Chocolate Fest delivers sweet success in Kent

Guests at Kent’s Chocolate Fest sample sweet treats during the annual celebration.
Lans Christensen

Guests at Kent’s Chocolate Fest sample sweet treats during the annual celebration.
KENT — Calorie counting was put aside on Wednesday, Feb. 11, as the Kent Center School Scholarship Fund held its 29th annual Chocolate Fest.
When the event opened, a line was nearly out the door as participants readied to fill a plate of confectionary treats not only to satisfy a sweet tooth, but help local students offset some college costs.
For $5, patrons could fill a red paper plate from a huge assortment of mouth-watering cookies, candies, brownies, chocolate-covered pretzels and more, all donated by individuals and local businesses. For an extra fee, fest-goers could have a skewer of fresh fruit or marshmallows soaked under a fountain of sweet liquid, with the treat resulting in a sea of chocolate-covered faces.
As would be expected, the room was filled with abundant smiles as folks of all ages indulged, with several comments about the joys of chocolate being heard.
The event was the brainchild of the late Charlotte Lindsey, who served on the board of directors of the fund. She had lived in Maine for a time, had seen such a fundraiser there and proposed it be tried. It found immediate success and has become a tradition since its inception.
Tim Paradise, who moved to Kent with his family seven years ago and whose daughter Emily is in kindergarten, said, “We came last year and really enjoyed it. And my daughter loves chocolate.”
Board member Debbie Moerschell, who was busy wrapping plates in plastic bags, said her daughter was a recipient of the scholarship. “We are very grateful. It helped tremendously.”
Christina Memoli was there with her 9-year-old son Rowan. “He was excited to find my photo on the poster that showed scholarship winners,” she said. “I received one from 1995 to 1998. I absolutely support this event every year. And everyone loves chocolate.”
Well, not everyone. Nine-year-old Kaelyn Saunders is not a fan. She scouted out items, such as a lollipop and pretzel, to eat. “She’s never liked chocolate,” said her mother Marci Saunders, the school’s physical education teacher. “When she filled a plate, I told her to be sure to get something her mother would like,” she said with a smile.
Board members Carol Spelbos and Lee Sohl are the main organizers of the fest. Spelbos expressed her gratitude to the many businesses who contributed items, which included B.D. Provisions, Wilson’s, 45 on Main, Kent Kitchen, Cozzy’s, Old Oak Tavern, Bulls Bridge Inn, Marvelwood School, Kent School students, South Kent School, Swyft, IGA, KPG, Stop & Shop, JP Gifford and 109 Cheese. Nonprofits, such as the Kent Land Trust, the KCS PTA and Project Sage had booths to dispense information about their causes.
Since the fund’s establishment 65 years ago, 1,512 grants totaling more than $2 million have been awarded. Students who have attended seventh and eighth grade at the school and are seeking college degrees, are in post-graduate programs or pursuing technical or vocational school certificates are eligible to apply.
Funds are raised through an annual letter of appeal and through the redemption and recycling of beverage containers. The beverage container recycling program alone has raised nearly $232,000 over the past 32 years.
Thirty-five scholarships are awarded each year. The average grant is $2,500. Post graduate awards are generally higher.
For further information about the fund, go to KCSSF.org.
For Brooklyn-based artist Taha Clayton, history isn’t something sealed behind glass. It breathes, moves and stands before us in the bodies of everyday people. His upcoming solo exhibition, “Historic Presence” at the Tremaine Gallery at Hotchkiss, takes its philosophical cue from James Baldwin’s declaration that “History is not the past. It is the present.”
Clayton’s luminous portraits center on elders, friends and acquaintances whose quiet dignity embodies what he calls “the common everyday story” often missing from official narratives. “The historical is talking about something from the past,” Clayton said, “but these are men and women that are living in this day, walking with the ancestors, creating the stories.”
Clayton describes the series as rooted in a search for these overlooked narratives. “It started with Baldwin and John Coltrane… and then it blossomed to the people of the times, the stories that get overlooked.” His subjects are people he knows or meets through everyday encounters. “It’s the models, it’s their lives. It’s us collaborating, as opposed to me putting a costume on someone,” he said.
Born in Houston, raised in Toronto and now based in Brooklyn, Clayton brings a cross-cultural sensibility to classical realism. His figures frequently appear in clothing inspired by mid-20th-century style, echoing the visual language of the 1930s through ’50s. But rather than nostalgia, he’s after something more layered, a kind of collapsing of timelines. “I’m documenting this moment,” he explains, “but I’m also challenging myths and creating new ones.”
The use of fabric is a striking element in Clayton’s work, operating on both aesthetic and symbolic levels. “I’m playing on ideas like ‘being cut from the cloth,’ ‘the thread’ of an idea,” he explained. The act of painting on cotton alone carries layered historical meaning, but he deliberately reframes it as a site of empowerment. For him, cloth/cotton signals ceremony, resilience and transformation.

