Norfolk installs 13-acre solar array at landfill

This crew worked long hard hours all summer long installing the landfill solar array in Norfolk.
Photo by Jennifer Almquist

This crew worked long hard hours all summer long installing the landfill solar array in Norfolk.
NORFOLK — Driving into the Norfolk Transfer Station, their vehicles filled with a week’s worth of garbage and recycling, folks in Norfolk have watched the extraordinary transformation of the surrounding fields into a massive solar array.
Norfolk is one of the first towns in the state to install a 5-megawatt solar array covering more than 13 acres. The new panels are located on a capped landfill, which First Selectman Matt Riiska said is “land that cannot be used for anything else.”
Jeff Macel, managing director at Lodestar Energy, stated, “The project offers significant carbon debt reduction of 4,249 metric tons removed from the environment annually, with a lifetime reduction of 148,715 metric tons. The carbon offset is the equivalent of removing 32,095 gas-powered cars from the road over the life of the project or powering 18,760 houses over the life of the project. Located on a capped landfill, this array demonstrates adaptive reuse by utilizing real estate that has no other viable uses.”
The multi-year project began when Riiska established the Norfolk Energy Advisory Committee (NEAC) in 2018 to investigate energy sources and make the most of the energy resources for the town. Members of NEAC include Susannah Wood, Paul Madore, and Hartley Mead. The committee head, Norfolk resident Tom Strumolo, contacted his friend Kirt Mayland, a University of Connecticut professor and an expert on solar projects.
Mayland, an Energy Fellow at the Connecticut Institute for Resilience & Climate Adaptation, (CIRCA) recalled, “Matt and I, and the town energy committee, started thinking about this project years ago when I noticed Eversource was constructing and upgrading lines servicing the wind farm in Colebrook. That upgrade in service opened new solar capacity on the lines that was not there before, so we were quick to jump on that, and lock it in before another solar developer scooped it up on, most likely, a less desirable site such as farmland. Locking in the interconnection rights to the grid was key to moving the project forward.”
First Selectman Riiska continued, “Working with Kirt we developed our plan and worked with Eversource to establish the interconnect agreement so the power produced could be sent to the grid. Kirt also established a relationship between Norfolk and Lodestar Energy. After reviewing several possible solar energy companies to partner with, we chose Lodestar in Avon. We then worked with an attorney to draft a contract with Lodestar.”
The solar project has now been sold to New Jersey Resources (NJR) “The benefit to the Town is that we receive $42,000 per year in revenue from NJR,” added Riiska, “This increases each year by 1.5%. This is needed revenue for the Town.
Norfolk has spent very little town money on this project. All application fees, legal contracts, and installation costs have been absorbed by Lodestar and NJR. Plus, the array will be maintained by NJR. This includes maintenance of the equipment, mowing, and maintaining the area around the array.
NEAC chair Strumolo explained, “The technology up there is called “ballasted arrays” which means the poles are held in place by piles of stones instead of being driven into the earth. The former landfill is covered with a membrane which must remain intact, no holes.”
Mayland, currently an assistant visiting professor at the Institute for Energy and the Environment at the Vermont Law and Graduate School, noted, “This is the first [array] to go up on a capped landfill. Under SCEF (aka community solar) low-income customers of Eversource will receive a monthly credit on their electric bills from this facility to help reduce their electricity expenses.”
According to Macel, “Norfolk Solar was awarded a fixed 20-year contract for all energy and environmental attributes in Year Two of the SCEF program, a statewide project which will help the state achieve its renewable portfolio standard. This project represents a significant savings to CT ratepayers with a power purchase price of approximately 5.99 cents per kilowatt hour. The price is fixed for 20 years and will not escalate.”
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.