
Lily Cowles, co-chair of HVA’s 33rd Auction for the Environment and daughter of auction chair Christine Baranski, welcomed guests to the Nov. 23 event at South Farms in Morris.
Photo by Debra A. Aleksinas
Lily Cowles, co-chair of HVA’s 33rd Auction for the Environment and daughter of auction chair Christine Baranski, welcomed guests to the Nov. 23 event at South Farms in Morris.
MORRIS, Conn. — The West Cornwall-based Housatonic Valley Association’s 33rd annual Auction for the Environment, held Saturday, Nov. 23, at South Farms, drew a full house as it reached its fundraising goal and provided attendees with a few unexpected surprises.
In a bittersweet moment, HVA President Tony Zunino announced that the association’s long-time Executive Director, Lynn Werner, will be stepping down from the position she has held since 1995.
“We are saying goodbye to Lynn Werner. Her leadership and vision has made an indelible mark on the Housatonic Valley Association,” Zunino said, eliciting thunderous applause and a standing ovation from the crowd of about 100 supporters, environmentalists and staff.
Another twist to tradition came when auction chair Christine Baranski, who has traditionally greeted the crowd with her trademark humor, was called up to Newport for the filming of the movie “The Gilded Age,” and her daughter, Lily Cowles, stepped in to deliver the keynote address as auction co-chair.
The activist, writer and movie producer did her mother proud during her first HVA auction as she spoke of “this sweet valley” where she grew up as a child and returned to as an adult.
From left, Andrew Stathopoulos and Philippa Durrant of Cornwall Bridge, HVA auction co-chair Elyse Harney Morris and Tony Zunino, president of HVA. Photo by Debra A. Aleksinas
“Our Housatonic Valley is sacred ground, and we gather today to honor that,” Cowles said. “I was born and raised here, and recently swam upstream to return to the home of my ancestors. There is no place sweeter than this valley, and there is so much to learn from this land.”
As if on cue, a phone rang nearby.
“It’s Mother Earth calling,” remarked Cowles. “Are you going to take the call?” she asked, without missing a beat, as the crowd erupted in laughter.
Growing up, Cowles said, HVA was a household name.
“It was like Christmas morning the day after the auction, and mom would get all excited wondering how much was raised,” she recalled.
Orchardist Peter Montgomery of Montgomery Gardens in Warren has been a frequent contributor of auction items over the years.Photo by Debra A. Aleksinas
During his speech, Zunino implored the crowd to “think about why we are here today. I hope it’s because you have a place in your heart for the Housatonic River Valley. It has brought a lot of us up here.”
The HVA president noted that his organization has protected 30,000 acres of important conservation land and has protected and restored 220 miles of the Housatonic River, a 41-mile stretch of which has been deemed “Wild and Scenic” by the federal government.
“It has taught school children and families how to keep the water clean and the turtles safe,” said Zunino.
During the silent auction portion of the event, staunch environmentalists and long-time supporters of HVA mingled with folks new to the area, and the organization, to peruse silent auction items as they sipped wine and nibbled hors d’oeuvres.
Peter Montgomery of Warren perused the items. The orchardist drove to the event in a classic red pick-up truck with a decorated Christmas tree in its bed, which he parked just outside the entry to the auction.
“I was trying to recreate a Hallmark moment,” Montgomery said with a chuckle, noting that he has contributed trees, fruit from his orchard and tutorials on orchards and apples as auction items in the past.
Nearby, Margery Feldberg, board president of the Kent-based Northwest Connecticut Land Conservancy, had her eye on a Foodie Escape to Mystic, while Cindy Donaldson of Goshen remained in a “competitive hover” over the Exclusive Broadway Experience auction item offering two tickets to the Tony Award-winning Best Musical, “The Book of Mormon.”
Former State Rep. Jim Mahoney and State Rep. Jahana Hayes (D-5), also showed their support for HVA. “They worked very hard on the Housatonic River Wild & Scenic designation,” noted Hayes, who had sponsored the legislation. “I am so deeply committed to the work that they do.”
