Art That’s Strange And Strangely Beautiful

Lakeville Art Night on Memorial Day weekend used to be a big deal: Streams of people meandered from one gallery to the next looking at new works, visiting with friends and enjoying wine and cheese. But then Morgan Lehman Gallery closed its doors, and Art Night went the way of the dodo. Or almost. This year both Argazzi Art and The White Gallery/Lakeville have scheduled opening receptions, one commencing as the other winds up, on May 28. You’ll have to time your visits carefully to enjoy even a semblance of the former festive ambiance. At Argazzi, Judith Singelis is showing five works by Chicago artist Carrie Pearce, new to the gallery and quite different from the abstract, reductive work usually featured. Pearce is a painter of strange and strangely beautiful, haunting portraits — all of children in this show. Working from old photographs, she creates the paintings in a faux Renaissance style: The image is painted in black and white, then many layers of color are glazed over the work before a final coat of varnish is applied. The subjects are frozen in a kind of shimmering, elegant timelessness. But these are not your usual cute children. They are still, haunted, strange, maybe evil. Their eyes stare at you both seeing and unseeing, rather like the glass eyes that Pearce collects for a hobby. You just know that these children lived in another time, that they are dead, yet they convey emotions that are real and perhaps dangerous. These are not children you’d want to babysit. Also worth seeing is an Eric Aho from 2007, new to the gallery and among the last of that rapidly rising artist’s pastoral scenes. This piece, “Embankment,” is a semi-abstract winter scene of heavy swirls of paint so thick that the picture seems almost three-dimensional. You can feel the cold in your bones. It’s a wonderful work and probably the last Aho Argazzi will get. He is represented, now, by DC Moore Gallery in New York City. At the White, “Art of the Print” presents three women who depict nature in significantly different ways. Frances Ashforth’s color block work emphasizes the horizon in relation to land, sky and water. Bold, horizontal bands of color define the tension she finds between the natural landscapes. They are bold and full of barely contained energy. Sally Frank’s work is all about the vertical: Trees stand tall; branches and leaves create patterns of light and shade. These are quiet, often stark pieces. Nancy McTague-Stock’s work, on the other hand, is somewhat abstract, patterned, gently colored. Nature is caught in fragments rather than wholes, and she tries to convey movement. Argazzi Art will host an informal reception on Saturday, May 28, from 2 to 5 p.m. The White Gallery’s opening artists’ reception is scheduled for the same day, but from 5 to 7 p.m. Of course both galleries are open to all at 11 a.m. that day. Argazzi Art is at 22 Millerton Road, Route 44, in Lakeville. For information: 860 435-8222 or go to www.argazzi art.com. The White Gallery is at 342 Main St., Lakeville. For information: 860 435-1029 or go to www.thewhitegalleryart.com.

Latest News

Salisbury honors veterans in snowy ceremony

Chris Ohmen (left) held the flag while Chris Williams welcomed Salisbury residents to a Veterans Day ceremony at Town Hall Tuesday, Nov. 11.

Photo by Patrick L. Sullivan

SALISBURY — About 30 people turned out for the traditional Veterans Day ceremony at Salisbury Town Hall on a cold and snowy Tuesday morning, Nov. 11.

Chris Ohmen handled the colors and Chris Williams ran the ceremony.

Keep ReadingShow less
North Canaan gives gratitude to veterans

Eden Rost, left, shakes hands with Sergeant Nicholas Gandolfo, veteran of the Korean War.

Photo by Riley Klein

NORTH CANAAN — Students at North Canaan Elementary School saluted servicemen and servicewomen at a Veterans Day ceremony Wednesday, Nov. 12.

Eighteen veterans were honored, many of whom attended the ceremony and were connected to the school as relatives of students or staff.

Keep ReadingShow less
Farewell to a visionary leader: Amy Wynn departs AMP after seven years
Amy Wynn, who has served as executive director of the American Mural Project in Winsted, has stepped down from her position after seven years with the nonprofit organization.
AMP

When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.

Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.

Keep ReadingShow less