Microgeneration, rather than electric pylons

Three thousand miles of new electricity lines ordered by the president seems long, an impressive start toward energy self-sufficiency, but it is pathetic. For example, in New York state there are already more than 3,000 miles of high voltage power lines. They are, mostly, ugly and they crackle and leak electrostatic and magnetic flux.

Anyway, their new installation is undertaken with purchase of land with the bullyboy rules of eminent domain (meaning they value your land as if there was an ugly tower sitting there, and then they pay you the new valuation as they show you the door). Since early 2006 and particularly in 2007, the federal government tried to ram this “power corridor� down New York and New England throats in order to “boost the economy dependent on power.� When he was not off making a personal disaster for himself, at least former Gov. Eliot Spitzer tried to thwart these plans.

There is little doubt that a transmission corridor connecting east and west is needed under the current method of providing electricity to industry and homes. Why? Because while California sleeps, the New York subway and industry is sucking up huge amounts of juice. And while California sleeps, their nuclear power plants, windmills and coal-fired plants are running anyway, wasting a lot of what they produce into grounding rods (I know, don’t groan, but you see, they can’t turn the darn things off at night).

So it makes sense to take California’s, Utah’s, Nevada’s, Oregon’s and Washington’s excess electricityto power the decrepit and wasteful New York subway system. But what they are missing, in Washington, is the revolution at our doorstep. What they are missing is the value of microgeneration.

    u    u    u

Microgeneration is all about small power plants, small generators of electricity, each feeding the grid, each supplying local needs, each contributing a small amount of the power needed instead of big, sometimes dangerous (think Three Mile Island) power plants.

In Germany every house renovation permit and every new house build comes with a new condition: solar cells. Germany is farther north than most of New York state and Connecticut. Yet they have enough sunshine that by 2025, by their estimates, 35 percent of all their electricity will be homegrown. Roofing tiles become solar panels.

It is that simple. You get up in the dark; you take juice from the grid. You go to work and as the sun comes up, it powers your roof’s solar cells and they, in turn, supply the grid all day long while you are way. Your meter runs backwards, earning you cash (and not some rich corporation generating nuclear electricity).

Again, in Germany, they estimate that the standard household will supply more electricity than it will use — and remember that the juice a normal household uses is usually available (hours of dark) when industry does not need it — so the overcapacity of now smaller power plants at night becomes a thing of the past.

    u    u    u

If every home in America were already producing solar power with roofing shingles only, the estimate is that (allowing for 35 percent bad weather and only eight hours of light a day) there would be no need for a single — not one — coal or nuclear power plant. Period. Okay, we are far from that day, but the numbers are there. More electricity, cheaper, self-paying electricity, is just a rooftop away.

With the new solar sheets coming out in the very near future (thanks to NASA), the cost of solar panels will be maybe 20 percent more than the cost of roofing shingles. Wouldn’t that be worth it? Selling electricity and becoming part of the environmental, financial and, importantly, national security solution?

Instead of the hundreds of millions of dollars for a new electricity grid — technology designed and first put in place over a century ago by Thomas Edison! — isn’t it time for new thinking, lateral thinking, making us, each and every one of us, self-sufficient and environmentally sound?

Peter Riva, formerly of  Amenia Union, lives in New Mexico.

Latest News

‘Vulnerable Earth’ opens at the Tremaine Gallery

Tremaine Gallery exhibit ‘Vulnerable Earth’ explores climate change in the High Arctic.

Photo by Greg Lock

“Vulnerable Earth,” on view through June 14 at the Tremaine Gallery at Hotchkiss, brings together artists who have traveled to one of the most remote regions on Earth and returned with work shaped by first-hand experience of a fragile, rapidly shifting planet, inviting viewers to sit with the tension between awe and loss, beauty and vulnerability.

Curated by Greg Lock, director of the Photography, Film and Related Media program at The Hotchkiss School, the exhibition centers on participants in The Arctic Circle, an expeditionary residency that sends artists and scientists into the High Arctic aboard a research vessel twice a year. The result is a show documenting their lived experience and what it means to stand in a place where climate change is not theoretical but visible, immediate and accelerating.

