Tart, Citrus and Sunny, Marmalade Is a Reason To Get Out of Bed in Winter

Photo by Cynthia Hochswender

There’s an apocryphal story about marmalade that says the sugary citrus jam got its name from Mary, Queen of Scots (the famous Mary from the 1500s, who was a cousin to Queen Elizabeth). Supposedly, the future queen was ill and her grandmother’s cook, who had a large supply of citrus fruit on hand, was trying to find something to tempt her to eat.
“Marie est malade,” he kept muttering in French (Mary is ill) as he tried out confections, ending up with the one that became known as “marmalade.”
The name actually comes from the Portuguese word for quince, which was originally the fruit used to make marmalade.
Over the centuries, what we have come to know as marmalade is usually made from citrus fruit, particularly oranges.
There is no realistic way to make it seem like marmalade is healthy, other than that it’s made from the peels and juice of citrus fruit (which are healthy, especially now, in the middle of winter). But like all fruit preserves, marmalade is made with a lot of sugar.
So, healthwise it’s hard to recommend marmalade. But in the COVID-19 quarantine world, if we all began baking bread last spring, then why not continue to entertain ourselves in quarantine by learning to make fruit preserves, which go so nicely with bread? And since it’s winter, the fruit in greatest abundance is citrus.
Worth the effort
Making marmalade is a lot of work, perhaps more than the average fruit preserve; but the color and flavor can definitely brighten up a gray winter morning and give you a reason to get out of bed.
For Christmas, my friend in Seattle gave me a copy of a book by a local chef (Yossy Arefi) called “Sweeter off the Vine.” It’s divided by seasons and many of the winter recipes involve citrus; and for some reason the marmalade recipe really reached out to me.
I made a batch. I wouldn’t do it every week, but it’s delicious and I recommend it if you have several hours to devote to lavishing attention on a few pounds of citrus.
The recipe calls for blood oranges and Meyer lemons, which I found at a Trader Joe store last week. You can use any citrus, even clementines or grapefruit. The blood oranges of course add spectacular color; and the Meyer lemons (which you can often find at Stop & Shop in North Canaan at a reasonable price) have a much softer, thinner skin that’s easier to work with. Whichever fruit you use, the thinner the skin and the plumper the fruit, the easier and more delicious your marmalade will be.
Not sugar-free
This recipe calls for 2 pounds or about nine blood oranges; 1 pound or about four Meyer lemons; one regular lemon; and 5 cups of sugar (yes, it’s a lot).
You’ll note that you don’t need to use pectin in this recipe, but you will want to get citrus fruit that has seeds in it (the pectin is in the seeds).
This will make lot of jam, so you’ll want to use canning jars with fresh sealing lids to preserve it. I use the 4-pint Ball jar known as the 125. I filled about six of them, and had about 2 cups of jam left to put in a regular jar that I did not “preserve.”
Before you get going on the fruit, either clean the jars in your dishwasher so they’re hot and sterile or boil them for 10 minutes.
You’ll need a very large, clean pot for boiling the jars after they’ve been filled; a clean funnel; some paper towels; and if possible a pair of canning tongs to lift the jars.
The tedious preparation of the fruit
Scrub your fruit and then use a juicer to get all the juice and most of the membrane out of the fruit.
Toss out the membrane but keep all the seeds.
Save the juice, of course.
After juicing, you should have a couple dozen half rounds of citrus. I cut each half round into three pieces and then used a sharp knife to carefully slice away the bitter white pith on the inside of the peel.
It’s tedious but necessary; do it while you listen to a podcast or watch a movie. The less bitter, spongy pith on your peel, the better your marmalade will taste.
The next step is equally tedious: You need to take your scraped peels and slice them as thin as possible, as thin as blades of grass or hay. Don’t worry about the length; long strands are actually kind of pretty.
Boil the rinds
If you have an InstantPot, now is the time to get it out: You need to boil the peel strips in 2 quarts of water (8 cups) until they’re tender and almost translucent — which can take up to an hour if you do it on your stovetop.
If you have an InstantPot, combine the water and peels and cook them on high pressure for 10 minutes, then quick release the pressure. If you don’t, use a large nonreactive pot and boil them lightly until they’re ready. You’ll need about 3/4 cup of the cooking liquid, so keep an eye on the pot and make sure you don’t boil away all the liquid. That’s one advantage of the InstantPot: Your liquid won’t boil away.
When they’re tender and almost translucent, rinse the peels in cool water to stop them from cooking any more.
At this point your jars should be clean and hot and ready to take out of the dishwasher; put them on a cookie sheet and put them in a 200 degree oven, so they’re warm when the jam is ready: If you put hot jam in a cool jar, the glass will crack.
The next two steps have to be done on the stovetop. First, take your giant pot and fill it with enough that your jars will be submerged. Start it boiling so it’s ready for canning as soon as the marmalade is done cooking. Once it’s boiling, reduce it to a simmer.
In a large pot that has a ceramic or other nonreactive surface, combine the citrus peels, the citrus juice (from way back in step one), the sugar, the citrus seeds (tie them up tightly in cheesecloth) and 3/4 cup of the cooking liquid.
