A Museum Visit With Something For Everyone

Visitors of all ages enjoy posing for pictures with The Simpsons. Photo courtesy of the Barker Character, Comic and Cartoon Museum

The gang’s all there: Shirley Temple, Popeye, Batman, the Simpsons and Betty Boop. Also, The Hulk, Barbie, Wall-E, Harry Potter, G.I. Joe, Charlie McCarthy and Howdy Doody. Visitors will also encounter Mickey and Minnie, the Three Stooges, the California Raisins, the Pillsbury Doughboy and too many other childhood characters, superheroes and legends to name.
From the moment you walk past the life-size statue of Po from the movie “Kung-Fu Panda” as you enter the Barker Character, Comic and Cartoon Museum in Cheshire, Conn., you’re in for a trip down memory lane — or a flashback to the beloved Saturday afternoon cartoons of your childhood. It’s a sure cure for cabin fever and a fun spring break outing for the entire family.
Nostalgia on steroids is a fitting way to describe the experience, sure to delight the young and the young-at-heart, whether 8 or 80.
“We’re pretty much like a nostalgia machine over here,” said museum docent Blake Bassett with a laugh. “We love to watch people’s expressions when they see a toy they remember from the ’30s or ’40s. They can often tell you exactly how it works.”
A common lament that usually follows, she said, is, “My mother threw mine away.”
Not so for museum owners Jerry and Stephen Barker. The 3,500-square-foot space includes the personal collection of their late parents, Gloria and Herbert Barker, who amassed about 80,000 items over more than four decades, including toys that their children had played with. A small number of items have also been donated by collectors.
Disney characters, famous actors, television shows, musicians, pop culture icons and marketing and sci-fi figures are represented through a dizzying assortment of toys, dolls, records, books, playing cards, rotary phones, comics, wagons, watches, games, lunch boxes, action figures — even animated films, posters and original artwork.
Elephant ramp walkers from 1873
The Barkers started their collection by visiting tag sales at a time before people realized that cast-off toys had an intrinsic value and interest for future generations. While the items were considered run-of-the-mill in their day, they are coveted collectibles today.
Two of the oldest toys in the collection prove that gravity works: They are the cast-iron elephant ramp walkers. Manufactured in 1873 by the Ives Toy Company in Bridgeport, Conn., they were the first automatons to be powered by gravity. One hundred and forty years later, they work as well as ever and lumber obligingly down even the slightest incline.
Barrett said what makes them even more interesting is that the Ives Company originally produced guns and ammunition during the Civil War, but once the war ended, they turned to toys. The ramp walkers, explained Barrett, are made from melted-down bullet casings.
“What a segue: weapons of war to children’s toys,” she mused.
Another item with an eye-opening history is an unopened tube of Mickey Mouse toothpaste from 1933.
“It was made with a special milk of magnesia flavor, and comes in a lead tube; they didn’t know the dangers” of lead toxicity back then, she said. At the time, lead was considered an inexpensive and easy metal to mold into toys.
Prizes, promotions and Betty Boop
Child stars of yesteryear are also represented here. Back in the day, Shirley Temple generated not just ticket sales, but a great deal of toys and associated items.
Prizes from old cereal boxes and promotions are a hot ticket as well. From 1934 to 1942, cobalt blue table settings, manufactured by the Hazel Atlas and U.S. Glass Companies, were given away as premiums for Wheaties and Bisquick, and are prized by today’s collectors.
Remember Betty Boop, Bimbo the dog and Koko the Clown? Betty, the feckless flapper who danced through life with her canine boyfriend Bimbo, first vamped her way into the public’s hearts as a sexy chanteuse in 1930 and continued to lift movie-goers’ hearts throughout the Great Depression with her song-filled adventures.
Among the most popular attractions with all ages are an 8-foot-tall statue of the Marvel superhero The Hulk, which served as a promotion for the 2008 movie of the same name; and life-size characters from The Simpsons. Both invite plenty of selfies and family photos.
“They only made about 200 Hulks,” noted Barrett.
Their value
beyond nostalgia
While all the museum items include price tags to give visitors an idea of their current value, none of the items are for sale. One of the most expensive items is a Popeye heavy-hitter toy valued at $14,000, said Barrett. The toy mimics the popular carnival game where people test their strength by wielding a hammer, causing a bell to ring if successful.
Since the museum opened in 1997, the Barker family has welcomed visitors from around the corner and around the world. The collection, which spans the years from 1873 to the 2020s, stimulates discussion among the generations in a way that few museums can. Every generation will find favorite toys; historians can savor an unusual glimpse into styles and trends of the past.
In addition, the Barkers were dedicated to preserving America’s rich cartoon heritage, and founded the largest retail animation and entertainment art gallery in the world, Barker Animation Art Gallery.
Barker Animation had its Grand Opening in West Hartford, Conn., in 1993; and in 1994, operations moved to the Barker complex in Cheshire, Conn.
The gallery maintains a collection of vintage and current artwork from artists in the fields of animation and pop culture. To give this artwork more exposure, Gloria and Herb opened an additional gallery at The Tanger outlets at Foxwoods in 2016.
If you decide to visit
The Barker Character, Comic and Cartoon Museum is at 1188 Highland Ave. in Cheshire, and is open by appointment only (call 203-272-2357). Face masks are mandatory.
Each visitor to the museum receives a self-guided tour booklet, and while there can peruse the vast collection of animation art, fine arts and collectibles available for purchase in the gallery next door.
Visitors can also enjoy a scavenger hunt, and stroll the grounds and pose for pictures with life-sized cartoon character cut-outs.
“You get the whole museum to yourself for the entire hour, for a more personal, interactive experience,” said Barrett.
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.