Clayton has an evolving and deepening relationship with this area. As an artist-in-residence at the Wassaic Project in Amenia, he said, “We were the first residency out of the pandemic, and I brought my wife and daughters. It was a two-week residency that ended up being the whole summer. It just kind of evolved and that’s how my relationship upstate has been.” His series “The Cloth” was presented at Troutbeck in Amenia in 2022 and he has returned as a featured speaker and educator for the Troutbeck Symposium, the multi-day gathering at Troutbeck where middle and high-school students present year-long research projects on under-told local and national histories. “It’s been four years I’ve been with them, so I’m like artist/mentor now,” said Clayton.
Clayton will be in residence again at Hotchkiss for the week leading up to the opening, offering students multiple ways to engage with the artist and providing a rich, hands-on experience of his practice as well as his guidance. “Taha is a remarkable artist to work with because he meets students where they are,” said Tremaine Gallery director, Terri Moore. “He listens deeply, treats their ideas with real respect and shows them that their own stories are worthy subjects. That combination of humility, rigor and generosity is rare — and it’s why students respond to him so strongly.”

Clayton’s career has garnered international — even interstellar — recognition, including exhibitions in cities from New York to Barcelona. One of his works was selected for the Lunar Codex’s “Nova Collection” in 2024, part of an ambitious global archive designed to preserve creative works on the Moon as a time capsule of human culture. Clayton recalled the moment the capsule landed with characteristic understatement: “I’m just on the computer watching with a beer thinking, ‘Ok, this is cool.’ But, like the next day, I still had to get up and take the kids to school.”
Interspersed throughout the gallery are ceramic shields that add to the warrior-like quality of some of the subjects. The repetition of a water fountain is particularly evocative, another reclamation that amplifies history without obscuring the truth that shaped it.
Clayton describes his practice as a form of meditation, saying he feels time dissolve while working. “It’s like past and future is all happening,” he said. That sense of temporal layering resonates with the exhibition’s central idea that personal memory and collective history are inseparable. Clayton’s portraits are about recognizing and celebrating the magnitude and multitudes contained in ordinary lives, the reclamation and attention to historical detail and the carrying of history forward with incredible beauty and unwavering dignity.
“Historic Presence” will be on view Feb. 14-April 5 at the Tremaine Gallery at Hotchkiss, 11 Interlaken Road, Lakeville. An artists’ talk is scheduled Thursday, Feb. 19, at 7 p.m., followed by an opening reception Saturday, Feb. 21, from 4 to 6 p.m.
"This truly is a dream come true...to create something containing all the things I’ve loved."
Bobby Graham
Bobby Graham and his husband, Matthew Marden, opened their home and lifestyle shop, Dugazon, in a clapboard house in Sharon six months ago. Word spread quickly that their shop is filled with objects of beauty, utility and elegance. Graham and Marden tell a story of family, tradition, joy, food, community and welcome.
Jennifer Almquist sat down with the couple for a conversation about design, storytelling and building a life — and business — together.
Jennifer Almquist: When did this dream begin?
Bobby Graham: This truly is a dream come true. I wanted to open this shop for more than 30 years, to create something containing all the things I’ve loved that have inspired me.
Matthew Marden: Dugazon has exceeded our expectations. Having our own business, no longer part of a large corporate structure, allows us to tell our stories and work together.
JA: What is your earliest memory that set you on your journey?
BG: My earliest memories include going to flea markets and antique shops with my mom. I still have my vast collection of wooden animals that my mom started when I was a little boy.
JA: What are your earliest memories that drew you to beauty, design and fashion?
MM: I’ve always been a visual person. I was fascinated with The Muppet Show and Sesame Street. I loved their imaginative worlds. It was the late ’70s, and I remember being oddly interested in pop culture, loving the colors and textures of the different puppets, their crazy hair or colorful fur.
JA: What were your favorite stories growing up?
MM: I grew up in Hopkinton, a small town in New Hampshire. I loved “Goodnight Moon.” I remember C.S. Lewis’ Narnia books and their combination of fantasy and reality. I was a voracious reader, drawn to the more macabre world of Stephen King. My dad read me “Watership Down.” I remember the “Madeline” books. I was terrified by the nuns.
BG: I loved books that were visual, especially a pop-up book called “The Great Menagerie,” published by the Metropolitan Museum in the ’70s. I loved “Danny the Dinosaur” and “Cloudy With a Chance of Meatballs.”
JA: What roles do family and tradition play in your lives?
BG: My mom was a homemaker in Sioux Falls, South Dakota, where I grew up, but she was from Baton Rouge. I spent three weeks every summer with my grandparents in New Orleans. It was all about food and family. In our home, Matt and I keep those traditions alive.
MM: We have been married almost two years, but we’ve been together 20 years. When we first started dating, we discovered that despite being from different parts of the country, we had much in common. Family is important to us both.
JA: Are your families supportive of your new venture?
BG: They’re so proud of us. My dad calls every day.

