Getting high with my NFT edible

Photo by Alexander Wilburn


The mellow tingling that pulsates with an unprovoked, weightless euphoria has arrived. The wooden leg of my desk brushes against my leg — or did my leg brush against the desk’s leg — and I am in a brief fit of laughter. I am high on a piece of art I purchased at Standard Space, a contemporary gallery in Sharon, Conn.
“Zubenelgenubi” by Kristin Worrall is both a THC-laced dessert and an NFT — which might make me the first person in Litchfield County to not only purchase marijuana artwork, but also the first customer to walk away from a local gallery with a piece of digitally encrypted art.
Combining the culinary arts with performance art, Kristin Worall hosted a live auction at Standard Space on Saturday night, Dec. 3. All titled after science fiction influences —from actual stars to names of alien species pulled from 1980s paperbacks — the gelatin sculptures fused the perfectly molded aspics of the 1950s domestic goddesses with intergalactic oddity and vague sexuality. The visuals of popular science fiction have always dabbled in abstract phallic and vaginal imagery, turning space into a Freudian landscape of the absurd. Consider the birth-anxiety of 1979’s “Alien,” or the teeth-baring vortex pit in 1983’s “Return of the Jedi,” or the vacuum-mouthed sandworms of Frank Herbert’s “Dune.” Of course, within the history of dessert are plenty of cheeky references, from the Neapolitan naughtiness of the Capezzoli di Venere — the Nipples of Venus — to the myth that the Champagne flute was modeled off the curves of Marie Antoinette.
“Zubenelgenubi” was the only THC-laden creation sold at Worrall’s performance, but it singularly marks a new direction possible for the conflation of art and marijuana in Connecticut after recreational use was legalized in the state in 2021. Possibilities that may be curbed by small-town government. In Falls Village, Conn., the hometown of The Lakeville Journal Company’s office, a special Nov. 10 meeting of the town’s Planning and Zoning Committee concluded by barring both the issue of growers licenses in Falls Village and licenses for recreational marijuana retail. Resident Daly Reville said at the meeting that “bringing people into town as an adult cannabis retail destination didn’t seem practical or advantageous to the town.” Meanwhile, Hartford Business reported this week that “Connecticut’s cannabis industry could account for more than 10,000 jobs just a few years after the recreational market launches.”
It does not escape me that in purchasing this giant gummy edible — which may leave me crashing into a deep slumber — I also purchased my first NFT in a crashing market. It’s been less than a month since FTX filed for bankruptcy, leaving Sam Bankman-Fried, the former chief executive of one of the leading digital currency exchanges, as a figure of Internet and old print mockery. This is the Sisyphean tumble after years of cryptocurrency’s dogged climb towards legitimacy.
For context on the inflated market of NFTs, think of the Internet as a large island nation, except instead of stumbling upon it after voyaging on the sea, we built it. Now that land needs to be claimed, bought, and sold — we must colonize our own creation, and “we” (meaning “they”) must find a way to make even a leaf on a tree a transactional opportunity. NFTs — non-fungible tokens — are a way of turning images into profit. This may sound like the very definition of the art market, except the baseline concept isn’t creativity, but a creative solution to a problem. Images, even copyrighted images, are duplicated and dispersed with little control across the Internet, which makes them free — a problem. So NFTs are commonly bought with cryptocurrency like ether used on Ethereum, an open-source blockchain platform. One ether as of writing this is worth $1,282.9, a significant drop from this time last year. A purchase of an NFT is also the purchase of an individual identifier recorded in a blockchain ledger. It does not necessarily give the buyer supreme copyright, but the system does bring in the idea of an online image as a particular object.
Think of an NFT as the newspaper you’re reading. It is an exact copy of one of the thousands of newspapers this publication printed and distributed this week, but only this newspaper is the one you’re holding. It contains the oil on your fingertips, your coffee stains, a stray tear in the paper. Turn to the front and you will see a serial number, clearly identifying this as a particular newspaper — one of a copy, but one of a kind.
The traditional-medium artist to make the biggest splash from the NFT craze was Damien Hirst when he launched the conceptual project “The Currency” through the international art services business Heni. Hirst first made his splash in the 1990s with his formaldehyde-pickled tiger shark, and the bad boy of British art has continued to invent new attention-grabbing methods that make sure even those with little contemporary art knowledge are passingly familiar with his fame. In a 1994 issue of Parkett the late author Gordon Burn wrote, “It is one of Damien’s great strengths, both in the cool medium of his work and the hot medium of his person, that he is always pushing towards full disclosure.” Critic Julian Spalding has called Hirst’s work ”the sub-prime of the art world” more in line with creatively-marketed, hot-button luxury goods than lasting and meaningful art.
