FALLS VILLAGE — The National FFA Organization is developing the next generation of leaders.
Each year, FFA chapters around the country celebrate National FFA Week. It’s a time to share what FFA is and the impact it has on members every day.
The FFA mission is to make a positive difference in the lives of students by developing their potential for premier leadership, personal growth and career success through agricultural education. FFA helps members discover their talent through hands-on experiences, which give members the tools to achieve real-world success.
A combined 850,823 students from throughout the United States, Puerto Rico and the U.S. Virgin Islands have chosen to be a part of FFA. Of those members,116 are from our chapter. Each year these numbers grow as more young people become a part of the organization. FFA was chartered in 1928 as the Future Farmers of America.
The organization changed its name from the Future Farmers of America to the National FFA Organization. The name changed because FFA is not only for future farmers, but it is for any and all students despite what their plans are for the future. It is an organization that provides countless opportunities and develops leadership skills that can carry over to all careers.
Housatonic Valley FFA (HVFFA) members are involved in local, statewide and national events throughout the year. This past summer, students attended the Washington Leadership Conference (WLC), the Sound School chapter exchange, and the Alumni Picnic hosted at Laurelbrook Farm. While at WLC, students spent the week with fellow FFA members from all over the U.S. to develop leadership skills and ways to help their community.
This summer, HVFFA partnered with the Sound School in New Haven for a chapter exchange program. Members from our chapter were invited on a deep fishing excursion, and in exchange, we gave their chapter members a tour of agriculture in our part of the state. The Housatonic Valley FFA Alumni Association sponsors both of these summer activities.
HVFFA also has many activities and events throughout the school year to help members learn and grow. Students prepare for and compete in numerous state competitions called Career Development Events (CDEs) and Leadership Development Events (LDEs). This past November, the Ag Communications team (Anne Moran, Simon Markow, Hannah Johnson and Chris Crane) and Creed speaker (Riley Mahaffey) competed at the National FFA Convention representing Connecticut.
In addition, students attend IMAGE, COLT, JLC, State FFA Convention, and the National FFA Convention. We give back to our community by helping with the Falls Village Car Show, volunteering at the Big E and the Goshen Fair, and sponsoring a rabies clinic over the summer.
HVFFA chapter members are looking forward to spring competitions, conferences and our annual ag open house. We appreciate all the ways that the community supports our program.
Lauren Sorrell is a student reporter at HVRHS and a member of HVFFA.
Submitted
Melanie Rundall and Tyler Anderson worked at the FFA Holiday Store at HVRHS this past winter.
KK Kozik in her studio
It is a particularly fitting philosophy for an artist whose paintings often begin with the world around her but rarely end there. There might be something recognizable — a stone wall, an apple tree, a crow — but then there is something less certain. Something that appears to be one thing becomes another upon inspection. Memory gets involved. So does imagination. So does time.
Since moving from New York City to Sharon, Connecticut in 2006, the landscape around her has become increasingly important to that process.
“I just saw things differently,” Kozik said.
The change was not immediate. She remembers an earlier version of herself driving through Vermont without paying much attention to what was happening beyond the windshield.
“I didn’t have the means to see what was happening around me,” she said. “I just sort of la, la, la, la, la, driving to Vermont.”
But, she said, she started to pay attention differently.
“I became more sensitized as time went on,” she said.
Asked whether that change came with age, she said, “Age and so-called wisdom.”
There’s a sense of loss in her landscapes, but a particular kind of loss that also has a twinge of redemption. Specifically, what happens to a landscape when people leave it?
“When the people go away, the wildlife comes back,” Kozik said.
KK Kozik in her studio with her painting “Golden Delicious.”Natalia Zukerman
Kozik’s work has never settled into a single recognizable formula. She has painted landscapes, figures and still lifes, moved toward abstraction and returned to representation. Her subjects change, but the underlying impulse remains: to take what is in front of her and discover what else there might be.
