Thank you!
Your support is sustaining the future of local news in our communities.

Addressing blight concerns

At times, I still shake my head and wonder what’s been going on here for the past several decades. What have you guys been doing?As an example, I recently received a series of complaints related to nuisance issues around town. Some of the issues include blight, which encompasses overgrown yards, outdoor trash, junk cars and other “ugliness” aspects of property ownership. Other issues are related to noise, such as loud music and commercial operations. So, what can I, or other town officials, do to address these issues?With regard to noise, nothing at this point: the town does not have a noise ordinance. The selectmen have begun the process to enact a noise ordinance, but to get a new ordinance in place takes several weeks. Has unreasonable noise never been an issue before? Until a noise ordinance becomes effective, you will have to rely on common sense and simple courtesy.Unlike a noise ordinance, at least the town does have an anti-blight ordinance. So what can I, or other town officials, do to address those concerns? Well, the anti-blight ordinance describes several circumstances that are defined as “blighted premises:” not being maintained — missing windows or doors, collapsed walls, floors or roofs, damaged or missing siding, garbage or trash on the premises and overgrown grass or weeds. Sadly, it’s not hard to look around town to see at least a couple of properties that, with little difficulty, can be described as “blighted premises.” Let’s review how the process works on a sample property (174 Main St., since no one lives at that property, and it’s owned by an out-of-town person).The grass is obviously overgrown, so it easily meets the definition of a blighted premise. In accordance with the anti-blight ordinance (Sec. 180 of the Town Ordinances, Part D), “No owner of any building or structure in the town of Winchester shall cause blighted premises to be created or maintained.” The property at 174 Main St. is therefore in violation of Section 180. The next step is enforcement.Enforcement involves a series of steps, including the filing of a complaint, inspection of the premises, an order to comply within 30 days and an appeal process (to the Board of Selectmen). While all this process is playing out, the grass continues to grow.With either no appeal filed or with an appeal rejected by the Board of Selectmen, penalties, as specified in Section 180, can now be levied. Part F states that “Violations of the provisions of this article shall be punished by a penalty of not more than $99 for each dwelling unit or for the equivalent amount of other space.” Each day of violation is considered a separate offense. This penalty exists as a lien against the premises and is recorded on the land records. Basically, approximately $700 per week can be added as a lien on the property.And while those liens accrue, the grass continues to grow. In other words, the current ordinance penalizes blight, but it does not correct blight. At some point, when thousands of dollars of liens have been placed on the premises, the property owner (especially a distant out-of-town property owner with little, if any stake, in the community), simply walks away. Then some other distant, faceless owner (individual or corporate) takes over. And the grass still grows.In cities where I have formerly worked, the blight or nuisance ordinances sought to correct the violation. If the grass was too long, I sent a violation notice to the property owner, giving him two weeks to address the violation. If the grass wasn’t cut, I’d send a contractor to cut the grass. The contractor’s fee, as well as an additional administrative charge, was then placed upon the property’s taxes. But the grass was cut and the blight was abated.Why can’t we do that in Winsted? I have found a few other communities in Connecticut that, after completing a similar process, allow for corrective action by the town, with all costs, fees and expenses incurred considered as a civil claim to be pursued by the town. Maybe we should consider amending our ordinance to include corrective action.But then again (in unison, please), we’ve always done it this way.Dale Martin is the town manager of Winchester.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.