A Fast-Paced Holiday Show

I'm a little hazy on Charles Dickens’s “A Christmas Carol” — a tale of greed, as I recall, revelation and redemption. But that’s, reasonably, all kind of glossed over in The Ghent Playhouse’s 17th annual panto, that eccentric British musical pantomime employing cross-dressing, political barbs and salty chatter wrapped in a familiar fairy tale at Christmas time. 

“The Turn of the Scrooge” is this year’s annual opportunity for talented actors and singers and guys who can run in high heels to have a lot of fun on stage and in the theater aisles.

In the past 16 years, many of these pantos have been racy and smart, making fun of pols in general and political antics in particular. But in this year, politics is incendiary. (How many stories did you hear on NPR about skirting politics during Thanksgiving family gatherings?) With a couple of mild allusions to Trump and one to the Clinton Foundation, the Pantaloons sailed into safe waters with lots of shtick, a matron with a big behind, clever musical jokes and Mark “Monk” Schane-Lydon’s comic moues as Ghost of Christmas Present, Fezziwig and a solicitor with a ridiculous mustache that runs into (or is it out of?) his ears.

In the program he calls himself Ivan Aiken Bach — narrator, Jacob Marley and pianist. But Paul Leyden’s settings for hilarious numbers such as Chain of Ghouls, rescripted by the Pantaloons from Aretha Franklin’s 1960s hit “Chain of Fools,” was hilarious.

Sam Reilly is spectacular as Tina Cratchit, rosey-cheeked and sly, whipping about the stage in pink gingham, telling us the family ate its cat for Christmas dinner. 

And Sally McCarthy, aka  Ivana Singh, makes a great Scrooge, morphing from ridiculously malignant to ridiculously reformed.

Notable not just for his theatrical skills, Michael Meier, who plays Fannie Fezziwig, Bob Marley and the Ghost of Christmas Future, is a terrific singer and plays voluptuous females in sumptuous gowns with just the right touch.

The fast-paced direction by Cathy Lee-Visscher (most memorably cast one year as Vera in “Pal Joey”) is smart, and her Tiny Tim is amusingly whiny. And, as usual, there are apologies in the program to the likes of Harold Arlen, Paul McCartney, Andrew Lloyd Weber, Richard Rodgers and others, for rewriting their songs. 

This is a lovely show, part of Ghent’s jolly holiday tradition, drawing big audiences to this charming theater. As always, the people in the seats are instructed to boo the villains (there are quite a few) and warn the one or two good characters that they are in danger. It’s a lot of fun. 

“The Turn of the Scrooge” runs at The Ghent Playhouse in Ghent, N.Y., through Dec. 11. For tickets and information, go to www.ghentplayhouse.org or call 1-800-838-3006. The next production is “Once Upon A Mattress,” opening Jan. 20.

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