Measles Again! But Why?

A case of measles with spots appearing on the face.
Provided
A case of measles with spots appearing on the face.
The measles vaccine was licensed in 1963. It is a live attenuated virus vaccine that provides lifelong protection with few side effects. It does not cause autism. The virus is extraordinarily contagious. The measles vaccine is usually given with mumps and rubella vaccines, and often with the chicken pox vaccine. With earlier vaccines for whooping cough, tetanus, and diphtheria, and in the 1950’s, polio, life for children and parents became less fearful.
But let’s go back to 1963, when every child in the United States and across the world got measles. It caused them true misery. There were about 600,000 cases in children in 1963.
People my age (old) will sometimes say, “I had measles, and it was no big deal, it was uncomfortable, and I had a fever, and all those spots scared my Mom, but I got over it.” This sort of extrapolation is dangerous because humans are not genetically identical, and our immune systems vary—for 20% children and their parents, measles was a very big deal; they had complications, usually encephalitis, an infection of the brain, pneumonia, or ear infections.
In 1963, about 120,000 children were hospitalized in the U.S., and about 400 died. Other estimates are higher.
Measles is a respiratory disease; we inhale virus particles, and they infect cells of the trachea and upper lung. They go on to infect immune cells, which carry the virus to all parts of the body, including the skin where the spots appear. Usually, the spots start in the scalp and then appear on the face, the trunk, and extremities in that order. It has an incubation period of weeks and takes some time to get over. Measles is common in other parts of the world; it is still a killer in Africa and Asia.
The measles virus is made of RNA, which differs slightly from DNA. Many other nasty viruses, including SARS-CoV-2, Ebola, and polio are made of RNA. Measles virus is about half the size of SARS-CoV-2, and only has six genes. The human genome is 3.2 billion nucleotides, a million times more that this virus. The virus is small, but potent. One of its powers is to defeat the defenses of an unvaccinated host.
We have two immune systems: innate and adaptive. The much older innate system is the first point of contact with a virus, and it has many tools to slow an infection, but only if it recognizes the virus RNA, its genetic material. The measles virus has incorporated into its tiny genome instructions to make an enzyme, or catalyst, called adenosine deaminase, which removes a nitrogen atom and a couple of hydrogens from adenosine components of the virus. That makes the virus invisible to the innate immune system but does not affect the ability of the virus to make thousands of copies of itself. The innate immune system has many tools to fight infections, but with measles the virus hides in plain sight.
Imagine an unvaccinated child with a case of measles. The child survives, but how long does impairment of the innate immune system last? Several years, it seems. The measles virus affects the antibodies that react against other diseases that the child has already survived.
Without that protection, old but latent infections—say hepatitis, can be reawakened and new virus infections become more dangerous. What measles research tells us goes beyond measles.
The measles virus evolved (perhaps a thousand years ago) from a cattle virus called Rinderpest, to which it remains similar. Rinderpest virus has been eliminated from cattle through vaccination. (The only other virus to be eliminated was smallpox). In 2000, the United States was sufficiently vaccinated that no cases of measles were recorded. The excellence of the vaccine and experience with Rinderpest led to the idea of eliminating the measles virus, but a decline in vaccine acceptance after a false autism scare, ended that hope. We now have periodic outbreaks of measles, usually from isolated communities. These cases are indicators that the public health system has deteriorated, often for ideological reasons, as is now the case in Florida. Think of measles infections as a harbinger, or to use a cliché, a canary in a coal mine.
The Florida health authorities are deluded. If for measles, what else? Perhaps mumps, rubella, and chickenpox.
Richard Kessin, PhD is Emeritus Professor of Pathology and Cell Biology at the Columbia University Irving Medical Center. Email: Richard.Kessin@gmail.com.
The Weavery is Stanton Home’s oldest activity space, featuring a collection of vintage and modern floor looms. It offers opportunities for building dexterity, creative expression, and social connection through fiber arts.
Stanton Home is holding its annual Harvest Roast fundraiser on Saturday, Sept. 13 in Great Barrington, an evening of farm-to-table dining, live swing music, and community connection.
For nearly 40 years, Stanton Home has supported adults with intellectual and developmental disabilities through residential programs, therapeutic services and skill-building activities.
“Here in the Berkshires, adults with diverse abilities often face barriers like limited housing, tricky transportation, and fewer opportunities for meaningful work,” said Executive Director Peter Stanton. “Stanton Home flips that script. Our mission is to partner with adults to pursue healthy, self-determined lives.”
The Harvest Roast features locally grilled meats, roasted vegetables from Stanton’s own gardens, warm apple crisp with SoCo Creamery ice cream, and beverages —all set to the swing and gypsy jazz rhythms of the Lucky 5 Band.
“The Harvest Roast is a celebration of what makes our community strong, inclusive, and vibrant,” Stanton said. “Every ticket and sponsored table supports programs that make a lasting difference.”
Guests will begin in the gardens with a signature cocktail before gathering at long farm tables for a shared meal and celebration.
“Though this night matters, the work is year-round,” Stanton added. “People can help by shopping locally at the farm store or buying handmade weavery goods, pitching in with time or skills, gardening, lending a hand at events or by partnering with Stanton’s programs like composting or sourcing local goods. Folks can also speak up for inclusion in their workplace or community circle. Even the smallest action helps keep the mission alive.”
