WINSTED — Under a mandate to do so from the state, the Winchester Board of Selectmen still has not developed a plan to provide the minimum funding required for this year’s school budget.Selectmen did not vote on how to fund the 2011-12 minimum budget requirement (MBR) during their meeting on Monday, Feb. 6. Instead, the board authorized Town Manager Dale Martin to meet with Town Attorney Kevin Nelligan to discuss the issue.The vote on the measure was five to two and was along political party lines, with Democratic Mayor Maryann Welcome and selectmen George Closson, Michael Renzullo, Candy Perez and James DiVita all voting for the motion.Republican selectmen Ken Fracasso and Glenn Albanesius voted against the motion.History of the MBRThe approved action by the selectmen is just the latest on what has become a long-running saga on the approved town budget for fiscal 2011-2012.In late May, town voters approved a budget set forth by the selectmen that set education funding at $18,600,000, which is $1,358,149 below the state-mandated MBR.In August, Brian Mahoney, chief financial officer for the state Department of Education, told the town it was not compliant with the MBR and asked for the town to come up with the remaining funds.In late November, the newly elected democratic majority on the Board of Selectmen approved a motion by Perez to fully fund the MBR.However, Perez put in her motion that town officials would be required to meet with Board of Education members and state officials to make sure that the school district is using proper accounting procedures and to address any financial discrepancies.Perez made the addition to her motion due to the release in November of an audit of the school system’s 2009-2010 fiscal year.The audit showed that as much as $636,000 in spending was not properly documented by the school district.In early December at a Board of Education meeting, Superintendent of Schools Thomas Danehy said the school district could prove the funds were properly spent. Danehy said the money was part of $1.1 million in American Recovery and Reinvestment Act (ARRA) funds that the school spent on salary payments to employees.As of Monday, almost six months after Mahoney told the town they were not compliant with the MBR, and almost four months after the Board of Selectmen voted to fund the MBR, the selectmen still did not reach a decision on how to fund it.Discussion at meetingAt the meeting, Town Attorney Nelligan told the selectmen that he had not been authorized by the town to research the issue and consult with Town Manager Martin.“You have not made any formal motion to do this,” Nelligan told the selectmen. “Obviously, I have thought about it. It has been hanging over you for months and months.”“I was working under the impression that both you and Dale were working to understand how to go about this,” Mayor Welcome told Nelligan.As part of the proposal, Martin presented a draft funding plan that would amend the budget by taking funds from budget-line items to fund the MBR.The draft funding plan was not directly voted on by the selectmen, but rather was given to the board by Martin as a “framework” for a potential future plan.In Martin’s draft funding plan, the funds to meet the MBR would come from a contingency line from the town’s fund balance of $735,000 and various available funds from budget lines and town departments.Also, payments to agencies outside of the town would receive reduced funding, including Foothills Visiting Nurses, Camp Lark, the Youth Service Bureau, the Susan B. Anthony Project, The Chore Service and other several agencies.Despite this, Martin said the town would still come up $54,000 short of funding the MBR if the “framework” was approved as is.Selectman Fracasso then brought up the issue of the estimated $636,000 that was allegedly not properly documented by the school district in school year 2009-2010.“When our auditor was here a few weeks ago, she was asked that, if the school district misappropriated funds in 2009-2010, what are the chances that this also happened in 2010-2011,” Fracasso said. “She said that if it happened in 2009-2010, then it probably happened in 2010-2011. If we are looking at $1.3 million we cannot account for, will we have to pony all of it up? Does this mean we will have to issue a supplemental tax? If we take all of this money that we are talking about tonight, I don’t think we will have anything let in the town coffers.”“We are going to have to spend it,” Mayor Welcome said. “The previous board decided to underfund the MBR, which is why we are in the position that we are in now.”“No, the taxpayers are the ones who voted on the budget,” Fracasso said. “We just put the budget forward.”Fracasso asked Nelligan to research whether it was legal for the Board of Selectmen to overturn a town budget once residents have approved it.Nelligan said he would research the issue.
