Low water, bad hip, no fish

Gary Dodson managed this Coho salmon in the Salmon River in western New York two weeks ago despite low flows in that watershed.
Patrick L. Sullivan


Gary Dodson managed this Coho salmon in the Salmon River in western New York two weeks ago despite low flows in that watershed.
This is the autumn of my discontent.
There are two problems disrupting my fall fishing. The first is the drought. I’m not sure it’s been officially declared but I have eyes. My main stomping grounds, the Housatonic and Esopus watersheds, are super low and have been for weeks. These main rivers are just barely fishable, and forget the tributaries.
This is disappointing because fall fishing is my favorite time. Trout put on the nosebag in anticipation of the long, bleak winter, and the chiller temps chase off the more casual anglers.
Not that I’d be able to fish much right now, which brings me to the second problem. Fate has given my right hip the gang gong.In early September I could hardly walk. With the aid of a steroid shot about a month ago, I slid back into the convalescent class and could do a bit of controlled hobbling, but surgery seems inevitable.
A few weeks back I took a week off in the Catskills and on day one limped out into the Esopus, where I played with the switch rod rig my main Catskill fishing buddy Gary Dodson assembled for me and managed one small rainbow before declaring victory and making my painful and awkward way out. I spent the rest of the week chopping firewood, which doesn’t involve the hip much, and watching bad cinema, which doesn’t involve the hip at all.
So I am in the unenviable position of getting my fishing kicks vicariously.
Gary has been out in Pulaski chasing salmon in similarly low flows. As per usual on the Salmon River, it’s hit or miss. Lately more hitting than missing, and he keeps me updated with photos and cryptic text messages such as “Had a good one come unbuttoned last second. Nick said it was at least 25 pounds.” Nick is Gary’s favorite guide, because he is a fearless wader and gets Gary’s salmon in the net.
He also went all the way down to where the Esopus empties into the Ashokan Reservoir with the idea of throwing streamers for big browns. He got smallmouth instead.

