“This program offers youth an opportunity to experience firsthand the power of advocating for change by interacting with local government.”
— Berkshire Taconic Community Foundation
SALISBURY — This spring, the Salisbury-Sharon Transfer Station will host a bright, blue collection bin where residents can dispose of their empty, non-recyclable prescription pill bottles destined for developing nations where methods for distributing medications to those in need are primitive.
Meanwhile, in North Canaan, members of that town’s volunteer fire department have been trained on how to utilize a newly donated high-tech drone that will aid firefighters not only during search and rescue missions but also when responding to structure fires.
The community projects were conceptualized and initiated by two Housatonic Valley Regional High School students and made possible through a region-wide initiative known as the Youth in Democracy Fellowship program, administered through the Berkshire Taconic Community Foundation to promote youth involvement in local government.
Participants are selected based on their passion and commitment to active participation in community building to support their project.
Last fall the foundation partnered with the 21st Century Fund at Housatonic Valley Regional High School and Bard College in Great Barrington, Massachusetts. As a result, two HVRHS students, sophomore Daniel Moran and junior Alex Wilbur, have been working with a mentor from Bard and town officials on their respective year-long projects.
Moran developed and initiated the drone assistance program and training sessions for the North Canaan Fire Company and Wilbur is spearheading the pill bottle collection project at the Salisbury-Sharon Transfer Station.
Firefighters’ new drone
Moran, who has been intrigued by drones from a very young age, initially contacted Brian Ohler, North Canaan’s first selectman, and pitched the idea to supply the North Canaan Fire Company with a new drone and training to go along with it.
Moran and Ohler, who is also a long-time drone enthusiast, then presented the idea to Patrick McGuire, the fire department’s assistant chief, and the rest, as they say, is history.
“It’s rare for a young man to do what he did,” said McGuire of the student’s success in obtaining a $2,500 grant for the drone and then training members of his department on the technology.
“We haven’t used it yet,” due to fire department training, noted the assistant fire chief, “but we are hoping to get out there in the spring” and give it some airtime, said the assistant fire chief.
McGuire said the remote-controlled drone will help firefighters identify potential nearby water sources when battling structure fires in remote areas and also assist with search and rescue operations for people and animals.
“It could also fly above buildings and provide an aerial view of a burning structure,” enhancing safety for the volunteer firefighters arriving on scene, he said, noting that his department is extremely thankful for the gift.
Moran, 15, recalled that his infatuation with drones started at an early age and continued into high school, where he started a small drone program through the school’s agricultural education program and has assisted with training his peers.
“I’ve always been into drones,” the teen said during a recent Sunday morning meeting at the firehouse with Ohler, McGuire and his dad, David Moran, chair of the Agricultural Education Department at HVRHS.
Ohler praised Moran for identifying the community need and navigating the complex process.
“Daniel is very methodical. There were multiple steps, going back to the foundation, presenting all the data. I was very impressed. It’s really making, in a way, such a technological advancement to the capabilities of the fire department.”
Another bonus to the volunteer fire department’s new drone equipment, said Ohler, is that it may help lure young recruits.
“It shows them that there is more to firefighting than just putting out fires.”
Daniel Moran, second from right, with the drone the HVRHS sophomore donated to the North Canaan Fire Company as part of his Youth in Democracy project.Moran is shown here with the town’s first selectman, Brian Ohler, right, Assistant Fire Chief Patrick McGuire, center, and David Moran, Agricultural Education Department Chair at the high school, left. Debra A. Aleksinas
Pilot program targets discarded pill bottles
Sixteen-year-old Alex Wilbur is passionate about her Youth in Democracy project, and over the past several months has been laying the groundwork for a pilot program to collect prescription pill bottles at the transfer station and have them distributed to developing nations.
The teenager met up with Brian Bartram, manager of the Salisbury-Sharon Transfer Station, last Saturday morning to discuss progress, which includes creating labels for the blue bin and distributing newsletters throughout the community.
“I am happy to be the facilitator, but the program is being administered by Alex,” noted Bartram, who plans to place a bright, blue plastic collection bin outside the transfer station’s office door. It will occupy space next to the Boy Scouts’ red, white and blue wooden collection box filled to the brim with torn and tattered American flags.
“They will be the leaders in a few years,” Bartram said, praising the youth initiatives.
Currently, most people dispose of prescription pill bottles with recyclables, but the problem with that, said the transfer station manager, is that due to their small size, pill bottles often end up mixing with recycled glass.
Removing them from the process, he said, helps the environment and the recycling process.