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The organic runway at HVSFW puts sustainable style among the apple trees at Stone Ridge Orchard.
Jay Ballesteros
That’s the question behind Hudson Valley Sustainable Fashion Week[end], a two-day celebration of sustainable style, local makers and the possibilities of keeping clothing in circulation. The weekend lands at Stone Ridge Orchard, a 200-year-old working farm, on Sept. 25 and 26, pairing an evening fashion show with a new all-ages Slow Fashion Fair.
“To me, slow fashion means intentional fashion. Careful, thoughtful, human,” said Joanne Louis-Paul, the event’s communications director. “Slow fashion is the speed at which one person can sew an intricately detailed dress. It’s taking the time to go to a thrift store or clothing swap and sifting through an unknown bounty of possibilities. It’s extending the life of a piece of clothing for as long as possible.”
In everyday terms, she said, “It’s stopping to think before purchasing anything or giving anything away.”
Friday’s fourth annual Organic Runway brings Hudson Valley designers to the farm for a sunset showcase of garments made from repurposed textiles and produced locally. Designers include Clare Bare, ennui, Kacy Coyle, KNUD, la vie après l’amour, Last Night on Earth, So Vicki and Touch Threads. The evening runs from 4 to 8 p.m., giving attendees time to pick apples and sip local cider before settling in for the runway.
“We’re all about the whimsy here at HVSFW,” Louis-Paul said. “The runway is so incredibly dreamy. Being outside makes for an unpredictable, one-of-a-kind backdrop every year, and there’s just nothing like that sunset glow.”
Models walk the organic runway at HVSFW. Ilan Harel
The unlikely pairing of fashion and farming is also part of the point.
“Once you’re sitting amongst the apple trees, you realize how much sense it makes to mend the relationship between fashion and nature,” she said.
Saturday introduces the inaugural Slow Fashion Fair, from 11 a.m. to 5 p.m., with workshops, mending, fiber art, vendors, music, eco-friendly kids’ crafts and a clothing swap. There will even be sheep.
“We wanted to have a fair so we could invite more people in the eco-friendly ecosystem into the fold,” Louis-Paul said. “We get to highlight not only designers, but makers and artisans of all kinds.”
The organizers hope the fair appeals not only to people already thinking about climate and sustainability but also to those encountering the ideas for the first time. With mending, a clothing swap and hands-on workshops, the emphasis is on showing visitors things they can actually do.
“There are so many things anyone can start doing today,” Louis-Paul said. “From something as simple as sewing a patch onto a stain or tear to hosting a mini clothing swap at your house with friends and family, there are tons of ways to engage with your wardrobe more thoughtfully.”
She speaks from experience. Before becoming involved with the event, she said, secondhand shopping held little appeal.
“As someone who never liked the idea of thrifting, I am now completely sold on circular fashion,” she said. “I recently sewed a broken strap on a dress I got at a clothing swap, and I felt so accomplished! Being in this world has shown me that conscious consumption is attainable and fun.”
But behind the fun is a serious concern about what happens to clothing once consumers decide they no longer want it.
“Just because you throw it away doesn’t mean it goes away,” she said, pointing to discarded clothing accumulating in other parts of the world and the microplastics shed by synthetic fabrics. “The planet and people are suffering because of this throwaway culture we’ve adopted. If an outfit is new but super cheap, believe there’s a high cost to someone else.”
For more information and tickets, visit hvsfw.org
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
She has been creating lampshades for 25 years and has settled in Ashley Falls, where she is renovating a barn behind her house for a larger studio. Her mission: “Changing the view on plain white lampshades, one at a time!”
Besides using marbled paper, she uses papyrus, silk and hand-painted papers for the shades.
Shandell’s on Main Street, offers a large selection of marbled decorative home items on its website — trays, coasters and bookends, to name a few — as well as scarves and belts. Schneider will also customize items and creates custom wallpaper, gifts and favors for weddings and special events. She offers consultations by appointment.
Schneider explained how she began making lampshades.
“I was in business as an antiques and textile dealer, needing lampshades at the time (the early 1990s). I had a dealer who used to make lampshades. She was moving and sold me everything she had in her barn for making them. Arcs, templates for lampshades, and tools.”
