Norfolk installs 13-acre solar array at landfill

This crew worked long hard hours all summer long installing the landfill solar array in Norfolk.
Photo by Jennifer Almquist

This crew worked long hard hours all summer long installing the landfill solar array in Norfolk.
NORFOLK — Driving into the Norfolk Transfer Station, their vehicles filled with a week’s worth of garbage and recycling, folks in Norfolk have watched the extraordinary transformation of the surrounding fields into a massive solar array.
Norfolk is one of the first towns in the state to install a 5-megawatt solar array covering more than 13 acres. The new panels are located on a capped landfill, which First Selectman Matt Riiska said is “land that cannot be used for anything else.”
Jeff Macel, managing director at Lodestar Energy, stated, “The project offers significant carbon debt reduction of 4,249 metric tons removed from the environment annually, with a lifetime reduction of 148,715 metric tons. The carbon offset is the equivalent of removing 32,095 gas-powered cars from the road over the life of the project or powering 18,760 houses over the life of the project. Located on a capped landfill, this array demonstrates adaptive reuse by utilizing real estate that has no other viable uses.”
The multi-year project began when Riiska established the Norfolk Energy Advisory Committee (NEAC) in 2018 to investigate energy sources and make the most of the energy resources for the town. Members of NEAC include Susannah Wood, Paul Madore, and Hartley Mead. The committee head, Norfolk resident Tom Strumolo, contacted his friend Kirt Mayland, a University of Connecticut professor and an expert on solar projects.
Mayland, an Energy Fellow at the Connecticut Institute for Resilience & Climate Adaptation, (CIRCA) recalled, “Matt and I, and the town energy committee, started thinking about this project years ago when I noticed Eversource was constructing and upgrading lines servicing the wind farm in Colebrook. That upgrade in service opened new solar capacity on the lines that was not there before, so we were quick to jump on that, and lock it in before another solar developer scooped it up on, most likely, a less desirable site such as farmland. Locking in the interconnection rights to the grid was key to moving the project forward.”
First Selectman Riiska continued, “Working with Kirt we developed our plan and worked with Eversource to establish the interconnect agreement so the power produced could be sent to the grid. Kirt also established a relationship between Norfolk and Lodestar Energy. After reviewing several possible solar energy companies to partner with, we chose Lodestar in Avon. We then worked with an attorney to draft a contract with Lodestar.”
The solar project has now been sold to New Jersey Resources (NJR) “The benefit to the Town is that we receive $42,000 per year in revenue from NJR,” added Riiska, “This increases each year by 1.5%. This is needed revenue for the Town.
Norfolk has spent very little town money on this project. All application fees, legal contracts, and installation costs have been absorbed by Lodestar and NJR. Plus, the array will be maintained by NJR. This includes maintenance of the equipment, mowing, and maintaining the area around the array.
NEAC chair Strumolo explained, “The technology up there is called “ballasted arrays” which means the poles are held in place by piles of stones instead of being driven into the earth. The former landfill is covered with a membrane which must remain intact, no holes.”
Mayland, currently an assistant visiting professor at the Institute for Energy and the Environment at the Vermont Law and Graduate School, noted, “This is the first [array] to go up on a capped landfill. Under SCEF (aka community solar) low-income customers of Eversource will receive a monthly credit on their electric bills from this facility to help reduce their electricity expenses.”
According to Macel, “Norfolk Solar was awarded a fixed 20-year contract for all energy and environmental attributes in Year Two of the SCEF program, a statewide project which will help the state achieve its renewable portfolio standard. This project represents a significant savings to CT ratepayers with a power purchase price of approximately 5.99 cents per kilowatt hour. The price is fixed for 20 years and will not escalate.”
There’s something for everyone at the Stissing Center for Arts & Culture, the welcoming nonprofit performing arts space in the heart of Pine Plains, New York. The center’s adventurous 2026 season is designed to appeal to all audiences, with a curated mix of local and visiting artists working across a range of disciplines, from bluegrass to Beethoven, from Bollywood to burlesque.
The season opens Saturday, Jan. 31, with Spark!, a multimedia concert that will also preview the center’s fifth year of presenting performances that inspire, entertain and connect the community. Spark! features Grammy Award-winning Rosanne Cash, one of the country’s preeminent singer-songwriters, whose artistry bridges country, folk and rock with a distinctly literary strain of American songwriting.
According to Patrick Trettenero, executive director of the Stissing Center, “This year’s programming is inspired by our commitment to bring people together through the shared experience of arts and culture. It’s a lively mix of musical styles — from roots, classical, world, rock and jazz — to our always-popular singer-songwriter series, with more than 50 music events to choose from.”
In addition to music, the season includes theater and dance. Highlights include the Hudson Valley Puppet Slam and the Roundtop Burlesque Revue, along with dance performances ranging from flamenco to Irish step. A film series will showcase the indie comedy favorite Hundreds of Beavers and a live-score screening of the beloved silent Charlie Chaplin classic The Kid. The season also includes free programs for children all summer, along with community events and family-friendly fare.
The 2026 season also marks the launch of The Grace Note, an intimate venue located downstairs at the Stissing Center that will serve as an inviting and informal entry point to mainstage shows. The Grace Note will be open every Friday night and will feature singer-songwriters, stand-up comedy, jazz quartets, play readings, storytelling and more.