Wilbur is currently awaiting receipt of a $1,500 stipend for needed supplies, and once the collection bin is in place, the next step is to educate the public.
Most people take for granted that their medications come in resealable, clean containers, Wilbur said.However, in some parts of the world, medications are distributed in whatever health care providers or clinics have available, which could be something as basic as a folded scrap of paper.
“I am compiling a final budget and will start printing out labels and newsletters which I plan to hang up around the community,” explained the HVRHS senior, who also plans to be at the transfer station during the project launch to spread word to residents about the new initiative.
Once the bin is full, the pill bottles will be collected by Wilbur and her mom, Mary, and delivered to Ed O’Toole, leader of Berkshire Amistad in Pittsfield, Massachusetts, whose organization supplies Honduras with medical equipment and supplies.
“He goes to South America once every few months and has agreed to work with me and bring the pill bottles from here with him,” Wilbur explained.
A significant senior population
Jean Saliter, gate-keeper at the transfer station on Fridays and Saturdays, praised the teenager’s initiative, which is something she had tried to pitch years ago after hearing about a similar program started by a parish in the Chicago area where people were collecting, cleaning and shipping pill bottles “so that they could do good work in third world countries.”
The idea, however, was short lived, Saliter recalled, because the labels needed to be removed entirely from the plastic bottles, a task that turned out to be extremely labor intensive.
Under Wilbur’s proposal, only names need to be blacked out on the label.
“I’m thrilled,” about Wilbur’s project, Saliter said, noting that both Salisbury and Sharon have a significant senior population that generates countless empty pill containers.
A resident of the Noble Horizons, Saliter suggested it would make sense to start a collection among residents there and throughout the towns’ senior living communities, which can be delivered in bulk by volunteers to the transfer station.
The Veteran’s Memorial is set to receive a new plaque commemorating Kent’s 44 known Revolutionary War servicemen. The stone will be displayed throughout the weekend’s USA 250 celebrations.
Friday, July 3
The parade is still set to kick off at Town Hall on Friday, July 3, at 7 p.m. It will finish with a reception at the Kent Volunteer Fire Department with a DJ, dancing and signing of the town’s ceremonial Declaration of Independence.
A planned bonfire has been replaced by the “KVFD Mega Soaker,” courtesy of a Kent Volunteer Fire Department truck, and cold refreshments in the vein of watermelon or popsicles will take the place of smores, which are being saved for a later event. First Selectman Eric Epstein, who is also a volunteer firefighter, said to get ready to get wet: “it’s more than a mister… it’s a soaker.”
Town Clerk and USA 250 Subcommittee member Darlene Brady warned parents to bring towels.
The group will also be providing vehicles and floats so parade participants can hitch a ride than walk through the heat, though they may still walk if they choose.
As of Thursday afternoon, 16 floats had registered, and anyone eager to join can still submit a last-minute request for a holiday-themed float.
Saturday, July 4
All of Saturday’s programming has been moved indoors, save for the raising of the flag which will occur just outside the Community House at noon. The reading of the Declaration, the nationwide bell ringing, and community picnic with concessions and local vendors and activities will take place inside the building until 3 p.m.
Fireworks at Lake Waramaug at dusk are still on schedule for 9:30 p.m., with parking for Kent residents at the shoreside Lake Waramaug State Park.
Widely scattered showers and thunderstorms are possible both days. Brady said that Friday’s parade may still go on in light rain, but that it may have to be halted if safety becomes a concern, as in the event of downpours or lightning.
“We’re hoping mother nature loves a parade!” she said.
Friday, July 3 (Lights & Liberty Community Kickoff):
2 p.m. – community bell ringing at 2 p.m. at the Eric Sloane Museum, 31 Kent Cornwall Road
7 p.m. – Lights and Liberty parade kicks off at Town Hall, ending at the KVFD firehouse for a reception with a DJ, dancing and refreshments
Saturday, July 4 (Celebration on the Town Hall Lawn & Fireworks Finale):
Noon – community signing of town Declaration and flag raising outside the Community House, 93 North Main Street
1 p.m. – Public reading of the Declaration of Independence inside the Community House
2 p.m. – Town-and-nationwide bell ringing
Noon to 3 p.m. – Community picnic, activity tents family programming and food and drink
9 p.m. to end – Rim-the-Lake with Flares followed by fireworks display
A brand new Revolutionary War Memorial featuring 44 known Kent veterans of the fight for independence will be displayed during Friday night's parade and at the flag raising ceremony outside the Community House on the Fourth of July. Alec Linden
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Church’s status as an early environmentalist was mentioned repeatedly during the conversation. Shin’s sculpture “Fallen,” which graced the lawn next to the estate’s main house during last year’s event, featured a fallen hemlock tree trunk planted by Church over 150 years earlier which had been wrapped in tanned leather. She described the work as a direct reference to Church’s experience witnessing the eradication of the area’s hemlocks as the leather tanning industry wreaked havoc on the natural environment of the Hudson Valley in the mid-19th century.
