Thank you!
Your support is sustaining the future of local news in our communities.

Robert Cray’s soulful blues coming to Infinity Hall

Robert Cray’s soulful blues coming to Infinity Hall

Robert Cray

Photo provided

Blues legend Robert Cray will be bringing his stinging, funky guitar and soulful singing to Infinity Hall Norfolk on Friday, March 29.

A five-time Grammy winner, Cray has been inducted into the Blues Hall of Fame and earned The Americana Music Awards Lifetime Achievement for Performance. He has played with blues and rock icons including Albert Collins, Muddy Waters, John Lee Hooker, The Rolling Stones, Tina Turner, Eric Clapton and many more.

Active since 1974, The Robert Cray Band is highly regarded as one of the best groups performing Blues, Soul, R&B, Gospel and Rock n Roll with a sound that is modern while being rooted in classic styles. The group features Robert Cray on guitar and vocals, Richard Cousins on bass, Dover Weinberg on keyboards, and George Sluppick on drums.

With 20 albums to his name, his most recent record “That’s What I Heard” was released in February 2020 and was produced by Steve Jordan, the current drummer for The Rolling Stones. Jordan took over for legendary drummer Charlie Watts after Watts passed away in August 2021.

A legend in his own right, Jordan has performed with Joe Cocker, The Blues Brothers Band and movie (featuring John Belushi and Dan Akroyd), Stevie Wonder, The Saturday Night Live Band and Paul Shaffer and The World’s Most Dangerous Band, the house band for the David Letterman Show from 1982-1986. He has also been a member of Connecticut resident Keith Richard's group The Xpensive Winos since the mid 1980s.

About Cray’s talent, Jordan says, “People gravitate to his guitar playing first, but I think he’s one of the best singers I’ve heard in my life.”

When asked to describe his new record, with a laugh Cray says, “funky, cool and bad.”

Faithful to his Fender Stratocaster guitar, Cray plays with a distinctive, clean tone versus the overdriven sound typical of many blues rockers such as his 90s contemporary Stevie Ray Vaughn, who have an almost hard rock aesthetic. Cray’s playing is often sparse and lyrical, with an almost vocal tone.

The feel-good track “Anything You Want” from “That’s What I Heard” gets frequent airplay on area radio station 98.1 WKZE. With soulful vocals and warbly, tremolo guitar lines reminiscent of Pops Staples, it is an extremely catchy song that swings as much as its rocks. Live, it is sure to get audiences dancing.

His songwriting touches on relationships, love, and more recently the evergreen topic of peace. His song “What Would You Say” poses the simple but profound question:

What would you say, if we quit waging war,

And children fell safe asleep?

One of these days we may all learn to talk,

Over a table with something to eat

Cray’s current tour takes him throughout the USA and Europe with dates booked in Poland, Germany, Austria, Netherlands, Luxembourg, Belgium, Denmark, Switzerland, and back to the USA.

Long dormant, Infinity Hall Norfolk looks like it will be resuming more bookings, though not as much as in previous years. Well known for its stellar acoustics and beautiful, historical architecture, it is one of the better venues to see live performances in northwestern Connecticut and an important economic driver for downtown Norfolk.

Goodworks Productions took over just before the pandemic. Operational expenses and staffing have been as challenging for Infinity as they are elsewhere in the region.

Norfolk and area residents yearn for more concerts at the venue. With less on offer, shows at Infinity are proving popular as the only act in town. Cray’s performance is sure to sell out.

For tickets and information go to www.infinityhall.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.