
Lower speed limits have been in place since April 2024 in the center of Kent.
Lynn Mellis Worthington
Lower speed limits have been in place since April 2024 in the center of Kent.
KENT — Residents packed a Town Hall meeting room last Friday, Nov. 22, to hear more about a proposed and controversial town ordinance that calls for the installation of two traffic cameras in the village center with the aim of decreasing speeding in town.
The two-hour public hearing, held on Nov. 22, offered more information on traffic monitoring studies done earlier this year that showed a high number of instances where drivers have exceeded the posted speed limit near the town center along Route 7.
On Monday, Nov. 25, the selectmen, who had planned to take the issue to a town meeting vote on Dec. 6, postponed the meeting until Friday, Jan. 10, at 7 p.m. Residents will be asked to vote on the proposal by paper ballot. If approved the cameras could be installed by springtime.
“People said they thought it was too quick,” said First Selectman Marty Lindenmayer after changing the date. “Changing the time to 6 p.m., people who come up from the city didn’t think they could make it in time. It also conflicts with the Messiah Sing-in and we wanted to be respectful of that. A lot of people are impassioned about making their voices heard.”
The approximately 50 people who crammed into the meeting room, and two dozen more on Zoom, had plenty to say about the ordinance. Some claim cameras are simply not needed, while others say such a move is long overdue, especially in the downtown area that is crowded on weekends and home to most businesses.
“I’m concerned about the atmosphere cameras create,” said Lianna Gantt. “Are we turning our town into a speed trap? It’s embarrassing really. It makes me question why we’re doing this at all.”
Andy Ocif, a retired state trooper, said he’s not a big fan of cameras and said it may be time the town considers hiring a second resident trooper. Others in the audience suggested speed bumps could help with enforcement.
Resident Diane Kite cautioned that the town should be careful that the town doesn’t get the reputation that “Big Brother” is watching.
Lindenmayer said cameras would help increase safety, not only for drivers but for pedestrians. He said Kent School officials previously contacted his office in support of the ordinance.
“We are blessed that no one has been injured or hurt so far. I want to keep it that way,” Lindenmayer said.
Resident State Trooper Vicky Donohoe said she can sit on Route 7 any day and observe cars going over 50 miles per hour. She said one-third of the ticketed violators live in Kent. Because of speeding on the state routes, Donohoe said there is little time to monitor traffic in other town locations.
Earlier this year, the speed limit through the village center was dropped to 25 mph on both Routes 7 and Route 341. As cars head south on Route 7 past Kent Greenhouse & Gardens, the speed limit was also decreased from 45 mph to 35 mph. As drivers come into town their speed is digitally displayed and posted signs remind them they are entering a 25 mph zone.
“Those signs make me slow down. It does work,” said resident Lee Ogden.
A number of residents, including Rufus de Rham, said it would be helpful first to see if cameras in other states make a difference. Data is limited in Connecticut as legislation giving municipalities the opportunity to install cameras was only passed a few years ago.
Residents in the town of Washington recently approved the installation of cameras.
“I’ve heard people say, ‘What are you doing in Kent?’” said de Rham. “I’d like to see updated data to see if people do get accustomed to lower speed limits.”
But resident Chris Garrity, who lives on North Main Street, said addressing the issue of speeding in Kent is long overdue and the number of speeders is increasing.
Traffic studies conducted by the town earlier this year in several locations on Route 7 near the village center, recorded more than 30,000 instances of drivers exceeding the posted speed limit by more than 10 mph.
Brandon Knox of Dacra Tech, whose company handles the processing of citations, addressed residents via Zoom. “There’s a lot of speeding going on in your town. There’s a mass amount of people going way faster than they should.”
The cameras detect and collect evidence of an alleged traffic violation by recording images that capture the time, date, plate and location of a motor vehicle that exceeds the speed limit by 10 miles per hour.
The alleged citation would have to be reviewed first by law enforcement personnel, perhaps Trooper Donohoe. A citation is then generated and sent to the vehicle owner. A fine of $50 plus a $15 processing fee would be imposed, with a small portion going to the company selected to generate and send out the infraction. A second offense would result in a $75 fine. There is also an appeal process for citizens.
Lindenmayer made clear that citations do not affect insurance rates or points on one’s license since no information is shared with other agencies.
Some in the audience questioned whether this was a way for the town to generate revenue, but Lindenmayer explained that any funds must be used for safety measures. He gave the examples of repainting crosswalks and paying state troopers for overtime.
And there are initial startup costs, he said. The purchase of two solar-generated cameras will cost $46,000.
Because so much data was presented during the hearing and for most, it was the first time seeing it, resident Lynn Harrington said the Dec. 6 meeting should be pushed back.
“There’s a lot of information to absorb and more information that is needed,” Harrington said. “This is critical for people to make an informed decision.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino