
The Round Hill Highland Games return to Lime Rock Park in Salisbury, Conn., on Sunday, June 26, with caber tossing, a 1-mile kilted run and many other exotic delights. Photo by Cynthia Hochswender
For most people, it won’t make much difference that this year’s Round Hill Highland Games will be slightly different than they are in a normal year.
First of all, who really knows what normal means in a COVID-19 world.
And second, how can you really use the word “normal” when you’re talking about a day-long event at a race track that is dedicated to bag piping, throwing curling stones and tossing wood cabers the size of telephone poles.
“This year the athletic events are going to be a little smaller than usual,” said event organizer Cathy Sutherland (who was in quarantine with COVID at the time of this interview, just in case anyone thinks the pandemic is over).
Happily, it isn’t illness that’s taken the top caber tossers and shot putters away from these, the 99th annual Round Hill Highland Games (the games have been at Lime Rock Park in Salisbury, Conn., for about the last five years). The top competitors will be away at the U.S. Strongman Nationals that weekend.
Really, though, part of the charm of the Round Hill Games is the efforts of newcomers and amateurs to learn, with seriousness and determination, how to spin and throw heavy lead balls on chains and how to heave a lead shot putt from their shoulder.
It isn’t just burly Scotsmen in kilts taking part in these shows of strength and grace; the participants are unexpectedly diverse, including many women and many people of different colors and cultures, all joined together by the patterns of their tartans.
So don’t worry that the top national caber tossers won’t be at Lime Rock Park this Sunday, June 26. The gates open at 8:30 a.m. and activities continue until 4:30 p.m.
The schedule of events is a little bit loose-y goose-y but mid to late afternoon is an excellent time to go and see the pipe band competitions (my favorite). In the morning, there are individual pipers and drummers who are performing, and being judged. In the afternoon, though, you can witness the truly lovely and inspiring spectacle of the pipe and drum bands marching in formation, clad in their dressiest tartans and twirling their tasseled drum sticks.
At the end of the day, around 4 p.m., all the bands will come together for a mass parade.
Although the piping is my personal favorite part of the Highland Games, there is more (much more!) to do.
There will be demonstrations of Scottish arts and culture, including live music and Highland dancing. Members of the Norfolk Curling Club will have a tent on the grounds, and will bring their portable stones, so visitors can try a hand at curling.
There will be a variety of libations, including iced teas from Harney & Sons of Millerton, N.Y., and craft beers from Great Falls Brewing Co. in North Canaan, Conn.
There will be a whiskey tasting; you can either come and purchase individual samples, or pay a flat fee and attend an educational talk about how to drink whiskey properly.
Food will be served alongside the whiskey, and there will also be food trucks at the park.
“There won’t be any haggis this year,” Sutherland said, with regret, referring to the classic Scottish dish of sheep innards stuffed with oatmeal.
“There is a supply chain interruption and we can’t get sheep stomachs,” she explained.
Which takes us back to our original point: Our world continues to be abnormal, but the Highland Games are not exactly normal anyway — and yet they are rooted in centuries-old traditions.
Come on down to Lime Rock Park on Sunday, June 26, and be transported to another place and time. Learn more and order tickets at www.rhhg.org.
Bunny McGuire, at center holding the big scissors, surrounded by her family as she cuts the ribbon to the park that now bears her name in North Canaan on Saturday, June 7.
NORTH CANAAN — The park on Main Street in North Canaan was officially renamed Bunny McGuire Park at a ceremony beneath the pavilion Saturday, June 7.
Clementine “Bunny” McGuire was recognized for her lifelong commitment to volunteerism in town. Her civil contributions include work with the Beautification Committee, the Douglas Library, the historical society, a poll worker, an employee of North Canaan Elementary and Housatonic Valley Regional High Schools and a volunteer at her church.
“People like Bunny are the lifeblood of small towns and we should all be grateful for the bountiful benefits we have derived from having this vital and generous force in our midst,” said Kathryn Boughton, town historian.
First Selectman Brian Ohler described McGuire as, “A person whose name is truly synonymous with service, kindness, civility and generosity.”
First Selectman Brian Ohler praised McGuire for her impact on the town. "Bunny, you are so, so loved," Ohler said. "The outpouring of suppourt is not a surprise."Photo by Riley Klein
Ohler noted the impact McGuire has had on the town, as evidenced by the nearly 100 guests in attendance and the long list of donors who contributed to updating the facilities at the park.
“Bunny, you are so, so loved. The outpouring of support is not a surprise,” said Ohler.
Among the recent improvements include a new dog park fenced area, basketball hoops, updated playground, parking lot pavement, landscaping, new signage, paint and lighting for the pavilion.
“Everyone says I have done so much for the town, but this town has done so much for me,” said McGuire. “Just look around you, what we have,” she said tearfully. “A big thank you to all of you. I love you.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.