The venue is part of the center’s commitment to offering a place for locals and visitors alike to gather and discover new work, hear familiar voices in new ways and enjoy a great night out in the neighborhood. The Grace Note opens Feb. 13 with a performance by local singer-songwriter Natalia Zukerman, who is also the Lakeville Journal and Millerton News’ arts, lifestyle and engagement editor. Her masterful musicianship and storytelling blend folk, blues and Americana with wry humor and emotional clarity, creating an experience that feels both personal and expansive. Zukerman said, “I’m honored to be opening the season in this beautiful new room at The Stissing Center. The Grace Note opens up lots of creative opportunities for the Center, for performers and for our community. It’s thrilling.”
“We are very intentional about this season and the launch of The Grace Note,” Trettenero added. “Our goal is simple: to make the Stissing Center a place for people of all backgrounds and perspectives to come for great arts experiences, to support outstanding artists and to offer a place for connection and shared humanity through the arts.”
The full season schedule and tickets for all events are available at thestissingcenter.org or by calling 518-771-3339.
Jennifer Chrein is the new executive director of the American Mural Project.
When Jennifer Chrein first stepped inside the cavernous mill building on Whiting Street in Winsted and looked up at the towering figures of the American Mural Project, she had no idea what she was walking into.
“I had been invited by a friend to attend an event in May 2024,” Chrein recalled. That friend, she said, had a ticket they couldn’t use and thought she’d enjoy it. “I didn’t know anything about AMP. I didn’t Google it — nothing.”
What followed was immediate and visceral.
“I was just — wow!” she said. “I was awed. So excited to see something like this in this area. There isn’t anything else like it.”
That first encounter would eventually lead Chrein to her new role as executive director of the American Mural Project, where she joins founder and artistic director Ellen Griesedieck in guiding the organization into its next chapter.
Announced earlier this month, Chrein’s appointment follows the departure of Amy Wynn, who stepped down Oct. 31 after seven years as the nonprofit organization’s first executive director.
Chrein praised Wynn for her leadership in establishing the organization’s solid roots and foundation, including its children’s programming, events and talented staff.
At the heart of AMP is what is widely regarded as the world’s largest indoor collaborative work of art: a five-story, 120-foot-long, three-dimensional mural depicting American workers across trades, industries and eras.
Created by Griesedieck with the help of hundreds of community volunteers, the mural fills the former mill building with life-sized and larger-than-life figures at work, transforming the space into an immersive environment that blurs the line between art, history and lived experience.
“The first time I saw the mural, I was awed by its scale — Ellen’s artistry, and what it says about the central role of work in our lives,” said Chrein. “I was immediately captivated and felt the need to share the space, the mission, and the live performances and educational programs with as many people as possible.”
At the time, she said, AMP was still in an early phase of its development.
“They were still building its foundation. They had only been open about a year,” she said. “I wasn’t part of their immediate vision, so I stayed a friend.”
Chrein said her hope and vision for AMP, along with its board and Griesedieck, “is to expand awareness not only around Winsted and surrounding areas, but regionally, statewide and ultimately nationally.”
“AMP’s reach, awareness and impact should be as great as the mural itself,” she said. “I am energized to be coming on board at the same time as our nation’s 250th anniversary. The timing could not be better to celebrate, acknowledge and support our American workforce.”
Chrein brings more than 30 years of experience in children’s educational programming and global media development to the role, a background she sees as a natural fit for the mural project’s mission. Her career has focused on the intersection of education, entertainment and social impact, including senior leadership roles at Sesame Workshop and Common Sense Networks, as well as founding JBMW Media and partnering in Storynauts Entertainment, where she has developed purpose-driven programming for families, including the preschool animated series “Powerbirds.”
She said that experience — balancing creativity, partnerships and long-term sustainability — translates directly to nonprofit leadership.
On a personal level, Chrein’s path to northwest Connecticut has been gradual. Now a Simsbury resident, she previously lived in Sandisfield, Massachusetts, and spent much of her life in New York City, where she worked at Sesame Workshop and traveled frequently. After shifting into consulting, she and her family put down roots in Simsbury, drawn to the town for its excellent school system.
As executive director, Chrein is clear-eyed about both AMP’s potential and its challenges — particularly visibility.
“The big issue with AMP is how to get people to come here,” she said. “How do we get people to recognize Winsted as a destination?”
One goal is to introduce new elements and spaces that would provide a “happy place” for the community to gather, study, hold corporate meetings, host family events and celebrate milestones.
For Griesedieck, that evolution feels like a natural next step.
“I couldn’t be more excited that she has joined us as our new executive director and will bring some of these terrific ideas to life,” said Griesedieck.
Chrein said she is stepping into the role with urgency and humility, guided by the same sense of awe she felt on her first visit. Her aim, she said, is to make sure more people discover the space, share their stories and feel the same sense of connection she did when she first looked up at the mural.