
Adam Mayer, left, was hired last April by the town of Salisbury to manage the new Boat Launch Monitoring Program at the East Twin Lake marina.
Debra A. Aleksinas
Adam Mayer, left, was hired last April by the town of Salisbury to manage the new Boat Launch Monitoring Program at the East Twin Lake marina.
“It’s a great group effort within this town, and everyone’s on the same page.”
– Bill Littauer, president of the Lake Wononscopomuc Association
SALISBURY — Lake association and town officials worked furiously in 2024 to address invasive hydrilla’s looming threat to lakes’ ecosystems, their management budgets and the local economy.
Of primary concern to the Twin Lakes Association last year was the discovery of the aggressive aquatic invader’s further spread in East Twin Lake as well as a projected 10-fold increase in lake management costs for 2025 and beyond.
“Everyone is scared to death about these expenses,” Grant Bogle, president of the TLA, said during the budget portion of the association’s annual meeting last August. “But here is the unfortunate news. It doesn’t go down next year or the year after that.”
The bulk of the responsibility for funding lake management, estimated at $350,000 in 2025, falls to the TLA, although the town of Salisbury is poised to contribute $100,000 for lake management which includes the cost of boat launch monitors at the marina. Other funding sources include fundraising and potential grants through the state Department of Energy and Environmental Protection.
Scare triggered rapid response
A noxious, fast-growing variant of hydrilla verticillata, referred to as the Connecticut River variant, was discovered in the summer of 2023 near O’Hara’s Landing Marina on East Twin and in the shallow waters north of the state boat launch, making it the first lake in the state known to become infected with the non-native plant.
The TLA, now entering its third year in the ongoing battle with the wicked water weed, immediately assembled a coalition of scientific and environmental advisers to address the threat.
The scare triggered a rapid response from other lake groups. The Lake Wononscopomuc Association, which oversees Lakeville Lake, issued a moratorium at the Town Grove boat launch which remains in effect until further notice.
Mt. Riga Inc. also played it safe by closing its Ostrander beach and campsites in 2024 until preventative measures were in place.
Last summer the TLA made sweeping changes to how it plans to safeguard water quality at East Twin and control hydrilla’s further spread. Those measures included boat inspections at O’Hara’s Landing Marina, blocking off passage under the Isola Bella Bridge and reverting the state boat launch to its initial mandate of providing access only to nonmotorized car-top watercraft.
In July, the first application of a slow-release herbicide, SonarOne, was applied at the marina and continued at three-week intervals throughout the summer, targeting hydrilla beds in the vicinity of the marina and in the north cove.
During this time, the TLA’s lake consultant, George Knocklein of Northeast Aquatic Research continued to document spread of hydrilla outside the approved treatment area.
In August, SonarOne was applied, with state approval, to the expanded treatment area in the marina and along the shoreline to the state boat launch.
In October, about 50 stakeholders attended a forum at the Town Grove during which Lake Wononscopomuc President Bill Littauer and TLA’s Bogle fielded questions and shared information and resources.
“It’s a great group effort within this town, and everybody is on the same page,” said Littauer.
Also last year, the U.S. Army Corps of Engineers targeted several field research demonstration sites where it tested various herbicides at coves and marinas along the Connecticut River impacted by dense infestations, the results of which have yet to be released.
With cautious optimism, federal, state and local officials working on managing hydrilla in the Connecticut River said they are starting to see encouraging signs.
The results of that testing, they said, will benefit not only the clogged coves and tributaries along the Connecticut River, but also other lakes, ponds and rivers throughout the state.
‘Far-reaching implications’
Attacking infestations with herbicides is only half the battle. Stopping reinfestations and spread to other waterbodies is key, said state environmentalists.
Public awareness is key to keeping hydrilla from spreading or reinfecting a waterbody because the wicked water weed can easily be transported from one lake or pond to another via unsuspecting boaters or owners of recreational watercraft.
For that reason, DEEP’s “Clean, Drain and Dry” program has been touted as a critical management component.
Looking to 2025, state environmentalists plan to spend the peak hydrilla growth period surveying 94 state-owned boat launches throughout Connecticut in search of hydrilla, according to Jeremiah Foley, assistant scientist and biological control specialist with the Connecticut Agricultural Experiment Station/Office of Aquatic Invasive Species.
Foley, who is a member of the Twin Lakes Association’s coalition of consulting experts, said the survey will include launches at lakes and ponds. He explained that it is likely that hydrilla is lurking in other lakes but has not yet been detected.
The scientist had warned in a May 2024 article of Invasive Plant Science and Management that the “discovery of Hydrilla verticillata and its subspecies lithuanica in the Connecticut River and the breadth of the current infestation represent a significant ecological invasion event with potentially far-reaching implications.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino