
A notice on the Cornwall Bridge USPS collection box warns patrons to avoid putting mail in the box after the last posted pick-up time.
Debra A. Aleksinas
A notice on the Cornwall Bridge USPS collection box warns patrons to avoid putting mail in the box after the last posted pick-up time.
CORNWALL — Jim Young didn’t think twice when, on the evening of Dec. 23, he dropped a letter containing a $3,884 check into the iconic blue collection box outside the Cornwall Bridge Post Office.
It was addressed to the Housatonic Valley Rug Shop Inc., located roughly 100 feet away. The check never made it that far.
Instead, a crafty crook, likely under the cloak of darkness, fished that letter, and potentially others, out of the Postal Service drop box. A week later the altered check was cashed in Jamaica, New York.
Young, who owns Sharon Auto Body, wrote a replacement check to cover the purloined one but he is now mired in red tape trying to get reimbursed from his bank, NBT, for his nearly $4,000 loss. He is angry. And he is not alone.
Check fraud is a hot topic these days on a Cornwall neighborhood discussion site.
And in nearby Warren, more than a dozen residents have been victimized by mail theft from home mailboxes and the blue USPS box in the town center, according to First Selectman Greg LaCava, who, last month, posted warnings to residents via the town’s website.
LaCava said he has also been making rounds to the senior center in town to alert seniors and has been conferring with the Connecticut State Police.
One victim, he noted, had deposited mail at the Cornwall Bridge mailbox. In another case, the dollar amount on a check was changed from $500 to $15,000.
“The more I talk about it, the more I hear of other people with the same problem,” Young noted. What angers him the most, he said, is that “the U.S. Post Office has known this has been going on for three months, and they have done zero about it.”
Craig Drozd, postmaster at the Cornwall Bridge Post Office, declined to comment except to confirm that the matter is being handled by the U.S. Postal Inspection Service (USPIS).
The recent spate of Litchfield County mail thefts is under investigation, said Danielle Schrage, a USPIS inspector and public information officer for Connecticut.
Her agency is the law enforcement and security arm of the United States Postal Service.
“I spoke with the investigators covering those complaints. They are aware and working very closely with the post offices to replace the standard blue collection boxes in those areas,” with newer, high-technology boxes, she reported Jan. 19.
“If there is a blue box with a pull-down handle, a lot of those are being phased out and replaced with newer ones with thinner slots to prevent fishing,” the Schrage noted. “It hasn’t happened yet but will be happening.”
In the meantime, she suggested that postal patrons bring their mail inside the Post Office, or hand it to a carrier on the street. If they must use the blue box, Schrage suggested making the deposit as close to daily pick-up times as possible.
“Don’t let your mail sit in there a minute longer than it needs to. Unfortunately, in this world, we have to give up a little convenience for security,” said the postal inspector. “We don’t live in 1950s Mayberry. We have to be a lot more savvy.”
Schrage advised victims of mail fraud to immediately contact the USPIS at www.uspis.gov/report and fill out a complaint online, or call 877-876-2455, so that the agency can track in real time when and where thefts are taking place and can gather information for criminal prosecution.
“I have been screaming from the rooftop, but a lot of people don’t know we exist as an agency,” said Schrage.
She warned that small, rural towns are easy targets for criminals.
“In some of the bedroom communities, people are a little more complacent. The criminals are not from Litchfield County, they’re coming in and looking for communities that are less savvy” about check fraud.
While check fishing is an age-old crime, it has been surging since the start of the COVID-19 pandemic, said postal officials.
The USPS defines check fishing as a line, often with a sticky end, typically rodent glue traps, lowered into a postal box to snag letters and fished back out.
Fraudsters ditch all but the checks, which are then “washed” by changing the payee names, and often the dollar amounts, by removing the ink using chemical agents.
However, in Young’s case, his check was not washed, but completely reprinted with the bank routing number, check number, dollar amount and signature onto a different background.
After about a week of waiting for the check to reach its destination, Young said he went to NBT to void the missing check, only to find out that the $3,884 check had cleared in his account.
According to a recent report by the federal Financial Crimes Enforcement Network, check fraud at depository institutions more than tripled between 2018 and 2022, up 201.2% between those years.
While fishing for checks is a lucrative catch for criminals, it is a nightmare for banks, said Steven Cornell, president and CEO of National Iron Bank (NIB), which has a branch in the Cornwall Bridge section of Cornwall.
Cornell confirmed a “big uptick” in customers from Cornwall reporting check fraud.
“We resolve every one of them very quickly. We go back to all the banks and work with them to get the money back, and except for the big banks, most are very good about it.”
Cornell explained that the Cornwall Bridge branch manager has devoted countless hours helping customers close out breached accounts and opening new ones.
He said it is frustrating that the postal service is unable to secure mail at the expense of the banks:
“It takes a lot of time for us to do this, but there is nothing we can do but resolve it for our customers. They’re doing the right things by using the mail and paying their bills, and then this happens to them. It’s a terrible situation.”
Cornell said one way for customers to deter fraud is to switch from using checks to utilizing the bank’s secure electronic bill-pay system or debit cards. “Everybody who has moved to bill-pay is happy with it.”
Those who can’t part with checks are advised by the USPS to write in permanent ink, which can’t be erased as it penetrates the paper’s fibers.
Young said it could be months before he recoups his loss, but that’s not his main concern.
What he does worry about is that until the blue boxes are secure, his neighbors run the risk of scammers emptying their bank accounts.
Young said he has taken it upon himself to tape laminated warning signs to the Cornwall Bridge USPS collection box, but they are taken down as fast as he posts them.
“Meanwhile, people are putting checks in that box today. It’s that complacency that drives me crazy.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino