Lindenmayer to step down at end of first term in Kent’s top post

Kent First Selectman Marty Lindenmayer will vacate the office in Town Hall following the upcoming November election.
Alec Linden
Kent First Selectman Marty Lindenmayer will vacate the office in Town Hall following the upcoming November election.
KENT — First Selectman Marty Lindenmayer has decided to step down from the position after completing one term.
Nearing two years in office, he sat down to decide whether or not he wished to stay. He factored in the progress he had made, along with the time requirements of the job, describing his busy days at the office and meetings going until 10 p.m. some nights. He thought the town would continue to progress without him, describing, “I think that rock is rolling a little bit downhill, and people would jump on it and make it their own.”
In an interview Wednesday, July 2, Lindenmayer cited the amount of time necessary to fulfill the town’s top position as his reason for not running for a second term, despite positive reception. In particular, he mentioned his desire to be more present for his family, especially his young grandson.
Elected as an unaffiliated candidate in 2023, Lindenmayer focused much of his attention on cultivating communication and transparency between the municipal government and the townspeople, all while he worked to create more affordable housing and propel economic development after Covid.
Lindenmayer touched many aspects of the town during his two-year term. In particular, he was proud of his efforts to develop affordable housing and make the town more appealing to younger generations.
He also mentioned he created the first Economic Development Committee in Kent. “Let’s figure out what we really need for the town; that’s from culture and education, arts to small manufacturing, or service industry,” he said when explaining its purpose.
Lindenmayer retired to Connecticut after serving as a member of the U.S. Navy and later specialized in defense intelligence and technical special operations.
He was recruited into the Navy by a former fraternity brother and was accepted into an intelligence training program and began doing work in special operations. He explained the main problem he solved was “how [to] use technology to track and trail people, and so on.”While he gained experience in more than 132 countries, in and out of service, he also met his wife while stationed in California, and they married in Kent, her hometown.
The family returned to Kent for their retirement and built a home. From there, Lindenmayer found purpose in serving the local community, from coaching to teaching and eventually becoming head of the school board. It was there that he was inspired to run for selectman, worried that the town was not moving away from Covid.
Looking forward to what comes next, Lindenmayer said the most important thing is his family. He explained his wife of 40 years had recently retired and that he now has a two-year-old grandson. Having been in the military for much of his children’s childhoods, he felt that it was even more important for him to be present in his grandchild’s life now.
In the end, Lindenmayer expressed he still wished to be involved in the town. He appreciated that his time as Kent selectman had allowed him to become a focal point for its townspeople, and had given him the opportunity to be available for their needs and even come to know them individually.
Following the memorable benefit reading last season of Charles Busch’s Tony-nominated Broadway hit, “The Tale of the Allergist’s Wife,” the Sharon Playhouse will present a one-night-only staged reading of his riotous comic melodrama “Die Mommie Die!” on Friday, Sept. 12 at 7 p.m.
The production —a deliciously over-the-top homage to classic Hollywood mid-century thrillers — continues the Playhouse’s artistic partnership with Busch, who reprises his iconic role of the glamorous yet troubled songstress Angela Arden.
The playwright and performer is no stranger to the Playhouse and, luckily, he’s supported by a truly stellar powerhouse cast of top-notch comic actors — some returning to the Playhouse stage, and some making their debut. The cast includes Richard Kind; two-time Tony Award nominee Kristine Nielsen, who was part of the original New York cast; Tony Award winner Celia Keenan-Bolger; Andrew Keenan-Bolger; and Claybourne Elder.
The production also marks a fortuitous alignment of talent and history. It is directed by Sharon Playhouse Artistic Director Carl Andress, who performed in the play’s Los Angeles premiere in 1999.
“I have a long and happy history with this particular show,” Andress said. “At the Sharon Playhouse, we’re thrilled to offer unforgettable, one-of-a-kind live experiences. With Charles Busch and this phenomenal cast, ‘Die Mommie Die!’ will surely light up the Olsen Stage with laughter, wit and glamour.”
The original music is by Lewis Flinn, whose score for the 2007 Off-Broadway production is being adapted specially for this event.
The play is a classic Charles Busch concoction that, like all his work, lovingly and intelligently spoofs some of the greatest talents and tropes of stage and screen. The original production was praised by critics as his “funniest, most accomplished and, without question, raunchiest work.”
In 2003, Busch won the Best Performance award at the Sundance Film Festival for the film version of “Die Mommie Die!” His indelible contributions to American theater have been recognized with countless awards and he was recently inducted into the Theater Hall of Fame.
The event promises to be an unforgettable night of laughter, glamour and theatrical fun, with all proceeds going to benefit Sharon Playhouse’s productions and educational programs. The funds will help ensure that the Playhouse continues to thrive as a cultural destination for audiences and artists alike.
