
Dee Salomon
The plant sale that I wrote about in my last column, a joint effort of Lindera Nursery and Tiny Meadow Farm, was fantastic. I came home with pots of rattlesnake master, Eryngium yuccifolium, which I planted in the meadow with the hope that their tall glaucous leaves and round balls of white flower will punctuate the otherwise mostly grassy green expanse. For a shady spot left by transplanting a witch hazel, several pots of Jacob’s ladder, Polemonium reptans echo the tones of the violet and bluebells nearby.
I added two plants to the river path beds: Echinacea pallida — a restrained looking echinacea with thin pale pink petals that drape downward, and obedient plant, Physostegia virginiana, whose whitish- pink upward- growing flowers are reminiscent of snapdragons or lobelia. These should fill in alongside the existing penstemon, mountain mint and the low growing, shocking-pink Silene caroliniana that is flowering right now.
Not only are all the new acquisitions native, most of the plants are also local eco-types; the seed from which the plants were grown was came from plants grown locally. The thinking is that insects and birds are accustomed to the particular tastes, smells, shapes and colors of local plants and so, from the perspective of habitat preservation, they will have the best opportunity to succeed. Even humans, who are the most adaptable species, can relate to this notion: one person’s award-winning three-alarm chili is another person’s digestive nightmare.
On the other end of the native plant spectrum are the cultivars. These are versions of native plants, selected and bred because they have an appealing aesthetic or disease resistance that differs from the original species. Some cultivars are strains of native plants found in nature and are grown from seeds from these plants, others, mainly woody plants, are created by cloning using plant cuttings.
Also called nativars, they are most often what you will find in nurseries and garden centers when looking for native plants. A cultivar, native or not, will always have it’s specific name in quotation marks; this is the best clue to identify it as a cultivar. Producers are allowed to trademark cultivars of plants, such as ‘Balmy™ Purple’ Bee Balm which is one of the many nativars bred and sold under the American Meadows brand.
I succumbed to this mild-mannered marketing about ten years ago, well before I really paid attention to native plants, when purchasing a redbud nativar that has deep purple leaves, rather than the green leaves of the species. Even if the nursery had carried the species, I would have selected this one; I was seduced by its name, ‘Forest Pansy’, as well as the charming color and shape of its leaf.
What I did not know at the time, and wish I had, is that nativars with purple or red leaves are far less interesting as a food source to caterpillars than are the original green leaves of the straight species. The chlorophyl of the green leaves is replaced by anthocyanins, flavonoids that, while healthy, are ‘feeding deterrents’ according to Doug Tallamy who did the research with Mt. Cuba, a botanic garden and research center focused on native plants. Mt. Cuba’s research team looks at native species and their cultivars, assessing them over many years and then rates them for considerations including growth habits, hardiness and habitat benefits.
I spoke with Melissa Starkey, Ph.D., from Mt.Cuba who agreed that “there seems to be a lot of misinformation floating around that cultivars are ‘bad’ though in our research sometimes they are the winner for pollinators.”
What do we need to take into account when making a decision about a nativar, so that we end up with a plant that, in addition to being pleasing to us, is helpful to caterpillars, bees, other insects and birds? Apart from avoiding red and purple cultivars of green-leaved native species, Melissa advises that we be aware of nativars cultivated to have double or triple rows of petals. These plants, while more decorative forms of the original species, are far less attractive to pollinators. Some cultivars, such as mophead hydrangea, have mostly sterile flowers and therefore are of little use to bees and other pollinators. Lacecap hydrangea, such as Mt. Cuba’s highly rated ‘Haas Halo’, is a haven for pollinators.
To compensate for the three Ninebark ’Coppertina’ shrubs I had planted 8 years ago, Robin Zitter, the horticulturalist who helped me create the river path, wisely advised that I plant a few straight species alongside these deep coppery red-toned nativars. Robin sourced one plant and the others came from Earth Tones, a wonderful source for native plants in Woodbury.
Our sources for native plants have improved over the last few years and seeing examples of the beautiful native flowers, shrubs and trees has encouraged many to seek them out. We can aim for the local ecotype of a species when available to us and strive to plant native species first and nativars second.
Dee Salomon “ungardens” in Litchfield County.
HVRHS sophomore Wyatt Bayer will suit up for the Mountaineers' varsity baseball team.
FALLS VILLAGE — With the arrival of warm weather, so too comes a new season of athletics at Housatonic Valley Regional High School.
The Mountaineers will field teams in five different sports for the spring season: baseball, softball, lacrosse, tennis and track and field.
