Alexander had overseen the stilt walking in previous years but has retired and disbanded his troupe, Mortal Beasts & Deities.
Rauschert credited Alexander with keeping Circus Moves informed about community events such as the parade. She said the group’s performances are intended “to uplift individuals and communities.”
Shortly before 5:30 p.m., Wanda Houston, a jazz and blues singer, started performing. About 10 minutes later, bagpipes could be heard in the distance as the Middletown Police Benevolent Association Pipes and Drums marched down Main Street toward the Green.
Soon after, the Lime Rock Park pace car, a 2024 McLaren Artura, appeared with its lights flashing, heralding the arrival of the vintage vehicles.
Main Street came alive with the rumble of engines and the smell of exhaust. Spectators snapped photos, and drivers waved from behind the wheel as Falls Village volunteers guided the cars into parking spaces.
Among those participating was classic-car historian, appraiser, and consultant Donald Osborne, who rode in a red 1956 Alfa Romeo Giulietta Spider Veloce. Although he had previously attended the festival, it was his first time taking part in the parade.
“The last time I was at the festival here for Labor Day was in 2008, so it’s just incredible to be back here for the festival,” Osborne said. “I love this track and western Connecticut.”
Osborne said the parade offered participants an opportunity to experience the surrounding landscape in the cars being celebrated. “This is a car that was made for the roads around here, and I can not wait to drive it on these roads,” he said, just moments before the parade began.
Bill Rueckert, one of Lime Rock Park’s general partners, drove his 1973 BMW 2002, which has been fully rebuilt as a race car.
“We have a record amount of entries,” Rueckert said. “Alfa Romeo is our featured marque this year. There are some cars that have come from Florida, there are cars that have come from the West Coast. We have someone from the Alfa Romeo Museum in Milan.”
Todd Mackenzie, who has attended the festival for many years, drove the parade route with his wife in a navy blue 1935 Ford Roadster acquired from a collection assembled by classic-car dealer Wayne Carini of Portland. The customized car has a Chevrolet big-block engine, an automatic transmission, and power windows, and had participated in the parade before.
“Take a look around at what you’ve got, especially on the European side,” Mackenzie said. “There’s nothing else like it. You can go to other car shows, but nothing like this.”
A few vehicles arrived showing the strain of the trip.
Steve Katz of Rockland County, New York, and Sharon needed help pushing his 1959 Triumph TR3 after it overheated just before reaching its parking space.

Katz, who had completed the parade before without mechanical trouble, remained unruffled.
“It’s awesome,” he said of the event.
As for the Triumph, he added, “I’m hoping when it cools off I’ll be able to start it.”
Paul Hartigan’s 1991 Shelby Cobra was also running hot. Hartigan, of Warwick, New York, estimated that the temperature inside the cockpit had reached about 130 degrees, nearly matching the engine temperature.
It was his second time participating in the parade.
“I’m just showcasing today,” he said.
John Bigler arrived in a 1948 Morgan Series One, which he described as the company’s first model produced after it moved from three wheels to four. The car was also struggling with the temperature, partly because it was designed without a water pump.
Falls Village resident Sergei Fedorjaczenco encountered similar trouble with his 1970 Fiat Spider. He managed to park in front of The Center on Main, where several people gathered to offer mechanical advice.
Once the cars were parked, spectators moved into the street to examine them, speak with their owners, and compare favorites.
The gathering offered a slower and more intimate view of the machines that would be competing at Lime Rock Park.
Barber said no one at the track anticipated in 2010 that the Falls Village gathering would grow into such a popular tradition.
Standing near Railroad and Main streets as the village filled with cars and spectators, he surveyed the scene.
“This is really cool,” Barber said. “There are a lot of really nice cars.”
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Sharon voters split opioid settlement funds between ambulance, regional programs
Alec Linden
Sep 02, 2026
Sharon voters approved splitting $24,000 in opioid settlement funds at an Aug. 27 town meeting.
Alec Linden
SHARON — Sharon voters unanimously approved splitting $24,000 in opioid settlement funds between the town’s ambulance service and a regional fund supporting addiction prevention, harm reduction and mental health services.
The decision Thursday, Aug. 27, came two months after voters rejected an earlier Board of Finance-backed proposal, 27-11, at a June 18 town meeting. Residents had expressed concern about directing all the money, which must be used for opioid remediation, to a regional organization rather than supporting the town’s emergency medical service.
The revised plan allocates $14,000 to Sharon Ambulance and $10,000 to the Regional Opioid Response Fund, or RORF, managed by the Northwest Hills Council of Governments.
As additional settlement payments arrive through 2039, the town will have to vote again on whether to continue splitting the money between the two groups or adopt a different distribution plan.
Sharon Ambulance has said it intends to use its share to purchase and maintain equipment used during overdose responses.
The RORF supports harm-reduction initiatives and broader mental health services across the Litchfield Hills intended to reduce addiction risks and provide resources to vulnerable residents, according to Leonardo Ghio, the council’s director of rural health.
To date, the fund has received $175,000 in opioid settlement money from towns in the region and spent approximately $133,000 on harm-reduction supplies, addiction-awareness programming, mental health support and other initiatives.
Several towns, including Kent, Falls Village and Norfolk, have allocated their entire settlement payments to the RORF. Others, including Cornwall and North Canaan, have split the money between the regional organization and local mental health and substance-use disorder services, such as Greenwoods Counseling and Referrals.
Salisbury has yet to establish a distribution plan for its funds, which total approximately $40,000 to date.
Ghio attended Thursday’s meeting with Julia Jagger, an outreach and recovery navigator with Greenwoods whose position is funded by the RORF.
Jagger previously worked from a Greenwoods outreach site at Sharon Hospital, but the service ended because of funding changes. She said she plans to resume working from the hospital with support from the settlement funding.
Jagger said her role is to connect with people in need wherever they are.
“I can go directly to people’s homes,” Jagger said. “I can meet them somewhere out here. … The whole goal of my position is to try to reduce people feeling like they need to go to Torrington or Poughkeepsie for services that they can get access to now.”
Greenwoods is not a crisis-response service, however, and in an emergency, “it’s going to be first responders that are responding,” Jagger said.
Ghio said the regional fund’s strength lies in its ability to pool payments, which are distributed unevenly among towns and often arrive in small amounts from companies implicated in the opioid crisis, including Walmart, CVS and Purdue Pharma. Combining the payments allows the council to fund more substantial regional initiatives, he said.
Ghio estimated that Sharon will receive approximately $62,000 over the full settlement-distribution period. Nearby Washington, which directs all its opioid settlement money to the RORF, has already received $52,000, he said.
By comparison, Ghio projected that Morris will receive only about $3,500 by the time all the payments have been distributed.
“What in the world is Morris going to do that will be impactful with $3,500 alone?” he said. “Pooling the money together allows us to just have that greater impact across the region, knowing that we share borders and neighbors, and that people travel from one town to the other.”
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At Peggy Mercury, prep meets punk in ‘Imaginary Concerts’
D.H. Callahan
Sep 02, 2026
Greg Fricke and James Boehmer, co-owners of Peggy Mercury in Kent, recently launched their first fashion line, “Imaginary Concerts.”
Provided
Last month, James Boehmer and Greg Fricke of Peggy Mercury launched their first fashion line, “Imaginary Concerts,” wearable art sold exclusively at their store in the Kent Barns section of Kent, Connecticut.
The two fashion industry veterans opened Peggy Mercury more than two years ago, and a quick visit will tell you that people are finding what they’re looking for at the beauty and lifestyle store. But what they’re looking for is never standard.
Fricke and Boehmer are not there to stock their shelves with the same products customers find at standard makeup retailers. They’re there to help customers find what works for them. That usually means asking customers about themselves and learning about their beauty habits, skin, style and the way they like to present themselves. Fricke and Boehmer believe it’s their job to help customers bring out the qualities that suit them and determine what works best for their look.
So much of the Peggy Mercury world is about emboldening people to become more creative, and possibly bolder, versions of themselves. Some of this comes through the store’s creative collaborations with artists, designers and stylists.
It’s part of an ethos that encourages them and their friends to use the shop as a kind of laboratory, trying out new creative experiments without knowing how they might turn out. Whether in fashion, painting, fiber arts or photography, the projects almost always turn out marvelously.
A line of sterling silver charms they sell started as a small project by their friend Nolan Percival. In the beginning, the pieces were for close friends and loved ones. But Boehmer and Fricke encouraged Percival to get a little more serious about the project and create a whole line for the store. Today, it’s one of their top-selling collections.

“Imaginary Concerts” has the duo taking their own advice.
