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A small audience, including a very friendly golden retriever, reviewed Norfolk's natural resource inventory April 25.
Mike Cobb
A small audience, including a very friendly golden retriever, reviewed Norfolk's natural resource inventory April 25.
NORFOLK — On Thursday, April 25 at 5:30 p.m., The Norfolk Conservation Commission held its natural resource inventory discussion at the Norfolk Library to a small audience, including a very friendly golden retriever.
Appointed by the Board of Selectmen, the Norfolk Conservation Commission keeps an index of all open publicly or privately owned areas to obtain information on their proper use; conducts research into the use, and possible use, of land in Norfolk; administers gifts, and approves state grants for the use of open space land for conservation or recreation purpose.
Led by John Anderson, the discussion provided updates to the 2023 Natural Resource Inventory, outlined the chapters, including the “recommendations” section, and answered questions from the public.
When Anderson presented information on Norfolk’s wetlands, library director Ann Havemeyer asked, “what defines a bog?”
“It’s a highly acidic body of water with particular plants and animals that live there. For example, Sphagnum moss floats on top of water which allows plants to grow on top of that. Beckley Bog is a prime example in Norfolk,” Anderson answered.
He further described different types of wetlands in Norfolk and how they interact.
“Holleran swamp is attached to Wood Creek Pond, which extends into a swampy area. There’s enough soil that trees like Spruce and Fir can grow there.”
While viewing images of a beaver pond on the big screen, an audience member asked how beavers affect the landscape.
“Beavers make dams because they don’t like to spend a lot of time out of the water, though they will harvest wood from shrubs and trees. They’re trying to create more water for their food supply of aquatic plants,” Anderson said.
Anderson rated Norfolk’s groundwater as very good because of the filtering effect of heavy forest cover. However, the November 2022 Gas spill and the use of salt to defrost roads are concerning.
“We’re testing salinity in local freshwater supplies. We’ll test and decide what to do, for example to use less salt and alternatives,” he said.
Anderson also described how water is connected in Norfolk.
“Norfolk participated in a region wide study of how streams are connected. There’s a database evaluating stream road crossing and how it might affect wildlife. Recent storms have been more intense than in years past. Many culverts and bridges are not built for this. Climate change certainly plays a role,” he said.
Anderson moved swiftly through the massive amount of information and covered plantscape, with a focus on the trees and wildflowers of Norfolk including pictures of northern species that aren’t typically found elsewhere in Connecticut.
The inventory focused on large rather than old trees. “Great Mountain Forest had the largest red spruce in the state, but it was struck by lightning and died. It’s been made into the mantle at the Curling Club,” Anderson said.
Regarding wildlife, he said, “Norfolk is unusual in many ways. We have a really good bear, bobcat, and moose population and a lot of species that have been extricated and are now here such as wild turkeys and fisher cats. The bird population is strong with a few new species including Sand Hill cranes. Thanks to our forests we have Rough grouse. We’ve added sections on butterflies and moths with an extensive appendices of 650 species of moths.”
“We’re cold, northern and deserve the name of the Icebox. We have really good clean wetlands and forests,” he added.
Anderson also described how The Norfolk Land Trust and the historic work of private individuals such as Ted Childs have helped preserve large areas of land. The report contains maps showing the intersection of private and public protected land including trails for recreational activities.
Other topics included the importance of rural roads, dark night skies, the use of proper lighting, the effect of lighting in some animals’ ability to forage food, historic buildings and roads, and more. The appendix section provides detailed tables on all aspects of the inventory. Each section has a bibliography with information about the contributors.
“We’re fortunate to have had so many people do so much good work. It is exceptional,” Anderson said.
The report also made recommendations, such as education on climate change and ways the public can get involved. “We’re going to do a sale of native plants. There’s a movement to encourage more of that and grow plants that are natural to the area,” Anderson added.
Abstract art display in Wassaic for Upstate Art Weekend, July 18-21.
WASSAIC — Art enthusiasts from all over the country flocked to the Catskill Mountains and Hudson Valley to participate in Upstate Art Weekend, which ran from July 18 to July 21.
The event, which “celebrates the cultural vibrancy of Upstate New York”, included 145 different locations where visitors could enjoy and interact with art.
On Saturday, July 20, The Wassaic Project hosted numerous community events. Will Hutnick, the director of artistic programming, said “We’ve been a part of it since the beginning, this is the fifth year of UPAW.”
Most of the action was based at Maxon Mills, the seven-floor grain mill located in the heart of Wassaic. On exhibit was work from 30 artists, 18 of whom were past residents of The Wassaic Project. “Artists can come and do a residency here, meaning they live and work with one another for a couple months at a time,” Hutnick stated.
The first floor held work by Petra Szilagyi, who uses dirt and linseed oil to construct images of paranormal concepts, most of which include bats. They reflected that a recent trip to a fifth sense competition in Vietnam was the influence behind the exhibit.
Across the floor was Tiffany Smith’s interactive installation which incorporated plants and wicker chairs, all of which were objects associated with her Carribean upbringing. “The room being filled with plants is symbolic of hurricane prep which often included bringing the plants from outside into the house,” Smith said.
