Those who hoped President Obama might bring a new approach to foreign policy have been repeatedly disappointed. On Sunday, Obama had a chance to partially redeem himself. He failed.Speaking at the conference of the American Israel Public Affairs Committee (AIPAC), he declared, “I have said that when it comes to preventing Iran from obtaining a nuclear weapon, I will take no options off the table, and I mean what I say. That includes all elements of American power.”All elements. That includes nuclear weapons.It is hardly an exaggeration to say this week’s AIPAC conference in Washington, D.C., has but one agenda item: goading Obama into confronting Iran even more than he already has. The coalition comprising Israeli Prime Minister Benjamin Netanyahu, the Israel lobby, and Congress’s dominant pro-Israel caucus will pull out all the stops in this effort. The Republican presidential candidates (excepting Ron Paul) will add fuel to the fire while hoping that Obama leaves some room for them to out-warmonger him.When I say all the stops will be pulled out, I mean it. Netanyahu said, “Seventy years after the Holocaust, many in the world are silent in the face of Iran’s pledges to wipe Israel off the face of the earth. This is a day in which the leaders of the world must commit not to allow another genocide.”But American and Israeli intelligence agree that Iran has not decided to make a nuclear weapon. Twice U.S. intelligence has concluded that Iran scrapped its nascent program in 2003. It is a signer of the Nuclear Non-Proliferation Treaty (NPT), meaning inspectors of the International Atomic Energy Agency are on the scene. They have repeatedly certified that Iran has diverted no uranium, which it has enriched for energy and medical purposes, to weapons construction.On the other hand, Israel possesses several hundred nuclear warheads, some submarine-based, and is not a signatory of the NPT. It submits to no inspections. It rejects calls for a nuclear-free Middle East. Of course, the U.S. government has thousands of nukes, and surrounds Iran with ground and naval forces.Thus the idea that Iran — even if it managed to build a warhead — represents an “existential threat” to Israel or the United States is laughable. Israeli officials admit as much.The most hawkish American foreign-policy thinkers don’t believe Israel is at risk. Danielle Pletka, vice president of foreign and defense policy studies at the neoconservative American Enterprise Institute, says, “The biggest problem for the United States is not Iran getting a nuclear weapon and testing it, it’s Iran getting a nuclear weapon and not using it. Because the second that they have one and they don’t do anything bad, all of the naysayers are going to come back and say, ‘See, we told you Iran is a responsible power.’ ”The demonization of Iranian President Mahmoud Ahmadinejad is particularly absurd. Hoover Institution foreign-affairs expert Bruce Bueno de Mesquita says Ahmadinejad is the 18th-most-powerful politician in Iran. As president he has nothing to say about Iran’s military. His faction was dealt a big political setback in last week’s parliamentary elections — at the hands of Ayatollah Ali Khamenei, who condemns nuclear weapons per se. Moreover, Ahmadinejad never threatened to “wipe Israel off the face of the earth.”Netanyahu thus is shamefully using the Holocaust card as a license to launch an aggressive war against the Iranian people. But there’s no way he can succeed in his plan without involving the United States. Hence, the mounting pressure on Obama.This is why Obama needed to stand up to Netanyahu, AIPAC, the congressional war chorus and his Republican critics, and refuse to be a party to their war agenda. An attack on Iran, regardless of whether Israel goes it alone or works in “lockstep” (Obama’s word) with the United States, would be a disaster, not just for the Iranian people, but also for Americans in Iraq and Afghanistan and for the Israelis themselves.In light of Obama’s obeisance before AIPAC, he has now dashed all hope that he’d do what needs to be done: resist Israel and its lobby, and rescind the war threat, along with the immoral sanctions and CIA-sponsored terrorism.Sheldon Richman is senior fellow at The Future of Freedom Foundation (www.fff.org).
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Meg Sher, executive director of the David M. Hunt Library in Falls Village.
“I was a library kid. I walked to the library after school,” she said.
For Sher, the library is as much about the people as it about the books.
“Part of the job I love so much is that running the library is such a community,” she said.
She treasures the relationships she has built, whether recommending books, celebrating accomplishments or helping patrons through difficult times.
“I am thankful that our community is so supportive of the library, unlike what is happening in some other places where librarians are villainized,” Sher said.
Sher takes pride in the Hunt Library’s reputation for being “open and welcoming to everyone. People come in and see things and get pulled into things they weren’t expecting. Our library is seen as a positive force.”
Sher came to Falls Village after being awarded a fellowship at Adamah Farm, then a program of the Isabella Freedman Jewish Retreat Center. She worked at pickling, in the greenhouse and later in the development office. She also worked as a nanny.
At the same time, “I was in the library all the time,” she recalled. “I’m a voracious reader. The library is where I met a lot of my first friends in Falls Village.”
She became assistant librarian at Hunt and worked in that position for almost a decade before becoming the executive director four years ago.
Meg Sher, executive director of the David M. Hunt Library in Falls Village.L. Tomaino
Sher met her husband, Adam, while working at Adamah. They had their wedding there in 2012. He now emcees many events which she co-organizes with the Falls Village Recreation Commission.
Sher and her family live near the library.
“It’s an easy commute,” she said with a smile. “My kids run back and forth. I can go home to walk the dog if I need to.”