For his first delve into the crypto market, Hirst returned to a familiar subject, his instantly identifiable — and by no small coincidence, easily duplicable — prismatic dot paintings. This dot series was presented by Hirst and Heni as “a collection of 10,000 NFTs which correspond to 10,000 unique physical artworks which are stored in a secure vault in the UK.” Once the purchase had been made, the game began. Unlike my gelatin edible and its corresponding NFT, Hirst’s buyers did not have the option to keep both — they had to choose. Either delete the NFT or burn the physical piece of art. Which one held more currency? This October Hirst even welcomed fans to watch him burn the canvases which had been viewed as less desirable, less collectible, than their NFT counterparts.
Worrall described “Zubenelgenubi” as a melding of orange blossom and blackberry flavors, but devouring the gelatin by the forkful, all I could taste was the THC. It wasn’t unpleasant actually, a sexy sense memory that reminded me of having a joint on my tongue, the sound of the lighter flick, the burn and crackle of paper, my proximity to someone close by, breathing on my face as we passed the spark between drags. But as the high left me sinking into the sofa, the blaring the sound of Hans Zimmer’s “Dune” score with its otherworldly ancient chanting eclipsing all other senses like a great, black sun enveloping the earth, I realized I had inadvertently recreated Damien Hirst’s experiment. It hadn’t been intentional, the gummy was food that would eventually expire, but by ingesting it I had destroyed the artwork, leaving only the blockchain behind."
"Take Comfort" by Kristin Worrall is on view through Dec. 18 at Standard Space in Sharon, Conn.

Photo by Alexander Wilburn

Photo by Alexander Wilburn

Photo by Alexander Wilburn
Christine Bates
At the end of a quiet street in Lakeville, 21 Perry Street sold on July 17, 2026, for $915,000. The sale was close to Salisbury’s 12-month median price of $920,000, and substantially above the assessor’s estimated market value of $622,500.
SALISBURY — Salisbury’s median single-family home price, excluding condos, held steady at $920,000 for the 12 months ending July 31, 2026. That was down 5.6% from $975,000 a year earlier but up 6.4% from $865,000 for the same 12-month period in 2024.
Ten homes sold in July, the highest monthly total since September 2020. A total of 58 homes sold during the latest 12-month period, up from 44 the previous year and 50 in 2024.
Annual sales peaked at 117 in May 2021 amid the pandemic-era housing boom. Prices have risen sharply since 2024, reaching a record median of $1.35 million in May 2025.
Inventory of all listed residential properties for sale rose slightly to 24 by early August. High-end homes continue to dominate, with 14 homes asking over $1 million and only 10 below the median of $920,000.
Furnished seasonal and academic rentals remained plentiful in early August, with 26 homes available from $2,250 for an unfurnished apartment to $12,000 for a five bedroom house. Eight summer rentals are still listed as available.
Salisbury Sales and Transfers in July
3 Prospect Street – 5 bedroom/3 full bath/2 half bath on 1 acre transferred by Estate of Elizabeth Nicholas Geer to Laura Allyn Geer Trustee and Christopher Comfort Trustee of Geer Comfort Home Revocable Trust for $1,235,000
120 Farnum Road – 2 bedroom/2 bath home on 1.56 acres transferred by 120 Farnum Road LLC to Kimberly and Nicholas Berens for $925,000
77 Belgo Road – 10.29 acres of vacant land transferred by Lew and Amanda Nash to Michael Scott Irwin Trustee, Simona Wilrich Irwin Trustee to Michael Scott Irwin and Simona Wilrich Irwin Revocable Living Trust for $370,000
60 White Hollow Road – Automobile garage transferred by LRP Garages LLC to Andrew Greenwald for $250,000
37 Library Street – 2 bedroom/2 bath home on .34 acres transferred by Carol Kastendieck Estate to Dorothea Naouai for $350,000
22 Robin Hill Lane – 3 bedroom/3 bath home on 1.9 acres transferred by Peter Whitmore to Lawrence and Lisa Bloomenkrantz for $800,000
24 Ethan Allen Street -4 bedroom/2.5 bath home on .21 acres sold by Donna Macletchie and Edward Busk to Lora and Franklin Carr for $850,000
6 Puddlers Lane – 2 bedroom/2 bath home on .63 acres transferred by George and Elizabeth Wallace to Fern Flomenhaft and Adrian Sondheimer for $605,000
197 Taconic Road – 2 bedroom/2 bath home on 1.14 acres transferred by Thomas Muldoo and Donald Oliver to Christina Rubino Trustee Bullfish Revocable Trust for $1,150,000
47 East Main Street -2 bedroom/1 bath home on .67 acres transferred by Jane McGarry Estate to Madison Kiefer for $365,000
21 Perry Street – 3 bedroom/3 bath home on .52 acres transferred by Ana Beatriz DeBouchard and Noely Ysmael Bouchard Soto to Benjamin Steger and Abigail Montgomery Steger for $915,000
56 Sharon Road – 5 bedroom/2.5 bath home on 2.54 acres transferred by Jason Brooks and Anne Rebecca Powers to Benjamin Schippers and Hedda Burnett for $1,860,000
89 Belgo Road – 3 bedroom/3 bath home on 3.5 acres transferred by David Smyton Trustee David J Smyton Revocable Trust and Michael Hansen Trustee Michael J Hansen Revocable Trust to Josephine Torrente and Michael Engleman for $2,495,000
39 Indian Mountain Road – 3 bedroom/2 bath home on 1.2 acres transferred by Sean Patrick McCarthy Trustee Carolyn G McCarthy Revocable Trust to Kristin and William McAllister for $446,000
* Town of Salisbury real estate transfers recorded between July 1, 2026, and July 31, 2026, provided by Salisbury Town Clerk. Transfers without consideration are not included. Current market listings from Smart MLS and market statistics from InfoSparks. Note that monthly recorded transfers may lag sales by a number of days and include properties not appearing on the MLS.Compiled by Christine Bates, Real Estate Salesperson with William Pitt Sotheby’s International Realty, Licensed in CT and NY.
Patrick L. Sullivan
Shoppers search for rare finds during the Noble Horizons tag sale on Aug. 14.
SALISBURY — The dining room at Noble Horizons was packed with shoppers and items for sale on Friday, Aug. 14.
Sheila Moore, a summer resident of Salisbury, had an armful of jigsaw puzzles earmarked for a friend on Mt. Riga, where there is no electricity and little cell phone service.
“It’s a traditional way to occupy the time,” she said.
Amy Lake of Salisbury found a small wooden carving of a bird on a stick. “It looked sad, so I bought it,” she said.

Anne Graham of Salisbury was in the middle of furnishing her new house, and was delighted to find a couch, which was delivered. “They just loaded it up in the pickup and brought it right over.”
A music fan who declined to give his name picked carefully through the CDs, which were priced at 25 cents each. He checked first to see if the disc was in the case, and then examined the discs for scratches.
He had a successful haul, including “Sticky Fingers” by The Rolling Stones and Pink Floyd’s“A Momentary Lapse of Reason.”
At lunchtime, there were burgers and hot dogs outside, and at 1 p.m. singer and guitarist Lisa Pellegrino set up by the pond.

Pellegrino was momentarily nonplussed because she had left her amplifier cord at home, but her Martin acoustic guitar generated enough sound to be heard.
Pellegrino, of Newburgh, N.Y., often performs with two or three other musicians in a group called The Soil and Soul Band. She said her primary influences are Pete Seeger and Nina Simone.
“Pete got people singing, which is why his music is good for incorporating into elder care,” she said.
The Noble Horizons Auxiliary is made up of volunteers who raise money for special items and activities for residents.
Lakeville Journal
The following information was provided by the Connecticut State Police at Troop B. All suspects are considered innocent until proven guilty in a court of law.
Head-on collision causes serious injuries
At approximately 9:30 p.m. on Aug. 10, a Buick Encore GX and a Subaru Impreza were traveling opposite directions on Route 7 near the intersection with Grace Way in North Canaan when the Encore crossed the double yellow line into the oncoming lane for an unknown reason, causing a head-on collision. The Buick’s driver, Samantha Whaples, 22, of North Canaan, was transported to St. Mary’s Hospital by North Canaan EMS for suspected serious injuries. In the Impreza, which carried three passengers, Donna Martin, 46, of North Canaan was transported to Baystate Hospital by Lifestar helicopter, while Michael Martin, 24, of Oklahoma City, Oklahoma was transported to Sharon Hospital by Falls Village EMS with serious injuries. Victoria Martin, 26, also of Oklahoma City, was taken to Waterbury Hospital by Norfolk EMS for minor injuries. The driver—Daniel Martin, 49, of East Canaan—was not injured in the crash. The accident is under investigation, and anyone with information is asked to contact Trooper O’Neil #907 at matthew.oneil@ct.gov or the Troop B phone line at 860-626-1820.