Still, it’s better than a poke in the eye with a sharp stick.
On the other hand, what would be worse than a poke in the eye with a sharp stick? Leprosy?
Meanwhile, the Connecticut Department of Energy and Environmental Protection stocked the two Trout Management Areas of the Housatonic recently, and with the flow low but water temperatures acceptable this is the time to get out there and practice stuff with willing participants.
I would be doing two things.
The first is playing around with dry-dropper rigs. This is when you attach a nymph on a dropper tied to the bend of the hook of a very visible dry fly. It is very similar to indicator nymphing except the fish might hit the dry fly instead of the nymph. It also appeals to my inner traditionalist in a way a bright orange bobber most decidedly does not.
I usually go with short droppers, no more than two feet, but I got to thinking about maybe adding a foot or two more and using an unweighted nymph or a wet fly. The idea is the extra length would allow the thing to sink a bit more and wiggle around in a way that suggests it is not in fact tied to that bug bushy thing that just floated by.
Suggestions: Stimulator for the dry, and a leadwing coachman wet fly on the dropper, thus imitating the stone fly and isonychia. Or the almost unsinkable Chubby Chernobyl for the dry, and an unweighted Prince or Zug Bug trailing behind. In deeper runs, assuming you can find any, I might go with a beadhead nymph, but probably not a tungsten head or Perdigon, as I think they’d just get hung up.
The other thing I want to try is using the switch rod rig and a slow-sinking leader to chuck out teams of three wet flies, swinging them downstream. The 11 foot rod and the elaborate combination of running line, shooting head and long leader (15-18 feet once it’s all assembled) requires at a minimum a well-controlled roll cast, a high stick, and a lot of mending.
But it also allows the angler to cover a lot of water without moving around much, which suits my present state. And it would allow me to work on my roll cast, not the strongest part of my game.
As I peck this out on Sunday, Oct. 5, I’ve had three straight days of walking almost normally, indicating the steroid shot has finally kicked in. So if you see someone on one of the more easily-accessed sections of the Housatonic making bad roll casts and cussing profusely, pull over and say hello.
Natalia Zukerman
Broadway is going way off Broadway when it heads outdoors for The Festival at Hutton Brickyards in Kingston Aug. 14-16, transforming the Hudson River waterfront into a three-day celebration of show tunes, stars and sing-alongs. The inaugural event features an all-star lineup including Audra McDonald, Kelli O’Hara, Renée Elise Goldsberry, Brian Stokes Mitchell and dozens more, along with a 30th anniversary celebration of the musical “Rent” featuring original cast members.
Hutton Brickyards is a former 19th-century brickyard transformed into a historic riverfront hotel and event destination spanning 100 acres along the Hudson. Beyond the nightly concerts, festivalgoers can expect campfire sing-alongs, dance parties, master classes, costume contests and a marketplace highlighting Hudson Valley food, drinks and artisans.
Three-day passes and more information are available at BroadwayFest.com.
Natalia Zukerman
The Crandell Theatre in 1948.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces.
Crandell Theatre in Chatham has spent a century bringing stories to the big screen, and this December the historic theater will celebrate its 100th anniversary with a yearlong tribute to the films, filmmakers and community members who have helped keep it alive.
The celebration continues Sunday, Aug. 23, with a special screening of Martin Scorsese’s “The King of Comedy,” presented as part of the theater’s 100th Anniversary Series by Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences. Kramer will introduce the 1982 film, a darkly comic exploration of celebrity, obsession and the pursuit of fame.
The 100th Anniversary Series invites industry leaders and film experts to share movies that have influenced them and continue to inspire new generations of audiences.
“The King of Comedy” is a fitting selection for a theater whose own story is rooted in the enduring power of cinema. Built in 1926 by Chatham native Walter S. Crandell, the theater opened on Christmas Day of that year with the silent film “Michael Strogoff.” Designed by Glens Falls architect Louis L. Wetmore in the Spanish Renaissance style, the freestanding building quickly became a beloved fixture on Main Street.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces. Sound equipment was added in 1929, allowing the theater to transition from silent films to “talkies.”
Over the decades, ownership changed hands, but the theater remained a gathering place for generations of moviegoers. In 2010, following the death of longtime owner Tony Quirino, the theater faced an uncertain future. Community members rallied to save it, with the Chatham Film Club raising approximately $600,000 to purchase the building and complete critical repairs.
The Crandell reopened as a nonprofit community theater in July 2010. In 2018, the organization officially adopted the theater’s name, bringing together its film programming, preservation efforts and annual FilmColumbia Festival under one mission: preserving the theater as a cultural anchor for Chatham and the surrounding region.
A major restoration and modernization project was completed in 2025, bringing the historic theater up to current standards while preserving its architectural character. The renovation included updates to the auditorium, projection systems and building infrastructure.
For former board member Carol Sadlon, the upcoming centennial represents both a celebration of the theater’s history and a testament to the community that has protected it.
“It has been an honor to serve on the Board of the extraordinarily unique Crandell Theatre, celebrating its 100th birthday this December,” Sadlon said. “Renovating the not-for-profit community theater has been a labor of love and commitment for all involved.”
Sadlon noted that the theater’s creation in 1926 reflected the optimism of the era, and that the same spirit continues today.
“Walter S. Crandell, successful Wall Street investor and native son of Chatham, built the 500-seat theater for a community of 3,000 people,” she said. “Thanks to an equally optimistic group of people, the Chatham Film Club, who purchased the theater in 2010, and a very generous community, the theater lives on to continue entertaining for future generations.”
The Crandell Theatre’s 100th Anniversary Series screening of “The King of Comedy” will take place Sunday, Aug. 23, at 4 p.m.
For tickets and more information, visit crandelltheatre.org.
Natalia Zukerman
MOMIX is one of the featured performers at this year’s Arts Connected fundraiser on Aug. 29.
The Northwest Connecticut Arts Council will celebrate the region’s vibrant arts community with Arts Connected 2026, its annual fundraising event, on Saturday, Aug. 29, from 5 to 8 p.m. at Buck’s Rock Camp in New Milford.
More than a fundraiser, Arts Connected is designed as a celebration of the artists, performers and organizations that make the Northwest Corner’s cultural landscape thrive. Guests can enjoy live music and performances, a curated gallery of artwork by regional artists, local food and drinks, and opportunities to connect with fellow arts supporters. Tickets include hors d’oeuvres, an open bar and all entertainment.

