Live Music at the American Mural Project

The New Mosaic performing at the Live @AMP music series.
Judy Griesedieck


The New Mosaic performing at the Live @AMP music series.
Known for its stunning 120-foot wide, five-story tall “Mural to the American Worker” by artist Ellen Griesedieck, the American Mural Project, also known as AMP, is located next to Whiting Mills in Winsted, Conn. AMP also offers educational programs for youth, summer camps, book talks, and has recently added musical programming.
After formally opening the main gallery to the public in the summer of 2022, the music series “Live @AMP” began in 2023 with the intention of expanding AMP’s scope and demographic through both visitation and event attendees.
Director Michelle Begley explained AMP’s goals. “We wanted to establish AMP as a high quality event space by bringing in dynamic, professional artists to create a synergy of music, performance and art.”
Asked how she finds talent, Begley said, “My colleague Mimi Madden and I work closely with our artistic and executive directors to invite established and innovative Connecticut performing artists complemented by national and internationally recognized musicians, poets and speakers. It’s fun to both support local musicians, think big, and reach out beyond Connecticut!”
AMP’s “Happy Hour Piano Series” has become a monthly anchor event that features solo pianists who play a multitude of styles. Recent performances by Jen Allen, TJ Thompson, Isabella Mendes and Warren Byrd drew great crowds of jazz lovers. Jeff Bortako and Dan Ringuette had people singing along with their pop and holiday tunes while the passion and technique of classical pianists Maria Centola and Heather Reichgott moved audiences.
“We were gifted a beautiful baby grand piano by a steadfast supporter, the Greenberg family, who also support the series,” Begley explained.
AMP has hosted a wide variety of musicians including full bands performing soul, jazz, R&B, gospel, latin jazz, funk, swing and rock. The room has hosted Connecticut bands like West End Blend, Eight to the Bar, Theresa Thomason with the KC Sisters, Nikita, Ed Fast, and One Time Weekend, and there’s more in store.
“In 2025, we’re bringing in our first Grammy nominee, Eric Bibb, for what promises to be an incredible blues performance in April; the grunge band Gryme to connect to our community college population in September, and our first A Cappella Showcase that will feature student singers from colleges across New England,” Begley said.
Audiences can experience the excitement and energy of listening to great music, surrounded by incredible art with a big dance floor and great sound.
“We’ve been incredibly fortunate to work closely with John Fiorello of The John Samuel Group to help us invest in our sound and address the challenges of working in such a vast space. John’s skill has been critical to our success as he is adept at optimizing every musician and vocalists’ performance, no matter the challenge,” Begley said.
As an active professional musician, teaching artist and voice teacher working in Connecticut for the last 30 years, Begley has worked in communities from Hartford to Torrington to the Northwest Corner.
“I’ve connected with an inspiring array of the wonderful and committed musicians who are perpetually digging deep to give of themselves to the vibrant and growing arts scene in Connecticut,” she said.
Cultivating a spirit of collaboration and community in all its events and programs, AMP is committed to creative partnerships. Local restaurants provide food and local bookstores have sponsored author based “AMPTalks.”
“The string quartet performance this past October, in partnership with the Hartford Symphony Orchestra, highlighted the ‘industrial cathedral’ acoustics of the AMP space. We’ll be doing that and more in 2025 and 2026!” Begley said.
For audiences, the combination of exploring the mural’s massive art installation and inherent storytelling along with each performance makes every AMP event a remarkable experience.
Upcoming shows for 2025 include the New Haven based singer/songwriter Natalie Hamilton for the Friday, Jan. 25 Happy Hour Piano Series and the electric neo-soul vibe of The New Mosaic on Saturday, Feb. 1.
For more information, visit: www.americanmuralproject.org/all-events
Alec Linden
A 22.5-acre property at 60 Millerton Road in Sharon is at the center of a trust dispute over the sale of the land to Jasper Johns-related arts nonprofit Low Road Sharon Inc.
SHARON – A nonprofit established to transform painter Jasper Johns' 171-acre Sharon property into an artists' retreat upon his death is attempting to purchase a neighboring 22.5-acre farmhouse, but the proposed sale has become entangled in a family probate dispute.
Low Road Sharon Inc., a nonprofit established by the 96-year-old painter, is seeking to purchase 60 Millerton Road, a farm that borders the organization's 171-acre property approved by Sharon's Planning and Zoning Commission for the future retreat. The organization has not publicly disclosed how it intends to use the additional parcel if the purchase is completed.