For tickets, visit: sharonplayhouse.org. Running time: 90 minutes.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in West Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.
Poet, children’s book author, short story writer, essayist, and most recently, author of two books of creative non-fiction about the Holocaust, Gwen Strauss is what might be called a polymath of literary genres.
“The Nine” (St. Martin’s Press, 2021) tells the story of nine women who, near the end of World War II, escaped a death march from Ravensbrück — a political concentration camp for women — and managed to make it to the Western Front. It’s a riveting read and a New York Times bestseller.
Now comes “Milena and Margarete” (St. Martin’s Press, published this past August). Yet again, Strauss melds meticulous historical research with a profound and moving story of perseverance in the face of horror, this time focusing on the true story of two women prisoners who met at Ravensbrück and fell passionately in love.
Strauss says of her path to becoming a writer that it was “both foolish and brave in equal measure,” and adds that her life has “a nomadic trajectory.” The first part is fully accurate; the second, an understatement. Born in Haiti, she moved to Florida with her mother after her parents divorced when she was 10.
Her nomadism took off right after high school, when she spent a year with her boyfriend on a small wooden sailboat that had a motor but no shower or head. The trip took them to Central America, where they encountered a dangerous, secret war. During that year on the sea, Strauss dove deep into reading — and the writing bug bit her hard.
After Strauss returned home (and yes, broke up with the boyfriend), her nomadic impulse didn’t end. She spent a year in Kyoto studying Japanese women poets of the 11th century, earned a master’s degree in education, and then taught second grade for a year.
Her winding life was only getting started. In 1989, Strauss moved to Paris, where she wrote freelance articles for magazines, short stories and poetry. She also met her husband (they later divorced). Together, they refurbished a barge and spent the next five years as part of the bargee community, traveling the riverways of Europe.
During this time, Strauss gave birth to twins; a third child was born in 2000, after the couple had moved to Savannah, Georgia. In 2005, Strauss moved to the south of France with her three children. In 2007, she ceased wandering when she was appointed director of the Dora Maar House (now the Dora Maar Cultural Center), an international residency and cultural center in Ménerbes, France.
It turns out Strauss has roots in our area. After her parents’ divorce, she spent several summers and holidays with her sisters and step-siblings at the 375-acre former dairy farm in Amenia owned by her father, Julian Strauss. Today, she regularly returns to visit her father and stepmother, as well as her sister Tilly Strauss (town clerk of Northeast), who lives with her family on the farm.
Strauss’s peregrine past helps explain why her narratives so acutely express empathy for the dead souls whose lives were uprooted from their homes not by choice — as was the case with her — but by the cruelties of history.
As part of the White House Speaker series sponsored by Oblong Books, Gwen Strauss will be in conversation with Laurie Fendrich at The White Hart Inn on Sept. 18 at 6:30 p.m. Tickets can be reserved at the following website:https://www.eventbrite.com/e/the-white-hart-speaker-series-gwen-strauss-milena-and-margarete-tickets-1538087253379
Laurie Fendrich is a painter and writer living in Lakeville. She is a 2016 Guggenheim Fellow and is represented by Louis Stern Fine Arts in Los Angeles.
Vintage glassware from estate sale.
You never know when inspiration will strike. Sometimes it’s in the quiet of a local gallery or boutique — I’ve designed an entire space around a Karen LeSage canvas or an Italian petal bowl from Honeychurch Home in Salisbury.
But just as often, it happens in the hum of a fall farmers market — and we have plenty of those, too. With my market basket firmly in tow, I love to traipse through pop-up shops, tag sales, farm stands, you name it. I’ve found something fabulous at them all. You never know how décor-changing (or life-changing) that single piece you stumble across can be.
I have a good friend who left her TV job and started a thriving quilting business after finding a bag of rare quilt blocks at Brimfield! These finds are treasures — from handwoven baskets to antique accent chairs — they can become the seed that grows into an entire room.
Fall is the perfect season to discover these pieces. The events that pop up in September and October are more than community gatherings; for those of us who love design, they’re décor Disneyland. With farm stands bursting with harvest color and craft tents filled with one-of-a-kind artisanal goods, these markets offer more than cider and pumpkins. They offer unlimited inspiration.
Picture this: You’re wandering through a fall festival and come across a pottery stall. A deep plum vase catches your eye, its glaze shifting from violet to moss green depending on the light. That vase isn’t just something to sit on a shelf —it’s a color story waiting to unfold. Let’s do it: layer pillows in your living room in the same shades of plum, add a throw that picks up both violet and green, and hang artwork with hints of all three.
A design friend once said, “Think threes.” An accent color will be grounded in a room’s palette if it shows up in at least three ways. Now let’s add in natural textures — linen, rattan, unfinished wood — and suddenly your space feels curated yet cozy, all because of one object you loved enough to bring home.