Baseball gets the varsity season started with a scrimmage March 31 at home against Wolcott Technical High School. The Mountaineers will be coached by Bobby Chatfield this year. The last time most HVRHS varsity players took to the diamond was in August 2024 when Housy Juniors won the Babe Ruth League District 4 Northwest Connecticut summer baseball championship.
With a surplus of baseball players this year, junior varsity baseball returns to HVRHS. The JV boys, coached by Russell Sears, will get the season started April 5 on the road against Shepaug Valley High School.
Softball starts April 5 as well with a home game against Shepaug Valley. Coaches Pete Foley and Kaleigh Selino led the team to a 13-9 record and a trip to the Class S tournament last year. The Mountaineers will need to establish a new hurler on the mound after graduating star pitcher Anne Moran in 2024.
Boys and girls tennis begins April 7. The boys, coached by Jeff Tripp, will travel to Lakeview High School for the first meet of the season. At the same time, the girls, coached by Don Drislane and Mo Kirby-Dore, host Lakeview on the newly refinished courts at HVRHS.
The lacrosse season begins with a rematch of last year’s Western Connecticut Lacrosse Conference girls championship game. HVRHS, coached by Laura Bushey, will travel to play the reigning champs St. Paul Catholic High School in Bristol April 9. St. Paul defeated HVRHS 13-12 in a riveting league final last May.
Track and field is set to start April 22 with a home meet against Lakeview High School. HVRHS, coached by Alan Lovejoy, has a number of decorated athletes returning to the track this year including Kyle McCarron, Ava Segalla and Anthony Labbadia, each of whom competed in the CIAC State Open meet last June. Many more returning runners and jumpers gained state-level experience last year at the CIAC Class S meet in May.
Fans of fine art filed into the Sharon Historical Society’s gallery on Saturday, March 15, for the opening reception of student works from the Northlight Art Center in Amenia, New York.
Northlight was founded in Sharon by Pieter Lefferts in 2010 and later moved to Amenia. This is the 14th year of the annual student exhibit.
“It’s an invitation for people who may never have thought that they might be included in an art exhibit,” said Lefferts about the show that includes 34 works created by a dozen artists. Lefferts added that visitors will see a range of abilities and individual expression.
“I like to draw out innate expression,” Lefferts said. Lefferts said there were 34 pieces as he had hung them all the day before.
Several works on display were inspired by local subjects. For example, Kathleen Kulig’s “Grand Dame of the Orchard” depicts an actual old apple tree found at a friend’s home.
“I’ve actually picked apples from that tree,” Kulig said.
Kathleen Kulig with her “Grand Dame of the Orchard” painting.Leila Hawken
Artist Cathleen Halloran’s acrylic on paper painting titled “Eleven Eleven” is a loving remembrance of her dog, Maddie, whose death was imminent as Halloran created the painting, an expression of her subject’s magnificent spirit.
Variety is evident in artists’ ages, mediums, experience and subject matter.
“It’s always a pleasure to see how the artists grow every year, a fascinating variety,” said Historical Society President Chris Robinson as he dished out the wine and other beverages in the reception area.
A portion of the proceeds will benefit the historical society, although not all works are for sale. The exhibit will be open until Friday, May 9, during historical society hours. For additional information, go to www.sharonhist.org.
Coinciding with the gallery show, the Sharon Historical Society’s current exhibit is worth a visit. Titled “Family Collections,” the exhibit shows collective Sharon memories found in the artifacts left by ancestors, remembered now in part by what they left behind. Each is a clue to the town’s historic past, spanning two centuries.
Tess Marks as Little Sally and Jackson Olson as Officer Lockstock in the Housatonic Musical Theatre Society production of "Urinetown."
Last week’s Housatonic Musical Theatre Society production of “Urinetown” featured strong performances and superb choreography.
The remodeled auditorium at Housatonic Valley Regional High School made a big difference as well. New seats were a welcome addition, and the increased technical capability meant that the show was flawless from a production point of view.
The difference was so noticeable that director Christiane Olson thanked the taxpayers of Region One for supporting the recent school improvements project in brief remarks before the start of the matinee performance Saturday, March 15.
Katelin Lopes and Andy Delgado were powerful as the star-crossed lovers Hope Cladwell and Bobby Strong.
Jackson Olson got a lot of laughs with his deadpan take on Officer Lockstock, often in tandem with Tess Marks’ wide-eyed Little Sally.
The entire cast hit all the right buttons, not the easiest thing to do with a show that contains multiple layers of satire.
