First round of grant money awarded for high-speed internet

Map of locations to be served by recent grants.
portal.ct.gov/deep
Map of locations to be served by recent grants.
Several towns in the Northwest Corner are poised to receive a boost to their broadband infrastructure due to a recent set of grants administered by the Department of Energy and Environmental Protection (DEEP).
In a joint press release on Oct. 11, Governor Ned Lamont (D) and DEEP Commissioner Katie Dykes announced that $28 million in funds will be allocated to 88 municipalities under the first round of the state’s ConneCTed Communities Grant Program.
Because award money will be distributed to internet service providers (ISPs) and not the towns themselves, towns had to partner with providers to be eligible for the grants. Locations in Norfolk, Salisbury and Falls Village are set to benefit from Comcast Communications’ awarded funds, while Frontier Communications was granted $954,909 to install fiber optic cable to 148 locations in Sharon, with some abutting the Cornwall town line.
“The expansion of broadband infrastructure will make Connecticut’s towns and cities stronger, more resilient, and better positioned to engage in today’s increasingly digitized world,” Governor Lamont stated in the press release.
Sharon
While Jill Drew, co-chair of the Sharon Connect Task Force (SCTF), was pleased to see money allocated towards improving her town’s high-speed internet, she was surprised that Sharon’s application was denied to reimburse most of the $1.6 million the town spent on its own project to bring broadband to unserved residents.
“We are disappointed that the state chose to put off the decision of whether to reimburse the town,” Drew said in a statement.
Of the $40.8 million in the American Rescue Plan Act (ARPA) Capital Project Fund, $12.8 million remains, which DEEP will administer for a second round of grants on a first come, first serve basis. Drew maintained that Sharon will quickly resubmit.
After hearing stories about Sharon residents suffering from lacking high-speed internet, such as a school teacher teaching zoom classes during the pandemic from a parked car outside J.P. Gifford in Sharon, the SCTF dedicated itself to bringing “universal access to people who lived in Sharon who otherwise it would make no business sense for a company to pay to connect them.”
“That’s why we need government funding,” Drew added.
In 2023, Sharon partnered with Comcast to “provide high-speed internet connections to 272 homes along 28.5 miles of Sharon roads that had previously not had broadband access,” according to the SCTF. By the time the ConneCTed Communities grants applications were open, the project was largely complete, which is why Sharon’s application was denied in the first round, Drew explained. While there are no guarantees, she said, she hopes for better results in the second round.
As for Frontier’s fiber optic project, she is excited about the prospect of competition between providers in town, which will bring better service, she said. On the other hand, though, she hopes that Frontier’s award doesn’t “box out the town receiving funding for its own successful project getting everybody connected.”
“The Town of Sharon welcomes competition so our residents can decide which internet provider has the best service at the best price,” said Casey Flanagan, Sharon’s First Selectman, though he also maintained he is hopeful the new application for reimbursement will be accepted.
Drew noted that Frontier owns all the copper wire landlines in the state, and she’s wary of the ISP using the project to try and edge out telephone landlines in favor of fiber optic cable.
“Frontier will need to keep its copper wire for rural residents,” said Drew, citing the need for alternative communications measures in households without reliable cellular service.
Kent
Other town leaders found themselves looking at these grants from the sidelines. Lynn Worthington, selectman and chair of the Kent Broadband and Mobile Communication Working Group, pointed out that the funding opportunities have “rules [that] make it difficult for municipalities to apply.”
In Kent’s case, Spectrum and Frontier have been unresponsive, so the town has been ineligible to apply for the ConneCTed Communities grants. Worthington said that Spectrum has always been difficult to reach, as has Frontier since a merger was announced with Verizon.
Another funding pathway, called the Broadband Equity, Access, and Deployment (BEAD) program, has been held up during a data review by the National Telecommunications and Information Administration.
“Basically, nothing has happened with BEAD since July,” remarked Worthington.
To engage the public, the Kent group will focus its efforts on outreach strategies to educate residents on the costs of being left behind. “Fiber optic is the future,” Worthington said. “The existing service isn’t going to be adequate in four to five years.”
Overall, Worthington believes that discourse between towns and across the state is paramount to a better connected future: “We could all learn from each other,” she said.
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.