The evening will feature live plein air painting by artists from Plein Air Litchfield, performances by Our Culture Is Beautiful (OCIB), fire performer Cinderfella, and Susan Becker Aziz’s monumental humpback whale puppet, originally created for Paul Winter’s “Missa Gaia.” Guests will also have the opportunity to purchase artwork from a curated exhibition, with proceeds supporting the Arts Council’s mission to strengthen and promote the arts throughout Northwest Connecticut.
This year’s honorary host committee includes Meryl Streep, Diane von Furstenberg, Tim Daly, Téa Leoni, Maria Horn, Patti LuPone, Jack O’Brien, Sam Waterston and Paul Winter. Creative cocktail attire is encouraged, and attendance is limited. The event is open to guests 21 and older.
For more information or to purchase tickets, visit artsnwct.org

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Robin Roraback
Once I get all the colors in, they change. Who knows? I might consider more radical colors and then bring it back a little.
— Robert Cronin
Renowned painter Robert Cronin of Falls Village celebrated his 90th birthday with an exhibition, “Robert Cronin: New Paintings,” at the Hunt Library in Falls Village which opened Aug. 8 and will be on view through Sept. 11.
Cronin paints most days in his home studio. He keeps his work fresh by trying new things and has had different phases of work, including figure paintings, paintings on paper, a modular, circle and enclosure series of paintings, as well as a tinplate sculpture series.
Cronin said he never expected to pursue art as a career. He started out at Boston College pursuing another degree but, luckily for him, flunked out and enrolled at the Rhode Island School of Design.
At first, he thought he’d pursue industrial design. But once he was immersed in drawing and painting, he realized he had a natural talent for it. “I fell in love with basic stuff. I had never owned a set of paints.” While at RISD, “In 1958, I instinctively fell into abstract work.”
After graduating from RISD and working for a time as a cleaner at Massachusetts General Hospital while painting whenever he could, he was awarded a full scholarship to an MFA program at Cornell University, along with a living stipend.
He went on to teach for 18 years at various schools, including Brown University, Bennington College and the School of the Worcester Art Museum, which he said he enjoyed the most. “I love my memory of that more than academic places. Whether Brown or a certificate program like Worcester, when you’re good, you’re good.”
After leaving Worcester in 1980, he moved to New York City to pursue his art career. He found success and exhibited his work in several galleries in New York City and around the world.
In 1990, Cronin moved to Connecticut, settling in Falls Village, where he left his tinplate sculpture phase behind and concentrated on painting again.
He explained his current approach to painting. “Everything in this show,” he said, “had a preliminary drawing. Most of my life has been starting from scratch, with no preliminary drawings.”
He makes many small sketches. “One out of 20 drawings may become a painting.” He enlarges the sketch on a copier, transfers it using a grid and paints it on a 16-by-20-inch canvas.
“Once I get all the colors in, they change. Who knows? I might consider more radical colors and then bring it back a little.”
Of starting a new painting, he said, “You don’t know what you are getting into, but it’s terrific.”
To learn more about Cronin and his work, visit robertcroninart.com.
The exhibition will be on view at Hunt Library in Falls Village through Sept. 11. Cronin will give an art talk Thursday, Aug. 13 at 5:30 p.m.
Allison Gollenberg
The Litchfield County Clipper runs between Thomaston and Torrington.
Every Sunday until the end of August, passengers can ride back in time on the Litchfield County Clipper, a scenic train running between Thomaston and Torrington on the county’s only passenger rail line.
The train, operated by the Railroad Museum of New England and the Naugatuck Railroad, follows the Naugatuck River through Mattatuck State Forest and along the Thomaston Dam, making it the only railroad in the country that operates over the face of an active dam. For $26.50 passengers can ride all day, boarding or disembarking at any of the train’s three stops, which include two stops in Torrington and one in Thomaston.
Scott Becker, chair of the Celebrate 30 Committee at the Railroad Museum of New England, said he hopes the project increases local tourism and helps people appreciate the cities as they have in the past.
“The railroad is not just a tourist railroad or heritage railroad. It links the two towns, just like it did in 1849, 177 years ago,” Becker said. “History is repeating itself. The railroad was always an economic development generator.”
In Torrington, there are stops at Market Street Creatives, an artisan market housing 230 vendors, and the newly restored Railroad Square, a short walk from the city’s downtown. Some local businesses offer passengers discounts if they bring their ticket.
Market Street Creatives opened in August 2025, in the building that housed Turner and Seymour Manufacturing Co. from 1870-2009. Owner Eric Royer wanted to create a space that gave small businesses a chance to showcase their work without expensive, long-term rental commitments.
“I had a big manufacturing company in town. I just got tired of it,” Royer said, “When I turned 50, I decided I wanted to start a business that was going to make a difference locally, in our community. I wanted to be able to help small businesses start and grow.”
