Thank you!
Your support is sustaining the future of local news in our communities.

Getting to know our green neighbors

Getting to know our green neighbors

Cover of "The Light Eaters" by Zoe Schlanger.

Provided

This installment of The Ungardener was to be about soil health but I will save that topic as I am compelled to tell you about a book I finished exactly three minutes before writing this sentence. It is called “The Light Eaters.” Written by Zoe Schlanger, a journalist by background, the book relays both the cutting edge of plant science and the outdated norms that surround this science. I promise that, in reading this book, you will be fascinated by what scientists are discovering about plants which extends far beyond the notions of plant communication and commerce — the wood wide web — that soaked into our consciousnesses several years ago. You might even find, as I did, some evidence for the empathetic, heart-expanding sentiment one feels in nature.

A staff writer for the Atlantic who left her full-time job to write this book, Schlanger has travelled around the world to bring us stories from scientists and researchers that evidence sophisticated plant behavior. These findings suggest a kind of plant ‘agency’ and perhaps even a consciousness; controversial notions that some in the scientific community have not been willing or able to distill into the prevailing human-centric conceptions of intelligence.

Plants exhibit behaviors that appear as variations of our own: they communicate, but using chemicals that are expelled through the air or soil. They have perceptual abilities that can be correlated, with varying degrees, to our sound, feeling and sight, in some cases using the same or similar mechanisms as we do. The human body uses electrical currents, powered by electrolytes, to enable just about every bodily action — touch, movement, thought etc. Plants use this method as well.

We learn about a slug that from birth is programmed to find and eat a specific plankton. When it does, its color changes from its original brown to green and the slug is then able to photosynthesize, after which it never has to eat food for the rest of its life (is it now a plant or still an animal?) A vine whose leaves change shape to resemble those of the plant or plants it climbs on (can it ‘see’ and, if not, how does it know what to transform into?)

In researching and relaying these and other science-backed revelations, Schlanger calls into question the line drawn between the categories of animal and plant. We know that we exist in this world only because of plants, they create the air we breathe, they are the nutrients we eat. We are learning that our bodies contain a microbiome made up of bacteria, fungi and viruses that control much of our functioning. Yet humanity seeks to control plants in ways that are often at cross purposes to our very existence.

While retaining a journalistic dispassion, she makes the case for science to surmount the hurdle that language poses in the pursuit of expressing new findings and posits a worldview that does not put humans at the center. Currently, the institutions surrounding science are designed to be circumspect in their effort to ensure that findings are not just correct but indelibly reliable; a base to be built on by other scientists. Scientists and researchers whose discoveries are at odds with prevailing findings are at risk of losing credibility, funding and even their careers, often to find themselves (if they are still alive) proven correct decades later. Which calls into question the reliability of science’s erstwhile indelibility and makes a case for systemic changes to the institutions that power the scientific community.


“Biological life is a spiraling diffusion of possibilities, fractal in its profusion.”

Schlanger’s observations and hypotheses can themselves appear as fractals of her revelatory reporting of plant discoveries. Like the shape-shifting entities she writes about she finds that she too has changed.

Perhaps you can relate. Plants can change us, and not just when we eat them. Looking at them, from both far and from close, they provoke awe and wonder. Time spent in the woods begets a sense of oneness and interconnectedness and has been proven to improve our well-being. Schlanger’s book asks us to consider working with plants, to learn more about them and be open to the lessons they may have for us. After all, plants were here well before humans and have had more time to evolve. They may well be here after we are not. Who’s to say they aren’t really the ones running the show?


Dee Salomon “ungardens” in Litchfield County.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.