Car strikes tree
Near noon on Aug. 11, Nadia Sirena, 38, of Queens, New York was driving west on Farnum Road in Salisbury with two minors in the vehicle when the Volkswagen Golf she was driving ran off the road, striking an embankment and a tree approximately 20 feet from the edge of the westbound lane. None of the occupants were injured, but the vehicle had to be towed from the scene. Sirena was issued a written warning for failure to maintain lane.
Operating under the influence arrest
On Aug. 11, troopers served an arrest warrant to Josephine Trinchillo, 25, of Falls Village for an incident that occurred in April of this year. She was taken into custody and processed for operating a motor vehicle under the influence of alcohol or drugs, after which she was released on a $1,000 non-surety bond. She is scheduled to appear at Torrington Superior Court on Aug. 25.
Warrant served for mystery road scrapes
On Aug. 12, troopers served an arrest warrant to Kurt Stella, 55, of North Canaan for an incident in July of this year in which a vehicle struck a utility pole along Route 7 in Falls Village, causing damage to both the vehicle and the pole. Scrape marks observed by an anonymous complainant were reportedly visible on Sand Road, Boinay Hill Road, Route 44, New High Street and onto Housatonic Avenue, where Stella resides. His white Dodge Ram was also reported by the complainant to have sustained heavy damage to its right side. Stella did not deny the crash, and stated he had swerved to avoid an oncoming vehicle when he sideswiped the utility pole. Stella was arrested for evading responsibility and failure to maintain lane, and was released on a $500 non-surety bond. He is scheduled to appear at Torrington Superior Court on Aug. 26.
The Lakeville Journal will publish the outcome of police charges. Send mail to P.O. Box 1688, Lakeville, CT 06039, Attn: Police Blotter, or send to editor@lakevillejournal.com.

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Patrick L. Sullivan
FALLS VILLAGE — Falls Village has received state funding to replace a deteriorating bridge and culvert on Cobble Road, Falls Village First Selectman David Barger said during a monthly meeting on Monday, Aug. 10. The project could require temporary repairs to a separate bridge on the road that has been closed since March.
The grant, which totals $561,600, was awarded through the state’s Transportation Rural Improvement Program (TRIP), and will replace the small bridge and culvert over Wangum Lake Brook with a larger structure. The grant was previously announced in a July 23 statement by the state Department of Transportation.
“This project will replace the existing bridge and culvert over Wangum Lake Brook on Cobble Road with a larger structure that greatly improves hydraulic capacity and access between Upper Mountain Road and Huntsville-South Canaan Road (Route 63),” the DOT said.
Barger said that the Cobble Road culvert was installed after a major flood in 1955 and “worked well” for decades. In recent years, however, the culvert has filled with silt, suffered structural damage and is no longer functioning properly.
Complicating the project is a separate bridge at the opposite end of Cobble Road over the Hollenbeck River, which was closed March 30 after a state inspection found it unsafe.
In May, Barger said he received a 66-page report from the DOT outlining the issues with the Hollenbeck River bridge and warning of “imminent failure.”
Barger said the bridge is expected to be replaced in 2029 or 2030, with the project fully funded by federal money.
In the meantime, however, in order for crews to get equipment to the other end of Cobble Road for the Wangum Lake Brook project, it may be necessary to make a temporary repair to the closed Hollenbeck River bridge.
That repair would allow for one lane of traffic, including residential traffic.
Barger said nothing has been finalized, but the goal is to complete both the culvert and bridge projects with the least amount of disruption for the nearby residents.
Alec Linden
During a talk at Kent Town Hall on Thursday, Aug. 13, forester and author Ethan Tapper imparted a call to action for a better future for forests and humanity alike.
KENT – How do you love a forest in the modern era of invasive species, rampant plant diseases and climate change? You love it toughly, and you love it “with your whole body” according to forester, author and punk band frontman Ethan Tapper who visited Kent Town Hall for an evening talk on Thursday, Aug. 13.
Supported by the Kent Land Trust, Kent Parks and Recreation Commission, Kent Conservation Commission and Cornell Lab of Ornithology, Tapper left his stage persona back home in Vermont, instead sharing a message of deep empathy for the natural world to a nearly full Town Hall meeting room. That empathy, Tapper said, does not always mean sitting back and leaving the forest alone, but sometimes taking action — and that action is not always pretty.
“A really good love story,” Tapper said in the early stages of his hour-long speech, “isn’t like, two people meet and fall in love and everything is good forever, right?”
Instead, “they climb mountains and they cross rivers and they make compromises and sacrifices and they do things that they never thought they had to do — and I really feel like that’s what our ecosystems are asking from us right now.”
Tapper articulated his philosophy of land stewardship through his own complicated story, starting from his childhood in southern Vermont when he had no interest in forests at all, and wanted only one thing — “My passion was that I wanted to get out of there.”
Even today, in the wake of success from his 2024 book “How to Love a Forest: The Bittersweet Work of Tending to a Changing World,” which won a New England Book Award for Nonfiction, Tapper struggles to pin down what exactly he is.
“I’m basically a forester from Vermont,” he said, “although now I kind of say I don’t know what I am.” Tapper also alluded to his position as a popular figure on social media platforms — “I call myself a digital storyteller, which is my attempt at a less gross way to say influencer.”
Despite the happy accidents of his life — he claimed the book was the unplanned result of six years of morning journaling — the story Tapper told Thursday evening was one of very deliberately building a home.
Tapper spent much of the talk describing his own home, which is a 175-acre mountainside tract of forest in Vermont he has come to call Bear Island since purchasing it nearly a decade ago. When he first saw it, he said, “everything was wrong.” There was trash everywhere, old half-buried logging equipment sticking out of the ground, rampant invasive plants and signs of deer overpopulation. Tapper said after an hour wandering the steep hillside, he “couldn’t find one healthy tree.”
He said the dire condition was due to poor logging practice in the area several decades earlier. Initially put off by the property, it eventually won him over after a pivotal moment standing on a log landing — a clearing used for timber storage — and looking at the ruined ecosystem around him.
He said the forest has improved greatly since then, and continues to every day. It didn’t do it by itself, though — Tapper had to intervene.

He said the methods he used to bring it back from the brink may seem counterintuitive to many, like cutting down thousands of unhealthy trees, which makes room for healthy ones to grow, or killing dozens of deer that eat native understory plants and young shrubs and trees. But making those decisions is what it means to truly love a forest, Tapper said.
Tapper accented the speech with passages from his upcoming book, “The Forest Year: Finding Hope in a World Worth Saving,” set to be published in October, that specifically related to birds.
“This seems to be an exceptionally birdy place,” he said early on. “Am I wrong?”
From the nods and murmurs of assent from the crowd, he assumed correctly. He also acknowledged the several bird conservation projects in town, such as an ongoing effort by the Kent Land Trust, the Marvelwood School, the Sharon Audubon Center and the Purple Martin Conservation Association to protect breeding populations of the eastern purple martin, which Tapper said was one of his favorite birds.
In one passage, Tapper compared the “winter birds” that spend the cold season in the Vermont woods to his community of friends that “have chosen to stay in this place and with each other.”
“We have chosen roots over wings,” he recited. “It’s a different kind of freedom.”
Following the reading, Tapper said that this type of freedom embodies “the act of stewardship,” in that it is deliberate, it’s not always easy, and it’s an ongoing process. Just as he built a home for himself at Bear Island, stewardship at both the personal and global scale is really about building a home that supports humans and the natural world alike.
“We’re all standing on that log landing,” he said.
Alec Linden
A residence approved for construction more than two years ago was back before the Planning and Zoning Commission on Aug. 13 for proposed tree thinning along the ridgeline, visible at the top center of the image.
KENT – Horizon-line developments continue to be a prickly issue in Kent, with three applications for projects located on Kent’s ridges and hills dominating a three-hour meeting of the Planning and Zoning Commission last week.
Since 2005, Kent has specifically regulated proposals for projects that may impact views of the region’s mainly forested ridgetops, which many residents consider a key aspect of the town’s rural character.
The applications reviewed Thursday, Aug. 13, concerned two existing homes within the Horizon-Line Overlay District. A third involved a plan to subdivide a wooded hillside property below a ridge between Beardsley Road and Lake Waramaug to allow for construction of a new residence.
