Tangled research and development

The best smallmouth bass of 2025, so far, was taken on light trout tackle for the sole purpose of bragging about it later.
Patrick L. Sullivan

The best smallmouth bass of 2025, so far, was taken on light trout tackle for the sole purpose of bragging about it later.
The third week of July was hot and sticky and trout fishing opportunities were limited, so Gary Dodson and I went on a research and development mission in the Catskills.
One spot was a generally cold stream that runs into one of the New York City reservoirs. I’m being coy because this particular cat isn’t exactly out of the bag but it has ripped it up some.
On the upstream side of the bridge it’s a medium-sized brook with a lot of wild browns and rainbows, plus occasional brookies that are stocked in private water further up.
On the downstream side there is a big pool by the bridge which is gin clear most days and has large browns and rainbows that like to ignore flies.
Further down a bit the stream melds with the reservoir, gets a lot warmer, and it’s a real crap shoot as to what’s on the end of the line.
Could be a perch, a sunfish, a carp…or if all goes well, a smallmouth bass.
Gary concentrated on the bridge pool and I clambered downstream to try and annoy a smallie.
Which I did, after several false starts with suicidal and tiny bluegills.
The winning combo proved to be a size 12 Surveyor nymph, usually deployed in a tight line rig for trout, but in this case attached on a short dropper (18 inches) to a size 6 Chubby Chernobyl.
The Chubby disappeared, I applied the upward lift, and the best smallie so far in 2025 obliged by jumping a couple of times before coming fairly meekly to the net. It was about 15 inches long, four inches wide, and starting to turn the bronze color of the adult smallmouth.
What made this doubly satisfying was I did it with light trout tackle -- a four weight rod and 4X tippet.
The boys at the fly shop will tell you this can’t be done, which I always take as a direct challenge.
Next up was the East Branch of the Delaware near Downsville. Different set of problems here, starting with a water temperature of about 50, a difficult trail, and mud that threatened to suck your boot off your foot.
Neither one of us had thought to bring anything warm to go under the waders, and why would we? It was 90-odd degrees out.
And then there was the fog caused by cold water meeting hot air.

All I got out of this was a good photo of Gary in the mist.
Next week I segue into fishing for largemouth bass (primarily) in a lake from a pontoon boat and/or belly boat.
I am a relative newbie at bass fishing with a fly rod, having only practiced it for 20-odd years.
Because I am unencumbered by conventional wisdom, I have developed or acquired techniques that the above-mentioned boys at the fly shop would scoff at.
Such as the Yo-Yo Method. When I read about this online I thought the name came from the fact that anyone doing this would feel like a yo-yo. Wrong.
What you do is attach a heavy fly like a conehead Wooly Bugger to a short leader, say five feet.
Then attach two to three feet of stout tippet material to the bend of the hook with a clinch knot, and tie on a hard popper or other buoyant fly.
The heavy fly drags the buoyant fly down after it, but the latter is trying to go upwards.
This is exaggerated by short, abrupt jerks on the line, which causes the popper to go up and down.
This drives bass crazy.
The Crawl ‘n’ Troll: The lake I fish almost always has a steady west to east wind, so it is entirely practical to go up the lake (“up” meaning “west”) and float back with the surface current and wind, trolling a fly or two behind.
One problem is the lake isn’t that deep, 10-15 feet most of the way, and there’s a lot of vegetation on the bottom that will snag your fly if it gets too deep. On sunny and hot days, the bass like to lurk in this vegetation.
This is the only time I have ever found an intermediate line to be of any use. It sinks, but very slowly, and allows me to drift weighted flies like the Conehead Wooly just above the vegetation. If I get snagged, I shorten the leader up. If I’m not getting any hits, I lengthen the leader a bit.
I generally use a nine foot, eight weight rod for this work, although sometimes I fool around with a 10 weight (so I can justify continuing to own it) or something much lighter (so I can brag about it to the boys at the fly shop).
But an eight weight is a good all-around choice.
You want short, stout leaders. The lightest I go is usually 2X.Bass are not leader-shy, and you will be chucking big flies. Using a long leader in these circs is absolutely begging to get a hook in the ear.
Get a weight forward line in a bass taper, with the bulk of the weight concentrated in the first 15 feet of a 90 foot line. The poppers catch a lot of wind, and you’ll be glad of the extra heft to punch through.
For flies, you want poppers. I prefer hard poppers to the deer hair or foam variety. A few big hopper and or beetle patterns will also work, as will a big Stimulator.
For subsurface, which is where the bulk of the action is, you need nothing more complicated than an assortment of big Wooly Buggers in various colors: Sizes 2-8 in olive, black, brown, and white. Get weighted ones, either conehead or beadhead, and save yourself the trouble of adding split shot to the leader. And always get the rubber legs if available.
If you want to get semi-fancy, the Big Y Fly Company sells an excellent bass streamer called the Bass Vampire. It’s purple with yellow dumbbell eyes and comes on a 2/0 hook, which qualifies as a deadly weapon in most states.
Be prepared for a psychic change. This is very different than prowling a trout stream. It’s not just chuck and duck, but it’s not especially subtle, either.
And with several highly unpleasant trips to the dermatologist in my immediate past, I urge you to slather on the sunscreen, and reapply it frequently, while wearing your enormous hat.
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.