Thank you!
Your support is sustaining the future of local news in our communities.

Students share hidden history

Students share hidden history

Tino Harper, Zach Walsh, and Duke Gentzler presented on William Grimes.

Patrick L. Sullivan

SALISBURY — Three teams of students from Salisbury School made the initial presentations of their local history projects at the Scoville Memorial Library Thursday, Feb. 15. The presentations were also streamed online.

Salisbury School is an independent boarding school for boys in grades nine to 12.

Teacher Rhonan Mikriski opened the presentations, noting it would be the first run-through. The final presentations will be included at the Troutbeck Symposium May 1-3 in Amenia.

Mikriski said the students are delving into forgotten corners of local history, particularly when it concerns marginalized groups.

The first group — Jasper Nadal, Derrick Dellea and Will Mumby — took a look at the treatment of mental health in Northwest Connecticut and the Hudson Valley.

The students made the point that institutions varied greatly in the quality of the care they provided, and in their philosophies. Were the institutions there to cure patients, or to simply house them?

The students touched on the Lakeville Home for Imbeciles, on the sprawling Harlem Valley Psychiatric Center in Dutchess County, and on the methods used to treat mental illness.

The latter category reads like a horror movie script. The techniques used included prefrontal lobotomies, insulin shock, hydrotherapy (immersion for long periods of time in cold or hot water, sometimes in sequence), and electroshock treatment.

The next group — Jack Kennedy, Judd Phillips, DJ Duntz and Parker Reynolds — took as their starting point the painting “The Last Moments of John Brown” by Thomas Havendon.

The painting shows Brown being escorted to the gallows for his actions in the infamous raid on Harper’s Ferry in 1859. He is pausing to kiss a Black infant.

The local connection is this: The painting was commissioned by the Battell family of Norfolk. The group found the painting to be a conscious attempt to rehabilitate the image of Brown, who was widely considered to be a terrorist for his anti-slavery activities.

Brown was also a native of Torrington.

The group also included a clip from D.W. Griffith’s 1915 film “The Birth of a Nation,” noting the film is famous for its technical sophistication and infamous for its blatant racism. The clip showed Black legislators during Reconstruction drinking alcohol and otherwise clowning around while on the floor of a legislative chamber.

The final group focused on William Grimes, a slave who escaped and made his way to Connecticut in 1814.

He became a successful businessman with barbershops in Litchfield, New Haven and Bridgeport. He married and had a large family.

Grimes was subsequently tracked down after nine years of freedom. He wound up turning his businesses over to secure his continued freedom.

He also wrote a book about his experiences, “Life of William Grimes, the Runaway Slave,” published in 1825.

The group noted that when Grimes was tracked down, slavery had not yet been abolished in Connecticut.

The students also suggested that the choice of barbershops as a business was in part a way to get around laws that prohibited large gatherings of African Americans.

And they discussed the cultural and social significance of African American hairstyles.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.