Wreath-making workshops

Barbara Ellis and U.S. Rep. Jahana Hayes (D-5) made wreaths at Great Mountain Forest on Dec. 2.
Photo by Jennifer Almquist

Woodsmoke curling above the small, weathered barn and, within the faded green doors, the smell of fresh-cut pines and cider warming on the woodstove made a perfect setting for the annual wreath-making workshops at Great Mountain Forest (GMF) in Falls Village.
For decades, folks have enjoyed creating their seasonal masterpieces using evergreens, berries, and pine cones gathered from the woods nearby.
On Saturday, Dec. 2, the first pair of workshops took place at the Mountain House Barn on Canaan Mountain Road under the expert guidance of GMF staff: director of programs and operations Matt Gallagher and office manager Vicki Muni Nelson. [The second set of workshops took place Saturday, Dec. 9.]
Participants in the wreath-making ranged from two women who learned about the workshops from a friend they met at Yellowstone to a local family with two young daughters, and to everyone’s delight, U.S. Rep. Jahana Hayes (D-5) and Barbara Ellis, her friend and campaign manager at Friends of Jahana Hayes, arrived ready to join the fun.
Gallagher welcomed the 20 or so wreath makers and explained the names and origins of the various pine branches lying on the rough floor in great piles. A blaze of red winterberries in a large bucket stood next to baskets filled with pine cones gathered from various types of conifers that grow in the GMF. There were large bows of various ribbons: red, shiny gold, brocades, patterns of vintage trucks, burgundy velvet, and even some reindeer images. The staff had made educational signs with the specific names of the conifers and cones, listed with their Latin names.
Muni Nelson demonstrated the methods of wreath making, which involved metal rings, spools of green garland wire, wire cutters, hot glue guns for adhering the cones, and wired stakes for the bows. A patient teacher, Muni Nelson worked with each maker during the session. A father and mother said they were making some good family memories. After some guidance, the two girls set right to work making their own wreaths that they held up proudly at the end.
Hayes said she was happy to spend time with her friend and, yes, have some personal time, which is in short supply. After another difficult vote in Congress the day before, Hayes felt respite in the barn working with her hands. She laughed as she twisted her greens with wire and created a festive bow: “You must know that I am very competitive, even with crafts!” Later, she wrote on her social media page: “I have found another CT-05 gem! Had a fabulous afternoon at Great Mountain Forest holiday wreath making workshop. Craft, laughs, and hot apple cider-a great way to get into the holiday spirit!”
Norfolk artist Bevin Ramsey came with his petite mother, Maureen, who had traveled from Ottawa to spend time with her family and celebrate a granddaughter’s birthday. The joy between them was contagious.
Each worktable was a flurry of activity. Ellen Walsh of Winchester Center showed off her steel-toed work boots as she tackled her huge wreath.
Journalist Avice Meehan chatted with Hayes, both having recently attended former Gov. Weicker’s memorial service. Meehan had been his press secretary. Susannah Wood from Norfolk worked solo, while Norfolk tax collector Sarah Bruso shared her table with Martha Mullins.
According to The New York Times in a Dec. 25, 1988, article: “Ancient Pagan people, endowing trees with spirit, sheltered the branches of life-preserving evergreens through the frozen winter. Early Romans gave gifts of green branches at New Year’s, bestowing the wish for health and vigor upon family and friends. The evergreen wreath its circular shape an emblem of perfection, unity, and the enduring sun-later became a symbol for Christ’s suffering. Evergreens embody eternal life. . . today’s wreaths communicate a sense of joy and a desire for peace.”
As they joined in spirit with an ancient, symbolic and traditional craft, the Norfolk makers proudly hung their wreaths on the gray barn walls for the group to admire. One by one, the jolly revelers walked away through the surrounding meadow bearing their festive wreaths home to grace their doors and windows.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.