Bring it all to a rolling boil (very big bubbles but not foaming) and keep cooking for about 30 minutes. At this moment, it’s great to have a cooking thermometer, to check when it reaches 220 degrees.
If you don’t have a thermometer, put some spoons in your freezer and then test a spoonful of marmalade at a time by putting it in the freezer for a few minutes to see if it gels up. I don’t personally find this method works very well but …
In which we say ‘carefully’ again and again
Once your marmalade is done, turn off the stove and take your tray of canning jars out of the oven.
Carefully spoon the jam into the jars, leaving a quarter inch of air at the top. Wipe the top and sides of the jars carefully with a wet paper towel; if there’s jam overflow, your jars won’t seal.
Carefully place your jars in the simmering water in your big pot. You don’t want them to tip because you don’t want any jam to spill on your jar, which could keep the jar from sealing.
In a perfect world, you should have a trivet at the bottom of your big canning pot so your jars don’t touch the pot surface, which can cause them to break. This sounds much fussier and harder than it actually is; I didn’t use a trivet and I did tip my jars over as I was putting them in the pot, and it was fine — but it’s possible that I just got lucky.
Return the heat to high so your water is boiling vigorously again, then boil your filled jars for 10 minutes.
Remove them carefully and set them down in a spot that’s relatively not sunny and relatively cool, which at this time of year is pretty much anyplace in my kitchen. Don’t move the jars for 12 hours, so you don’t ‘“break” the set of the marmalade or the seal on the jars.
If at the end of that time the lids aren’t sealed, clean the lids and jars again and boil them again for another 10 minutes. If your marmalade didn’t set, I suppose you could pour it all back in a clean pot and boil it down some more.
I always feel like preserving jars of food is very intimidating and time consuming, but it really is very easy. You just boil your jars for 10 minutes. Done. But it does help if you prepare your jars correctly and have the right tools. If you want to learn more about canning, go to the National Center for Home Food Preservation website at https://nchfp.uga.edu.
The Jan. 7 print edition of The Lakeville Journal and Millerton News had a recipe error. It said the marmalade should be kept at a rolling boil with "very big bubbles but foaming.” It should have said, “but not foaming."
Lakeville Journal
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Legal Notice of Completion of Tentative Assessment Roll
Pursuant to §506 & §526 of the Real Property
Tax Law:
NOTICE is hereby given that the Assessor of the Town of Pine Plains, County of Dutchess, has completed the tentative assessment roll for the current year, a copy of which is filed with the Town Clerk after May 1, 2026.
The Assessor will be available via telephone and by appointment with such tentative roll at: Town Hall, 3284 Route 199, Assessor’s Office. Telephone contacts and appointments for in-person meetings can be made for the following days and between the hours listed:
5/5/2026 between the hours of 10:00 am and 2:00 pm.
5/7/2026 between the hours of 10:00 a.m. and 2:00 p.m.
5/12/2026 between the hours of 10:00 a.m. and 2:00 p.m.
5/16/2026 between the hours of 4:00 p.m. and 8:00 p.m.
Individuals with complaints with respect to their assessments are encouraged to contact the Assessor’s Office prior to Grievance Day to discuss their concerns and to see if an agreement can be reached. If no agreement is reached, the written complaint shall be transmitted by the Assessor to the Board of Assessment Review on Grievance Day.
A publication containing procedures for contesting an assessment is available online at www.tax.ny.gov/pdf/publications/orpts/grievanceboo...
Sara Foglia,
Assessor
Grievance Day:
Tuesday, May 26, 2026
(§508 RPTL)
(§525 RPTL)
NOTICE is hereby given that the BOARD OF ASSESSMENT REVIEW for the Town of Pine Plains, County of Dutchess shall hear complaints in relation to assessments at:
Town Hall, 3284 Route 199, (518) 398-7193 x 7
The BOARD OF ASSESSMENT REVIEW will be in attendance on Tuesday, May 26, 2026 during the following times:
Between the hours of 3 p.m. and 7 p.m.
The BOARD OF ASSESSMENT REVIEW will then file a copy of the determination with the Town Clerk to become a matter of public record.
04-30-26
NOTICE OF ANNUAL PUBLIC HEARING ON THE BUDGET,
ANNUAL MEETING, SCHOOL DISTRICT ELECTION AND VOTE
NOTICE IS HEREBY GIVEN that the Board of Education of the North East Central School District, Dutchess and Columbia Counties, New York, will hold a Public Hearing on the Budget in the High School Library at the Webutuck High School Building, 194 Haight Road, Amenia, New York, on Monday, May 5, 2026 at 6:30 P.M., for the purpose of presenting the budget document for the 2026-2027 School Year.
