‘Swift Night’ a hit at Housy

Daniel DeLong, a volunteer at Sharon Audubon, releases a rehabilitated swift, with the roosting chimney in the background.
Alec Linden
Daniel DeLong, a volunteer at Sharon Audubon, releases a rehabilitated swift, with the roosting chimney in the background.
FALLS VILLAGE — On the picturesque evening of Thursday, Aug. 21, the fields behind Housatonic Valley Regional High School were alive with the typical sounds of pre-season sports: the piercing whine of a coach’s whistle, the thud of shoulder pads crashing together on the football field, and the gruff commands from a captain. However, a different type of noise droned on behind the clamor from the gridiron: the twittering of chimney swifts, who swooped and pirouetted overhead before settling into their seasonal residence in the school’s long-defunct chimney.
There was also the addition of about 30 ornithologists, conservationists, volunteers and other bird-curious members of the public who had gathered to watch the swifts’ mesmerizing evening ritual and learn more about the unique species. The occasion was Swift Night, an annual event hosted by the Sharon Audubon Center that highlights the built-in connection between our region’s central educational institution and bird conservation.
“This is the sort of thing we live for,” said Eileen Fielding, director of Sharon Audubon Center, during her opening remarks as more birds flew in from the horizon to join the acrobatic group above. Despite two bald eagles perched above a distant field and the occasional shouts and laughter from a sports team finishing practice, the swifts’ agile display above held the group’s gaze skyward. “The swifts are the show,” said Fielding.
The HVRHS chimney is a “very important chimney for our regional swifts,” said Bethany Sheffer, naturalist and volunteer coordinator at Sharon Audubon, during her remarks. During their annual fall migration, fleeing the impending cold and heading for balmier climes in the Amazon River Basin, traveling groups of swifts roost collectively in large, defunct industrial chimneys for several weeks at a time. Each autumn, Sharon Audubon releases several dozen swifts it has rehabilitated at the chimney to join the migrating pack.
HVRHS science teacher Kurt Johnson has acted as the school’s liaison with Sharon Audubon for several years on the swift project, most recently installing an antenna to track newly-tagged birds as they pass near the school, either on their migration path or if they happen to return to settle in the area over the summer.
This year, Sharon Audubon placed tracking devices — “kind of like a backpack,” said Mackenzie Hunter, wildlife rehabilitation assistant at the Center – on about twenty of its rehabilitated swifts, joining a “continent wide effort” to “pinpoint” where to focus conservation efforts, explained Fielding.
Johnson has participated closely in Sharon Audubon’s efforts both with his family and with HVRHS’s student-led Local Environmental Action Group, whose motto is “thing globally, act locally.” He said the swift migration and tracking project offers students an opportunity to see “a tangible example of science in action.”
Swifts are a unique species in that they have both flourished and suffered from human intervention on the landscape. Unlike most other commonly seen bird species in New England, known as passerine or perching birds, swifts are not able to stand upright and can only cling to vertical surfaces. Prior to European colonization, they built their nests on the inner walls of hollow trees, however their numbers expanded when chimneys started popping up on the landscape.
Now, as out-of-use chimneys are being torn down en masse, these distinctive birds are losing their human-built homes while further development eats up the rest of their habitat. Sharon Audubon reports that their numbers have declined by nearly 70%.
Sharon Audubon is one of New England’s foremost rehabilitation centers for chimney swifts, taking in birds each summer from nests that have fallen into fireplaces or have otherwise been injured or abandoned. Sunny Kellner, who has been the wildlife rehabilitation manager at the Center for a decade, says it’s usually the first muggy and humid week that the hatchlings start coming in, the saliva-bound nests literally melted by the heat.
The Center also offers consultations for homeowners who find uninjured birds, which can be safely installed back into the chimney. Kellner said they make great houseguests by eating thousands of insects, and their nests have zero structural or functional effect on the chimney.
For Swift Night, Sharon Audubon staff brought out a surprise: over 40 rehabilitated swifts to be released into flock gyrating and twirling above the HVRHS chimney. Volunteers lined up to let the birds fly, holding their small bodies in gloved hands before giving a gentle toss. The birds took a moment to find their wings before giving a few powerful beats and banking upwards to join the rest of the aerialists.
As the last light faded from the sky, the swirling mass of hundreds of swifts slowly thinned as birds dove headfirst into the chimney, as if “sucked in by an invisible vacuum,” as Sheffer put it. Several night owls dwindled in the twilight, feasting on a late-night snack of insects, but before long the last stragglers had dropped into the vast brick chimney for another night’s rest.
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.