Before any sale can proceed, however, the Litchfield Hills Probate Court must resolve a dispute among members of the family trust that owns the Millerton Road property. A hearing is scheduled for June 30, when Judge Jordan Richards is expected to decide whether to approve the sale and rule on objections filed by one of the trustees.
According to probate court documents, Peter Bartram has objected to a petition filed by his sisters, Carey Meltzer and Amy Bartram, seeking court approval to sell the property held by the Hillside Farm Trust. In a June 11 filing, Bartram said the proposed transaction is the second attempt to sell the property to the same buyer after an earlier effort was blocked by the court since he did not agree to the sale.
"In September 2025, the Trustees accepted an offer of $615,000 from the same buyer, Low Road Sharon Inc.," Bartram wrote in his objection to his sisters’ second attempted sale. "All beneficiaries except the Movant [Peter] signed the Beneficiary Approval. The Court denied the proposed modification on November 26, 2025.
The new petition seeks approval for essentially the same sale, with the purchase price of $650,000, an increase of $35,000 since the last attempted sale.
Neither the parties to the probate case nor Conley Rollins, who has represented Low Road Sharon in previous town applications and is the COO and CFO of the Brooklyn Museum, provided comment. Rollins also did not respond to questions about whether the proposed purchase would be connected to the artists' retreat.
The property at 60 Millerton Road includes an unoccupied 1840 white clapboard farmhouse near the Silver Lake Shores neighborhood. Together with two much smaller adjoining parcels included in the proposed sale, it has been held by the Hillside Farm Trust since 2013.
The trust was established in 2012 by Maynard and Barbara Bartram, who were both raised in the colonial home, which sits prominently at the corner of Millerton Road and Silver Lake Shore Road.
Following Maynard Bartram's death in 2021 and the death of their daughter, Sarah Noyes, in 2022, Carey Meltzer, Peter Bartram and Amy Bartram have served as the remaining trustees. Peter Bartram, however, was removed as a trustee by court order in 2024 after he removed several trees from the property to protect a barn without his siblings’ approval.
As part of the June 30 proceedings, Judge Richards is also expected to consider Bartram's request to be reinstated as a trustee.
In an April 30 court filing, Meltzer and Amy Bartram argued the property has become a financial burden for the trust and they have a right to put it on the market.
"The farm is a significant and depreciating asset that incurs ongoing carrying costs including property taxes, insurance, maintenance and utilities," they argued.
The three parcels included in the proposed sale are assessed at more than $813,000, with the main 22.5-acre parcel accounting for nearly all of that value. As of June 25, the property was listed for sale through Elyse Harney Real Estate for $795,000.
The proposed purchase has drawn interest because the Millerton Road property directly borders land already designated for Low Road Sharon's planned artists' retreat.
The retreat, approved by Sharon Planning and Zoning in 2017, encompasses approximately 171 acres spread across six parcels that stretch from Low Road to the shoreline of Mudge Pond. The approval allows up to 24 artists in residence at one time and does not permit public access to the campus. The property would be able to contain up to six housing units. Each housing unit is permitted to accommodate up to three people.
Any proposal to expand or materially alter the footprint approved in 2017 would require additional review by the Planning and Zoning Commission and a public hearing, outgoing Land Use Administrator Jamie Casey said.
Low Road Sharon has not indicated whether the Millerton Road property would become part of the retreat or serve another purpose.
Johns, who has lived in Sharon for more than three decades, is widely regarded as one of America's most influential living artists. According to the 2017 statement of proposed use submitted to the town, the residency program is intended to become "one of the leading artists' residency programs in the United States," comparable to MacDowell in New Hampshire and Yaddo in Saratoga Springs, New York.

The proposal envisioned a staff of roughly 20 to 25 people, some of whom would work at an administrative functions and event space based at a downtown Sharon office.
Construction is already underway on that downtown property, including a new building which is going up where the former Bargain Barn thrift store was located at 1 Low Road. The two-building complex, approved after months of public hearings last year, will primarily serve as the nonprofit's administrative center and include a venue designed to host occasional public cultural events that would be free to the public.
Low Road Sharon was incorporated in 2022 to establish a short-term residency program for artists across multiple disciplines. According to its 2024 tax filing, the organization reported approximately $32 million in assets. A separate philanthropic organization founded by Johns in 2004, the Low Road Foundation, reported approximately $255.5 million in assets in 2024.