In another corner of the market, a stack of vintage cookbooks or hand-carved wooden spoons might catch your eye. Instant kitchen design inspiration. Open shelving, a row of mismatched ceramic bowls, copper pots hanging on hooks — these touches, combined with your market finds, tell a story of warmth and gathering.
Fall 2025 trends lean toward saturated colors and layered materials, so play with rich terracotta, mustard and deep green alongside natural woods and stone. The layered effect feels both current and timeless.
And then there’s the bedroom. Maybe a fall festival revealed a quilt stitched in bold geometric patterns. It can be hung on the wall from a rustic stick as a tapestry or draped across the bed as a cozy centerpiece. From there, pull accent colors for the walls or side tables, choose lamps with sculptural bases to echo the quilt’s forms, and soften the space with layered rugs. Suddenly, what might have been a forgotten craft becomes the heartbeat of a personal sanctuary.
Even utilitarian rooms can be transformed. A handwoven basket bought at a craft fair can become the muse for your mudroom. Picture a bench topped with chunky knit pillows, walls painted in a warm clay tone, and hooks made of forged iron. The textures echo the weave of the basket, creating a room that feels intentional — even if its primary purpose is storing boots and coats.
This fall’s design mood is all about storytelling through objects. Designers are leaning into the trend of building spaces around meaningful pieces — things with a history, a heart, a handmade quality. Not the “buy everything from a single online vendor” vibe.
Metallics like chrome and nickel can add contrast to these earthy finds, while plush textures like velvet and wool keep things firmly planted in comfort. A farmers market candleholder, an estate-sale gilded mirror, a festival-made watercolor in a rustic frame — all can serve as anchors for bigger choices, from paint colors to furniture selection.
The trick is to let the object lead. Don’t try to match everything perfectly; instead, build harmony through layers. Pull two or three colors from your find and use them repeatedly in different materials — linen, wood, ceramic, even metal. Let texture do some of the work, too. A rustic carved bowl looks richer when paired with a sleek chrome lamp or a plush velvet pillow.
So this season, as you head out to sip cider, pick apples or browse handmade goods, keep your design eye open. The markets may come and go, but the story you bring home can last a lifetime.
Kerri-Lee Mayland is an Emmy award-winning news anchor and designer. She lives in Lakeville.
Tom Emerick and Joni Beveridge in front of Black Squirrel Antiques.
Joni Beveridge and Tom Emerick, owners of Black Squirrel Antiques, have put their beautiful building at 308 Main St. in Lakeville on the market. Does this mean they’re abandoning the antiques business?
“Not at all,” said Emerick. “This business is addictive, and it’s better to stay active than sitting on your front porch in a rocker. We’re just planning to move to a smaller venue — Ball & Claw Antiques in Port Ewen, a town just outside Kingston — a cozy shop with nine other vendors.”
Beveridge chimed in. “Ball & Claw is the perfect next step for us.When you have a booth in a group store, you don’t need to be there all the time. All the vendors help each other out.”
Emerick and Beveridge have been in the antiques business for many years. They moved north from Naples, Florida, in 2017, bringing their existing treasure trove and adding exponentially to it as they settled into their current location. Prior to their Florida stint, they were the proprietors of a shop in Saugerties, from 1994 to 2008.
Both brought strong prior experience to their business ventures. Ermerick, a former carpenter, specialized in fixing up old houses and refurbishing antiques. Beveridge worked in real estate for many years, helping them secure commercial and residential spaces with each move.
“The success of our whole operation is predicated on finding ‘diamonds on the rough’ — items that need restoration,” said Emerick. “There isn’t anything I can’t repair for resale, and I’m able to make each piece attractive and functional again.”
Joni Beveridge shows a customer a lamp. Bob Ellwood
How does one downsize a business that easily holds 10,000 antiques?
“We’ve done this twice before,” said Emerick.“You choose your most valuable, saleable pieces — like this drop-leaf cherry 19th-century table,” he said, gesturing.“If we can’t sell it at a decent price, we’ll just take it with us.”
Beveridge added, “Ditto on the ‘smalls’ — what dealers call little pieces like jewelry, diminutive statues, and glassware.Those will go with us unless we can sell them first.”
“Once we have a closing date on the building, we intend to have a huge sale, open to the public,” said Beveridge. “Anything that’s left over — well, there’s always the Lakeville Transfer Station. At the end, you can’t be sentimental. You sell what you can, take what you can, and move on.”
“Until this building is sold,” said Emerick, “we’re in business.”
Beveridge added, “Someone will fall in love with this big, lovely, multi-use building and buy it. The only question is when.”
For now, Black Squirrel Antiques is open Saturday and Sunday, or by appointment. Email Tom at temerick@outlook.com, or call 845-264-1090