The year that was; or was it, really?

Before you assume differently, I know that I should finally open my eyes, and as they say, wake up and smell the coffee. Yes, I know that we are already a whole month into the new year of 2022, facing snowstorms and freezing temperatures. Yet I feel like I am in the middle of unending dreams or hallucinations, which keep me disoriented and sort of lost.

This is when my accountant, who after all these years of preparing my tax returns and also being aware of my occasional habit of procrastination, gently reminds me that although it is still too early to get panicky about taxes, maybe I should slowly and calmly prepare my documents for filing for the past year of 2021. This is when my delirium hits the roof and  I suddenly seem to have totally lost any memory of the year just passed by. “Did 2021 really happen?”, I ask myself, or was it simply a year that should not even have taken place to begin with.

Of course, I know very well that according to the Gregorian calendar, the year is defined as the amount of time it takes for the Earth to orbit the sun one time. I know all that, yet for some strange reason it seems to me that somehow the year 2021 had not been registered in my mind as  a period of time when we have actually lived normal lives. Was the year 2021 simply a phantom, an illusion or perhaps a lie?

What a year that was. I do totally understand why my subconscious mind  has made every effort to make sure that the year 2021 is erased and obliterated from my memory. But again, for simply practical reasons and most importantly to make my accountant happy, I have to face the past year with all its calamities and tribulations.

I guess I have some kind of real facts to prove to myself that the year 2021 did not happen because everything that took place in the days and months of the passing year was characterized as a big lie. Sure, the pandemic, which caused the death of hundreds of thousands was a lie, the election of a new president was a lie, the brutal attack on the Capitol was a lie and of course a white officer choking the life of a Black man was a lie, even though the entire event was recorded on a videotape, yes was a lie or simply over dramatized by the “evil” media. The year 2021 seemed so out of the ordinary that it could have been a blockbuster movie about extraterrestrials who might be living in a galaxy millions of light years away from us.

In other words, this couldn’t have happened in America! Yet it did. What a shame.

But again. Speaking of America is very much different from speaking about another country. Here, we have the incredible ability to be able to wake up from a harrowing and frightening dream and still have the courage to start a new day with the dreams and the hopes for a better future. And even though all the achievements that we have accomplished through decades still can be erased by a simple vote, still this is the only country in the world where hope will never die.

And amazingly, my optimism about our future actually is inspired by an event which took place last year. Yes, it happened in the year 2021, which I wholeheartedly despised and I was trying to forget ever happened.

It was at the inauguration of the newly elected President Biden when an only 22-year-old young African-American poet, Amanda Gorman, asked us to ask ourselves, “Where can we find light in this never-ending shade?” And her simple answer was:

“It’s because being American is more than a pride we inherit,

it’s the past we step into

and how we repair it.”

And this gives me the courage to remember the past year of 2021 with a much more colorful and vibrant vision and gives me the courage to face the challenges of the years to come, with the words of the poet reminding me:

“We will not march back to what was…”

 

Varoujan Froundjian is a digital artist and writer. He can be reached at: varlink3050@gmail.com.

 

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Living art takes center stage in the Berkshires

Contemporary chamber musicians, HUB, performing at The Clark.

D.H. Callahan

Northwestern Massachusetts may sometimes feel remote, but last weekend it felt like the center of the contemporary art world.

Within 15 miles of each other, MASS MoCA in North Adams and the Clark Art Institute in Williamstown showcased not only their renowned historic collections, but an impressive range of living artists pushing boundaries in technology, identity and sound.

Keep ReadingShow less
Persistently amplifying women’s voices

Francesca Donner, founder and editor of The Persistent. Subscribe at thepersistent.com.

Aly Morrissey

Francesca Donner pours a cup of tea in the cozy library of Troutbeck’s Manor House in Amenia, likely a habit she picked up during her formative years in the United Kingdom. Flanked by old books and a roaring fire, Donner feels at home in the quiet room, where she spends much of her time working as founder, editor and CEO of The Persistent, a journalism platform created to amplify women’s voices.

Although her parents are American and she spent her earliest years in New York City and Litchfield County — even attending Washington Montessori School as a preschooler — Donner moved to England at around five years old and completed most of her education there. Her accent still bears the imprint of what she describes as a traditional English schooling.

Keep ReadingShow less
Jarrett Porter on the enduring power of Schubert’s ‘Winterreise’
Baritone Jarrett Porter to perform Schubert’s “Winterreise”
Tim Gersten

On March 7, Berkshire Opera Festival will bring “Winterreise” to Studio E at Tanglewood’s Linde Center for Music and Learning, with baritone Jarrett Porter and BOF Artistic Director and pianist Brian Garman performing Franz Schubert’s haunting 24-song setting of poems by Wilhelm Müller.

A rejected lover. A frozen landscape. A mind unraveling in real time. Nearly 200 years after its premiere, “Winterreise” remains unnervingly current in its psychological portrait of isolation, heartbreak and existential drift.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

A grand finale for Crescendo’s 22nd season

Christine Gevert, artistic director, brings together international and local musicians for a season of rare works.

Stephen Potter

Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, will close its 22nd season with a slate of spring concerts featuring international performers, local musicians and works by pioneering composers from the Baroque era to the 20th century.

Christine Gevert, the organization’s artistic director, has gathered international vocal and instrumental talent, blending it with local voices to provide Berkshire audiences with rare musical treats.

Keep ReadingShow less

Leopold Week honors land and legacy

Leopold Week honors land and legacy

Aldo Leopold in 1942, seated at his desk examining a gray partridge specimen.

Robert C. Oetking

In his 1949 seminal work, “A Sand County Almanac,” Aldo Leopold, regarded by many conservationists as the father of wildlife ecology and modern conservation, wrote, “There are some who can live without wild things and some who cannot.” Leopold was a forester, philosopher, conservationist, educator, writer and outdoor enthusiast.

Originally published by Oxford University Press, “A Sand County Almanac” has sold 2 million copies and been translated into 15 languages. On Sunday, March 8, from 3 to 5 p.m. in the Great Hall of the Norfolk Library, the public is invited to a community reading of selections from the book followed by a moderated discussion with Steve Dunsky, director of “Green Fire,” an Emmy Award-winning documentary film exploring the origins of Leopold’s “land ethic.” Similar reading events take place each year across the country during “Leopold Week” in early March. Planning for this Litchfield County reading began when the Norfolk Library received a grant from the Aldo Leopold Foundation, which provided copies of “A Sand County Almanac” to distribute during the event.

Keep ReadingShow less

Erica Child Prud’homme

Erica Child Prud’homme

WEST CORNWALL — Erica Child Prud’homme died peacefully in her sleep on Jan. 9, 2026, at home in West Cornwall, Connecticut, at 93.

Erica was born on April 27, 1932, in Doylestown, Pennsylvania, the eldest of three children of Charles and Fredericka Child. With her siblings Rachel and Jonathan, Erica was raised in Lumberville, a town in the creative enclave of Bucks County where she began to sketch and paint as a child.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.