The project started as a way for Boehmer to connect with his mother, who had been diagnosed with Alzheimer’s disease. Taking old concert shirts from his own collection, Boehmer and his mother began cutting out the graphics with the idea that they would make a quilt together. Unfortunately, she died before they could complete the project in 2025. The pieces, which were ready for production, were put on the back burner as Boehmer and Fricke dealt with their loss and the whirlwind of projects that never seemed to cease at Peggy Mercury.
But the harsh winter of 2026 presented an opportunity to take some time and focus on themselves. Part of that meant revisiting and redefining the concert T-shirt project. This time, instead of looking to the warmth and comfort of a quilt, they turned to another passion — fashion.
Taking a page from their own book, they wanted to create something that felt comfortable to them. They took two disparate loves — one rooted in simple preppy style, with clean lines and classic silhouettes, and the other in the nitty gritty worlds of punk rock and pop — and blended them together to create something entirely new. Pulling from the staples of vintage Brooks Brothers and Charvet collections, they applied the graphic elements with bold stitching reminiscent of punk jackets of the ‘70s and ‘80s, but with a much more sophisticated air.
But the remixing isn’t just the pairing of prep and punk. The pieces are not canon. They take liberties with the realities of concert tours, combining one band’s dates with another band’s logos, mixing them all up until the reality is lost and imagination is the only truth.

Adding to the mix is an element of perpetual creativity. Art can be messy, both figuratively and literally, and many of Fricke and Boehmer’s artist friends carry evidence of their work on them at all times. As a nod to these tireless creatives, the duo added haphazard splashes of bright color, giving the line an even more distinctive feel.
For them, “Imaginary Concerts” passes the “Peggy Test.” The mythical Peggy Mercury is a fictional figurehead for the company, a character who thrives on creativity and change. The name, much like the clothing line, is a mixture of interests: Mercury is a planet, a deity and an elusive, transformative element, while Peggy is the wonderfully stylish and boundary-pushing Peggy Guggenheim.
Everything Fricke and Boehmer put in their store has to pass this test: Would Peggy Mercury approve? For their first collection, the answer is a resounding yes.
Peggy Mercury is at 9 Maple St., Unit 2, Kent.
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“Girlbomb” at 20
Natalia Zukerman
Sep 02, 2026
Photo by Jessica YurkoMillerton author Janice Erlbaum will celebrate the 20th anniversary of her memoir “Girlbomb” at Black Rabbit Dispensary on Sept. 5.
Photo by Jessica YurkoMillerton author Janice Erlbaum will celebrate the 20th anniversary of her memoir “Girlbomb” at Black Rabbit Dispensary on Sept. 5.
With memoir...the character only knows what the character knows.
—Janice Erlbaum
In “Girlbomb: A Halfway Homeless Memoir,” published in 2006, author Janice Erlbaum wrote about the years after she left her family’s Brooklyn apartment at 15, moving through shelters, group homes, squats, clubs and the streets of 1980s New York while somehow continuing to attend high school. The book has sold more than 75,000 copies, stayed in print for two decades and continues to find new readers.
Now Erlbaum, 57, lives in Millerton and on Saturday, Sept. 5, at 7:30 p.m., she will celebrate the 20th anniversary of “Girlbomb” with a reading at Black Rabbit Dispensary. The event is open to the public and will be livestreamed on Instagram.
There is another reason for the celebration. Erlbaum has collaborated with her longtime friend Douglas Broughton of Black Rabbit Farms on a cannabis strain named Girlbomb.
“I was an early adopter of cannabis,” Erlbaum said. “I’m smoking weed throughout the entire book, so it made sense to collaborate with my longtime friend and come up with a special Girlbomb strain.”
Erlbaum said Broughton was the first person she knew when she began contemplating a life outside New York City.
“I wanted to move near somebody who knew what the hell they were doing already,” she said with a laugh. A “true New Yorker,” Erlbaum still doesn’t even drive a car. “I was like, ‘I’m not just gonna move to a farm.’”
Now well settled in Millerton, having moved to the village in 2021, the city girl has discovered something she never expected.
“I have discovered such joy in nature,” she said. “I look at a flower and I’m like, ‘I know what flower that is.’”
She laughed.
“And it’s also great for a writer. You get a lot of peace and a lot of quiet.”
The girl who walked away
“Girlbomb” begins with a girl making a decision.
Looking back four decades later, Erlbaum describes the moment she left home not as a grand plan but as something purely instinctive.
“It was really the first time that my true survival instinct kicked in,” she said. “There was all of a sudden a clarity of like, ‘Oh, I’m leaving.’”
She was 15.