The relationship between art and the environment wasn’t isolated at Church’s former home. Instead, it seemed to be found all over UAW.
Now in its seventh year, UAW works to take the art world out of the city. At its best, the weekend gives artists and curators the opportunity to interact with unfamiliar environments. Just as often, however, it serves as a literal escape, allowing New York City galleries to bring works to pop-up spaces assembled for the express purpose of displaying fine art. The “Loading…” group show in Hudson did just this.
Transplanting six New York City galleries into an intimate event space, “Loading…” featured a wide variety of artists from around the globe. Sheroanawe Hakihiiwe, an Indigenous artist from Venezuela, takes ancient practices and translates his observations of the Amazon into minimalist works. Michael Assif’s “Plant a Weed” highlights the human impact on a natural landscape while feeling like a marshmallow dream. And Margaret Curtis’ “ ‘S ” uses the backdrop of a Hudson River School-style sunset to highlight the chaos of today’s state of the American dream.
The flip side of this art-world field trip is the variety of makeshift galleries in the garages and barns of the Hudson Valley. Places like Ugly Mud Studios and Ten Barn Farm, both in Ghent, along with Foxtrot Farm and Flowers in Stanfordville, housed unexpectedly refined exhibitions. These venues all integrate sustainable practices into their business: Foxtrot is a regenerative flower farm, Ugly Mud uses locally sourced clay, and Ten Barn Farm operates a farm-to-table restaurant called The Kitchen.
But at the end of the day, UAW is about getting the art world into the wild. So it was no surprise to see a panoply of eye-catching outfits, and out-of-this-world works at Art Omi, the sculpture and architecture park in Ghent, on Saturday evening. Complete with avant-garde ambient operatic metal, the Summer Kickoff event served as a testament to the continued growth of UAW. It seems the seeds that Toomer and her collaborators planted seven years ago are flourishing, with no signs of slowing down.
Andrew Ingall
Artist Christy Gast with her sculptures at Friday Arts in Amenia.
Benjamin Reynaert
His career began at Martha Stewart Living. A contributor to Architectural Digest, Elle Decor, House Beautiful and Veranda, Reynaert has also served as style director at Domino. He has worked with Farrow & Ball, Chairish, Neiman Marcus, Sunbrella, Anthropologie, Gap, Bunny Williams Home and Stella Artois. He shares his work on Instagram via @aspoonfulofbenjamin.
“I’ve been fortunate to travel the country and abroad for Elle Decor, covering design fairs and trade shows like Deco Off in Paris, London Design Week in England, Cersaie Tile Show in Bologna, Italy, High Point in North Carolina and the Kitchen and Bath Industry Show in Las Vegas,” he said. He is drawn to unique objects and textiles. “As a market editor, the pieces that stick with me are not the newest. They are the ones I stumble upon and imagine living with.”
Reynaert is also co-founder of Ticking Tent with Christina Juarez, president of Christina Juarez & Company. The biannual event has become a destination for collectors and designers seeking curated antiques and design objects.
“I met Ben about 15 years ago when he was a young design editor and I was early into my career as a design communications strategist having switched gears from the fashion world," Juarez said. “We immediately clicked. I was impressed by his multidisciplinary creative talents — styling, writing, vision and impeccable eye — and his passion for the thrill of the hunt. I could not ask for a better partner and friend — my brother from another mother — and a yin to my yang. Two creatively minded people with a love of old and new beautiful things, and the ability to curate what the luxury shopper doesn’t know they need and most definitely wants.”
Reynaert described the most recent Ticking Tent as the largest yet. “We hosted over 2,000 guests and transacted our most sales to date with 75 vendors,” he said. “The most exciting part is seeing friends and watching new connections being made. I’m excited for the next event, Nov. 13–14, in Bedford, N.Y.”
Butter Wakefield’s kitchen from“The Layered Home” by Benjamin Reynaert.Manuel Rodriguez
For Reynaert, objects are defined as much by narrative as by design. “An object is about the story — whether it’s passed down in your family, something you worked hard for, bought on a trip, or a friend gave you,” he said. “With that added narrative, it doesn’t need to be the most aesthetically pleasing thing. The memory attached makes it beautiful. I like the idea of simple, seemingly insignificant items having a ton of meaning. Treat a thrift store painting as you would a Picasso.”