NOTICE IS FURTHER GIVEN that a copy of the statement of the amount of money which will be required to fund the budget for the 2026-2027 school year, exclusive of public monies, may be obtained by any resident of the District during business hours, between 9:00 A.M. and 3:00 P.M., prevailing time, at the Webutuck Elementary School, Eugene Brooks Intermediate School, Webutuck High School and at the District Administrative Office between 9:00 A.M. and 4:00 P.M., prevailing time, effective April 28, 2026, except Saturday, Sunday or holidays. Copies of the Budget will also be available at the Northeast-Millerton Library and the Amenia Free Library. A report of tax exemptions, showing how much of the total assessed value of the final assessment roll or rolls used in that budgetary process is exempt from taxation, shall be annexed to the budget document.
NOTICE IS FURTHER GIVEN that the Annual Meeting, Election of Members of the Board of Education and Vote on the Budget of the qualified voters of the Northeast Central School District, will be held on Tuesday, May 19, 2026 at the Webutuck High School gym, 194 Haight Road, Amenia, New York, between the hours of 12:00 P.M. and 9:00 P.M., prevailing time, when the polls will be open for the purpose of voting by voting machine:
A. To elect three (3) members to the Board of Education: All three seats are for three-year terms commencing July 1, 2026 and ending on June 30, 2029 to fill the vacant seats of incumbent Board Member Judy Moran, and incumbent Board Member Jerry Heiser and incumbent Board member Aimee Wesley, whose terms expire June 30, 2026.
B. Proposition I: 2026-2027 North East (Webutuck) CSD Budget
SHALL the 2026-2027 Budget as adopted by the Board of Education in the amount of $29,941,252, with anticipated revenue exclusive of taxes in the amount of $10,276,001 and the amount to be raised through taxes of $19,665,251 be approved?
Proposition II: 2026-2027 Transportation Vehicle Purchase
Shall the Board of Education of the Webutuck Central School District be authorized to: (1) acquire two (2) 64-passenger school buses and one (1) Bobcat Multipurpose Vehicle, at a cost not to exceed $429,327, which is estimated to be the maximum cost thereof; (2) expend such sum for such purpose; (3) levy the necessary tax therefor, to be levied and collected in annual installments in such years and in such amounts as may be determined by the Board of Education taking into account state aid; and (4) in anticipation of the collection of such tax, issue bonds and notes of the District and/or enter into installment purchase agreements at one time or from time to time in the principal amount not to exceed $429,327, and levy a tax to pay the interest on said obligations when due?
D. To transact such other business as may properly come before the meeting pursuant to the Education Law of the State of New York.
The election and budget vote shall be by machine, early voting or absentee ballot. The hours during which the poll shall be kept open shall be from 12:00 P.M. until 9:00 P.M., prevailing time, or for as long thereafter as necessary to enable qualified voters who are in the polling place at 9:00 P.M. to cast their ballots.
AND FURTHER NOTICE IS HEREBY GIVEN that the qualified voters of the School District shall be entitled to vote in said annual vote and election. A qualified voter is one who is (1) a citizen of the United States of America, (2) eighteen (18) years of age or older, and (3) resident within the School District for a period of thirty (30) days preceding the annual vote and election. The School District may require all persons offering to vote at the budget vote and election to provide one form of proof of residency pursuant to Education Law section 2018-c. Such form may include a driver’s license, a non-driver identification card, a utility bill, or a voter registration card. Upon offer of proof of residency, the School District may also require all persons offering to vote to provide their signature, printed name and address.
NOTICE IS FURTHER GIVEN that early mail ballots and absentee ballots will be available for this Election and Vote. Applications for early mail and absentee ballots for the School District Election and Vote may be obtained at the Office of the District Clerk at the Webutuck High School building, Haight Road, Amenia, New York on school days during school hours, or on the district’s website at www.webutuckschools.org beginning March 1, 2026 but may not be returned to the District clerk any earlier than April 20, 2026, and must be returned to the District Clerk by May 12, 2026 if the ballot is to be mailed to the voter, or the day before the election, May 18, 2026, if the ballot is to be delivered personally to the voter. Early mail and absentee ballots must be received at the Office of the District Clerk no later than 5:00 P.M., prevailing time, on the day of the Election and Vote, May 19, 2026.
The Education Law makes special provisions for absentee voting by “permanently disabled” voters of the District and any questions regarding these should be directed to the District Clerk.
A list of all persons to whom early mail ballots and absentee ballots shall have been issued will be available for inspection to qualified voters of the District at the said District Administrative Offices during regular office hours, 9:00 A.M. to 4:00 P.M., prevailing time, each of the five (5) days prior to the day of the election, including the day of the Election and Vote. Any qualified voter may file a written challenge the acceptance of the ballot of any person on such list, by making his/her challenge and reasons therefore known to the Inspector of Election before the close of the polls. A challenge to an early mail voter may not be made on the basis that the voter should have applied for an absentee ballot.
The Education Law also makes special provisions for absentee voting for “ “military” voters of the District. Specifically, the law provides a unique procedure for “military ballots” in school district votes. Whereas absentee ballot applications and absentee ballots must be received by the voter by mail, a military voter may elect to receive his/her absentee ballot application and absentee ballot by mail, email or facsimile. The military voter must, however, return his/her original military ballot application and military ballot by mail or in person. The Clerk of the Board shall transmit the military voter’s military ballot in accord with the military voter’s preferred method of transmission, or if no preferred method is identified by mail, not later than twenty-five (25) days before the vote, April 24, 2026. The Clerk of the Board must then receive the military voter’s military ballot by mail or in person not later than 5:00 P.M. on the day of the vote.