All along, Erlbaum kept journals and calendars. She saved notes passed between friends. Those scraps of the past became part of the architecture of the book — and now, 20 years later, part of its afterlife.
Erlbaum has been publishing excerpts from those old journals on her website as “the girl bomb diaries,” calling them an “unofficial sequel” to the memoir. Her site is also marking the anniversary with photographs and stories.
She was, she said, a writer almost before she knew what that meant.
Not knowing it would become integral to her survival, her parents gave her a typewriter when she was 9.
“I read and I wrote. That’s what I did,” she said. “So that part wasn’t ever really in question for me.”
But writing “Girlbomb” was not easy. Erlbaum began and abandoned versions of the story in her 20s before finally completing the memoir in her 30s. She had been writing autobiographically, performing slam poetry and comedy, going to therapy and trying to make sense of the life she had survived.
The actual writing, she said, was painful.
“It was rending,” she said. “Kind of like method acting, you have to do method writing. You have to put yourself in the mind space that you were in.”
Sometimes she had to close the laptop and walk away.
“And then I would nap,” she said. “I took a lot of naps.”
Twenty years later
Erlbaum now sees parts of “Girlbomb” differently. She is candid about the privilege and blind spots of the woman who wrote the book in her 30s.
“I’ve grown over the past 20 years,” she says. “I see now a kind of insensitivity.”
But she also refuses to rewrite the consciousness of the girl she was.
“It’s difficult with memoir because the character only knows what the character knows,” she said. “And if you butt in and you’re like, ‘Little did I know,’ then that’s just intrusive.”
That honesty is part of what has allowed the book to endure.
And if the 15-year-old Janice could meet the 57-year-old Janice now?
After a long pause, Erlbaum said, “I think she would think I was a fraud.”
The teenager, she imagined, would look at this woman who is comfortable in the world and think it impossible.
“I would have thought that it was impossible to get to a point of not being miserable all the time.”
But she did.
Not without regret. Not without grief. And not without looking directly at the harm she caused herself and others.
When Erlbaum visits high schools to talk about writing, domestic violence or homelessness, she said students often ask whether she has any regrets.
“They want me to say no,” she said. “And I say, ‘Yeah, I regret the harm that I did to myself, and I regret the harm that I did to others. And if I could do it again, I would do things differently.’”
Twenty years later, “Girlbomb” is still a book about survival but with the hindsight and wisdom of years, it’s also a book about what comes after.
“Looking back, I know that today I would do things differently. And that’s how I’m able to forgive myself.”
For more information and to order a copy of “Girlbomb,” visit JaniceErlbaum.com
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Spencertown’s 21st Festival Of Books
D.H. Callahan
Sep 02, 2026
Joshua Jelly-Schapiro, author of “Daylight Come: Harry Belafonte and the World He Made” is one of thefeatured authors at the Spencertown Academy Festival of Books on Saturday, Sept. 5.
Mirissa Neff
On Saturday, Sept. 5, the Spencertown Academy Arts Center in Spencertown, New York, will host its 21st annual Book Festival.
With over 20,000 gently used books, CDs, DVDs and vinyl donated by the community, it took volunteers 45 days — and an estimated 750 hours —to set the whole thing up. Most of that time was spent sorting through the vast troves of donations and organizing them by category.
The event is a fundraiser for the Spencertown Academy Society, which was founded in 1972 after the Academy Building was shut down as a working school. Since 1847, when the Rev. Timothy Woodbridge, a blind pastor from a local church, opened a teaching college, the building had been used for education. Today, it serves Chatham residents as a gallery and performing arts space.
The Festival started in 2005 as a way to raise money for the Society, and help support the upkeep of the building. Over the years, the Society has added appearances by featured authors. This year’s lineup is particularly robust, with a focus on nonfiction, along with several fiction writers and even one cookbook author.
In the nonfiction category, the festival will feature James Baldwin biographer Nicholas Boggs, whose book “Baldwin: A Love Story” is a New York Times bestseller and winner of the National Book Critics Circle John Leonard Prize as well as the PEN/Jacqueline Bograd Weld Award for biography.
Historian and author James M. Bradley, known for editing “The Encyclopedia of New York City,” and the Papers of Martin Van Buren project, will discuss his new book, “Martin Van Buren: America’s First Politician.”
Featured author Joshua Jelly-Schapiro was a member of Yale University’s first Ethnicity, Race and Migration program and earned his Ph.D. in geography from the University of California, Berkeley. His award-winning doctoral thesis explored the global impact of Caribbean culture. His new book, “Daylight Come: Harry Belafonte and the World He Made” was released in August.