“My kids have grown up here.” Her oldest son, Eli, “loves volunteering. He helps with Augustfest and often helps set up chairs for ArtWall gatherings.” Her younger son, Noah, is often at events and was eager to taste cookies at last year’s holiday cookie swap.
When she is not at the library, Sher likes to hike with her family. Bella, their Portuguese water dog, often accompanies them.
Sher enjoys seeking out people to offer events at the library.
“I do a lot of different community programming. It is one of my favorite parts of the job.”
Augustfest, featuring food, music and an auction, is the library’s biggest fundraiser.
“This summer we had a record 152 attendees, which was pretty incredible.”
Yonah Sadeh, a filmmaker from Falls Village, inaugurated the VideoWall this year, Sher explained.
“I’ve known Yonah since he was two. It’s wonderful to work with him as an adult.”
The VideoWall complements the library’s ArtWall, which showcases a new artist each month. Sher praised the ArtWall committee for its work and highlighted December’s popular “12x12 Show,” featuring works by local artists, each measuring 12 by 12 inches and priced at $150.
Sher added that some of the artists who exhibit at the ArtWall offer workshops to students at Kellogg School, next door to the library. In September, artist Danielle Mailer worked with the children. Vincent Inconiglios taught a class last November.
Being next to the school, said Sher, is a great advantage.
“Kids are coming after school, to see friends, work on projects, find a great book. Kids that love the library end up using the library as grownups.”
This past year, in partnership with Adamah, the library and school created a garden, with excess produce made available at The Center on Main.
This year is Sher’s second year participating in the Troutbeck Symposium in Amenia with James King, director of the library at Salisbury School. The Troutbeck Symposium is “a gathering of a year of student historical inquiry across the region” in which students “uncover stories that have been overlooked, forgotten, or never recorded.”
Last year, Sher and King began a project with a group of students researching Irish immigrants in Falls Village, exploring ancestry and creating small magazines about their findings.
They continued this year, visiting St. Patrick’s Catholic Cemetery on Dublin Road, cleaning seven gravestones and even righting one with the help of stonemason and gravestone restoration expert Karl Munson. Paul Kozeazny, a representative of the Catholic archdiocese, helped secure access to the site.
A film documenting their activities will be shown at the symposium in spring 2027.
A full schedule of programs and events, ranging from tech help to ceramic mug-making, can be found on the library’s website.
Despite spending her days surrounded by books, and a busy schedule of programming, Sher still loves to settle in with a book at home.
For more information on library programs and events, visit huntlibrary.org
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Touré was born in northern Mali in 1981. His father, the renowned guitarist Ali Farka Touré, came from a family of soldiers and wanted his son to join the army. The younger Touré studied drums and the calabash and practiced guitar in secret. He earned his father’s blessing to pursue music shortly before Ali died in 2006, and they played two tracks together on Vieux’s debut album.
Touré is known for his deft, polyrhythmic playing, and his songs grow out of riffs that repeat and layer to hypnotic effect. He draws on rock, blues, Latin music and various African traditions. This distinctive blend builds on his father’s work adapting the sonic traditions of Mali’s arid north to the guitar.
Vieux’s album “Mon Pays” (“My Country,” 2013) honored Mali’s culture after Tuareg separatists and extremist groups seized the north in 2012. “Samba” (2017) was recorded before about 50 listeners in Woodstock, New York. In 2022 came “Les Racines” (“The Roots”), a return to his father’s desert blues, and “Ali,” on which he and the trio Khruangbin reworked eight of the elder Touré’s songs.
Touré leads the Ali Farka Touré Foundation, which focuses on cultural and educational work in Mali. Around the anniversary of Ali’s death, it holds a festival in Bamako, Mali’s capital. Bamako has been under blockade for much of the past year, besieged by JNIM, an al-Qaeda affiliate. Against this backdrop, Touré continues to carry the music of Mali to audiences abroad.
At the Nov. 5 concert, Touré’s desert blues will share the bill with Gnawa, the music LanGus plays, which developed in Morocco among West Africans who were brought north across the desert as enslaved people. Gnawa is religious music traditionally performed at all-night healing ceremonies called lila, intended to carry participants into trance.
Samir LanGusProvided
LanGus was born and raised outside Agadir, Morocco, and began learning Gnawa from its masters at age 8. He plays the sintir, a three-stringed bass lute made of wood and camel skin. The player strikes a low string with the thumb to create a deep, resonant pulse. Iron castanets clatter over the sintir’s bass line, and vocalists trade call-and-response refrains.
LanGus infuses the tradition with jazz and improvisation. In New York, he founded the ensemble Innov Gnawa. His first solo album, “Gnawa Love,” came out in February.
Touré and LanGus’s Nov. 5 concert is one of the last public events at Race Brook Lodge, which is for sale and ended full-service operations at the end of 2025. The lodge’s final scheduled event, on Nov. 6, is an evening of Rumi’s poetry with translator and vocalist Haleh Liza Gafori, cellist Isabel Castellvi and ceremonial bard James Bird.
For tickets, visit rblodge.com.
James FitzGerald is a student at Yale Law School, where he focuses on ecological restoration and international environmental cooperation. He splits his time between Lakeville and New Haven.
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