AND FURTHER NOTICE IS HEREBY GIVEN that pursuant to a rule adopted by the Board of Education in accordance with Education Law §§ 2035, 2008, any referenda or propositions to amend the budget, or otherwise to be submitted for voting at said election, must be filed with and directed to the District Clerk at the District Office, on or before April 20, 2026; must be typed or printed in the English language; must be signed by at least twenty-five (25) qualified voters of the District; and must state the name and residence of the candidate, and the name and residence of each signer. However, the Board of Education will not entertain or place before the voters any petition or any proposition if its purpose is beyond the power of the voters or is illegal, or any proposition requiring the expenditure of monies which fails to include specific appropriations for all such expenditures required by the proposition.
Therese M. Trotter
Clerk of the Board
Northeast (Webutuck) Central School District
194 Haight Road,
P.O. Box 405
Amenia, NY 12501
04-30-26
Notice of Completion of Tentative Assessment Roll
NOTICE is hereby given pursuant to §506 & §526 of the Real Property Tax Law that the Assessor of the Town of North East, County of Dutchess, has completed the 2026 tentative assessment roll, a copy of which will be filed with the Town Clerk on May 1, 2026 and made available online at https://townofnortheastny.gov/.
The Assessor will be in attendance with such tentative roll and available to discuss assessment issues at 19 North Maple Avenue, Millerton, NY on the following days: Tuesday, May 12, 9:00AM-1:00PM; Thursday, May 14, 1:00PM-5:00PM; Saturday, May 16, 8:00AM-12:00PM; Tuesday, May 19, 4:00PM-8:00PM; and at other times by appointment which can be made by calling 518-789-3300 x605 or emailing assessor@townofnortheastny.gov.
Written complaints with respect to assessments may be filed with the Assessor prior to or on Grievance Day, May 27, 2026, and shall be transmitted to the Board of Assessment Review.
A publication containing procedures for contesting an assessment is available from the Assessor or online at: https://www.tax.ny.gov/pdf/publications/orpts/grie....
Katherine Johnson, Assessor
04-30-26
Notice of Grievance Day
NOTICE is hereby given pursuant to §508 & §525 of the Real Property Tax Law that the Board of Assessment Review for the Town of North East, County of Dutchess, shall hear and determine complaints in relation to assessments. For more information contact the Assessor at 518-789-3300 x605 or assessor@townofnortheastny.gov.
The Board of Assessment Review will be in attendance at 19 North Maple Avenue, Millerton, NY on Wednesday, May 27, 2026 between the hours of 3:00PM-5:00PM and 6:00PM-8:00PM. All complaints and related paperwork must be submitted to the Assessor prior to or on Grievance Day. Please call 518-789-3300 x605 for an in-person appointment in the morning on Grievance Day.
The Board of Assessment Review will then file a copy of the determinations with the Town Clerk to become a matter of public record.
Lisa Cope,
Board Chairperson
04-30-26
Lakeville Journal
2012 Audi Q5: Original owner, 88,500 miles, no accidents, everything works! always garaged, $7500, OBO! 860-435-2065.
PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.
Jay’s Lawn Care is hiring full and Part-time: lawn maintenance employees. Experience operating Scag mowing equipment and ability to drive truck and trailer is needed. Salary dependent on experience. Call 860-824-0053 to schedule an interview.
Town of Cornwall Hiring: The Town of Cornwall has a fulltime job opening for Highway Department Maintainer. For more details and to apply, contact first Selectmen’s office 860-672-4959.
TOWN OF SHARON HELP WANTED: Land Use Administrator - Full-time, salary range of $57,020-$71,275, depending on experience, plus benefits (some starting after one year). Responsible for coordinating,managing, and processing all proposals for land development in the town. Qualifications: High school diploma or GED (Associates Degree Preferred) with 4 years increasingly responsible work experience preferably in administrative work, public contact, field of land use and municipal government, or any equivalent combination and experience. For full job description, see the Town of Sharon Website (sharonct.gov) or contact the Selectmen’s Office at 860-364-5789. Applications and resumes are to be received in the Selectmen’s Office, P. O. Box 385, Sharon, CT 06069 by 4:00PM May 8, 2026. The Town of Sharon is an equal opportunity employer.
Wyantenuck Country Club seeks a Sous Chef: Benefits Available. Work in a beautiful setting with a great team. Please email brandon@wyantenuck.org or call 413-528-0350.
