
Frank Gehry’s Fisher Center is reason enough to make a trip to Annandale-on-Hudson, N.Y., and the Bard College campus, but there are also concerts and performances there throughout the summer. Photo of Fisher Center by Peter Aron/Esto
Distances seem to become daunting, even insurmountable, here in the Tristate region. Perhaps it’s because we’re all so comfy in our country homes — although I think actually what happens is that, emotionally, we all begin to set up Boundaries that Must Not Be Crossed.
People who live in Salisbury, Conn., rarely venture down to Kent, Conn., and vice versa, for example. And yet, the 40-minute travel time is really not that significant; doesn’t it take that long to travel by surface roads from the Upper West Side to SoHo? Even the subway isn’t much faster.
The same prejudice applies to travel between Litchfield County and the Hudson River Valley. Come on folks, it is not really that hard to get to Red Hook, N.Y. (the one up here, not the one in Brooklyn) — especially when you think about all the benefits that a scant 40-minute car ride will bring.
First, there’s the beauty. In autumn and winter, it’s nice to travel to Red Hook at sunset; the views are crushing they’re so gorgeous. But this is summer, and the sun won’t set until after dinner.
So you’ll just have to be content with endless views of farm fields and forest, with birds wheeling around the sky. Sorry that there won’t be a lot of honking cars and traffic; you’ll just have to be alone with all that beauty and bird song for three-quarters of an hour, or maybe a little less, depending on where you live and how you drive.
And what is so special, you ask, about Red Hook, other than that it shares its name with a hip section of Brooklyn? Red Hook is the home of Bard College (although the official literature refers to it as Annandale-on-Hudson). Bard offers super interesting cultural events throughout the academic year, with talks and concerts in an intimate setting by artists and writers (I personally have seen Fran Lebowitz, Neil Gaiman and Alan Cumming there).
The campus doesn’t go to sleep in summer, which is when the multifaceted Bard Summerscape explodes, with classical concerts, chamber music, drag performances, the Hudson Valley Chamber Music Circle concerts, the more offbeat programs in the Spiegeltent and opera, ballet and more — most of it in the Frank Gehry-designed Fisher Center, which is worth a trip to Red Hook (I mean Annandale-on-Hudson) in its own right. The Bard campus has beautiful gardens, plantings and buildings, most of them in a classical vein; and then there is the wobbly metal design of the Fisher Center. It’s amazing and definitely worth the drive.
Summer music
This summer’s chamber music series started on June 4 with the Emerson String Quartet, going on their farewell tour in anticipation of retiring with a concert at Alice Tully Hall in New York City in October 2023.
But the beat goes on, quite literally, with a concert by Sō Percussion on Saturday, June 18, at 7 p.m. in Olin Hall (which is a Bard College auditorium; it’s not the Fisher Center but it’s two minutes away by car, you can visit it before your concert begins).
I am not personally familiar with Sō Percussion, described by The New Yorker as offering an “exhilarating blend of precision and anarchy, rigor and bedlam.”
A restful interlude follows on Saturday, June 25, also at 7 p.m. in Olin Hall with a concert titled “Beloved Piano Quartets.” Although the focus is on the piano, the star of this show might well be violinist Jaime Laredo, who is described as “one of the top violinists of the late 20th century.”
A more contemporary menu comes up at the Bard Spiegelent at the Fisher Center, which offers events from June 24 to Aug. 13, beginning with the Black Roots Summer weekend. There will be a concert by Mwenso and the Shakes on Saturday, June 25, at 8 p.m. and continuing into the next day, from 4 to 7 p.m. with a an all-ages, all colors, all body types party hosted by the Black Roots Summer cohort. There will be live music, DJs, dancing and more “for a late afternoon of joy, hope, healing and BBQ.”
Swinging back again toward the classical, there will be a new translation of Moliere’s “Dom Juan” performed from June 23 to July 17 at the Fisher Center.
Bard College President and orchestra conductor Leon Bottstein presents a deep dive into the world and work of Sergei Rachmaninoff for the 32nd Bard Music Festival (Aug. 5 to 7 and 12 to 14).
And there will be a performance of a Richard Strauss opera, “The Silent Woman,” from July 22 to 31.
That’s not even all that’s offered. Certainly it’s worth a 40-minute car ride through some of the most beautiful parts of Dutchess County to get there.
But what
about dinner?
There was a famous restaurant near Bard’s campus called Mercato that closed down early in the COVID-19 pandemic. It has reopened, with a new name, in nearby Tivoli, N.Y.
Now called GioBatta Alimentari, the cozy farmhouse-style restaurant serves Italian classics, exquisitely prepared with Hudson Valley ingredients.
I personally love arancini, the Italian fried rice balls that are so hard to find, but are on the menu here, along with all the beloved favorites: meatballs, lasagna, panini, antipasti, pasta and the kale salad that was made famous at Mercato (lacinato kale, lovingly massaged with lemon juice until it becomes tender, served with currants, pine nuts, pecorino cheese slivers and a simple dressing of olive oil and more lemon juice).
Get the address and see the full menu at www.giobatta.com.
I also really like a large, bustling, somewhat rowdy Italian restaurant in nearby Kingston, N.Y., called Savona’s. The food is also very good, but the atmosphere is at the other end of the spectrum from GioBatta Alimentari.
After two years of COVID, I’m particularly nostalgic for good sushi. There are a few small but high-quality Japanese restaurants in the area. In Red Hook there is Hana Sushi (www.hana-sushi.com). In nearby Rhinebeck, N.Y., there are two more upscale sushi eateries called Momiji (www.momijiny.com) and Osaka (www.osakasushi.net).
To find out more about Bard College’s many summer culture offerings at the Annandale-on-Hudson, N.Y., campus go to www.fishercenter.bard.edu/whats-on/programs/summerscape.
Bunny McGuire, at center holding the big scissors, surrounded by her family as she cuts the ribbon to the park that now bears her name in North Canaan on Saturday, June 7.
NORTH CANAAN — The park on Main Street in North Canaan was officially renamed Bunny McGuire Park at a ceremony beneath the pavilion Saturday, June 7.
Clementine “Bunny” McGuire was recognized for her lifelong commitment to volunteerism in town. Her civil contributions include work with the Beautification Committee, the Douglas Library, the historical society, a poll worker, an employee of North Canaan Elementary and Housatonic Valley Regional High Schools and a volunteer at her church.
“People like Bunny are the lifeblood of small towns and we should all be grateful for the bountiful benefits we have derived from having this vital and generous force in our midst,” said Kathryn Boughton, town historian.
First Selectman Brian Ohler described McGuire as, “A person whose name is truly synonymous with service, kindness, civility and generosity.”
First Selectman Brian Ohler praised McGuire for her impact on the town. "Bunny, you are so, so loved," Ohler said. "The outpouring of suppourt is not a surprise."Photo by Riley Klein
Ohler noted the impact McGuire has had on the town, as evidenced by the nearly 100 guests in attendance and the long list of donors who contributed to updating the facilities at the park.
“Bunny, you are so, so loved. The outpouring of support is not a surprise,” said Ohler.
Among the recent improvements include a new dog park fenced area, basketball hoops, updated playground, parking lot pavement, landscaping, new signage, paint and lighting for the pavilion.
“Everyone says I have done so much for the town, but this town has done so much for me,” said McGuire. “Just look around you, what we have,” she said tearfully. “A big thank you to all of you. I love you.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.