“Lincoln’s Lady Spymaster” by Gerri Willis was a New York Times bestseller when it was released last summer. Willis, known for her financial reporting on CNN and Fox Business,tells the story of a Southern Belle inspired to help the Union during the Civil War.
Willis isn’t the only author who wrote about women spies in wartime. Michelle Young, an award-winning journalist, author and adjunct professor of architecture at Columbia University’s Graduate School of Architecture, Planning and Preservation, is best known as the founder of online magazine “Untapped New York.” She’ll be in Spencertown to discuss her 2025 book, “The Art Spy: The Extraordinary Untold Tale of WWII Resistance Hero Rose Valland.”
Pivoting to fiction, “Hazel Says No” is the first novel by author and Vassar graduate Jessica Berger Gross. The novel shifts perspective and voice from one family member to another. Her first book, “Estranged: Leaving Family and Finding Home,” was an intimate memoir about leaving her close-knit family in search of a healthier, more independent life.
Fulbright Scholar Casey Scieszka will discuss her novel, “The Fountain,” which was named one of the most anticipated books of the year by publications including The Boston Globe, Literary Hub, Book Riot, Goodreads and Town & Country before its release in March. Scieszka runs the Spruceton Inn: A Catskill Bed & Bar, known in part for its artist residency, which hosts painters and award-winning authors.
But one local hotelier isn’t enough for Spencertown. Cook, food stylist, photographer and bed-and-breakfast owner Melina Hammer will discuss her cookbook, “A Year at the Catbird Cottage: Recipes for a Nourished Life,” which draws on her work with local, natural ingredients prepared for guests at her Hudson Valley home.
Rounding out the appearances will be children’s book favorite Pete the Cat. The Pete the Cat series was created by Eric Litwin and James Dean (not that one) nearly 20 years ago and has spawned an animated series with holiday specials. Notable voices in the series include Elvis Costello, Diana Krall, Dave Matthews and Jason Mraz. For this appearance, though, expect one big, groovy cat.
To learn more about the Book Festival and become a member, with early access to the sale, visit spencertownacademy.org.
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Paul Newman racing doc to screen in North Canaan on Sunday
D.H. Callahan
Sep 02, 2026
“Winning: The Racing Life of Paul Newman,”will be screened Sunday, Sept. 6, at the Colonial Theatre in North Canaan.
Provided
On Sunday, Sept. 6, Lime Rock Park will host a screening of the documentary “Winning: The Racing Life of Paul Newman” at the Colonial Theatre in North Canaan at 7 p.m.
Newman was one of the most celebrated actors of the 20th century, known for films including “Cat on a Hot Tin Roof,” “Hud” and “Cool Hand Luke.” His 1969 film “Butch Cassidy and the Sundance Kid” also began a decades-long friendship with co-star Robert Redford.
That same year, Newman starred alongside Robert Wagner as a race car driver in “Winning.” Director James Goldstone wanted the actors to drive real race cars, so they were trained for the role. Wagner didn’t much care for the experience. Newman, however, fell in love.
While he didn’t start out as a particularly good or fast driver, he couldn’t stop. Soon, he was jumping at every opportunity to get behind the wheel. Since he lived in Connecticut, there was one place with the challenges he needed to practice: Lime Rock Park.
Newman started racing in his mid-40s, an age when most drivers have already retired. But his patient, studied approach saw him improve with every turn. Soon, he was winning races against drivers half his age, who didn’t have all the Hollywood hubbub to distract them.
Exploring the highs and lows of Newman’s lesser-known career as a race car driver and team owner, “Winning: The Racing Life of Paul Newman” features original interviews with Redford, Jay Leno and racing legend Mario Andretti.
Another of Newman’s passions was philanthropy. Known for his Newman’s Own line of snacks, sauces and salad dressings, the company gives 100% of its profits to charity, supporting nutrition education and school food programs, Indigenous food justice and the Hole in the Wall Gang Camp in Ashford, Connecticut.
The camp, named after Butch Cassidy’s Hole in the Wall Gang, was founded by Newman in 1988 as a place where children with serious illnesses could simply be kids.
The documentary screening is part of the 44th Lime Rock Historic Festival, and half of the proceeds from ticket sales will go to benefit the Hole in the Wall Gang Camp.
Tickets are available at canaancolonial.com.
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