Kozik describes herself as someone who is always trying to figure things out. Her paintings often have the feeling of a thought in progress rather than a conclusion. They have been called “single-line novellas,” a description that makes sense: They can contain the suggestion of an entire story without telling you exactly what happened.
The animals are part of that storytelling.
They arrived partly because of what was disappearing.
“They were like the new redemption in a way,” she said.
There is something almost funny about the way Kozik talks about this — not because the loss itself is funny, but because she refuses to turn it into a grand pronouncement. She observes something, considers it, and lets it complicate the work.
That same sensibility comes through when she talks about her own development as an artist. Her paintings make room for interpretation. They don’t always tell the viewer what an animal symbolizes, or why a landscape has been altered, or where a particular image came from. Instead, they leave enough evidence to make you curious and enough room for your own stories.
The effect is not accidental. Kozik has spent years thinking about how images work, both as paintings and as containers for ideas.
Her work is currently included in “The Naturalist,” a group exhibition on view through Sept. 13 at Kenise Barnes Fine Art in Kent, alongside Richard Klein, Sally Maca, Rick Shaefer and Tricia Wright. The exhibition brings together artists whose work engages with the natural world, including its forms, histories and mysteries.
Kozik is an especially apt fit for the exhibition. She is described by the gallery as a landscape painter, figurative painter and interiors/still-life painter whose work frequently moves toward painterly abstraction. Her practice, the gallery notes, is “fluid and continuous” — always searching for new pictorial problems to solve.
That search has also extended beyond her own studio.
For several years, Kozik ran ICEHOUSE Project Space, an 18th-century icehouse on Sharon’s town green that she transformed into an unusual venue for contemporary art. It opened in 2018 with Dan Devine’s “Inside-Out NASCAR” and went on to host site-specific projects by artists including Mark Dion, Eric Aho, Janet Biggs, Richard Klein, Kristin Jones, Lisa Hoke and Ryan Frank. The projects addressed everything from the decline of winged insects and native and invasive plants to Sharon’s iron industry, its gardens and its history as an ice-producing community.
The space is now closed, but its premise still feels connected to Kozik’s painting practice. Each project responded in some way to the physical location, turning what might otherwise have been a little historic outbuilding into a setting for contemporary art.
Kozik’s own work does something similar with the landscape. She takes a place and lets it become more than a place.
Kozik’s paintings tell us that something happened before we arrived, and that something will happen after we leave.
And then there is the question of what to do with the space in between.
Maybe Kozik’s paintings are less about that space and more about an idea, as she put it, of “which questions to think about.”
Jazzmine Bone and A Stitch in Tyme power through the Gambler’s Choice run during the 2024 Lakeville Open.
The event, which has been held continuously for 69 years, is open to the public with free admission.
Individual competitions will run from 8 a.m. to 5 p.m., and visitors can stop by briefly or settle in for the day.
A food truck, bake sale and portable restrooms will be available on-site.
The show is the primary fundraiser for The Lakeville Pony Club, with proceeds supporting young riders who need financial assistance to participate in lessons. Members and their families work throughout the year to create the event for both competitors and spectators.
Members of the Lakeville Pony Club and Echo the pony arrive for the costume class during the Lakeville Open in 2024.Caitlin Von Graf
For those new to horse shows, the day offers a chance to learn more about the sport and understand what happens in the ring. In equitation competitions, judges evaluate the rider’s skill, from beginners learning walk and trot to more advanced riders navigating cantering and jumping courses.
Hunter competitions focus on the horse’s style and smoothness over fences, while jumper classes emphasize accuracy and speed as horses and riders race against the clock without knocking down rails.
The day also includes a crowd favorite: the costume class, where horses and riders dress up in creative ensembles for a chance at the top prize.
Programs will be available onsite to help spectators identify competitors and horses. A full list of competitions, entry information and details for those interested can be found at rigameadow.com
Whether an experienced equestrian or simply curious about the sport, the Lakeville Open Horse Show offers a chance to enjoy a Hudson Valley tradition that continues to bring the community together.
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