A contentious tone was set early in the meeting, when resident Matthew Winter cautioned the Commission about hilltop developments, pointing to a construction project on Kenmont Road, approved in June 2024, that has disrupted the tree line atop a steep incline visible from Route 7 and Cobble Road.
“The development should not have been approved, in my opinion, and the ridgeline is now permanently scarred,” said Winter, who is a former chair of Kent’ P&Z commission.
Winter was referring to the development of a five-bedroom home, pool and pool house currently being built at the end of a 1,200-foot driveway accessed from 135 Kenmont Road. That project was back on Thursday night’s agenda, but the discussion regarding what property owner Jessica Goldvarg described as unintentional tree removal during construction, was relatively uncontroversial.
Several commissioners noted the obvious impact viewed from Cobble Road and the surrounding area, and Goldvarg, who is an architect, expressed her regret at the situation. She presented a planting plan to fill in the thinned area, which was generally well received by P&Z, though commissioners requested the addition of conifers to thicken the tree cover.
Goldvarg was asked to return before the commission on Aug. 20 with an updated plan.
Another application to extend the first floor and part of the second story of a home on Gorham Road was approved without much debate as commissioners agreed there would be no impact to the horizon-line.
A proposal to establish a residential plot on a prominent ridge in Kent Hollow provoked more conversation.
The plans call for carving out a 5.4-acre parcel from a 45-acre lot that climbs the hillside to the east of Beardsley Road in Kent Hollow. The property currently supports a commercial maple sugaring operation and a single-family home with two barns on 3.8 acres. The remaining land is held by the Kent Land Trust under a conservation easement, but the terms of the easement allow for the construction of a residence, which would go on the 5.4 acre plot.
The project was first proposed to P&Z last month, when Commissioners asked the applicant, land owner Mary Avery Larned, to perform visibility tests to determine if a new structure would affect views of the ridge from elsewhere in Kent Hollow.
Larned returned to the Aug. 13 meeting with data and drone footage from “balloon tests” she performed, where balloons were placed at 35 feet, which is the maximum allowed building height in Kent, at the site of proposed construction. Larned reported that the balloons sat between 25 and 35 feet below the top of the dense canopy, and were impossible to locate from any of the surveyed public road vantage points in Kent Hollow.
Commissioners expressed their appreciation for Larned’s diligence, but had remaining doubts for the proposed location.
“It’s nice to always count on trees as a buffer,” said commissioner Darrell Cherniske, “but for our analysis, based on our regulations and the map that we use, we don’t take trees into account when determining impact.”
“If the amount of clearing occurred up on that ridge to allow for a house, a pool, a garage and a septic system, you better believe you would see those balloons,” he added. Other commissioners asked what the site would look like from the surrounding area in the winter when the foliage is gone.
“The drone footage is beautiful,” Cherniske said. “Part of the reason that drone footage is beautiful is because as you swung around to the panorama,” which showed the pastoral expanse of Kent Hollow flanked by wooded ridges, “the majority of the hilltops are undeveloped.”
While this application is for a subdivision, and any construction plan will have to come back before the commission for additional review, project engineer George Johannesen of Allied Engineering said that a prospective buyer had asked experts to examine whether the proposed plot could support a six bedroom house with a pool house and pool.
“I would assume that when you sell that lot, you’re not going to have control over what they do,” said Cherniske.“And chances are, someone buying a lot at the end of a long driveway near a ridgeline… they’re going to max it out.”
Cherniske asked the applicant to consider a different location further down the hillside, but Larned said that would adversely impact the maple sugaring operation and present further zoning hurdles and issues with the conservation easement.
Land surveyor Gary Hock, who was also present at the Thursday meeting, said that the site is well suited for a residence as “it’s a natural plateau.” He also described it as “mid-slope” rather than on a ridgeline, which was supported by Johannesen’s data that even at maximum height, the top would remain 40 feet below the ridge and not impact the horizon line from any public road vantage point.
Cheniske said that the commission’s horizon-line map, which delineates ridgeline visibility from public roads at ground, not treetop level, shows the opposite. “If we wanted to feel good about approving this we would need our engineer to agree with [Johannesen] and essentially disprove the horizon-line map and say this house will definitely not stick above the ridge.”
The discussion was ultimately extended to next month’s regular meeting on September 10th to allow P&Z’s engineer to conduct an independent review.

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