As of Thursday, Nov. 28, an exact tally of the funds raised from the auction, which drew a near sold-out crowd, was unavailable due to processing difficulties, according to HVA spokeswoman Lara Beckius. However, she noted, “We are thrilled to have hit our goal and for the fantastic attendance,” she said.
Margery Feldberg, far right, board president of the Kent-based Northwest Connecticut Land Conservancy, was among bidders for the silent auction items.Photo by Debra A. Aleksinas
HVA officials had expected to match or surpass last year’s auction proceeds, which netted a record $205,000.
The next day, Werner reflected on this year’s Auction for the Environment, which was her last auction as executive director of the organization, as “such a heartwarming tribute, and a fantastic day.”
She said she felt the timing was right to step down from her long-held role.
“I let the board know in 2023 that I was considering it. It’s a good time, because we completed our Strategic Plan 2029 in the fall of 2023, and we have a strong set of strategies reaching into every part of the 2,000 square mile tri-state watershed toward achieving a climate ready Housatonic Valley by 2040.”
Werner praised HVA’s “amazing team of environmental scientists and community advocates on staff and a huge network of partners collaborating with us on land and water protection.”
Paquito D’Rivera performs at the Mahaiwe in Great Barrington on April 5.
Natalia Bernal is the Mahaiwe Performing Arts Center’s education and community engagement manager and is, in her own words, “the one who makes sure that Mahaiwe events are accessible to all.”
The Mahaiwe’s community engagement program is rooted in the belief that the performing arts should be for everyone. “We are committed to establishing and growing partnerships with neighboring community and arts organizations to develop pathways for overcoming social and practical barriers,” Bernal explained. “Immigrants, people of color, communities with low income, those who have traditionally been underserved in the performing arts, should feel welcomed at the Mahaiwe.”
Partnerships with organizations like Volunteers in Medicine Berkshires (VIM), the W.E.B. Du Bois Legacy Committee, and Community Access to the Arts (CATA) have helped bridge that gap. But for the Latinx community, there’s an even more targeted effort: the Spanish-language Community Advisory Network (SCAN).
“Six years ago, we started an advisory group of Spanish speakers in the community,” Bernal said. “They tell us what the community wants to see, how they’d like their culture represented. Today, SCAN has 12 members. We meet four times a year and are in constant communication. It’s because of them that we’ve hosted free Spanish-language film screenings and live performances.”
For Bernal, this work is personal. “When I first moved to the U.S. in 2003, it was because I got a Latin American scholarship to study at Berklee College of Music. That first year, I went home to Uruguay for Christmas and saw Paquito D’Rivera perform at a jazz festival. I was determined to meet him, and I did. Later that year, Paquito came to Berklee and invited me on stage.”
Now, two decades and 16 Grammys later, Paquito D’Rivera is coming to the Mahaiwe on April 5, and there’s a chance history might repeat itself. “He saw a post we made about his concert and commented, ‘Ay, chica, que maravilla, are you gonna sing a song with us?’ I almost died,” Bernal laughed. “I don’t know if it will happen, but it would be a dream.”
About the possibility of a guest appearance by Bernal, D’Rivera said, “Natalia is a very dear, valuable colleague, and jazz is about improvisation, so the surprise factor is always part of the fun here.”
D’Rivera’s concert is just one example of how the Mahaiwe is making world-class performances accessible. “My whole day has been about offering ‘pay what you can’ tickets for this show,” Bernal says. “We also issued a 50% discount to our partners. We work with ESL teachers, public libraries, literacy agencies, anyone who can help us get the word out.”
That kind of grassroots effort has been transformative. “Last year, we screened ‘Florencia en el Amazonas,’ the first opera written in Spanish ever performed at the Met,” Bernal said. “I sat in the Mahaiwe in tears. As someone who loves opera, it was the first time I heard one written in my own language. It was so powerful.”
Natalia Bernal, Mahaiwe’s education and community engagement managerPhoto by Martin Cohen
For Bernal, it all comes back to representation, on stage and in the audience. “My son is eight. I bring him to everything I can. Spanish shouldn’t just be something that happens at the dinner table. It should be in the world, in all these shapes and forms.”
And that’s what SCAN is helping build: a future where Latinx voices aren’t just included, they are central. “Our SCAN advisors are volunteers, cultural ambassadors,” Bernal said. “They help us distribute surveys, talk to the audience, and strengthen the community. Nobody should feel alone. Everybody should feel like they belong here.”
Education and outreach are central to D’Rivera’s work as well. He said, “It is an important part of our mission to plant and nurture the seed of quality music in our communities.” He continued to say, “Using our visibility and influence in favor of justice is always a very effective vehicle in denouncing violations of human rights around the world.”
This shared mission of education and social justice extends beyond the Mahaiwe. “We are one of the few arts organizations in a monthly meeting with BASIC (Berkshire Alliance for Immigrant Services). We have direct ties to the Berkshire Immigrant Center, VIM, and others so that we are well-informed and ready to serve,” said Bernal.
That commitment to community, culture, and access is why Bernal’s dream panel—Women in the Music Business—would feature Paquito’s wife and longtime manager, Brenda Feliciano. “She’s a tower of power. She’s been managing his career for at least 45 years. If I could organize an event one day, she would be the cherry on the cake.”
Until then, Bernal will keep doing what she does best: making sure the Mahaiwe is a place where everyone, regardless of language, income, or background, feels at home. And maybe, just maybe, she’ll find herself back on stage with Paquito D’Rivera, just like that first time, all those years ago.
For more info and tickets to Paquito D’Rivera, visit mahaiwe.org
There is magic in a home filled with the things we love, and Mary Randolph Carter, affectionately known as “Carter,” has spent a lifetime embracing that magic. Her latest book, “Live with the Things You Love … and You’ll Live Happily Ever After,” is about storytelling, joy, and honoring life’s poetry through the objects we keep.
“This is my tenth book,” Carter said. “At the root of each is my love of collecting, the thrill of the hunt, and living surrounded by things that conjure up family, friends, and memories.”
The creative director at Ralph Lauren for almost four decades, Carter began writing this book during the pandemic, a time of rediscovering comfort. “I found more time to appreciate those special things that give our homes warmth and connection.” Working with Ralph Lauren, she learned that the best spaces tell a personal story. “His desk was filled with toy cars, miniature shoes, superheroes, English dandies, cowboys on horseback. The walls? A gallery of his children’s paintings, iconic photos of Frank Sinatra and Gary Cooper. Everything told a story.”
Carter acknowledges how homes can become overwhelmed with stuff but sees a difference between clutter and collection. “To live happily, create environments that inspire and comfort rather than encumber you! Look around and ask, ‘What is truly meaningful? What makes you smile? What recalls the people and places you cherish?’” Then, she added, “weed out the rest with discipline and courage!”
Provided
Each home in Carter’s book reflects its inhabitant’s spirit. “The first time I walked into Bethann Hardison’s apartment, I knew right away how authentic it was to who she is.” Hardison’s walls are lined with artwork from friends Keith Haring, Jean-Michel Basquiat, and Haitian paintings, testaments to a life well lived. “Though her mantra is, ‘the lighter the load, the freer the journey,’ she also admits some things ‘delight your environment’ and can’t be parted with. Amen to that!”
Having survived two childhood fires, Carter deeply understands what truly matters. “It’s not the things, but the people and memories they evoke.” She loves her collections, but they don’t possess her. “They make me happy, but they do not define me.”
She delights in how people showcase treasures. Paula Grief, for instance, lives in a ten-foot-wide house and had to part with many books. “She tucks the ones she can’t live without through the rungs of her staircase. I love that ingenuity!”
When asked about her most cherished possession, Carter tells a story of loss and serendipity. A childhood portrait of her in a blue velvet dress was lost in a fire. “Years later, the artist’s daughter found another version. Now, it hangs in our apartment, surrounded by flea market art and one of my favorite saints, Our Lady of Guadalupe.”