TOWN OF SHARON HELP WANTED: Building Official - Full-time, salary range of $72,000-$90,000, depending on experience, plus benefits (starting after one year). Responsible for administering and enforcing the State of CT Building Code in the town. Qualifications: Associates Degree or Advanced Technical Courses related to building construction and/or design and over five years increasingly responsible experience in supervising the construction or design of buildings or any equivalent combination of education, training and experience to meet the State Certification requirements. Required to have or obtain State Certified Building Official License. For full job description, see the Town of Sharon Website (sharonct.gov) or contact the Selectmen’s Office at 860-364-5789. Applications and resumes are to be received in the Selectmen’s Office, P. O. Box 385, Sharon, CT 06069 by 4:00PM May 8, 2026. The Town of Sharon is an equal opportunity employer.
TOWN OF SHARON HELP WANTED: Fire Marshal - Part-time, salary range of $20,000-$25,000, depending on experience. Responsible for the fire code enforcement, fire investigation, inspections, permitting and public safety education in the town. Qualifications: Associates Degree or Advanced Technical Courses, and over five years increasingly responsible experience in a fire department or related inspection experience. Required to have or obtain State Fire Marshal Certification. For full job description, see the Town of Sharon Website (sharonct.gov) or contact the Selectmen’s Office at 860-364-5789. Applications and resumes are to be received in the Selectmen’s Office, P. O. Box 385, Sharon, CT 06069 by 4:00 PM May 8, 2026. The Town of Sharon is an equal opportunity employer.
Wyantenuck Country Club is seeking staff for the 2026 season: Want to work in a beautiful setting with a great team? Full and Part-Time employment available. Positions Available: Bartenders, Dishwashers, Line Cooks, Waitstaff. Please email brandon@wyantenuck.org or call 413-528-0350.
GARDENING: Spring and Fall Cleanup and Stone W alls. 845-444-4492.
Highly Skilled Caretaker/Gardener: Available. Mature, experienced manager of estates and small farms seeks a position with housing on a local property in Sharon-Lakeville-Salisbury area. Extensive background in horticulture-able to operate all types of machinery. Well versed in all aspects of building and property maintenance and care. Able to work without supervision-honest and reliable. Please call Martin at 646- 599-0773. Thanks.
Hector Pacay Landscaping and Construction LLC: Fully insured. Renovation, decking, painting; interior exterior, mowing lawn, garden, stone wall, patio, tree work, clean gutters, mowing fields. 845-636-3212.
PUBLISHER’S NOTICE: Equal Housing Opportunity.All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discriminationbased on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut General Statutes 46a-64c which prohibit the making, printing or publishing or::causing to be made, printed or published any notice, statement or advertisement with respect to the sale or:rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawfulsource of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.
Gorgeous 1300 sq ft 2 bedroom apartment: on Main St. in Sheffield MA. Vaulted ceilings power skylights marble bathroom with jacuzzi tub cherry oak and tile floors rear deck. $2700 per month includes heat electric and high speed internet. Call 413-429-7477.
Millerton, rural, newly renovated house: 2 bedroom, split air heat/a/c system, dishwasher,decks, views, pets considered. $2650 plus utilities. Call 518-567-8277.
Alec Linden
Sharon resident Veronica Betts posts flyers around Sharon to raise support for Sharon Center School.
SHARON – In a last-ditch effort to avoid a proposed $70,000 cut to the Sharon Center School’s 2026-27 budget, local parents are mobilizing – packing meetings, posting flyers and warning that reductions could undermine the school’s future. Sharon resident Veronica Betts plastered the town with posters earlier this week, urging residents to attend town meetings to voice support for the Board of Education, which determines the SCS budget.
“We shouldn’t be talking about defunding the school,” said Betts, who has a young daughter en- rolled in Sharon Daycare, part of SCS. “These are kids, this is so short-sighted and ridiculous.” The cuts, if adopted, could affect the staff salary line, supplies and even the cafeteria, which would require premade lunches to be delivered from HVRHS.
With a daughter at Sharon Daycare, Betts said her hope is to stay in the public school, but if support isn’t given to SCS, she and her family are considering a move to Indian Mountain School, the Lakeville-based pre-kindergarten through ninth grade private school where tuition ranges from $31,250 to $88,385.
Meghan Kenny, whose children are fourth-generation students at SCS, said she worries about the future of the school. An avid supporter of SCS, Kenny said she has seen some improvements between the BOE and the parent-teacher organization, but noted, “these proposed cuts represent a step in the wrong direction.”
She said the proposed 0% budget increase has driven her to start looking for property in nearby Salisbury to send her children to a different school. Kenny and Betts also spoke out at a packed Town Hall on Friday night, April 24, where local parents voiced nearly unified support for more funding in the elementary school budget.
The meeting was intended as the hearing for both the school and municipal budgets, but its nearly two-hour runtime was almost entirely dedicated to reviewing the BOE’s 2026-27 spending plan, which was subject to a last minute cut of $70,000 by the BOF to keep the bottom line flat from last year. If approved, it will be the fifth straight year of zero increase to the BOE’s budget.
Due to a state law known as the minimum budget requirement or MBR, towns in Connecticut are not allowed to spend less on education than any previous year. The BOF has repeatedly stated the rationale for keeping the bottom line flat is to keep the MBR stable. BOF member John Hecht defended the cuts during Friday’s hearing stating that the per pupil amount, totaling some $48,000, is the highest in the state and third highest in the country.
