Confrontation: This was a case of indignity on Capitol Hill

It has been a couple of weeks or so since the day when U.S. Rep. Ted Yoho (R-Fla.) addressed his female colleague Alexandria Ocasio-Cortez (D-N.Y.) with the most obscene and sexist language. And surprisingly, in the culturally twisted culture that we are currently living in, I heard many reflecting on this distasteful and vulgar encounter with, “What’s the big deal? Everybody does it.” And truly, yes, it happens all the time. From the streets of New York City to the alleys of California, whether in factories, bars, night clubs and even in seemingly dignified corporate offices, this shameful culture of embarrassing and insulting women has been accepted as a common behavior. 

But if this kind of loathsome outburst toward a woman is a commonplace occurrence in various facets of our lives, one still could have hoped that this would never happen in the hallways of our Congress, where we hope our leaders aspire to having the rules of proper personal contact, civility and courtesy formulated and exercised. But as it became clear to us all, the mask of politeness was shattered and the true face of Rep. Yoho was revealed for all to see.

There is no doubt in my mind that Rep. Ocasio-Cortez has not been the most hushed and reserved member of the Congress since she began her freshman term. From day one on her job, she has expressed her views in a spirited and at times forceful manner. Especially for a young representative, she has boldly questioned and criticized legislation and fellow representatives, to ensure that any new laws will benefit the hard-working members of the working class. Her demeanor naturally made her a target as one of the most criticized and despised members of the Congress by the right and the Republicans. But this attitude toward a U.S. representative does not give any congressman the right to speak to a congresswoman in the despicable, foul-mouthed manner that Rep. Yoho did. I would like to note here that none of the Republican congressmen who heard Rep. Yoho’s words addressed to AOC even expressed disbelief or advised him that he had crossed the line. 

Rep. Ocasio-Cortez reacted to this rude event presented in very realistic terms when she said that, “Every congresswoman and every woman in this country, all of us, have had to deal with this in some point and some shape in our lives.”

Interestingly, Rep. Yoho did offer an apology, which was characterized with glaring insincerity. Instead of offering a genuine apology, Rep. Yoho tried to portray himself as a decent man who is a great husband and father. Although Rep. Yoho did utter the words, “I apologize,” he cynically used the moment to make sure that people think highly of him. But that artificial apology did not offer him escape from being disgraced, in my opinion. As The Washington Post reported, “A Christian nonprofit organization that fights world hunger asked Rep. Ted Yoho (R-Fla.) to resign from its board.” 

What is significant here is that Rep. Ocasio-Cortez brilliantly transformed this cruel incident into a broader issue of proper behavior and accountability. She made it a challenge for the entire nation to face and examine. In her speech, which has now  gone viral across cyberspace, delivered on Capitol Hill, she made it clear that the verbal confrontation goes beyond a politician’s views on a particular legislation. What she passionately expressed in her daring speech was her view on a man’s dignity. It was about how men should behave when communicating with female members of their organizations. Rep. Ocasio-Cortez eloquently spoke about other men who also have families, and said that while they may be providers, and they may have wives, daughters and nieces, unfortunately none of these circumstances will prevent men who feel it is their divine right to do so from treating women as if they were lowly creatures who can be insulted and shamed as they please.

This was a brilliant speech delivered by a junior member of the Congress, a woman, advising men who are much older than she about proper behavior, dignity and respect.

Varoujan Froundjian is a graphic designer, Photoshop artist, writer, cartoonist, information technology and wine expert. He can be reached at varoujanfroundjian@gmail.com.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Sharon voters reject controversial school budget, 114-99

The May 8 town meeting and budget vote were moved from Sharon Town Hall to Sharon Center School to accommodate what officials said was the largest turnout for a Sharon budget meeting in recent years.

Alec Linden

SHARON – More than 200 residents packed the Sharon Center School gymnasium Friday, May 8, where voters narrowly rejected the Sharon Board of Education's proposed 2026-2027 spending plan by a vote of 114-99, sending the budget back to the Board of Finance after weeks of heated debate over school funding.

The rejected proposal – the ninth version of the budget since deliberations began months ago – carried a bottom line of $4,165,513 for the elementary school, unchanged from last year. The flat budget came after the BOF ordered the BOE in early April to remove nearly $70,000 from its spending plan.

Keep ReadingShow less

Liane McGhee

Liane McGhee
Liane McGhee
Liane McGhee

Liane McGhee, a woman defined by her strength of will, generosity, and unwavering devotion to her family, passed away leaving a legacy of love and cherished memories.

Born Liane Victoria Conklin on May 27, 1957, in Sharon, CT, she grew up on Fish Street in Millerton, a place that remained close to her heart throughout her life. A proud graduate of the Webutuck High School Class of 1975, Liane soon began the most significant chapter of her life when she married Bill McGhee on August 7, 1976. Together, they built a life centered on family and shared values.

Keep ReadingShow less
‘Women Laughing’ celebrates New Yorker cartoonists

Ten New Yorker cartoonists gather around a table in a scene from “Women Laughing.”

Eric Korenman

There is something deceptively simple about a New Yorker cartoon. A few lines, a handful of words — usually fewer than a dozen — and suddenly an entire worldview has been distilled into a single panel.

There is also something delightfully subversive about watching a room full of women sit around a table drawing them. Not necessarily because it seems unusual now — thankfully — but because “Women Laughing,” screening May 9 at The Moviehouse in Millerton, reminds us that for much of The New Yorker’s history, such a gathering would have been nearly impossible to imagine.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

By any other name: becoming Lena Hall

By any other name: becoming Lena Hall

In “Your Friends and Neighbors,” Lena Hall’s character is also a musician.

Courtesy Apple TV
At a certain point you stop asking who people want you to be and start figuring out who you already are.
Lena Hall

There is a moment in conversation with actress and musician Lena Hall when the question of identity lands with unusual force.

“Well,” she said, pausing to consider it, “who am I really?”

Keep ReadingShow less
Remembering Todd Snider at The Colonial Theatre

“A Love Letter to Handsome John” screens at The Colonial Theatre on May 8.

Provided

Fans of the late singer-songwriter Todd Snider will have a rare opportunity to gather in celebration of his life and music when “A Love Letter to Handsome John,” a documentary by Otis Gibbs, screens for one night only at The Colonial Theatre in North Canaan on Friday, May 8.

Presented by Wilder House Berkshires and The Colonial Theatre, the 54-minute film began as a tribute to Snider’s friend and mentor, folk legend John Prine. Instead, following Snider’s death last November at age 59, it became something more intimate: a portrait of the alt-country pioneer during the final year of his life.

Keep ReadingShow less
Sharon Playhouse debuts new logoahead of 2026 season

New Sharon Playhouse logo designed by Christina D’Angelo.

Provided

The Sharon Playhouse has unveiled a new brand identity for its 2026 season, reimagining its logo around the silhouette of the historic barn that has long defined the theater.

Sharon Playhouse leadership — Carl Andress, Megan Flanagan and Michael Baldwin — revealed the new logo and website ahead of the 2026 season. The change reflects leadership’s desire to embrace both the Playhouse’s history and future, capturing its nostalgia while reinventing its image.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.