RHINEBECK, N.Y. — The Dutchess County Fair has ended for the season, which ran from Aug. 20 until Sunday, Aug. 25.
The Dutchess County Fair designated 12 acres of the fairgrounds to showcase local livestock. This included 12 barns housing dairy cows, beef cattle, sheep, goats, poultry, and rabbits, three show arenas with daily scheduled events, and workroom demonstrations.
Besides offering dozens of themed gardens, waterfalls, and ponds filled with koi and colorful flowers, the fair also travels back in time with the “turn of the century treasures.” It features a century museum village, the firefighters’ museum, a working blacksmith shop, and a gas-powered engine show.
Classic treats like candy apples and cotton candy fed the masses at the Dutchess County Fair. The annual fair in Rhinebeck is one of the largest attractions in Dutchess County with 12 acres of fairgrounds and barns showcasing livestock, along with three show arenas, free entertainment and plenty to eat.Photo by Olivia Valentine
Free entertainment included live music, frisbee dogs, a stilt circus, racing pigs, a petting zoo, dock dogs, a fishing tank, and a VR tractor ridealong. Musicians who performed included Tracy Byrd, Kameron Marlowe, Conner Smith, Kissnation, Bluffett, and Grammy-winning artist Rick Springfield.
Agencies represented included the Dutchess County Sheriff’s Office, Medical Reserve Corps, Animal Response Team, and more.
A major partnership with the fair is ThinkDifferently, implementing accommodations for individuals and families with disabilities.
“ThinkDIFFERENTLY Thursday was born half a dozen years ago with the understanding that institutions like this and places like this often are difficult for individuals with any amount of disability to access,” U.S. Rep. Marc Molinaro (R-19) said.
Elizabeth “Tilly” Strauss’, the Town of North East’s clerk, and her father, Julian, won two blue ribbons at the Dutchess County Fair for his maple syrup. From a third-generation farm in Dutchess County, Julian started making maple syrup about 14 years ago, naming it Home Farm Maple Syrup. This was his first year competing at the fair, winning four ribbons. To learn more about Julian’s syrup, visit @homefarmmaplesyrup on Instagram or email homefarmmaple@optonline.com
Photo by Olivia Valentine
The ferris wheel at the Dutchess County Fair ran all week, taking visitors high into the sky. The annual fair in Rhinebeck is one of the largest attractions in Dutchess County with 12 acres of fairgrounds and barns showcasing livestock, along with three show arenas, free entertainment and plenty to eat.
Fierce action from both teams commenced right from the opening face-off, and it looked to be an equal battle. Dakota Boyle and Ainsley Moffitt scored quickly for Kent giving them a 2-0 lead after only six minutes.
Kent's Ainsley Moffitt takes a shot against the Millbrook goalie.Photo by Lans Christensen
The second period started, again with fast but equal aggression from both teams. The Millbrook and Kent goalies were sharp, turning away chance after chance for the bulk of the period.
Millbrook’s Brooke Ness found the net near the end of the second period, as did Lily Kennedy and the game was tied 2-2.
Lily Kennedy on attack for Millbrook.Photo by Lans Christensen.
Excitement grew throughout the contest and the final period started with high hopes from both teams and fans. The two sides traded goals, only adding to the drama.
The deciding moment came when Kent's Abby Roberson scored the game-winning goal, securing a tough but deserved 4-3 victory for Kent.
Kent's record advanced to 7-12-1 and Millbrook moved to 6-10-3.
Ainsley Moffitt celebrates after scoring a goal for Kent.Photo by Lans Christensen
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Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.
“He was doing critiques with everyone,” Fendrich said of Plagens. “We met at one of those sessions and, well, what can I say. We fell in love instantly.”
Fendrich speaks candidly about the pressures that shaped her early life choices. “We both married the first time at 21, which a good number of women of my generation did without much thought.” Her first husband was a good guy, she says, but “we weren’t suited for each other at all, even though he suited my parents perfectly.” Her decision to get a divorce was seismic. “My mother didn’t speak to me for a year.” Time softened the rupture. “One day she told me, ‘I see now why you left.’”
Fendrich had a rigorous liberal arts education at Mount Holyoke. “I studied painting and drawing, but I also got interested in political philosophy. Plato, Aristotle, Machiavelli — Rousseau was my big guy — Tocqueville, everybody. And I still read them.” Plagens’s path was less formal. “I went to USC at 17,” he said, “and declared English as my major. It was a frat school, and I was in one for the first two years. Then I started doing the cartoons for the Daily Trojan, took a couple art classes, and thought, ‘Wait a minute, I like this.’”
Culturally, they diverged just as sharply. “I came from a fairly puritanical family that didn’t even go to the movies,” Fendrich said. Plagens, by contrast, grew up immersed in pop culture. “My father was an omnivorous reader,” he said, “and a jazz fan, and he shared these passions with me.” In 1966, Plagens walked into Artforum’s LA office and said, “I want to write reviews.” He was paid five dollars per piece. “Gasoline was 23 cents a gallon, so it went a long way.”
Over time, the couple slowly fused their educations. “He taught me jazz, I taught him Mozart,” Fendrich said with a laugh. “I’ve had a movie education from him; he read Jane Austen because of me.”
Plagens and Fendrich at home in front of some of Fendrich’s paintings. Natalia Zukerman
During their early years in LA, Plagens taught at USC, and Fendrich at Art Center College of Design. In 1985, they decided “our kind of abstraction would do better in New York,” as Fendrich put it. “So, we up and moved to Tribeca with $10,000 and a toddler.”
Both artists grounded their artistic careers in teaching and writing. “Teaching, which I loved, gave me the financial stability to be an artist,” Fendrich said, reflecting on her 27 years as a professor at Hofstra. “It meant that being an artist didn’t require I make money from every show. I didn’t start writing until 1999, but though I write for publication frequently, I make hardly any money at it.”
Artistically, they guard each other’s independence. “We have unspoken rules,” Plagens said. “You don’t comment on someone’s work while they’re in the middle of creating it.” Critique comes by invitation only. “He’s not mean, just direct,” said Fendrich. Over time, their aesthetics have subtly converged. “My work has gotten cleaner from looking at his,” she said. “He’s gotten more colorful because of me.”
The two have had several two-person exhibitions. At a recent duo show at the Texas Gallery in Houston “Laurie’s paintings flew off the wall,” Plagens recalled. “Me, well, not so much.”
Plagens’s parallel career in journalism shaped their lives in tangible ways. He worked as art critic at Newsweek from 1989 until 2003 and currently contributes reviews of museum exhibitions to The Wall Street Journal. “Being at Newsweek was one of the luckiest breaks I ever had,” he said. “They paid me to see things I would gladly pay to see.”
Their creative processes mirror their personalities. “I start with a specific idea,” Fendrich said, “and then modify things as I paint.” Plagens laughed. “I start with complete mush, just blurting it out and spending the rest of the time fixing it.”
In 2019, they made what Fendrich calls “a decision of contraction.” They left the TriBeCa loft they had lived in for three decades, sold their Catskills home with its large studio, and moved full-time to a former auto repair shop in Lakeville, now a house where each has a studio, and the ground floor retains the open feel of a loft.
What sustains them in life, art and love, decades in, are endless conversations — and arguments — about art, history, exhibitions, books and movies. That exchange, ongoing and rigorous, may just be the masterpiece of their shared life.
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