Still, residents were not swayed.
“Who cares,” said William Betts of the per pupil costs, affirming that his motivation as a taxpayer is to invest in education. He advocated to put funding back into arts and school supplies lines which had been cut, saying the arts are often the first to go when budgets are trimmed. “I think we have to rethink that,” he said.
BOE Chair Phillip O’Reilly and BOE member Peter Birnbaum said that the reality of the school’s student body and environment is not reflected by the per pupil costs, which don’t account for tuition students, of which there are projected to be 14 next year, or the 60 daycare students that use the school’s facilities. “We need to understand that Sharon Center School is more than K-8 – we have a daycare,” O’Reilly said.
SCS Principal Carol Tomkalski, who pushed back on the cuts, said students’ needs are “broad” and “complex,” which also accounts for the high per pupil cost, noting that approximately 18-20% of students have disabilities. Further, “we support our students as whole children,” she said, noting that the cost “is not inefficiency, it is investment.”
Still, both Tomalski and O’Reilly stated that they are confident that students will receive the education and services they need with the proposed budget. Parents remained wary, though, and many spoke out in favor of reinvesting funds into the budget and bringing it back above the MBR.
Community activist Jill Drew has been openly outspoken in past years about raising the budget beyond the flatline, and reaffirmed that opinion Friday evening. “We have a very special school and the costs are high,” she said, saying that with rising operational costs across the region, a flat budget for next year doesn’t make sense. She requested the BOF to allow the BOE to return to its budget before the required $70,000 cut.
The vast majority of the public testimony followed a similar sentiment. “I haven’t heard a rationale for why [the budget increase] is zero,” said Nancy Birnbaum. “It seems like everyone who’s spoken wants an increase,” she said.
Several days after the hearing, BOF Chair Thomas Bartram said that while he understands the concerns of parents and residents and appreciated the public engagement, many who spoke on Friday night seemed to lack context on the BOF’s decision to flatline the MBR.
“Several years ago, we put capital expenditures for the school building in the Board of Education budget, which was in essence a mistake on our part,” he said.
Since then, the BOE has been operating on an “inflated” budget due to that capital that was included, and the MBR which doesn’t allow the removal of funds from the previous year’s education budget. He said that the tone of Friday’s hearing departed from previous years, where residents this year have been more scrutinizing of education spending and SCS’s per pupil costs. The BOF’s goal was to account for what it thought was taxpayer concerns while supporting an operable budget for the school.
“It is the belief of the majority of the Board of Finance that the budget they presented is what they can run on,” he said.
The Board of Finance is expected to review whether there is any feasible way to shift available funding into the Board of Education operating budget, including tuition revenue currently included in the Board of Selectmen budget or savings from the regional school assessment, which is lower than last year’s.
Bartram said that while he awaits the outcome, both options are essentially “not spendable” money under normal circumstances as they come in the form of credit or grants that don’t impact bottom lines.
He said that the conversation of where tuition funding goes is a worthy one moving forward, though, as the school accepts more non-resident students. In previous years, he said, the number was much lower than this year’s proposed $41,000, or even zero.

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Joe Brennan
The Edgewood Restaurant, a beloved Amenia roadside restaurant run by George and Anne Phillips, pictured during its peak years in the 1950s and ’60s.
With the recent death of George Phillips at 100, locals are remembering the Edgewood Restaurant, the Amenia supper club he and his wife, Anne Phillips, owned and operated together for more than two decades.
At the Edgewood, there were Delmonico steaks George carved in the basement, lobster tails from an infrared cooker, local trout from the stream outside the door, and a folded paper cup of butter, with heaping bowls of family-style potatoes and vegetables, plus a shot glass of crème de menthe to calm the stomach when the modest check arrived after dessert.
It began as a former gas station and tavern called The Narrows, on the road to Sharon, around a switchback east of Troutbeck. It became a roadhouse restaurant for weddings, bar mitzvahs, proms, graduations, birthdays and holidays with relatives. At Easter, New Year’s and Christmas, George and Anne served the food free — customers only paid for drinks as a thank-you for another good year.
It was a different time. Amenia was an isolated dairy farming community, and two large state psychiatric hospitals employed 4,000 potential diners. People needed a friendly neighborhood restaurant run by a local couple who knew everybody. They offered special-occasion favorites: fried chicken, meatloaf, sliced turkey with gravy, pork chops from nearby farms, and fresh white bread baked at 4 a.m. by George.
There was no maître d’. Waitresses, many still teenagers, greeted guests and helped them find a table. Cloth napkins and sturdy white plates sat in a knotty pine dining room that felt more like a family home than a formal restaurant. Large tables down the center accommodated families. George and Anne fed the staff before opening, and everyone ate the same meals served to customers. Everything was homemade classics of the 1950s and ’60s: cold shrimp and cocktail sauce, stuffed mushrooms, veal parmesan, King crab, clams and oysters on the half shell, chopped hamburger steak, French onion soup, fried chicken and pumpkin pie.