The orchestra, led by Tom Krupa, was rock solid.
And Amber Cameron’s choreography was seamless. The cast looked like they’d been dancing together all their lives.
Race Brook Lodge
Tucked away on Under Mountain Road in Sheffield, Massachusetts, The Stagecoach Tavern dates back to the mid-18th century and offers fine dining in an enchanted setting. It also serves as the portal into the Race Brook Lodge, which harbors unique spaces for entertainment, lodging and wellness.
Intimate outdoor gathering areas are illuminated by strings of lights. A cluster of mid-century bungalows can be rented by guests who come to spend the weekend and attend concerts and retreats, which typically take place in the barns farther back in the woods.
This magical vision springs from the mind of David Rothstein, who purchased the property in pieces between 1990 and 2000, a continuation of his idea to create a place where like-minded people can congregate to enjoy cultural happenings in an idyllic setting.
Before acquiring the Race Brook Lodge, Rothstein, now 90, managed The Music Inn in Lenox, Massachusetts, the premier outdoor music venue in the Berkshires during the 1970s, which he purchased with his former wife, Nancy Fitzpatrick, whose family owned the Red Lion Inn in Stockbridge.
In its heyday from 1970 to 1979, The Music Inn featured a who’s who of iconic performers of the era like Ike & Tina Turner, B.B. King, James Taylor, Muddy Waters, The Byrds, Ravi Shankar, Joan Baez, Van Morrison, Bruce Springsteen, Bob Marley, The Eagles, Lou Reed, Bonnie Raitt, Fats Domino, Bo Diddley, Jimmy Cliff, Toots & The Maytals and The Allman Brothers.
“Music Inn was the last outpost of the counterculture, which had evolved as a result of the groundbreaking evolution of jazz as the first integrated music genre that ultimately paved the way for Rock ‘n Roll,” Rothstein said.
Race Brook barn at nightLety Marcos
This history goes even deeper. Prior to the Music Inn, the buildings were known as the Berkshire Music Barn, and featured performers like Dizzy Gillespie, Louis Armstrong, Mahalia Jackson, Count Basie, Duke Ellington, Dave Brubeck, Thelonious Monk and the Modern Jazz Quartet. The property also featured The Lenox School of Jazz, The Lenox Arts Center, Toad Hall Moviehouse, and The Great Riot Alley Memorial.
As a student of modernist architect Louis Khan, Rothstein absorbed Khan’s ideas of “open frame” or a space without barriers. It’s a concept he used at the Music Inn that carries on at Race Brook.
Race Brook’s music programmer, Alex Harvey recalls how he came to do a retreat with Qi Gong master Thomas Drodge and noticed a Louis Khan poster on the wall. He spent a morning and afternoon talking with Rothstein about art, performance and community in a way he’d been dreaming about for a long time.
“When I saw the poster, I asked David about it. He told me that he was one of Khan’s assistants, and he actually drafted some of the buildings I’d studied. So, before I knew he had the Music Inn, he was a superstar to me,” Harvey said.
Harvey also met the current proprietor Casey Fitzpatrick — David and Nancy’s son — and the two hit it off, realizing they shared a common interest in global music. Armed with a deep Rolodex, thanks to his many years as a performer and ethnomusicologist, Harvey soon began programming shows at Race Brook.
When booking, Harvey looks for artists who can offer something beyond the typical performance.
“We had Alash, who are one of the more renowned Tuvan throat singing ensembles,” Harvey said. “With their energy, they change the weather of the room. It’s a participatory feeling. I loved reading the reactions online; was it a concert or a ritual? That’s what we’re interested in.”
“We have Beausoleil coming up on April 5. When they start playing, you feel transported to a hooch house in Eunice, Louisiana. They create a sense of place, and that’s what really excites me,” he added.
Sunder Ashni singing at Dia de los Muertos.Lety Marcos
There are regularly scheduled programs, like Jazz brunches every Sunday, and at times Race Brook Lodge is open to other groups who book shows like the recent “Almost Spring Weekender” a DJ’d house party produced by Edo Moore.
Ideally, Harvey books fully immersive weekends with music, workshops, and enjoyment of the spaces, whether hiking nearby trails or inside the barns.
“One of my favorites is the Dia de los Muertos weekend which has an open mic to the dead,” Harvey said. “It’s art as a form of medicine and healing. It’s kind of like Brooklyn Academy of Music meets Esselin.”
For elevated musical and wellness experiences in an idyllic Berkshire setting, Race Brook Lodge offers something for everyone. See their site for information on all that they offer: rblodge.com