Keep ReadingShow less
Beyond Hammertown: Joan Osofsky designs what comes next

Joan Osofsky and Sharon Marston

Provided

Joan Osofsky is closing the doors on Hammertown, one of the region’s most beloved home furnishings and lifestyle destinations, after 40 years, but she is not calling it an ending.

“I put my baby to bed,” she said, describing the decision with clarity and calm. “It felt like the right time.”

Keep ReadingShow less
A celebratory season of American classics and new works at Barrington Stage Company
Playwright Keelay Gipson’s “Estate Sale” will have its world premier this summer at Barrington Stage Company.
Provided

Amid the many cultural attractions in the region, the Barrington Stage Company in Pittsfield, Massachusetts, stands out for its award-winning productions and comprehensive educational and community-based programming. The theater’s 2026 season is one of its most ambitious; it includes two Pulitzer Prize-winning modern classics, one of the greatest theatrical farces ever written, and new works that speak directly to who we are right now as a society.

“Our 2026 season is a celebration of extraordinary storytelling in all its forms — timeless, uproarious and boldly new,” said Artistic Director Alan Paul. “This season features works that have shaped the American theater, as well as world premieres that reflect the company’s deep commitment to developing new voices and new stories. Together, these productions embody what BSC does best: entertain, challenge and connect our audiences through theater that feels both essential and alive.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Hotchkiss Film Festival celebrates 15th year of emerging filmmakers

Student festival directors Trey Ramirez (at the mic) and Leon Li introducing the Hotchkiss Film Festival.

Brian Gersten

The 15th annual Hotchkiss Film Festival took place Saturday, April 25, marking a milestone year for a student-driven event that continues to grow in ambition, reach and artistic scope. The festival was founded in 2012 by Hotchkiss alumnus and Emmy-nominated filmmaker Brian Ryu. Ryu served as a festival juror for this year’s installment, which showcased a selection of emerging filmmakers from around the region. The audience was treated to 17 films spanning drama, horror, comedy, documentary and experimental forms — each reflecting a distinct voice and perspective.

This year’s program was curated by student festival directors Trey Ramirez and Leon Li, working alongside faculty adviser Ann Villano. With more than 52 submissions received, the selection process was both rigorous and rewarding. The final lineup included six films from Hotchkiss students.

Keep ReadingShow less
Artist Maira Kalman curates ‘Shaker Outpost’ in Chatham

The Laundry Room, a painting by Maira Kalman from the exhibition “Shaker Outpost: Design, Commerce, and Culture” at the Shaker Museum’s pop-up space in Chatham.

Photo by Maira Kalman; Courtesy of the artist and Mary Ryan Gallery, New York

With “Shaker Outpost: Design, Commerce, and Culture,” opening May 2, the Shaker Museum in Chatham invites artist and writer Maira Kalman to pair her own new paintings with objects from the museum’s vast holdings, and, in the process, reintroduce the Shakers not as relic, but as a living argument for clarity, usefulness and grace.

Born in Tel Aviv, Maira Kalman is a New York–based artist and writer known for her illustrated books, wide-ranging collaborations and distinctive work spanning publishing, design and fine art.

Keep ReadingShow less

Ticking Tent spring market returns

Ticking Tent spring market returns

The Ticking Tent Spring Market returns to Spring Hill Vineyards in New Preston on May 2.

Jennifer Almquist

The Ticking Tent Spring Market returns to New Preston Saturday, May 2, bringing more than 60 antiques dealers, artisans and design brands to Spring Hill Vineyards for a one-day, brocante-style shopping event from 9 a.m. to 4 p.m.

Co-founders Christina Juarez and Benjamin Reynaert invite visitors to the outdoor market at 292 Bee Brook Road, where curated vendors will offer home goods, fashion, tabletop and collectible design. Guests can browse while enjoying Spring Hill Vineyards’ wines and seasonal fare.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.