Patrick Trettenero named Executive Director of The Stissing Center

Patrick Trettenero in front of The Stissing Center in Pine Plains.
Natalia Zukerman

Patrick Trettenero in front of The Stissing Center in Pine Plains.
The Stissing Center in Pine Plains announced the appointment of Patrick Trettenero as its new Executive Director. Trettenero, a seasoned storyteller with a diverse career in theater, film, television, and executive leadership, brings a wealth of experience to the role. His impressive background spans multiple industries, including arts production, creative direction, and fundraising. Having recently stepped down as President of the Board, Trettenero intimately understands the needs of the arts center and will be a valuable asset as it continues to expand its offerings and influence in the region.
A New York-based artist, Trettenero has made his mark in various creative roles. He has worked as an award-winning producer, director, writer, and mentor, and has honed his skills on both sides of the Atlantic, with projects in New York, Chicago, Los Angeles, and the UK. Early in his career, he served as artistic director of Chicago’s Cloud 42 theater, directing the premiere of “Late Night Catechism” which went on to stages in more than a dozen markets across the U.S. and UK, including its six-year Off Broadway run at St. Luke’s Theater. His Broadway credits include investments in “Next to Normal,” “Hedwig and the Angry Inch,” “1984,” and “Kimberly Akimbo.” Trettenero also spent 20 years at NBCUniversal, leading the creative agency “Brandworks” and producing Emmy-nominated telethons, branded content, and marketing campaigns. Most recently, he produced his first Broadway show, “Here Lies Love,” and only a month ago, closed an off-Broadway show he produced called, “Kafkaesque.”
As President of the Board at the Stissing Center for the last three years, Trettenero was instrumental in the growth and development of the organization. Trettenero shared, “It was an amazing experience. I’m so glad I was able to contribute to the growth of the organization, but I needed to clear my plate to start a job search.”
Trettenero had his last board meeting as President in early December when, just a few days later, he got the call. “So, I get a call from the Board saying, ‘we’re going to make a change, would you do this?’”
After a few days of contemplation, he accepted the role, ready to focus on the future of The Stissing Center. “I really need to focus on the future,” he explained. “The board felt confident that I had the skills to take on this role, and I’m excited about what’s ahead.”
Gwen Greene, the new President of the Board, shared, “Patrick worked side by side with Brett (Bernardini) during the latter’s tenure and is admired, respected, and beloved by our Pine Plains community. Going forward, I have no doubt we’ll do great things together for the community, for the arts, and for the amazing family that the Stissing Center has helped create.”
Though the center will have a period of adjustment, Trettenero is optimistic about the challenges and opportunities his new role presents. “It’s going to take a little while, but things are starting to calm down already,” he said. “Every transition is challenging, but I’m motivated by the love I have for this town and its people.”
Trettenero is committed to continuing the momentum of growth and ensuring that The Stissing Center remains a vibrant cultural hub for Pine Plains and the surrounding area. He emphasized the importance of balancing offerings for local residents, weekend visitors, and tourists alike. “We’re not for everyone, but we’re for anyone. There’s always room at the table at The Stissing Center,” he said.
With the 2025 programming already in place, Trettenero is focusing on increasing visibility and fundraising efforts. The first major event of the new season, “Fire and Ice,” will launch the season and offer a sneak peek at the diverse artistic programming to come. “It’s a chance for us to celebrate the exciting year ahead,” he said.
As he takes on the role of Executive Director, Patrick Trettenero is focused on the long-term vision: stabilizing and expanding the facility, fostering community partnerships, and raising the funds needed to complete critical infrastructure projects.
“I’m excited, relieved, and yes, a little terrified,” Trettenero admitted with a smile. “I’m hoping that what I can do is continue the momentum of growth and development and then, in a few years, hand it off to someone else to come in with a new perspective and a new approach, but always with the same mission, with the same focus on serving this community and this region.” Trettenero added, “I know I don’t have all the answers and I don’t pretend I’m going to be here forever, but at least for the foreseeable future.”
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.