JA: Matt, what drew you to fashion as a career?
MM: I studied art history in college. For five years, I worked at a New York fashion photography gallery, Staley-Wise. I worked at Town & Country, was a fashion director at Interview, then fashion director at Details magazine, where I stayed most of my career. I became style director at Esquire.
JA: Bobby, what was your experience in advertising and publishing?
BG: I worked in banking for a couple of years using my business degree, but it just wasn’t right. I went to work at Condé Nast as a sales executive for Vogue, GQ, Vanity Fair, AD and The New Yorker.
JA: How did you meet? When did you marry?
MM: It was my first morning at Details. I noticed Bobby in the elevator. We were married in August 2024.
JA: What is your business philosophy?
BG: My business philosophy is that you work hard, you have integrity, you have fun and the money will come. There are no shortcuts in life.
MM: At Dugazon, we sell what we love.
JA: What is your most beautiful, most favorite item in Dugazon?
MM: A photograph by our friend Matt Albiani called “Lost,” shot under a pier in the summer. We had a copy in our house on Fire Island for years.
BG: My favorite item is our candle wall. I just love the way it presents visually. I love the colors.
Dugazon is located at 19 West Main Street, Sharon. For more information and shop hours, visit: dugazonshop.com.
Jack and Dolly Geary outside the new location in Salisbury.
Geary, a contemporary art gallery with roots on New York City’s Lower East Side, is opening a new chapter in Salisbury, relocating to a restored 1840 building at 14 Main St. after five years in Millerton. Owned by Jack and Dolly Bross Geary, it was at 34 Main St. in Millerton and is reopening in the handsome teal-colored, two-story building built in 1840 and until recently owned by the interior design and architecture studio of Hendricks Churchill. Geary’s first show in the new building is scheduled for Feb. 21 and will feature the work of one of the gallery’s five artists, Alan Prazniak.
“Our lease on the gallery space in Millerton was coming up in March, and we questioned whether or not to renew,” Jack Geary said. “We were interested in owning our next space, and fortuitously, the Salisbury building came on the market.” The new building offered more space than the Millerton location — 5,000 square feet on two floors in turnkey condition. “In addition to three exhibition rooms, there’s even a bedroom with an en suite bathroom for a visiting artist to stay,” said Jack.
The Gearys founded their gallery in 2013 on the Lower East Side in New York City, then moved to Varick Street in SoHo before landing at their final New York City location on the Bowery in 2020. When the COVID-19 pandemic hit and the Gearys found themselves living primarily in their Lakeville home, they discovered the Millerton space on Main Street. With its white walls and track lighting, they determined it would be the perfect spot for a gallery. As it turned out, having two geographically disparate spaces proved cumbersome to program and maintain, so they consolidated their efforts in Millerton which they will transfer to Salisbury.
