RHINEBECK, N.Y. — The Dutchess County Fair has ended for the season, which ran from Aug. 20 until Sunday, Aug. 25.
The Dutchess County Fair designated 12 acres of the fairgrounds to showcase local livestock. This included 12 barns housing dairy cows, beef cattle, sheep, goats, poultry, and rabbits, three show arenas with daily scheduled events, and workroom demonstrations.
Besides offering dozens of themed gardens, waterfalls, and ponds filled with koi and colorful flowers, the fair also travels back in time with the “turn of the century treasures.” It features a century museum village, the firefighters’ museum, a working blacksmith shop, and a gas-powered engine show.
Classic treats like candy apples and cotton candy fed the masses at the Dutchess County Fair. The annual fair in Rhinebeck is one of the largest attractions in Dutchess County with 12 acres of fairgrounds and barns showcasing livestock, along with three show arenas, free entertainment and plenty to eat.Photo by Olivia Valentine
Free entertainment included live music, frisbee dogs, a stilt circus, racing pigs, a petting zoo, dock dogs, a fishing tank, and a VR tractor ridealong. Musicians who performed included Tracy Byrd, Kameron Marlowe, Conner Smith, Kissnation, Bluffett, and Grammy-winning artist Rick Springfield.
Agencies represented included the Dutchess County Sheriff’s Office, Medical Reserve Corps, Animal Response Team, and more.
A major partnership with the fair is ThinkDifferently, implementing accommodations for individuals and families with disabilities.
“ThinkDIFFERENTLY Thursday was born half a dozen years ago with the understanding that institutions like this and places like this often are difficult for individuals with any amount of disability to access,” U.S. Rep. Marc Molinaro (R-19) said.
Elizabeth “Tilly” Strauss’, the Town of North East’s clerk, and her father, Julian, won two blue ribbons at the Dutchess County Fair for his maple syrup. From a third-generation farm in Dutchess County, Julian started making maple syrup about 14 years ago, naming it Home Farm Maple Syrup. This was his first year competing at the fair, winning four ribbons. To learn more about Julian’s syrup, visit @homefarmmaplesyrup on Instagram or email homefarmmaple@optonline.com
Photo by Olivia Valentine
The ferris wheel at the Dutchess County Fair ran all week, taking visitors high into the sky. The annual fair in Rhinebeck is one of the largest attractions in Dutchess County with 12 acres of fairgrounds and barns showcasing livestock, along with three show arenas, free entertainment and plenty to eat.
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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