The commercial district project boasts an impressive development team. Lead architecture outfit Johnston Marklee & Associates is a Los Angeles-based firm with an accomplished international portfolio of projects like the Museum of Contemporary Art Chicago, Kunstmuseum Basel, the Institute of Contemporary Arts at the University of Pennsylvania and many others.
New Haven’s Reed-Hilderbrand is the landscape architect for the Low Road development, and has designed for a wide variety of clients, including Yale University, Duke University and the Hudson Valley’s famed outdoor museum, the Storm King Art Center.
The owner’s representative Envoie Projects also manages high-profile arts facilities such as Harlem’s Apollo Theater, The Delacorte Theater in Central Park, and again, the Storm King Art Center.


Natalia Zukerman
Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.
On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.
The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.
At a moment when many people are expected to reflect on their accomplishments, Harney used her commencement address to talk instead about possibility.
“God has a job for you,” she told the graduates. “Something that you alone can do.”
That line may very well be the organizing principle of a life that has included hotel management, raising five children, launching two businesses, serving on local boards, helping found the Salisbury Volunteer Ambulance Service and, somehow, still finding time to reopen conversations about preserving historic institutions.
One of the most striking parts of Harney’s address centered on beginning again.
When she and her husband were 50 years old, the partners of the White Hart Inn in Salisbury, where John was general manager for many years, decided to sell. Suddenly, the couple needed a new source of income.
John launched what would become Harney & Sons Fine Teas, and Elyse opened a real estate office across the street.
“Simple as that, I did,” she told graduates with characteristic understatement.
Of course, anyone familiar with the growth of Elyse Harney Real Estate knows there was nothing simple about it. What began as a small local office became one of the most respected real estate firms in the region, helping define the market across northwestern Connecticut, the Hudson Valley and the Berkshires.
Her commencement address wandered delightfully through subjects that rarely appear together: Nobel Prize-winning genetic research, French entrepreneurs, Catholic education, self-driving cars, German teachers and divine purpose.
At one point, Harney reflected on the women who educated her at St. Joseph’s.
“They made it very clear we could do whatever we wanted to do, if we were willing to work for it,” she said. “Being a woman was not a handicap.”
For graduates entering a world transformed by artificial intelligence, political upheaval and economic uncertainty, Harney offered neither nostalgia nor easy reassurance.
“AI is here,” she said. “We have to learn to use it and to control it.”
After discussing technology, entrepreneurship and faith, Harney turned to the subject of consciousness. Quoting author Michael Pollan, she shared the final lines from his new book, “A World Appears: A Journey Into Consciousness,” that she said had stayed with her:
“Consciousness is a miracle, truly. It is the most mysterious of things, and yet it can be put in one short sentence: I open my eyes and I see the world.”
Then she offered her final message to the graduates.
“Open your eyes and see the world.”
At 95, Elyse Harney is still opening her eyes and seeing the world. Thankfully, she’s still telling the rest of us what she finds there.
Richard Feiner And Annette Stover
Think logically and then break the mold with creativity.
— Pilar Proffitt
Pilar Proffitt is forging a remarkable artistic path grounded in her long history in Northwest Connecticut. Proffitt is a true Renaissance woman with a quirky sense of humor — a visual artist, architect, designer of interiors, furniture and products, and curator of home furnishings.
Her latest grand project is still quite literally under wraps. Large windows obscured by construction paper on a bustling avenue in Manhattan prevent passersby from peeking into the 15-story boutique hotel designed and furnished by Proffitt for an international hotel group, which is nearing completion. The hotel’s lobby, restaurant, common areas and rooms stand out for their attention to design — from the furnishings, colors and fabrics to the mosaic floor tiles, hardware, wrought-iron gates and stairs, selection of antique books, and the art on the walls. The collection includes paintings by Proffitt, photographs by Wassaic Project co-Executive Director Jeff Barnett-Winsby, time-lapse photography by Xan Padron and classics from the Warhol Factory.
Proffitt and her husband and business partner, Robert Bristow, are well-known leaders in the art and architecture communities, and their home, studio and workshop in Lakeville; store and office at 16 Main St. in Salisbury; and gallery space in Norfolk are vibrant hubs for arts and design in the region.