The Gearys are already planning events for the new space, including art classes, lectures, readings and parties. During the gallery’s time in Millerton, from 2020 to the present, Geary hosted 28 exhibitions, as well as performance art events, poetry readings and dinners celebrating exhibitions. Most recently, they hosted a dinner for artist Dana Sherwood in conjunction with her exhibition. Ever the creative artist, Sherwood made all the plates, candlesticks and serving bowls used at the dinner.
The gallery currently represents five contemporary artists: Will Corwin, Tura Oliveira, Alan Prazniak, Reeve Schley and Sun You. Most are painters, though some also work in sculpture and installation. “We are focused on showing our represented artists,” Dolly said, “but we also enjoy showing other artists with whom we have relationships.” The Gearys have exhibited at art fairs in Miami, Chicago and San Francisco and have placed works in museum collections and exhibitions, raising artists’ profiles and building momentum for the gallery’s future.
Alan Prazniak, whose work will be featured in the opening exhibition, describes the show, “Earth Tones,” as “a collection of work that chronicles the time after moving my studio to the Catskills from Brooklyn in 2024. ‘Tones’ refers to the colors, but also — maybe more importantly — to the frequencies of the mountains. There’s a music to them; it can be overwhelming if you let it in. Staring at a giant hill in the distance, listening to it hum, falling under the spell of whatever’s out there. But finally turning your back to it to go into the studio, trying to make something of it.”
Geary is open Friday through Sunday from 11 a.m. to 5 p.m. and by appointment. Information is available at info@geary.nyc

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Steve and Julie Browning, co-owners of No Comply Foods in Great Barrington, have built a restaurant that reflects their skate-punk spirit and love of globally inspired comfort food.
At No Comply Foods in Great Barrington, skate culture, punk music and globally inspired comfort food collide in a pink frame house on Stockbridge Road where community matters as much as what’s on the plate. Opened in 2024 and named for a skateboarding trick, the restaurant hums with eclectic music while its walls double as a gallery of patron-gifted art — brightly colored skateboard cartoons, portraits of the owners’ pug, Honeybun, and offbeat collages.
High school sweethearts Julie and chef Steve Browning both loved skateboarding and punk music, especially the 90s California ska-punk band, Skankin’ Pickle. They also share a love for good food and a strong sense of community and fairness. After stints at Lutèce and the 21 Club in New York City, Steve helped open Prairie Whale in Great Barrington as the inaugural chef and worked there for 10 years. His partner, Julie, is a full-time special education teacher at Housatonic Valley Regional High School in Falls Village.
They opened No Comply Foods with their unique vision. “It’s a place that we did on our own terms,” said Julie. “Despite people trying to tell us things that we needed to do to be a successful restaurant, we do the things that we want to do.” Those things include no alcohol, no tips and no reservations. “It’s a place that anybody can come into, just sit down, eat and feel welcome. A complete reflection on who Steve and I are, and who we have been. That’s what this place is.”

