Thank you!
Your support is sustaining the future of local news in our communities.

A longtime love affair with guns

As a young person, being  different from the men around me, whether family members or casual acquaintances, was not something I consciously contemplated. As I was growing up and working on defining my so-called manhood, I observed the behaviors of the men in the family and neighborhood, but I never cultivated those behaviors that make a man a real man. And that mostly has to do with men’s love affair and obsession with their guns.

Call me cowardly, timid or weak, but the fact is that from my early childhood to this day, I never developed or established any emotional attachment to guns or any type of weapons and firearms. This is unlike so many of the men I know, who have at times projected an uncontrollable passion toward instruments that basically are manufactured to hurt, kill or frighten a living creature, which can be a human or an animal. 

My first introduction to guns took place when I was a seven- or eight-year-old child, as I watched my uncle, with an almost ceremonial devotion, cleaning and polishing all the bits and pieces of his pistols, rifles and machine gun with only an occasional break, while he deeply inhaled a large smoke of Marlboro and a gulp of a Dewar’s Scotch, which he kept nearby. That image of my uncle expressing his love and devotion toward his weapons will remain with me as the manliest of all manly acts ever performed, in my imagination. Later, I felt the pathos of guns display its glory every New Year’s Eve night, when men in the town blasted the sky with their guns and machine guns, with the intention of pushing back the Old Year like it was the enemy and giving a clear warning to the incoming year so it would behave better than the year that simply became a distinct memory. 

Although my experience with people who adored and worshipped their weapons created a sensation of fear, anxiety and discomfort in me, it also provided me with the understanding and appreciation that guns carry a larger than life dimension and meaning in the hearts of those who own guns, store guns and take good care of their guns. There is a sacred bond and a love affair between men and guns that goes way back to the beginnings of our societies and our earliest moments of communal behaviors and relationships. 

Guns are more than an instrument of protection for our families and communities. Guns provide men with a deep sense of invincibility, immortality and pride. Guns carry a perception of an instrument that has deep mythological proportions. And although the gun industry and gun lobbies are the perfect benefactors of this passion, a man’s love affair with guns goes far beyond logic and proper behavior.

For someone like me, whose heart breaks and I am ready to shed tears whenever I see a deer hit by a car laying down along the side of the highway, I am appalled when men, as if it were a spectacle of sportsmanship, kill pheasants, ducks and geese, without showing any remorse or compassion toward those beautiful creatures who adorn our skies.

Speaking of beautiful creatures, this is how we can describe those young children who were recently massacred at the Uvalde School shooting in Texas. What makes a person walk into a school and shoot at young children? It might be a lifelong research and study for psychologists, but for me, I observed and learned from watching my own uncle whose love affair with his weaponry surpassed his love toward his immediate family and humanity as a whole. That’s exactly what makes a gun a strong symbol of power, faith and sacredness.

And that, in simple words, is crazy and I am glad I turned out to be a whole different kind of man than all the men I grew up with and live with now, even though I know for sure that for all these men, I am just a coward or a wimp. That’s fine with me.

 

Varoujan Froundjian is a digital artist and writer. He can be reached at: varlink3050@gmail.com.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.