A Class in Tolstoy To Help You Sled Through the Winter Months


The winter hasn’t been that bad yet (even though it is 2020 and one might have expected this to be the worst early winter in decades). But soon it will be very cold and snowy and we will be quarantined and the conditions will be just perfect for reading the work of Leo Tolstoy.
For anyone who is intimidated by the lengthy works of the Russian novelist (and all those complicated Russian names), help is at hand in the form of well-known American novelist Roxanna Robinson, a Cornwall, Conn., resident who has donated her time and talent during the quarantine to leading literature workshops online for the Cornwall Library.
Some of the authors and titles discussed in the Cornwall Reads Great Fiction series over the summer were Honor Moore (“Our Revolution: A Mother and Daughter at Midcentury”) and Tessa Hadley (“Bad Dreams and Other Stories”). Those were single sessions; Robinson did a deeper dive on Gustave Flaubert’s “Madame Bovary.”
Starting on Jan. 12 and continuing until March 2, Robinson will dig into Tolstoy’s tragic love story, “Anna Karenina.”
“We’ll talk about vital, electrifying Anna and her handsome and mysterious lover, Vronsky,” Robinson said. “We’ll talk about Tolstoy, who he was and what he represented in 19th-century Russia, what Russia was like at that time, what the novel was doing, how Tolstoy prefigured modernism, what his intentions were in writing the book, what its factual origins were, how his family played into it, and anything else that comes in to my head.
“It is a fabulous, moving, fast-paced novel, not at all ponderous or weighty, and it is one of the greatest novels ever written, so this is the chance for everyone who’s been meaning to do so to read it, and the chance to re-read and savor it for those who already have done so.”
Robinson, a novelist with 10 books to her credit (including “Dawson’s Fall,” which came out in 2019), is also a teacher and has taught “Anna Karenina” for nearly 15 years in the MFA Program at Hunter College in New York City.
Locally, she is a member of one of Cornwall’s oldest families, descended from the Scoville clan, who first settled in Cornwall in the 18th century.
“My great-grandfather, Samuel Scoville, married the daughter of Henry Ward Beecher. Beecher and his family — Harriet Beecher Stowe among them — lived in Litchfield,” she said.
“The Scovilles have been ministers, farmers and lawyers, and have taken care of the North Cornwall church since it was built in 1812. I live in the house my grandparents built — Samuel Scoville Jr., who was a lawyer and writer.”
Scoville’s unexpectedly amusing writing was read aloud by Robinson in the library’s Cornwall Reads Cornwall over Thanksgiving weekend.
Participation in the eight-week “Anna Karenina” class is open to everyone at no cost (donations to the library are appreciated, however). The class will meet by Zoom on Tuesdays at 4 p.m., beginning Jan. 12 and ending March 2.
The edition to get for the class is the paperback version of the acclaimed translation by Richard Pevear and Larissa Volokhonsky (a photo of the cover is above, on this page) from Penguin Classics.
Participants should plan to read 100 pages every week — however, there is no requirement that you come to class having read the material, Robinson promises. “I hope you’ll come to the discussion anyway, so as you finally finish the book you’ll have thoughts from the class in your mind.”
To register, go to the “events/programs” page on the Cornwall Library website at www.CornwallLibrary.org.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.