George was a tough but fair boss with a quirky sense of humor. Former employee Kevin Rooney, who worked there as a teenager, recalled being served a hot fudge sundae on a sweltering day — only to discover the “ice cream” was Crisco. Revenge came later in the form of a Coke spiked with Tabasco sauce.
George also kept a series of German shepherds — Rinny, Schultz and Dooley — named after a Jonathan Winters routine featuring talking beer steins. The dogs were locked inside at night for security. Tony Robert, another former employee, remembered coming in one day to find Schultz with the seat of someone’s pants in her jaws. When kids tried to sneak into a dance through the bathroom window after the fire marshal had closed the overcrowded place, George put Rinny in the restroom. Problem solved.
Anne also ran a no-nonsense operation. She marked liquor bottles at night so no one would sneak a drink, though the cleanup crew found ways around it, sipping the blackberry liquer instead. Along with cooking and baking everything from scratch, she raised their children in a life closely tied to the restaurant. The bus dropped their daughters off there after school, and one recalled doing homework while the family spent more time in the restaurant than in their nearby home.

After 23 years of long hours — often more than 100 a week — George began stepping back, at times closing the restaurant to recover. He later moved into real estate and Anne opened a successful craft store.
George sold the place in 1972. At one point, it became a lively beer joint and concert venue, featuring local bands, such as Random Concept, Little Village and Good Friend Coyote. When New York lowered its drinking age to 18 — while it remained 21 just across the state line — it drew crowds from Connecticut. Locals called them “Connecticut Rags,” kids with fancy cars who came to dance, drink and sometimes fight, rocking the floors so hard they bounced like a trampoline and shook dust from the rafters.
At closing time, they had to dodge police waiting across the state line. Sometimes Jack Rooney, Kevin’s father and the bartender, drove them home. One morning, Betty Rooney got a call from a worried mother asking if her son was there. “If he’s wearing red tennis shoes,” she said, “he’s asleep on my front lawn.”
The Edgewood also drew actors from the Sharon Playhouse and notable visitors, including Paul Newman, Cole Porter and even Supreme Court justices. George showed silent movies on a sheet in the dining room, and guests could dance to the Les Schulman Orchestra or to George and his brothers, who had their own band.
It served as a gathering place for groups such as the Eastern Artificial Insemination Cooperative and for events like the Knights of Columbus Communion breakfast. Families marked milestones there — including one that celebrated five birthdays at a Palm Sunday brunch in 1970.
Christmas dinner cost $3 and included stuffed olives, roast pig, prime rib, Virginia ham, deep-sea scallops, Long Island duck, creamed onions and, of course, crème de menthe parfait. On New Year’s Eve 1959, dinner was $15 a couple — $7.50 each for all the champagne you could drink.
The venue came to an end when the building burned to the ground in 1985.
The building is gone, but not the memories — the laughter, the music, the meals, and George carving steaks by hand. He lived a century, but the Edgewood, for those who knew it, was timeless.
Next time you’re driving to Sharon and pass the empty, weedy lot with a rusty electric meter, imagine calling George’s old number to make a reservation for a place that lives on in memory.
Robin Roraback
Alissa DeGregorio, a New Milford -based artist and designer, has pieces on display at Mine Hill Distillery.
When I’m designing a book, I’m also the bridge between artist and author, the final step that pulls everything together.
— Alissa DeGregorio
A visit to Alissa DeGregorio Art, the website of the artist and designer, reveals the multiple talents she possesses.
Tabs for design, commissions, print club, and classes still reveal only part of her work.On the design page are examples of graphic and book design, including book covers illustrated by DeGregorio, along with samples of licensed products such as coloring pages and lunch boxes, and examples of prop design she has done for film.
The commissions tab includes samples of her pet and house portraits, as well as a new endeavor: wedding bouquet portraits.
“I love painting flowers and it’s a great way to forever preserve such an iconic part of a bride’s special day,” she said.
A shopping tab offers paintings, prints, and calendars for purchase.
Other tabs highlight the classes she teaches at the New Milford Public Library and another new venture:
“I’m starting a print club called ‘Root & Wing’. Each month, I’ll release an animal - or plant-themed – painting as a mailable 5-by-7 print with an accompanying information sheet, meditation and herbal recipe. People can purchase just one month or subscribe for the year,” DeGregorio explained.
DeGregorio considered a career in music.“My dad was a musician, always playing trumpet, piano, guitar or saxophone. As a teenager, I took quickly to the guitar and began writing my own songs, performing on my own and with a band. I thought music would be my path until my mid-twenties, when my focus switched to art.”
She recalls a childhood surrounded by art. “My mom was also an artist, creating detailed pen-and-ink drawings. Artist was the first thing I knew I wanted to be when I grew up and it was never discouraged. As a little kid, I would draw beside her, sculpt with homemade play doh, craft, crochet or paint.”
After graduating from high school in New Fairfield, Conn., and attending Naropa University in Colorado to pursue fine arts and Buddhism for a time, she returned to Connecticut to finish her degree at Western Connecticut State University. “When I was close to completing an illustration BA, a professor encouraged me to stay the extra year and double major in graphic design.”She said the extra time gave her “a strong foundation in design and storytelling. Experience in so many different creative fields has guided my practice and allowed me to pursue many avenues of art-making.”