Proffitt has been coming to the area since she was a teenager. Originally from Puerto Rico, her family moved to the New York City area in the 1970’s. Her artist and architect father encouraged her interests in art and design and her deep desire to create. At school, she excelled in math and art and soon realized that this was all she wanted to do. “Think logically and then break the mold with creativity,” she said.
Armed with a degree in visual art from Trinity College, she pursued advanced studies at Berkeley and Pratt before receiving a master’s degree in architecture from Virginia Tech in Blacksburg, Virginia, where she met Bristow. Both landed apprenticeships in Boston and were drawn to the arts community in Norfolk centered around the Yale Summer Arts Program. The area quickly became their personal and family anchor.
They started Poesis, a furniture design and manufacturing studio, with a small loan from her mother. They landed a major house project and soon met a hotelier at a party who hired them on the spot to design a hotel in Washington, D.C.
Proffitt said, “I was hooked because it combined everything I wanted to do creatively: design experiences in the broadest sense with all the supporting pieces of the puzzle — furniture, objects, art. My father felt that architecture was the Renaissance profession: It holds the seeds of art, design, engineering and all the other ingredients. For me, it all starts with art.”

Proffitt is devoted to the area. She and Bristow raised their family in Lakeville. Their daughter Grace, a sculptor, attended Hotchkiss and is pursuing her MFA at University of Pennsylvania. Their daughter Ellis, also a graduate of Hotchkiss and Trinity, is a mathematician and aspiring actress in Los Angeles; and their son Sam attended Salisbury School and is a junior at Trinity, majoring in art history with a minor in architecture. They all are carrying forward the family’s passion for arts, architecture and design.
Proffitt’s interior design work and unique furniture pieces welcome visitors at Hotchkiss’ Art Center, the Scoville Memorial Library, her own wHole hOuse shop in Salisbury and, soon, across the street in the new Jam Food Shop, which is expected to open this fall.
The region’s many museums and galleries include some of Proffitt’s favorites, from Mass MoCA and the Clark to Salisbury’s Geary, Mad Rose in Millerton, Jack Shainman in Kinderhook and Art Omi in Ghent. Proffitt loves the connections and new opportunities brought to the community by the increase in full-time residents, as well as impromptu get-togethers with friends — recently watching a Knicks playoff game at the tavern bar at the White Hart. Moments like that keep her grounded here.
In addition to the White Hart, Proffitt is a fan of area restaurants, including Fern for a quick pasta at the bar; Isabela in Amenia, where Michelin-starred chef Jose Ramirez Ruiz is from Puerto Rico; and Clare de Boer’s Stissing House in Pine Plains.
A perfect day for Proffitt is spent working in her studio overlooking Lake Wononscopomuc, without distractions, rain or shine. It is a quiet and peaceful place that supports her many architecture and design projects. When asked what she would say to a younger version of herself just starting a career, she responded, “Don’t be so shy. As one of my professors told me, ‘Sometimes you just have to crash the party.’ Draw, write, run, play tennis. And travel!”

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D.H. Callahan
The set for “Swingtime Canteen” transports the audience to WWII London.
Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.
That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.
From the moment you enter the playhouse, the stage takes you right back to another time, with recruitment and War Bonds posters setting the tone alongside soldiers’ footlockers and blankets. When the lights go down, the smiles of the cast light up the room, and the audience is quickly recast as a troupe of American G.I.s.
What follows is a jukebox musical in the truest of sense, bouncing from one 1930s hit to more “contemporary” 1940s tunes and back again, all performed with the kind of polished finish audiences have come to expect from the Sharon Playhouse.
The gals in the band are our entire cast, and they spin yarns in between numbers, throwing the spotlight back and forth between the five singing-and-dancing sensations. But they don’t stop there. Between piano, saxophone, drums and even a banjo, they work with the musicians on stage to create that quintessential ‘30s and ‘40s sound.
“Swingtime Canteen” transports its audience to a time when, unlike today, there was very little division among Americans. The war they were fighting had a 97% initial approval rating from U.S. citizens. In a year when the nation is celebrating its 250th anniversary, the production serves as a reminder of a moment when Americans largely shared a common purpose and a common enemy. Even if the swinging songs of the ‘30s and ‘40s aren’t your thing, the production is a marvelous little escape to a time when life was a little simpler and the lines between good and evil were a little clearer. For showtimes and tickets, visit sharonplayhouse.org
Robin Roraback
Ken Mussleman with his paintings “Red Apple #2” and “Nine Servings Daily.”His show, “Time Passages,” opens Saturday, June 27, at Hunt Library in Falls Village.