The market recently partnered with the railroad museum, even programming and installing its own departures board to keep visitors apprised of the train’s whereabouts. Royer said it’s brought in a good bit of business.
“It brings in a couple hundred people over the weekend,” Royer said. “No other vendor market around that I know of has train access.”
Railroad Museum of New England Board of Trustees Vice President and Volunteer Coordinator Craig Czarsty said planning for the Litchfield County Clipper started back in December and was inspired by the revitalization projects happening in Torrington.
Today, the railroad offers scenic excursions, but for more than a century after opening in 1849, it was a vital transportation corridor, carrying passengers, mail and freight. The line stretched from Bridgeport to Winsted and even offered express service to New York City. Clock manufacturers, including Seth Thomas, relied on the railroad to ship their products.
“One of the things that’s fascinating to me is that more clocks were made in the Naugatuck Valley than anywhere else,” Becker said, referring to Thomas’ company, Ansonia Clock Company and Waterbury Clock Company. “You had all these clock companies, and they had to get their clocks to market, and the railroad was central to the whole thing.”
All that came to an end in 1955, though, after hurricanes Connie and Diane flooded much of the region. The floods wiped out sections of the railroad, destroyed factories and washed away the local manufacturing industry.
“That’s why they built Thomaston Dam, so that if they had future storms, they’d be able to keep the storm surge from going down the river into those towns,” Becker said. “It’s interesting, the river brought life to the area for manufacturing, but also, when the hurricane came, it caused a lot of devastation. Hurricanes really ripped the heart out of Connecticut’s manufacturing.”
Becker, who’s been involved with the museum since 1984, has seen the Thomaston station grow from a burnt-out building beside an overpass to the scenic attraction it is today.
Passenger service to the Thomaston station ended in 1958, and the building had various uses before being partially destroyed by arson in 1993. The museum purchased and restored it in 1996 and 1997.
The museum runs various seasonal trains, including an autumn colors train, a holiday train and a tequila train, which Czarsty said is very popular. Last year, he said, their holiday trains saw 27,000 visitors in about a month.
While the Naugatuck Railroad’s employees restore and maintain the trains, the museum is a nonprofit and train service is run entirely by volunteers.
On Sept. 26, the museum will celebrate 30 years in Thomaston, operating special trains all weekend in commemoration, including a newly restored locomotive from the New Haven Railroad. Becker said the past 30 years wouldn’t have been possible without volunteer and community support. It’s expensive to run a rail line, Czarsty said, and fundraising keeps it all chugging.
For more information and train schedules, visit rmne.org/excursions/countyclipper
Alec Linden
The pavilion-style theater at Hudson Valley Shakespeare.
Theater works by transforming a stage. But can it transform a landscape?
Hudson Valley Shakespeare, which this summer debuted its 6,800-square-foot, 451-seat open-air Samuel H. Scripps Theater in Garrison, says yes.
During a recent performance of “King Lear” on a spectacular July evening, actors materialized from and faded into the stunning backdrop as if it were no longer the Hudson Highlands, but the wild hills and dales of Celtic Britain.
The company opened its satisfyingly direct rendition of Shakespeare’s dark and expansive meditation on love, family and human nature on June 12, and will run the show through Sept 17.
A much lighter Shakespeare classic, “As You Like It,” is also running through Sept. 18, as is the non-Shakespearean late-20th-century classic “Les Misérables,” which runs until Sept. 28.
In “King Lear,” the audience was not so much transported as localized by the performance, which takes place on the floor-level stage and expansive lawn behind it, both of which boast one of the best views lower New York State has to offer.

The pavilion-style theater, with naturalistic curves and a low profile, mirrors the topography of the prominent hill it sits atop. The landscape that frames it all, centered on the dramatic passage of the Hudson River as it meanders between peaks of Storm King Mountain and Breakneck Ridge, serves not just as a background, but as a living, breathing part of the action as Lear and his kingdom descend into madness. When darkness fell across the ridges in the distance, the body count rose.
It’s not all doom and gloom at Hudson Valley Shakespeare, though. Just hours before the murders and betrayals, the same lawn hosted dozens of happy picnickers enjoying the evening in true high-summer fashion, complete with live music. As is tradition at the theater, which was previously hosted at nearby Boscobel House and Gardens for 34 years under a tent, guests are invited to arrive early and enjoy the grounds with a meal.
For those who’d rather not pack their own food, pre-made picnic sets are available for advance order. Alternatively, theatergoers can dine at the expansive, regionally-sourced buffet offered at the venue’s restaurant, aptly named Folio ($35 for adults, $25 for children 5-12 and free for children under five).
For schedules, tickets and more information, visit hvshakespeare.org.

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