
Visitors of all ages enjoy posing for pictures with The Simpsons. Photo courtesy of the Barker Character, Comic and Cartoon Museum
The gang’s all there: Shirley Temple, Popeye, Batman, the Simpsons and Betty Boop. Also, The Hulk, Barbie, Wall-E, Harry Potter, G.I. Joe, Charlie McCarthy and Howdy Doody. Visitors will also encounter Mickey and Minnie, the Three Stooges, the California Raisins, the Pillsbury Doughboy and too many other childhood characters, superheroes and legends to name.
From the moment you walk past the life-size statue of Po from the movie “Kung-Fu Panda” as you enter the Barker Character, Comic and Cartoon Museum in Cheshire, Conn., you’re in for a trip down memory lane — or a flashback to the beloved Saturday afternoon cartoons of your childhood. It’s a sure cure for cabin fever and a fun spring break outing for the entire family.
Nostalgia on steroids is a fitting way to describe the experience, sure to delight the young and the young-at-heart, whether 8 or 80.
“We’re pretty much like a nostalgia machine over here,” said museum docent Blake Bassett with a laugh. “We love to watch people’s expressions when they see a toy they remember from the ’30s or ’40s. They can often tell you exactly how it works.”
A common lament that usually follows, she said, is, “My mother threw mine away.”
Not so for museum owners Jerry and Stephen Barker. The 3,500-square-foot space includes the personal collection of their late parents, Gloria and Herbert Barker, who amassed about 80,000 items over more than four decades, including toys that their children had played with. A small number of items have also been donated by collectors.
Disney characters, famous actors, television shows, musicians, pop culture icons and marketing and sci-fi figures are represented through a dizzying assortment of toys, dolls, records, books, playing cards, rotary phones, comics, wagons, watches, games, lunch boxes, action figures — even animated films, posters and original artwork.
Elephant ramp walkers from 1873
The Barkers started their collection by visiting tag sales at a time before people realized that cast-off toys had an intrinsic value and interest for future generations. While the items were considered run-of-the-mill in their day, they are coveted collectibles today.
Two of the oldest toys in the collection prove that gravity works: They are the cast-iron elephant ramp walkers. Manufactured in 1873 by the Ives Toy Company in Bridgeport, Conn., they were the first automatons to be powered by gravity. One hundred and forty years later, they work as well as ever and lumber obligingly down even the slightest incline.
Barrett said what makes them even more interesting is that the Ives Company originally produced guns and ammunition during the Civil War, but once the war ended, they turned to toys. The ramp walkers, explained Barrett, are made from melted-down bullet casings.
“What a segue: weapons of war to children’s toys,” she mused.
Another item with an eye-opening history is an unopened tube of Mickey Mouse toothpaste from 1933.
“It was made with a special milk of magnesia flavor, and comes in a lead tube; they didn’t know the dangers” of lead toxicity back then, she said. At the time, lead was considered an inexpensive and easy metal to mold into toys.
Prizes, promotions and Betty Boop
Child stars of yesteryear are also represented here. Back in the day, Shirley Temple generated not just ticket sales, but a great deal of toys and associated items.
Prizes from old cereal boxes and promotions are a hot ticket as well. From 1934 to 1942, cobalt blue table settings, manufactured by the Hazel Atlas and U.S. Glass Companies, were given away as premiums for Wheaties and Bisquick, and are prized by today’s collectors.
Remember Betty Boop, Bimbo the dog and Koko the Clown? Betty, the feckless flapper who danced through life with her canine boyfriend Bimbo, first vamped her way into the public’s hearts as a sexy chanteuse in 1930 and continued to lift movie-goers’ hearts throughout the Great Depression with her song-filled adventures.
Among the most popular attractions with all ages are an 8-foot-tall statue of the Marvel superhero The Hulk, which served as a promotion for the 2008 movie of the same name; and life-size characters from The Simpsons. Both invite plenty of selfies and family photos.
“They only made about 200 Hulks,” noted Barrett.
Their value
beyond nostalgia
While all the museum items include price tags to give visitors an idea of their current value, none of the items are for sale. One of the most expensive items is a Popeye heavy-hitter toy valued at $14,000, said Barrett. The toy mimics the popular carnival game where people test their strength by wielding a hammer, causing a bell to ring if successful.
Since the museum opened in 1997, the Barker family has welcomed visitors from around the corner and around the world. The collection, which spans the years from 1873 to the 2020s, stimulates discussion among the generations in a way that few museums can. Every generation will find favorite toys; historians can savor an unusual glimpse into styles and trends of the past.
In addition, the Barkers were dedicated to preserving America’s rich cartoon heritage, and founded the largest retail animation and entertainment art gallery in the world, Barker Animation Art Gallery.
Barker Animation had its Grand Opening in West Hartford, Conn., in 1993; and in 1994, operations moved to the Barker complex in Cheshire, Conn.
The gallery maintains a collection of vintage and current artwork from artists in the fields of animation and pop culture. To give this artwork more exposure, Gloria and Herb opened an additional gallery at The Tanger outlets at Foxwoods in 2016.
If you decide to visit
The Barker Character, Comic and Cartoon Museum is at 1188 Highland Ave. in Cheshire, and is open by appointment only (call 203-272-2357). Face masks are mandatory.
Each visitor to the museum receives a self-guided tour booklet, and while there can peruse the vast collection of animation art, fine arts and collectibles available for purchase in the gallery next door.
Visitors can also enjoy a scavenger hunt, and stroll the grounds and pose for pictures with life-sized cartoon character cut-outs.
“You get the whole museum to yourself for the entire hour, for a more personal, interactive experience,” said Barrett.
Bunny McGuire, at center holding the big scissors, surrounded by her family as she cuts the ribbon to the park that now bears her name in North Canaan on Saturday, June 7.
NORTH CANAAN — The park on Main Street in North Canaan was officially renamed Bunny McGuire Park at a ceremony beneath the pavilion Saturday, June 7.
Clementine “Bunny” McGuire was recognized for her lifelong commitment to volunteerism in town. Her civil contributions include work with the Beautification Committee, the Douglas Library, the historical society, a poll worker, an employee of North Canaan Elementary and Housatonic Valley Regional High Schools and a volunteer at her church.
“People like Bunny are the lifeblood of small towns and we should all be grateful for the bountiful benefits we have derived from having this vital and generous force in our midst,” said Kathryn Boughton, town historian.
First Selectman Brian Ohler described McGuire as, “A person whose name is truly synonymous with service, kindness, civility and generosity.”
First Selectman Brian Ohler praised McGuire for her impact on the town. "Bunny, you are so, so loved," Ohler said. "The outpouring of suppourt is not a surprise."Photo by Riley Klein
Ohler noted the impact McGuire has had on the town, as evidenced by the nearly 100 guests in attendance and the long list of donors who contributed to updating the facilities at the park.
“Bunny, you are so, so loved. The outpouring of support is not a surprise,” said Ohler.
Among the recent improvements include a new dog park fenced area, basketball hoops, updated playground, parking lot pavement, landscaping, new signage, paint and lighting for the pavilion.
“Everyone says I have done so much for the town, but this town has done so much for me,” said McGuire. “Just look around you, what we have,” she said tearfully. “A big thank you to all of you. I love you.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.