MORRIS, Conn. — The West Cornwall-based Housatonic Valley Association’s 33rd annual Auction for the Environment, held Saturday, Nov. 23, at South Farms, drew a full house as it reached its fundraising goal and provided attendees with a few unexpected surprises.
In a bittersweet moment, HVA President Tony Zunino announced that the association’s long-time Executive Director, Lynn Werner, will be stepping down from the position she has held since 1995.
“We are saying goodbye to Lynn Werner. Her leadership and vision has made an indelible mark on the Housatonic Valley Association,” Zunino said, eliciting thunderous applause and a standing ovation from the crowd of about 100 supporters, environmentalists and staff.
Another twist to tradition came when auction chair Christine Baranski, who has traditionally greeted the crowd with her trademark humor, was called up to Newport for the filming of the movie “The Gilded Age,” and her daughter, Lily Cowles, stepped in to deliver the keynote address as auction co-chair.
The activist, writer and movie producer did her mother proud during her first HVA auction as she spoke of “this sweet valley” where she grew up as a child and returned to as an adult.
From left, Andrew Stathopoulos and Philippa Durrant of Cornwall Bridge, HVA auction co-chair Elyse Harney Morris and Tony Zunino, president of HVA. Photo by Debra A. Aleksinas
“Our Housatonic Valley is sacred ground, and we gather today to honor that,” Cowles said. “I was born and raised here, and recently swam upstream to return to the home of my ancestors. There is no place sweeter than this valley, and there is so much to learn from this land.”
As if on cue, a phone rang nearby.
“It’s Mother Earth calling,” remarked Cowles. “Are you going to take the call?” she asked, without missing a beat, as the crowd erupted in laughter.
Growing up, Cowles said, HVA was a household name.
“It was like Christmas morning the day after the auction, and mom would get all excited wondering how much was raised,” she recalled.
Orchardist Peter Montgomery of Montgomery Gardens in Warren has been a frequent contributor of auction items over the years.Photo by Debra A. Aleksinas
During his speech, Zunino implored the crowd to “think about why we are here today. I hope it’s because you have a place in your heart for the Housatonic River Valley. It has brought a lot of us up here.”
The HVA president noted that his organization has protected 30,000 acres of important conservation land and has protected and restored 220 miles of the Housatonic River, a 41-mile stretch of which has been deemed “Wild and Scenic” by the federal government.
“It has taught school children and families how to keep the water clean and the turtles safe,” said Zunino.
During the silent auction portion of the event, staunch environmentalists and long-time supporters of HVA mingled with folks new to the area, and the organization, to peruse silent auction items as they sipped wine and nibbled hors d’oeuvres.
Peter Montgomery of Warren perused the items. The orchardist drove to the event in a classic red pick-up truck with a decorated Christmas tree in its bed, which he parked just outside the entry to the auction.
“I was trying to recreate a Hallmark moment,” Montgomery said with a chuckle, noting that he has contributed trees, fruit from his orchard and tutorials on orchards and apples as auction items in the past.
Nearby, Margery Feldberg, board president of the Kent-based Northwest Connecticut Land Conservancy, had her eye on a Foodie Escape to Mystic, while Cindy Donaldson of Goshen remained in a “competitive hover” over the Exclusive Broadway Experience auction item offering two tickets to the Tony Award-winning Best Musical, “The Book of Mormon.”
Former State Rep. Jim Mahoney and State Rep. Jahana Hayes (D-5), also showed their support for HVA. “They worked very hard on the Housatonic River Wild & Scenic designation,” noted Hayes, who had sponsored the legislation. “I am so deeply committed to the work that they do.”
As of Thursday, Nov. 28, an exact tally of the funds raised from the auction, which drew a near sold-out crowd, was unavailable due to processing difficulties, according to HVA spokeswoman Lara Beckius. However, she noted, “We are thrilled to have hit our goal and for the fantastic attendance,” she said.
Margery Feldberg, far right, board president of the Kent-based Northwest Connecticut Land Conservancy, was among bidders for the silent auction items.Photo by Debra A. Aleksinas
HVA officials had expected to match or surpass last year’s auction proceeds, which netted a record $205,000.
The next day, Werner reflected on this year’s Auction for the Environment, which was her last auction as executive director of the organization, as “such a heartwarming tribute, and a fantastic day.”
She said she felt the timing was right to step down from her long-held role.
“I let the board know in 2023 that I was considering it. It’s a good time, because we completed our Strategic Plan 2029 in the fall of 2023, and we have a strong set of strategies reaching into every part of the 2,000 square mile tri-state watershed toward achieving a climate ready Housatonic Valley by 2040.”
Werner praised HVA’s “amazing team of environmental scientists and community advocates on staff and a huge network of partners collaborating with us on land and water protection.”
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Savannah Stevenson as Mrs. Paroo and Elliott Andrews who plays Harold Hill in the nationally touring production of “The Music Man.”
Then she became a lawyer instead.
“The leap from performing to lawyering isn’t as significant as it seems,” Stevenson said one recent morning from somewhere between tour stops on the national tour of Meredith Willson’s “The Music Man,” in which she now plays Mrs. Paroo, the Irish immigrant mother of Marian the librarian.
For 18 years, Stevenson practiced law at high-profile New York firms specializing in criminal defense before eventually becoming head of ethics, compliance and risk at Peloton during the company’s dizzying pandemic boom years.
“At some point in time, I got married and had children,” she said matter-of-factly. “And then life kind of unfolded.”
Stevenson and her husband began renting a house in Falls Village “just to get out of the city on the weekends.”
“We fell in love with it, of course,” she said. “And then when the pandemic hit, we of course fled the city up to that house and decided not to go back.”
Sharon Playhouse Board President Savannah Stevenson, former attorney and lifelong theater loverProvided
The family — Stevenson, her husband Jon, and daughters C.C. and Sylvie — became full-time Salisbury residents in 2020.
Then came another plot twist.
While the world was buying exercise bikes and streaming spin classes from their living rooms, Stevenson was part of Peloton’s legal leadership team. But after the company’s spectacular rise came the somewhat inevitable crash.
“In 2023, the board decided to let the entire executive team go,” she said.
Suddenly, Stevenson found herself unemployed in Northwest Connecticut with time on her hands and a teenage daughter deeply immersed in the Sharon Playhouse YouthStage program.
“My older daughter said to me, ‘Well, as long as you’re bringing me to and from rehearsals every day, why don’t you audition for the show?’”
She auditioned.
“And they were like, ‘Oh, you actually can sing.’”
What followed sounds like the plot of a feel-good movie about reinvention in middle age: mother and daughter performing together at the Sharon Playhouse while Stevenson rediscovered a part of herself she had set aside decades earlier.
“It was the most joyful experience ever,” she said. “And I kind of realized that now, in my late 40s — I’ll be 50 this year — I’ve aged into this entire new crop of roles. The mothers, the older wise women, the cougar,” she said, laughing. “All of these great older women’s roles.”
So, she started auditioning.
And getting the parts.
Now she’s on a six-month national tour.
“It really does feel like a full-circle moment for me,” Stevenson said.
If that sounds glamorous, Stevenson is quick to point out that touring theater is less champagne and more buses, protein bars and Peloton app workouts in hotel rooms.
“There are certainly times where it’s a show Monday night in one city, get on the bus, show Tuesday night in another city, get on the bus,” she said. “There’s a lot of time on the bus.”
Mostly, though, she talks about the crew with something approaching reverence.
“We finish a show at 10:30 or 11 at night. They load out the entire set onto trucks. Then they sleep on the bus, get to the next city at 8 a.m., load it all back in and rebuild it,” she said. “They work so hard. It’s incredible.”
In “The Music Man,” Stevenson now plays the role she once dreamed of from the opposite side of the generational divide.
“I would have sung Marian in my 20s,” she said. “Now I get to play her Irish mother, Mrs. Paroo.”
There is a scene where Marian sings “My White Knight,” and Stevenson stands nearby as Mrs. Paroo listening silently. And while the younger actress sings about longing and possibility, Stevenson finds herself thinking about her own daughters.
“Sometimes I just find myself standing there with a tear running down my cheek,” she said.
Meanwhile back home, Stevenson has become one of the Sharon Playhouse’s most visible champions. She joined the board in 2023 and stepped into the role of president this year.
“There’s social science that provides really strong evidence about the benefits of having a theater in your community,” Stevenson said. “Lower rates of violence. Higher rates of volunteerism. Higher graduation rates.”
She speaks about theater the way some people speak about public libraries or churches — as essential civic infrastructure.
“Sharing laughter, tears, music and dancing through stories that illuminate our common humanity touches us in a way that builds connection, empathy and genuine community,” she said.
Much of that conviction comes from watching what theater has done for her own children.
When her oldest daughter interviewed at competitive boarding schools this year, Stevenson said interviewers repeatedly commented on her poise and confidence.
“They would say to me, ‘All that theater education is really paying off,’” Stevenson said. “She can establish connection with people readily.”
When asked what advice she might offer to other women contemplating a midlife pivot, Stevenson resisted the fantasy of reckless transformation.
“I don’t think it’s about jumping without a net,” she said.
Instead, she advocates something more measured.
“It’s about making a calculated risk,” she said. “And then, once you’ve run those calculations and feel planful enough about it, really diving into that risk headlong.”
Which is perhaps another way of saying that sometimes the girl who once sang show tunes in Atlanta and studied musical theater at Carnegie Mellon never actually disappears.
Sometimes she’s just waiting patiently for her cue.
For tickets to The Music Man, visit themusicmantour.com
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