Greg Domres and Peter Nichols’ residence in Litchfield, which they share with their miniature schnauzer, Bunny, is one of 15 homes featured in Reynaert’s book, “The Layered Home.” The couple hosted a book signing at George Home in Washington Depot. “I first met Ben at press events during my time at John Derian,” Domres said. “We became friends and stayed connected professionally over the years.”
The book spans interiors from Eric Goujou’s shop The Wolf Tile in Paris’ 5th arrondissement to textile designer Schuyler Samperton’s Litchfield farmhouse. “Sharing the stories of talented, stylish people I’ve met during my tenure in magazines has been a privilege,” Reynaert said. “The most inspiring interiors are layered — with personality, patina and the poetry of a life lived. This book is my love letter to that idea.”
Reynaert said he would like to travel to Japan and Australia and hopes to develop his own product line in the future. “Balancing work and life is a challenge,” he said. He spends downtime with his husband, Luis Illades, in Delaware, where they are renovating a Victorian home.
“I feel incredibly fortunate to blend my work and my life in the home I share,” he said. “Creating a home is, at its core, an act of love.”
Mickalene Thomas and Delano Dunn at Wassaic Project.
Thomas, an artist whose multidisciplinary practice spans painting, collage and installation, first met Dunn when she was his graduate adviser at the School of Visual Arts. “I think your work needs to be out there more,” she said, noting the urgency of this collection in the current socio-political moment.
Dunn’s layered collages often begin with an image unearthed from flea markets, used bookstores and forgotten archives.
“I go to secondhand shops, old bookstores, any place that looks like it has history in it,” he said.
Sometimes, he explained, an image becomes the centerpiece of a work. Other times it simply sparks an idea.
“There’ll be an idea that pops into my head. I’ll read something or hear music or a lyric, and then I’ll think, ‘I’ve got to find an image that matches that.’”
His color palette also carries its own history.
“I grew up in L.A. during the L.A. riots,” Dunn said. “I would sit on my porch as a kid. I was watching the neighborhood burn, but the sky was beautiful.”
He still paints with those saturated blues, reds and oranges.
“Color can transport you. Color can make you feel safe, or happy or scared,” he said. “Those colors made me feel safe.”
For Dunn, Troutbeck’s own layered history became an active part of the work. Learning that the estate had hosted W.E.B. Du Bois, Langston Hughes, Ida B. Wells and generations of civil rights leaders informed his direction.
Dunn was given access to Troutbeck’s archives and found handwritten notes by Langston Hughes, and writings by Du Bois and Wells that found their way into the exhibition.
“There was a letter between Amy Spingarn and Martin Luther King Jr.,” Dunn recalled. “To be in its presence and hold it... you don’t see communication like that every day.”
Delano Dunn’s “Echoes in the Margin” at Troutbeck.Natalia Zukerman
Much of Dunn’s work invites viewers to dig deeper into history rather than accept simplified narratives.
“I want them to look at it and go, ‘Wow, this is really amazing and interesting and colorful and beautiful,’” he said. “And then I want them to be terrified shortly after that.” He accomplishes this through bold, colorful, and often playful compositions that draw the viewer in before revealing their more complex historical underpinnings. As Thomas wrote, “Dunn’s compositions invite viewers to sit within that tension and take it in.” That impulse toward deeper investigation extends to Dunn’s own children, who are often his first audience.
“They’ll ask, ‘What is this? Why does this person look the way they look? Why are you using that color? Why are you using glitter?’”
Those conversations, he said, become lessons in looking beyond appearances.
Thomas framed collage itself as a kind of storytelling practice —“the gathering of information… piecing things together”—and praised Dunn’s ability to translate research, memory and visual pleasure into a unified language. She also underscored the importance of creative joy in the process. “If you’re going to your studio and you’re not having fun,” she said, “you shouldn’t be doing it.”
Dunn said one of the biggest misconceptions he hopes to challenge is the idea that there is a monolithic Black experience.
“There are so many different perspectives out there. This is just one of them,” he said. In the same breath, Dunn said he adopts the label “Black artist” because “it would make my Grandpa proud.”
The nearly two-hour conversation shifted seamlessly between humor and history, studio practice and social commentary, ultimately returning to what both artists believe art can accomplish: encouraging curiosity, complicating familiar stories and inviting viewers to question what they see.
As Dunn put it, “History is so much more nuanced than what we’re taught. There’s so much more going on below the surface.”
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