Her mother, besides being an artist herself, runs Storybook Arts, an agency representing children’s book illustrators. DeGregorio has sometimes helped out. “I’ve always loved children’s illustration; there’s nothing better than a beautifully illustrated story. I had an insider’s eye to the nuts and bolts of the illustration business early on, and that taught me about pricing, contracts, the illustration process and also how to be business savvy but kind.”
DeGregorio likes working with authors who self-publish.She has done this both as a designer and an agent. “When I’m designing a book, I’m also the bridge between artist and author, the final step that pulls everything together. A good agent not only keeps track of timelines and contracts but is a supportive and encouraging ally to the artists they represent.”
An interesting aspect of her many talents is creating props. “I’ve done some prop work for TV and movies, such as handwritten lyric sheets for the upcoming Michael movie, or document and book props for Stranger Things. Those are fun for the wow factor!” she explained.
Of the classes she teaches, she said, “Teaching is enjoyable in that I’m helping to inspire people to have confidence in their own creativity. Watching students leave my classes feeling more joyful is its own reward.”
“I’ve been teaching adult painting classes at the New Milford Public Library for about four years now. I recently taught a series focusing on painting emotions. We talked about what the emotion meant to us, and how to represent that visually. For kids, I try to focus on process art and skill building through an activity, like designing a mythical map or board game, or Herve Tullet-style workshops.” DeGregorio has several classes ongoing through the summer.
DeGregorio’s paintings are on display at Mine Hill Distillery in Roxbury, with an artist reception on May 2 from 5 to 7 p.m. Her husband’s band, Gumbo, will play at the reception.
From May 15 to 17, DeGregorio will be at Goat Days in New Milford, where she will have art for sale.
To find out more about Alissa DeGregorio Art and all that she offers, go to alissadegregorio.com.A link to sign up for classes is also available on the site.
DeGregorio feels fortunate to have followed a path to being an artist. “I love it all and can’t believe some of the things I’ve gotten to do. I look forward to what the future may hold.”
D.H. Callahan
Minimalist works by Agnes Martin on display at Dia:Beacon.
At Dia:Beacon, simplicity commands attention.
On Saturday, April 4, the venerated modern art museum — located at 3 Beekman St. in Beacon, NY — opened an exhibition of works by the middle- to late-20th-century minimalist artist Agnes Martin.
Martin, the Canadian-born New York and New Mexico resident who died in 2004, made the kind of ambiguous abstract art that inspires countless imitators and interpreters.
At first glance, most of the pieces in the new show, “Painting Is Not the Act of Painting,” (on display until June 22) are variations on simple lines and grids painstakingly applied by the artist’s own hand using paint and pencil.
Despite their relative simplicity, it took Martin years of rejecting her own artwork to reach this level of pure abstraction. She would often take knives to paintings she didn’t like, literally slashing work that didn’t live up to her expectations. It wasn’t until she was in her 50s that she began making the work she would become known for.
That evolution is reflected in the exhibition’s 24 works.
Dia:Beacon seems like a perfect place for them. The museum is a monument to simplicity. Even the most complicated pieces are abstractions in their own ways. A straight, unpainted plywood wall with diagonal backing by Donald Judd suggests a room under construction. Michael Heizer’s singular ovoid boulder embedded into a gallery wall strikes unease into visitors.
Subtle grids and softly layered lines by Agnes Martin draw the eye at Dia:BeaconD.H. Callahan
Martin’s pieces feel at home here. In the context of such visual, if not conceptual, simplicity, her art seems louder than it might in almost any other setting. Faint blue and peach stripes gain vibrancy when compared with the all-white canvases of Robert Ryman or the large gray mirrors of Gerhard Richter, both a few rooms away. By comparison, the visibly human-drawn lines of pencil or etched-out paint seem almost complicated, and technically masterful.
It’s enough to make you ponder the name of the exhibition, “Painting Is Not the Act of Painting,” pulled from a quote by Martin: “Painting is not making paintings; it is a development of awareness. And with this awareness, your work changes, but very slowly.”
In a world where studio assistants and fabricators contribute to the output of many artists, Martin relished the act of painting. She painted nearly every day of her adult life. For her, the process was an integral part of the work, and it’s hard to look at these pieces without appreciating her hand.
This repetitive study is also demonstrated across the hall in a gallery dedicated to a single work by Andy Warhol. The piece, “Shadows,” is a study of variations on a single subject. Warhol took photos of shadows in his office and, using a silkscreen process, painted them 102 times on identically sized canvases.
Walking into the room, it may seem like the same image repeated. On closer inspection, the canvases vary widely in color and composition. The work suggests that repetition can produce unexpected forms.
Agnes Martin has become enshrined as one of the leaders of the minimalist movement of the 1960s and ’70s. Her work and artistic philosophies have inspired countless admirers. This exhibition displays a selection of important pieces from nearly 50 years of practice.

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