Thank you!
Your support is sustaining the future of local news in our communities.

Do you always need to be right?

Connie talked to me about a meltdown she had with a good friend. They were part of a women’s group and Connie had sent her friend a private e-mail about some things that were irritating her with the group. Her friend had written Connie back in defense of the group — cc-ing one of the other members, and including the copy of Connie’s private note.

When Connie received this e-mail, she felt hurt. She left her friend a phone message about the way she felt and that the cc e-mail was inappropriate, and asked for an apology. She admitted the message was a little harsh, which was not surprising because she was unable to hide her emotion. She promptly got an e-mail response from her friend telling her that she would not speak to Connie until she calmed down and that she was out of line about her reaction. On top of that, the friend stated that there would be no apology because what she did was not wrong in any way.

Connie was at an impasse as to what to do next — which was the point at which she came to talk me. One thing she stressed when she told me her story was that the friendship was very important to her and she did not want to jeopardize it; after she received an apology from her friend she wanted to put the incident behind them.

The first thing I asked Connie to do was to take out her iPhone and read the e-mail aloud, because many times e-mails don’t feel as harsh when you have a clear head. After hearing it, I observed, “That e-mail does not seem like an attack to me. How does it feel to you at this point?â€

Connie looked a little sheepish, replying, “Well, I guess she has a point.†Then she added, “But it was still inappropriate to embarrass me in front of the other woman.â€

“But could you see how, from your friend’s point of view, she might feel that she was completely justified in what she did?â€

“Yes.â€

“And do you think you have any chance of getting her to agree that you are actually the one who is right if you really laid out all the evidence?â€

Connie thought about it. “Probably not,†she admitted.

“Close your eyes for a moment and breathe,†I told her, because I wanted her to see that she actually did not need to prove that her friend was “wrong†to find peace and get her friendship back. “What would it feel like if you did not need to prove that you were right to your friend or anyone in the group?â€

She closed her eyes and really meditated over that question. “I would be at peace; I would be free,†she said finally.

I asked, “Would you rather be right or free?â€

Connie exhaled. “Free.†Having gained this new perspective, she added, “My friend is going through a really difficult time personally right now, so I see how this may not be about me at all. I just want our friendship back. She is really important to me.â€

At this point it seemed that Connie saw that an act of forgiveness and letting go on her part might be the best thing for both of them.

I advised Connie to write a note to her friend acknowledging her own harsh words and telling her that she wanted to drop the matter and move on. I explained how, in doing this, she would have to be willing to completely let go of her need to be “right†and not look back.

This was a tough pill to swallow, but seeing the alternatives, she was willing to do it. Connie did not get an apology from her friend, but she did get an understanding and friendly note. Connie was able to put the entire thing behind her and she was amazed at how quickly things got back to normal with her friend. She was even happy to learn a few days later how nobody in the group seemed to really care about the e-mail at all. She also reported that she was more prepared to “release the need to be right†in future situations, as the payoff was huge.

Brooke Loening is a life coach in Sharon who helps individuals make lasting changes in their career, health and relationships. For more information and previous columns visit theloeningplan.com. Columns can also be found at tcextra.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.