Hunt Library in Falls Village will host a farewell show of the work of well-known local artist Ken Musselman, beginning with an opening reception on June 27 from 5 to 7 p.m. The show will run until July 31.
Musselman, a longtime resident of the Northwest Corner, recently moved to Woodbury, Connecticut, where he will begin a new phase of his life.
After the loss of his wife of 43 years, Cathy, three years ago, the prolific artist took a break from painting.
“I am finally getting back on my feet,” he said.“I am beginning to paint again.”
“Time Passages” is a collection of his paintings from past years. With this show, he said, he will be “getting rid of the old and starting new.” He intends to “move in a different direction,” which involves a monochromatic palette. “I am in a sepia mood right now,” he explained.
Musselman has long been known for his whimsical paintings. He recalled his first one, depicting deer ice skating, which was sold at P S Gallery in Litchfield.
He explained how he gets his ideas. “I sit and visualize things,” said Musselman. “I paint from my head.”
He is also known for local landscapes, still lifes and flowers. His wife was from East Canaan, and her family’s Ford Farm inspired many of his paintings.
Musselman, who always loved drawing, was studying to be an aviation structural mechanic in the Navy when he painted a mural in the mess hall. He recalled, “They told me, ‘You’re wasting your time being a mechanic.’” So he painted murals and created technical illustrations instead.
After the Navy, while living in Florida, an opportunity arose for a job as a graphic designer at Dotty Smith’s in Lakeville, a women’s fashion and jewelry company that closed in 2001. Musselman applied and moved to the region where his wife had grown up.
Later, he worked full time as a painter, with work in five galleries. He was in his studio “14 hours a day, seven days a week” to keep the galleries supplied.
“Time Passages” contains favorite Musselman themes, including cowscapes, local landscapes, still lifes, flowers and barns, on both large canvases and 4-by-4-inch canvases, in styles ranging from whimsical to realistic.
He is now semi-retired. Future plans include painting portraits inspired by family photos. “I’m not going to chase it anymore. I’ll let it come.”
Musselman is concentrating on a “leap of faith, a new chapter in life.”
For more information, visit huntlibrary.org/
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D.H. Callahan
“Butterfly in the Stomach” by Hanna Washburn at “Bugs!” part of Upstate Art Weekend.
Artist and curator Charlotte Woolf thinks bugs get a bad rap. Her new multimedium show at Foxtrot Farm and Flowers in Stanfordville seeks to change how people see these creepy-crawly creatures.
This time of year, there’s no way to escape the onslaught on bugs closing in from the wild. The little flyers and crawlers somehow penetrate even the tightest window screens. If there’s a crack in a floor board, it might as well have a big neon “Enter” sign. Like zombies from “Night of the Living Dead,” they approach with dispassionate determination.
But bugs aren’t just trying to make you squirm. Woolf’s show, “Bugs!,” highlights the underappreciated roles that insects, arachnids and myriapods play in our lives. They break down natural waste, serve as food for birds, reptiles, amphibians, fish and mammals, and pollinate about 75% of the food humans eat. Without bugs, our world simply doesn’t work.
To shine a different light on them, Woolf has enlisted more than 40 artists working in a wide variety of media, from fiber artists and tattooists to writers, sculptors and painters for a full weekend of art and activities.
The “Bugs!” show is part of Upstate Arts Weekend, an ever-growing celebration of the arts happening throughout the Hudson Valley. This year, the weekend kicks off on Thursday, June 25, at Olana State Historic Site, the estate of celebrated American painter Frederic Church, whose 200th birthday will be part of the celebration.
Events are being held all over the valley, including a dance party at Assembly in Kingston on Friday night. Beyond the official gatherings, Upstate Art Weekend is a chance to find new art and interact with artists and like-minded creative people.
The shows themselves are far too numerous to list. Even the official Upstate Art Weekend website has more information than a mere mortal could comprehend. But with a little determination, visitors can sift through filters to organize events by region, medium or price, though many of the shows are free to the public. There’s even a feature to help plot an itinerary, complete with recommended routes based on drive time, location and preferred pace, making it easier than ever to see as much art as the human heart desires.
For more info about Upstate Art Weekend, visit upstateartweekend.org and for more info on “Bugs!” visit foxtrotfarmflowers.com/events.

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