Schneider used the marbled paper from the endpapers of old books to make small lampshades.
“I collected those voraciously.”
The papers were too small for the larger lampshades she wanted to make. To get paper in the size she needed, she decided to learn how to marble.
That was 10 years ago. She now has 20 tanks for marbling, including one 10-foot tank that allows her to make 3 yards of fabric at a time.
As she demonstrated the marbling process, making covers for journals, it was easy to see why she “got hooked.”
Susan Schneider, owner of Shandell’s, creates a variety of products with marbleized surfaces in her Ashley Falls studio.L. Tomaino
She explained that marbling takes a couple of days of preparation. She prepares water mixed with carrageenan the night before so that it thickens and becomes a viscous liquid onto which the acrylic paints can be dropped. Paper or fabric must also be prepared with alum, which “makes the paint stick,” she said, a day or two ahead of time.
When she was ready to start, Schneider first used a level to make sure the tank was even. Then she pulled a squeegee across the surface of the carrageenan mixture to break the surface tension, followed by strips of newsprint for the same purpose. She also dipped small pieces of newsprint into the mixture.
“The hardest thing to teach people is to break the surface tension first,” she noted.
Next, she used droppers to place rows of paint onto the mixture.
“It’s a joyful process,” she said as she chose more colors. “It’s totally the pleasure of the colors.”
She explained, “The colors are stopped from spreading by the surface tension.”
Then she added newsprint around the edges of the tank to break the tension again and added another layer of color. Next, she used a marbling comb, slowly dragging it back and forth across the width of the tank to create a feather-like design.
Combs come in many sizes, with teeth spaced at different intervals and in different patterns. She chose another comb to drag through the length of the tank, making the design more intricate before laying two pieces of paper on the surface. After a second or two, she lifted them, perfectly capturing the pattern, and carried them to the sink for a rinse with water.
Once she squeegeed away the paint left in the tank, she was ready to begin the process again.
Next, she created a different type of design, dripping colors in a less ordered array, then twirling them into curving lines and circles with a thin rod.
When the surface was ready, she laid a journal cover on top, then lifted it out, covered in a vibrant pattern of swirling colors.
For observers, the process can seem magical.
Schneider loves to share the delight of marbling by teaching classes at Dewey Hall in Sheffield. Upcoming classes will be held Nov. 20, 21 and 22. Beginning in November, she will also offer private classes in her home studio. Schneider had never pictured herself having a business like Shandell’s, but she discovered a passion for creating, as she says, “things that make you smile.”
For more information about her work and upcoming classes or to contact her for a consultation, visit shandells.com.
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Muriel Stockdale, left, and judge Roger McKee during the awards announcement at the juried art show at Trinity Episcopal Church. Stockdale\u2019s \u201cKevin\u201d was the second place winner.
Patrick L. Sullivan
Organizer Theresa Kenny said the show attracted some 66 artists, 10 of whom were new to the show.
Judge Roger McKee, who recently retired as an art teacher at Salisbury School, said of the winning work, “The technical mastery here is overwhelming.”
Roger McKee naming the winners with the first place entry over his left shoulder. Patrick L. Sullivan
Hwang was unable to attend the reception, but the second- and third-place finishers were on hand.
Second place went to Muriel Stockdale’s “Kevin.” McKee said the piece “has just enough to be compelling without getting too caught up in the details.”
Muriel Stockdale’s “Kevin” took second place in the juried art show at Trinity Episcopal Church.Patrick L. Sullivan
Joan Macfarlane’s “Branching Out” was the third-place winner. McKee described the piece as “a compelling balance of realism and interpretation.”
McKee and Emily Cox served as judges. Cox could not attend the reception, but McKee said they began their work by looking at the entire show, then went through it a second time, taking photos with their phones of the standout pieces before comparing notes.
“There was a lot of overlap,” he said. “We argued a little bit and then came to an agreement.”
The show is open for viewing Saturday and Sunday, Sept. 26 and 27, from noon to 4 p.m.
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