Clearly, their formula is working. In its August 2025 issue, Bon Appétit Magazine named No Comply Foods one of the 14 best new breakfast spots in the U.S.
Brunch on the first warm Saturday this winter offered Turkish eggs with labneh; two sunny-side-up eggs on a Japanese sweet potato topped with chili crisp; tender soft-boiled eggs resting on steamed spinach with silky béarnaise sauce, rye toast and smoked bacon; a plate piled with buttermilk pancakes with a dollop of maple butter and circles of powdered sugar; and mugs of strong coffee. The place stayed packed for hours, every seat filled as families fresh from skiing — suspenders hanging, boots clomping -— came in for warming meals. One couple marked a post-Valentine’s moment by sharing a chocolate heart doughnut by Pastries by Hanna, a baker in Canaan, Connecticut.

Browning cooks globally influenced food with chef Dimitri Koufis, and the dinner menu changes daily. Recent offerings have included French fries with black pepper aioli; fried cauliflower with couscous, olive tapenade, orange and fenugreek yogurt; hot dogs and fries with jalapeño cheddar and special sauce; leek and mushroom pot pie with oyster mushrooms, spinach, cream and mascarpone; and rigatoni Bolognese with Grana Padano, onion soubise and herbed breadcrumbs. If you still have room for dessert, you might try an apple crostada with caramel sauce and ice cream or chocolate mascarpone mousse.
Prices are reasonable. The menu emphasizes fresh food to reduce waste, and produce is seasonally sourced from local farms. Guests can plan a party in the brightly lit upstairs space, enjoy special evening events that might include live music or comedy, or attend themed menus such as Greek Night. No Comply Foods is dog-friendly.
For hours and more information, visit: nocomplyfoods.com
Spring arrives early at Berkshire Botanical Garden.
The Berkshire Botanical Garden in Stockbridge is offering the perfect solution to the winter doldrums with its annual Bulb Show, beginning Feb. 20. Depending on how long the bulbs bloom, the show is estimated to run until about March 20.
Inside the Fitzpatrick Conservatory, hundreds of tulips, daffodils and grape hyacinths will be waiting to give visitors a welcome taste of spring.
Some rarer blooms to look for are the “Hoop Petticoat Daffodil” (Narcissus bulbocodium) and three from South Africa: “African Corn Flag” (Chasmanthe bicolor), “Fairy Bells” (Melasphaerula ramosa) and “Forest Lily” (Veltheimia bracteata).
Preparation for the bulb show begins in summer, when bulbs are chosen and ordered. They are planted in fall and then spend about 15 weeks at temperatures simulating winter.
Eric Ruquist, director of horticulture at BBG, explained. “We have
two small, air-conditioned rooms, or CoolBots, in the basement. We pull out our pots of bulbs in three stages. The first pull was Feb. 7, and since we didn’t get too much sun last week, they are off to a bit of a slow start, but they are all budded up and I’m sure we will have blooming bulbs for our opening day.”
A point of interest besides the blooms is the display of succulents. Ruquist said to look for “hens and chicks, aloes, agave and sedum.”
“The Bulb Show is BBG’s gift to the community,” Ruquist said. Admission is free, but donations are welcome. Multiple visits are encouraged to enjoy a range of blooms.
Berkshire Botanical Garden is located at 5 W. Stockbridge Road, Stockbridge, Massachusetts.
The Millbrook Garden Club and Millbrook Library are launching a “Garden Matters” series, a free lineup of talks, walks and workshops on eco-friendly gardening presented with Stonewood Farm.Beginning Feb. 21 and running through July, the program highlights local experts sharing practical tips on soil health, regenerative growing, native plants and pollinator habitats.
Sessions include a soil-building workshop with farm managers, a creative seed-starting class led by Jessica Williams of Odd Duck Farm, a pollinator garden walkthrough with designer Andrew J. Durbridge, and a native meadow tour at the Cary Institute guided by president Joshua Ginsberg. All programs are free and open to the public at the library unless noted. Details and schedule updates: millbrooklibrary.org.

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