Tickets are $125 per person. Proceeds support Stanton Home’s inclusive programs. Reserve at donorbox.org/events/771775/steps/choose_tickets or call 413-441-0761.
Following the memorable benefit reading last season of Charles Busch’s Tony-nominated Broadway hit, “The Tale of the Allergist’s Wife,” the Sharon Playhouse will present a one-night-only staged reading of his riotous comic melodrama “Die Mommie Die!” on Friday, Sept. 12 at 7 p.m.
The production —a deliciously over-the-top homage to classic Hollywood mid-century thrillers — continues the Playhouse’s artistic partnership with Busch, who reprises his iconic role of the glamorous yet troubled songstress Angela Arden.
The playwright and performer is no stranger to the Playhouse and, luckily, he’s supported by a truly stellar powerhouse cast of top-notch comic actors — some returning to the Playhouse stage, and some making their debut. The cast includes Richard Kind; two-time Tony Award nominee Kristine Nielsen, who was part of the original New York cast; Tony Award winner Celia Keenan-Bolger; Andrew Keenan-Bolger; and Claybourne Elder.
The production also marks a fortuitous alignment of talent and history. It is directed by Sharon Playhouse Artistic Director Carl Andress, who performed in the play’s Los Angeles premiere in 1999.
“I have a long and happy history with this particular show,” Andress said. “At the Sharon Playhouse, we’re thrilled to offer unforgettable, one-of-a-kind live experiences. With Charles Busch and this phenomenal cast, ‘Die Mommie Die!’ will surely light up the Olsen Stage with laughter, wit and glamour.”
The original music is by Lewis Flinn, whose score for the 2007 Off-Broadway production is being adapted specially for this event.
The play is a classic Charles Busch concoction that, like all his work, lovingly and intelligently spoofs some of the greatest talents and tropes of stage and screen. The original production was praised by critics as his “funniest, most accomplished and, without question, raunchiest work.”
In 2003, Busch won the Best Performance award at the Sundance Film Festival for the film version of “Die Mommie Die!” His indelible contributions to American theater have been recognized with countless awards and he was recently inducted into the Theater Hall of Fame.
The event promises to be an unforgettable night of laughter, glamour and theatrical fun, with all proceeds going to benefit Sharon Playhouse’s productions and educational programs. The funds will help ensure that the Playhouse continues to thrive as a cultural destination for audiences and artists alike.
For tickets, visit: sharonplayhouse.org. Running time: 90 minutes.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in West Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.
Poet, children’s book author, short story writer, essayist, and most recently, author of two books of creative non-fiction about the Holocaust, Gwen Strauss is what might be called a polymath of literary genres.
“The Nine” (St. Martin’s Press, 2021) tells the story of nine women who, near the end of World War II, escaped a death march from Ravensbrück — a political concentration camp for women — and managed to make it to the Western Front. It’s a riveting read and a New York Times bestseller.
Now comes “Milena and Margarete” (St. Martin’s Press, published this past August). Yet again, Strauss melds meticulous historical research with a profound and moving story of perseverance in the face of horror, this time focusing on the true story of two women prisoners who met at Ravensbrück and fell passionately in love.
Strauss says of her path to becoming a writer that it was “both foolish and brave in equal measure,” and adds that her life has “a nomadic trajectory.” The first part is fully accurate; the second, an understatement. Born in Haiti, she moved to Florida with her mother after her parents divorced when she was 10.
Her nomadism took off right after high school, when she spent a year with her boyfriend on a small wooden sailboat that had a motor but no shower or head. The trip took them to Central America, where they encountered a dangerous, secret war. During that year on the sea, Strauss dove deep into reading — and the writing bug bit her hard.
After Strauss returned home (and yes, broke up with the boyfriend), her nomadic impulse didn’t end. She spent a year in Kyoto studying Japanese women poets of the 11th century, earned a master’s degree in education, and then taught second grade for a year.
Her winding life was only getting started. In 1989, Strauss moved to Paris, where she wrote freelance articles for magazines, short stories and poetry. She also met her husband (they later divorced). Together, they refurbished a barge and spent the next five years as part of the bargee community, traveling the riverways of Europe.
During this time, Strauss gave birth to twins; a third child was born in 2000, after the couple had moved to Savannah, Georgia. In 2005, Strauss moved to the south of France with her three children. In 2007, she ceased wandering when she was appointed director of the Dora Maar House (now the Dora Maar Cultural Center), an international residency and cultural center in Ménerbes, France.
It turns out Strauss has roots in our area. After her parents’ divorce, she spent several summers and holidays with her sisters and step-siblings at the 375-acre former dairy farm in Amenia owned by her father, Julian Strauss. Today, she regularly returns to visit her father and stepmother, as well as her sister Tilly Strauss (town clerk of Northeast), who lives with her family on the farm.
Strauss’s peregrine past helps explain why her narratives so acutely express empathy for the dead souls whose lives were uprooted from their homes not by choice — as was the case with her — but by the cruelties of history.
As part of the White House Speaker series sponsored by Oblong Books, Gwen Strauss will be in conversation with Laurie Fendrich at The White Hart Inn on Sept. 18 at 6:30 p.m. Tickets can be reserved at the following website:https://www.eventbrite.com/e/the-white-hart-speaker-series-gwen-strauss-milena-and-margarete-tickets-1538087253379
Laurie Fendrich is a painter and writer living in Lakeville. She is a 2016 Guggenheim Fellow and is represented by Louis Stern Fine Arts in Los Angeles.