Adding to the cozy feeling of this book, Carter’s son, Carter Berg, took the photographs, and her sister, Cary, contributed the illustrations. “Cary once stayed in our apartment and painted a dozen objects from our cluttered kitchen. I hung them immediately. When I started this book, I knew she had to capture my favorite objects.”
Four of the featured homes are local to the Northwest Corner, including Carter’s in Millerton, Joan Osofsky’s in Lakeville, Robin Bell’s in Salisbury, and Paula Grief’s in Hudson. They all gathered at the White Hart/Oblong Speaker Series on March 27.
After perusing the richly colored pages of this book, you may feel tempted to shop. “You don’t need money to create a meaningful home,” Carter insisted. “Some of my favorite paintings cost no more than $10 or $25. Value is personal. It’s not about provenance but the story an object tells you or the one you make up.”
Carter’s advice? “Fall in love with the wackiest thing. Surround yourself with what matters, and you’ll live happily ever after.”
On Saturday, April 5, at 3 p.m., The Triplex Cinema in Great Barrington and Jacob’s Pillow, the dance festival in Becket, Massachusetts, are presenting a special benefit screening of the cinematic masterpiece, “The Red Shoes,” followed by a discussion and Q&A. Featuring guest speakers Norton Owen, director of preservation at Jacob’s Pillow, and dance historian Lynn Garafola, the event is a fundraiser for The Triplex.
“We’re pitching in, as it were, because we like to help our neighbors,” said Norton. “They (The Triplex) approached us with the idea, wanting some input if they were going to do a dance film. I thought of Lynn as the perfect person also to include in this because of her knowledge of The Ballets Russes and the book that she wrote about Diaghilev. There is so much in this film, even though it’s fictional, that derives from the Ballets Russes.” Garafola, the leading expert on the Ballets Russes under Serge Diaghilev, 1909–1929, the most influential company in twentieth-century theatrical dance, said, “We see glimpses of that Russian émigré tradition, performances we don’t see much of today. The film captures the artifice of ballet, from the behind-the-scenes world of dressers and conductors to the sheer passion of the audience.”
Hailed as one of the greatest films about ballet, “The Red Shoes,” 1948, is a dazzling fusion of dance and cinema, featuring a mesmerizing 17-minute ballet sequence performed by Scottish ballet dancer and actress, Moira Shearer. Directed by Michael Powell and Emeric Pressburger, the film’s breathtaking use of Technicolor and evocative storytelling continues to captivate audiences, including legendary filmmakers like Martin Scorsese, Brian De Palma, and Steven Spielberg all of whom have cited the film as an influence on their work.
Garafola recalled seeing the film as a young dancer. “I remember being more taken with the plot then, but seeing it again recently, it was the color, the fantasy, and the glamour that struck me. Given how gray England was after the war, the film’s vibrant costumes and settings create an almost dreamlike escape.”
Owen echoed Garafola’s sentiment. “It’s magical. Color was their thing, and this latest restoration makes it even more breathtaking.”
The film underwent an extensive digital restoration at the UCLA Film and Television archive between 2006 and 2008 and premiered at the Cannes Film Festival in 2009. This is the version of the film which will be screened at the Triplex.
Owen said, “I love the depiction of young ballet audiences racing to their seats. That kind of enthusiasm is contagious. It’s what draws young dancers in.” Both Owen and Garafola epressed hope that young dancers will attend the event, sharing in the film’s enduring inspiration.
Owen and Garafola’s Q&A is sure to be lively and educational as they delve into the film’s legacy in both dance and cinema. “It’s not just a film for dance lovers. It’s a filmmaker’s film, too,” Owen added.
Join The Triplex and Jacob’s Pillow for this rare opportunity to experience “The Red Shoes” on the big screen, a film that continues to enchant, inspire, and ignite artistic passion.
Tickets are available for $75 at www.thetriplex.org.