As visitors made their way up the narrow wooden stairs, music could be heard from behind the walls. The echoing music was Daniel Shieh’s installation, entitled Mother’s Anthem, which played a recording of the American Anthem in 30 languages. The languages ranged from Spanish and Italian to Navajo and Bengali.
Each floor was filled with artwork of all mediums, including painting, fibers, collage and photography. Rachel Bussières, who switched her concentration after watching the 2017 solar eclipse, uses varying light sources to produce lumen prints. During the wildfires, she recounted that she “made a new exposure each day to capture the changing air quality”.
Luciana Abait also incorporates the natural world into her pieces, instead using maps. An environmental activist originally from Argentina, Abait’s work highlights “environmental fragility, specifically the impacts it has on immigrants.” Her installation that is currently on display at Maxon Mills, takes the form of a mountain range built solely from maps of the US and Argentina.
Throughout the day, visitors could “Arm Wrestle 4 A Popsicle”. Winners had the choice of 3 playfully flavored trout-inspired popsicles - Nightcrawler, Power Bait, and Salmon Roe. Artist Katie Peck, who spent the day in costume as a rainbow trout, encouraged guests to step up and try their hand at an arm wrestle.
Shibori Indigo dyeing, group meditation, and dance workshops were open for community members of all ages as well.
While the daytime activities fostered appreciation of fixed art, a dance party until midnight at The Lantern Inn offered guests a space for performative art.
When describing the environment of The Wassaic Project, Smith emphasized, “It’s all community, it’s all love.”
A serene scene from the Amenia garden tour.
AMENIA — The much-anticipated annual Amenia Garden Tour drew a steady stream of visitors to admire five local gardens on Saturday, July 13, each one demonstrative of what a green thumb can do. An added advantage was the sense of community as neighbors and friends met along the way.
Each garden selected for the tour presented a different garden vibe. Phantom’s Rock, the garden of Wendy Goidel, offered a rocky terrain and a deep rock pool offering peaceful seclusion and anytime swims. Goidel graciously welcomed visitors and answered questions about the breathtaking setting.
Amenia Finance Director Charlie Miller welcomed visitors to his Bog Hollow Road garden in Wassaic, a manicured expansive yard with well-placed garden beds framing a far-reaching view. He said he plans carefully each winter for the next spring’s improvement.
The organic, environmentally responsible Maitri Farm was next, a lesson in coordinating agriculture with natural balance. The farm stand and a walk among the greenhouses brought visitors together.
Near the center of Amenia was the garden of Polly Pitts-Garvin, offering a chance to visit a robust vegetable garden with raised beds to be envious of and a remarkable absence of any insects or usual vegetable garden problems.
At Chez Cheese, the vast garden acreage surrounding the 1850s historic home of Joan Feeney and Bruce Phillips in Millerton, visitors could begin at refreshment stations where walking tour maps of the 15-acre property were available. There were streams and ponds with docks, and a dozen bridges arranged around the landscape. In the 19th-century, the property had been the home of the Wilson Cheese Factory, inspiring the name of the estate.
The Amenia Garden Tour was supported this year by Paley’s Garden Center in Sharon.
Gary Dodson working a tricky pool on the Schoharie Creek, hoping to lure something other than a rock bass from the depths.
PRATTSVILLE, N.Y. — The Schoharie Creek, a fabled Catskill trout stream, has suffered mightily in recent decades.
Between pressure from human development around the busy and popular Hunter Mountain ski area, serious flooding, and the fact that the stream’s east-west configuration means it gets the maximum amount of sunlight, the cool water required for trout habitat is simply not as available as in the old days.
This is not a new phenomenon. It does seem to be getting worse, though.
Gary Dodson and I convened where the creek makes its final run into the Schoharie reservoir, part of the New York City water supply system, on a semi-broiling Thursday afternoon, July 11.
The goal was simple. Catch smallmouth bass, which abound in the lower section of the river.
This was hot stuff — as in an 80-degree water temperature.
The air temperature was actually slightly less at 77.
After negotiating the intensely slippery rocks, festooned with treacherous algae, the first major pool presented several difficulties, with a back eddy competing with a main flow and several large trees draped about the whole thing.
I hit on the simplest strategy, which was to flip a weighted attractor fly called a Tequilley into the start of the eddy so it would proceed slowly but steadily into the maelstrom, sinking all the while.
This worked. A proper adult smallmouth, with bronze coloring and vertical stripes, took the thing.
The point-and-shoot camera finally died, however, and I was not going to try to fumble my phone out for a nice but routine fish photo.
Why not?
Because I guarantee the fish would have made a sudden, last-moment bolt for freedom, causing me to drop the device into the drink.
Gary moved downstream while I continued trying to annoy the residents of the pool, succeeding a couple of times with different colored Wooly Buggers.
Then we all got bored and I moved off, where Gary was catching rock bass and cussing them out for not being something else.
I have to admit, they are not the most compelling critters. Something about the red eyes.
This latest trip was dominated by extremely tedious and distasteful Harry Homeowner activities, but on both Wednesday and Thursday mornings I prowled Woodland Valley Creek. By “morning” I mean “dawn,” because that was when the water temps were down to a barely acceptable 64.
I made the acquaintance of several stocked browns and of a handful of their wild cousins. The wild fish are smaller and nimbler.
The successful ploy was an Adams wet fly, size 16, drifted behind something big, like a Parachute Adams or Stimulator.