The Life and Art of Hilary Knight

The Life and Art of Hilary Knight
Illustration by Hilary Knight

“I am Eloise. I am six. I am a city child. I live at The Plaza.” So begins the opening pages of the book by actress-turned-author Kay Thompson and the then-young man who helped bring her creation to life, the illustrator Hilary Knight. Originally intended for adults when it was published in 1955, "Eloise" was repackaged for the children’s section in 1969. For decades Eloise, contumacious, indulgent, and wickedly fun, red ribbon looped in her untidy blonde mop, has lived on not just as one of the most recognizable American picture book characters, but as one of the most recognizable fictional New Yorkers. After all, what could be more captivating, or more exclusive, than growing up living in the Plaza Hotel? She was the prima darling of enviable girlhood until the arrival of that most coveted of American Girl dolls, glossy-haired Samantha Parkington, who lives in tony Edwardian era New York. That said, Samantha is forced to learn harsh truths about working-class slavery via child factory labor, echoing the 1910s images captured by photographer Lewis Hine. Sans any sort of visible parental figure, Eloise exists out of time or sociology, confined to the walls of the Plaza, an ecosystem all its own. She is a scamp and a bother and a companion to those who dwell within this orderly world of opulence — the concierge, the fur-encased ladies in The Palm Court, a martini-swilling lawyer. It is as foreign and irregular a place to call home as Hogwarts. The young will always be fascinated by fictive children who live in extremes — both Roald Dahl and Charles Dickens knew this well. The confines of poverty are as fascinating as the trappings of wealth, as long as the child is essentially unloved, and therefore untethered and able to explore. Stability is hardly good character-building.

"Eloise and More: The Life and Art of Hilary Knight" opens on Nov. 12 at The Norman Rockwell Museum in Stockbridge, Mass.

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